Philine von Sell Made in Germany
Pressedownload
Der Pressedownload darf nur im Zusammenhang mit einer Buchbesprechung verwendet werden. Für die Illustration einer Buchbesprechung können nur bis zu drei Bilder genutzt werden. Für andere Textformate und Nutzungszwecke (wissenschaftliche Vorträge, Werbung oder ähnliches) bitten wir Sie, vorab mit uns in Kontakt zu treten, um mögliche Fragen zu Honorarkosten, Nutzungsund Urheberrechten zu klären. Die bereitgestellten Bilddaten dürfen nicht manipuliert, beschnitten oder zweckentfremdet verwendet werden. Die Pressebilder dürfen nur mit dem vollständigen Bildtitel, dem Namen des Künstlers und/oder Urhebers sowie mit dem Hinweis auf den Hatje Cantz Verlag veröffentlicht werden. Bitte beachten Sie außerdem im Einzelfall die Reproduktionsbedingungen der VG Bild-Kunst Bonn bzw. der internationalen Verwertungsgesellschaften für Bildende Kunst.
Philine von Sell
Philine von Sell (*1963 in Hamburg) has been working as an author and director in advertising and film for twenty years. Her independent photography projects are distinguished by their realism and the way they deal with contemporary, socially relevant issues.In her photo series Made in Germany, which she began in 2006, von Sell explores Germany as a business location, examining the industrial heart of the country: modern production facilities. She visited a series of leading German companies, where she looked for motifs in the daily routine of manufacturing processes. Hers are not the customary kinds of photographs of factories, but rather abstract images of alluring beauty that first have to be deciphered.
Philine von Sell (*1963 in Hamburg) has been working as an author and director in advertising and film for twenty years. Her independent photography projects are distinguished by their realism and the way they deal with contemporary, socially relevant issues.In her photo series Made in Germany, which she began in 2006, von Sell explores Germany as a business location, examining the industrial heart of the country: modern production facilities. She visited a series of leading German companies, where she looked for motifs in the daily routine of manufacturing processes. Hers are not the customary kinds of photographs of factories, but rather abstract images of alluring beauty that first have to be deciphered.
