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Elizaveta Porodina
UN/MASKED
€ 48,00
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Edited by: Nadine Barth
Designed by: Julia Wagner, grafikanstalt
Artist: Elizaveta Porodina
Texts by: Fabien Baron
Englisch
March 2022, 160 Pages
, 150 Photos
Hardcover
250mm x
310mm
ISBN:978-3-7757-5246-6
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Porodina’s early years were impacted by the brutalist buildings in Moscow and her mother who introduced her daughter to art. Stored in her unconscious, art became the extension and expression of “her self," implying that every single one of her photographs is a self-portrait. Art became—and still is—an inevitable, and inseparable, part of her. Porodina’s academic upbringing in post-Soviet Russia and her interest in emotional behavior led her to study clinical psychology. This background and her striving towards greater understanding of herself, her environment, and others, informed her move to photography. It became a frame by which she is not limited—photography is just another medium that allows to stimulate the mind by showing, rather than by speaking, since the unconscious is not verbal either.
ELIZAVETA PORODINA (*1987, Moscow) is a Russian artist, photographer, and psychologist known for her surrealist themes and use of symbolism. She lives and works in Germany. Her clients include Dior, Carolina Herrera, Jo Malone, Moncler, Vogue, among others.
ELIZAVETA PORODINA (*1987, Moscow) is a Russian artist, photographer, and psychologist known for her surrealist themes and use of symbolism. She lives and works in Germany. Her clients include Dior, Carolina Herrera, Jo Malone, Moncler, Vogue, among others.
»Hatje Cantz hat ein Buch mit den Bildern der Münchener Fotografin Elizaveta Porodina gemacht, das heißt "Unmasked", und wer darin blättert, geht dabei auf einen unwahrscheinlichen, aber faszinierenden Trip von Modefotos wie aus der "Vogue" in das Traumtagebuch einer Farbfetischistin, die nachts aus schimmernden Benzinpfützen trinkt, dann wieder durch ein Museum mit Schwarz-Weiß-Schätzen aus den Zwanzigern und schließlich zu idealen Plattencovern für Bands, die ungefähr klingen müssten wie die mittleren The Cure in weiblich. «
Peter Richter
Süddeutsche Zeitung
»Modefotografin Elizaveta Porodina sieht mehr als ein Geschlecht«
Deutschlandfunk
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