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Maria Lassnig
In the Mirror of Possibility. Watercolors and Drawings from 1947 to Today
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Edited by: Julia Friedrich
Texts by: Julia Friedrich, Elisabeth Bronfen, Oswald Wiener
Vorwort von: Kasper König
German, English
March 2009, 248 Pages
, 107 Photos
clothbound
219mm x
246mm
ISBN:978-3-7757-2418-0
For the 90th birthday of Austrian artist Maria Lassnig: a retrospective of her watercolors and drawings, which, today as 60 years ago, can be seen as a mirror of herself.
There are not many twentieth-century artists who have managed to maintain an international reputation for decades on end—the Austrian artist Maria Lassnig (*1919) is one of them. She has painted and drawn for over sixty years, and the freshness and expressive power in particular of her late work is striking. She succeeds in capturing her emotions—sometimes seriously, sometimes humorously—on canvas and paper.
This volume addresses itself to her very personal and direct drawings and watercolors. Their spectrum ranges from Maria Lassnig’s informal drawings from the forties, her “body sensation drawings,” and her New York animated films to the more painterly forms in her watercolors from the eighties and nineties. The book’s main focus, however, is on the artist’s most recent works, in which she combines simple pencil drawings with loud, often lurid backgrounds in a baffling way. Today, just as it did sixty years ago, for Lassnig, paper serves as a corrective, as a mirror of her Self.
Exhibition schedule: Museum Ludwig, Cologne, March 14–June 14, 2009
This volume addresses itself to her very personal and direct drawings and watercolors. Their spectrum ranges from Maria Lassnig’s informal drawings from the forties, her “body sensation drawings,” and her New York animated films to the more painterly forms in her watercolors from the eighties and nineties. The book’s main focus, however, is on the artist’s most recent works, in which she combines simple pencil drawings with loud, often lurid backgrounds in a baffling way. Today, just as it did sixty years ago, for Lassnig, paper serves as a corrective, as a mirror of her Self.
Exhibition schedule: Museum Ludwig, Cologne, March 14–June 14, 2009
»Der liebevoll gestaltete Band lässt erkennen, wie Lassnig von ihren bekannten ›Körpergefühlszeichnungen‹ bis zu ihrem sprühenden Spätwerk ihrer eigenen, fragil-sensiblen Handschrift treu geblieben ist.«
Rheinischer Merkur
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