Coverbild Jalal Toufic
Ein Buchcover mit blassgelbem Hintergrund. In schwarzer, dünner Schrift steht oben links Nº011 und darunter der Name Jalal Toufic.
Ein blassgelbes Cover mit dem Namen Jalal Toufic in dünner, schwarzer Schrift. Oben links steht Nº011.
Jalal Toufic
Poes »Das Ovale Porträt«, mit den Augen eines Engels gelesen und umgeschrieben(dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 011)
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Author: Jalal Toufic
Deutsch
December 2023, 24 Pages , 1 Photos
e-book
ISBN:978-3-7757-4985-5

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10629 Berlin
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E-Mail: contact@hatjecantz.de

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In the second edition of his book (Vampires): An Uneasy Essay on the Undead in Film (2003), Jalal Toufic notes: “I was for years concerned with schizophrenia and with schizophrenics, who appeared in my Credits Included: A Video in Red and Green, 1995; and I am now interested in ‘the little girl,’ whom I expect to appear in my coming vampire film. . . . At one level, the Thirteenth Series in Gilles Deleuze’s The Logic of Sense, 1969, ‘The Schizophrenic and the Little Girl,’ can thus be retrospectively viewed as a program for the work of a decade on my part.” In this new essay, he writes on the portrait of the pubescent girl, including in Poe’s “The Oval Portrait.” “The successful portrait of a pubescent girl is not a rite of passage but a rite of non-passage; what needs a rite is not passage, which is the natural state (at least for historical societies), but non-passage, the radical differentiation between the before, in this case a pubescent girl, and the after, a woman.” From the portrait of the pubescent girl, Toufic moves to the portrait in general and its paradigmatic relation to the angel; thus the title of this notebook: Reading, Rewriting Poe’s “The Oval Portrait”—Angelically.

Most of Jalal Toufic’s books are available for download as PDF files at his website: www.jalaltoufic.com.

 

Language: German/English
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»Die Schönheit der Heftchen liegt in ihrer Fülle, ihrer Spontaneität. Jede Sortierungsmaßnahme: zwecklos.«
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