Coverbild Frank Gaudlitz
Frank Gaudlitz
Casa Mare
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Edited by: Deutsches Kulturforum östliches Europa Koordinierung Ostmittel- und Südosteuropa
Texts by: Karl-Markus Gauß, Matthias Flügge
Deutsch, Englisch
October 2009, 176 Pages , 76 Photos
hardcover
253mm x 301mm
ISBN:978-3-7757-2492-0

HATJE CANTZ VERLAG
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10629 Berlin
Germany
E-Mail: contact@hatjecantz.de

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Frank Gaudlitz (*1958 in Vetschau) became known with his photo project Warten auf Europa (Waiting for Europe), in which he traveled along the Danube River from the Black Forest to the Black Sea, photographing portraits of people he happened to meet on the way. In a deliberately contrasting new series, Casa mare, Gaudlitz asked people in southern and central Eastern Europe to pose for him in their living rooms, dressed in their most festive clothing. For these sessions, most people opened up the best room in the house—the parlor, usually reserved for formal occasions and often elaborately decorated with carpets, religious icons, curtains and family photographs. The clothing worn by the people in the portraits reveals something about their different ideas of beauty as well as about their social status. In this series, Gaudlitz shows us different cultural traditions that are threatened due to the eastward expansion of the European Union. Some of the destinations visited by Gaudlitz on his photographic search, which is presented in this publication with essays by Matthias Flügge and Karl-Markus Gauß, were southern Transdanubia in Hungary, Vojvodina in Serbia, Transylvania and Dobrudja in Romania, and Bessarabia in the Republic of Moldavia.
 
Exhibition schedule: Galerie Haus 23, Cottbus, November 6–December 5, 2009 | Guardini Stiftung, Berlin, April 21–June 13, 2010
»Ein spannender Beitrag über europäische Kultur.«
fotoforum
»Wer sind diese Menschen, die vor wenigen Jahren Bürger der EU wurden oder es noch werden wollen? Wie leben sie? Was unterscheidet sie? Der Fotograf Frank Gaudlitz hat sich für seinen Fotoband ›Casa mare‹ auf die Suche nach Antworten gemacht. [...] Dabei entstanden eindrucksvolle, anrührende Bilder, die vom Glauben erzählen, von der Liebe zum Wandteppich, von Armut, von Hoffnung auf Wohlstand - und vom Aufbruch in die Moderne der Europäischen Union.«
Der Spiegel
»Mit seiner Serie macht Gaudlitz verschiedene kulturelle Traditionen sichtbar, die mit der EU-Osterweiterung zu verschwinden drohen.«
Deutsche Gesellschaft für Photographie
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