From monumental industrial architecture to the interiors of strange machines, from night views of cities flickering like active volcanoes to gleaming high-tech laboratories, from neat boxes of fruits or vegetables to the sprawling agro-industrial farmlandCarlo Valsecchi (* 1965) lives in Milan. Carlo Valsecchi alternates between the near and the far, between precise figuration and poetic abstraction. His large-format photographs, devoid of human presence, often take unexpected vantage points, which, while initially destabilizing our perception, then encourage us to engage more actively with the image.

Although much of his work is clearly within the strong tradition of the industrial landscape developed by the German school (Becher, Gursky), Valsecchi has found his own expressive register, tending toward the monochrome.Carlo Valsecchi (* 1965) lives in Milan. Carlo Valsecchi alternates between the near and the far, between precise figuration and poetic abstraction. His large-format photographs, devoid of human presence, often take unexpected vantage points, which, while initially destabilizing our perception, then encourage us to engage more actively with the image.

Although much of his work is clearly within the strong tradition of the industrial landscape developed by the German school (Becher, Gursky), Valsecchi has found his own expressive register, tending toward the monochrome.