ZusammenSpiel Tabea Blumenschein – Ulrike Ottinger

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Edited by: Berlinische Galerie Author: Ulrike Ottinger German, English 2022, 576 Pages, 500 Ills. Two volumes in a slipcasevolume 1: tabea blumenscheinvolume 2: ulrike ottinger 305mm x 210mm
ISBN: 978-3-7757-5243-5
| West Berlin Avant-Garde

“She, a woman of high beauty, created like no other to be Medea, Madonna, Iphigenia, Aspasia, decided one sunny winter day to escape her loneliness and to leave La Rotonda. She bought a ticket ‘Aller jamais retour. Berlin Tegel’.” This is the opening scene of Ulrike Ottinger’s momentous 1979 film Ticket of No Return—the woman of high beauty was Tabea Blumenschein. Unconcerned by all conventions, Blumenschein adored transformation: in a distinctive, avant-garde aesthetic, the two women embraced various different identities and challenged many norms, in the process revealing the performativity of gender. Initiating a dialog between the two artists’ perspectives, these books bring together for the first time Blumenschein’s drawings with Ottinger’s photographs from their joint performance sessions.

ULRIKE OTTINGER (*1942) is one of the most important German filmmakers. Moving to Berlin in 1973, she became a pioneer of avant-garde cinematography. Ottinger’s photographic works, feature films and documentaries have been shown at major international festivals and retrospectives, including the MoMa in New York, Berlinale, the Documenta and the Venice Biennale.

TABEA BLUMENSCHEIN (1952–2020) was a cult figure of West Berlin’s queer feminist subculture in the 1970s and 80s. For about ten years, she played a key role in Ottinger’s films as leading actress and costume designer, and was part of legendary avantgarde punk collective Die tödliche Doris. In the 1990s she withdrew from the public, yet remained active as an artist until her death.
EXHIBITION
Berlinische Galerie
July 15–October 31, 2022

Kunsthaus Hamburg
Eccentric 80s
March 25–May 21, 2023