Yishay Garbasz In My Mother's Footsteps
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Yishay Garbasz
British-Israeli photographer Yishay Garbasz uses a bulky large-format camera “to force herself to slow down.” Her project In My Mother’s Footsteps is an exploration of the inheritance of memory as well as a healing process. Garbasz’s mother was born in Berlin in 1929 and fled from the Nazis with her family to Holland in 1933. In 1942, at the age of fourteen, she was incarcerated and deported to Westerbork, then to Theresienstadt. Via Auschwitz-Birkenau, she arrived in Christianstadt and was sent in April 1945 on one of the infamous death marches to the Bergen-Belsen concentration camp, where she was liberated by British forces.In the making of this project, Garbasz traced her mother’s path for a year, often on foot, over long distances. The large camera forced her to spend time at each location, letting the image come to her, opening herself and the lens to what was there, admitting her own vulnerability.The photographer was able to present the series to her mother, who died just a short while after its completion.Exhibition schedule:Tokyo Wonder Site and Wako Works of Art, Tokyo, opening April 2009 | Northwood University International Creativity Conference, April 2010
British-Israeli photographer Yishay Garbasz uses a bulky large-format camera “to force herself to slow down.” Her project In My Mother’s Footsteps is an exploration of the inheritance of memory as well as a healing process. Garbasz’s mother was born in Berlin in 1929 and fled from the Nazis with her family to Holland in 1933. In 1942, at the age of fourteen, she was incarcerated and deported to Westerbork, then to Theresienstadt. Via Auschwitz-Birkenau, she arrived in Christianstadt and was sent in April 1945 on one of the infamous death marches to the Bergen-Belsen concentration camp, where she was liberated by British forces.In the making of this project, Garbasz traced her mother’s path for a year, often on foot, over long distances. The large camera forced her to spend time at each location, letting the image come to her, opening herself and the lens to what was there, admitting her own vulnerability.The photographer was able to present the series to her mother, who died just a short while after its completion.Exhibition schedule:Tokyo Wonder Site and Wako Works of Art, Tokyo, opening April 2009 | Northwood University International Creativity Conference, April 2010
»Garbasz offers a different approach to Holocaust rememberance, using her camera the way a good painter uses a canvas. Then she uses the words from the story her mother wrote to give the background of what we are seeing. The result is powerful.«
Susan Jacobs, The Jewish Journal
