Warhol in China

€ 19.95

The book is out of print. It may be available from ZVAB or other second-hand book portals.

Warhol in China

Foreword by Ai Weiwei, text(s) by Michael Frahm, Tony Godfrey, Nicholas Chambers, contributions by Jeffrey Deitch, Andy Warhol, graphic design by Peter Willberg

English, Chinese

2013. 312 pp., 420 ills.

half cloth

27.50 x 31.90 cm

ISBN 978-3-7757-3662-6

Mass production as a means of artistic expression—Warhol meets Made in China

When Andy Warhol (1928–1987) flew to Beijing via Hong Kong in 1982 and captured his impressions in brief journal entries while at the same time taking a host of photographs, he encountered a capital that displayed hardly any commercial influences and was on the verge of an enormous transition. At this decisive turning point, Warhol succeeded in producing images that besides their artistic value also have documentary merit. Following the dramatic upheaval brought about by the Cultural Revolution, it was not until after Mao’s death in 1976 and the careful opening of the country that an art scene was able to emerge in the vast, tightly controlled empire in which the entire population had been forced into line. New artistic strategies and materials found their way into China; The Stars, a group of artists to which Ai Weiwei also belonged, offensively processed influences by Andy Warhol and other protagonists of Pop Art in their work. Warhol’s silkscreen print Mao (1972), reproduced millions of times, became their point of departure for a critical artistic examination of the symbols of the communist government.

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