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Taro Izumi
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Cover: Taro Izumi

Cover: Taro Izumi
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Sphinx 2018, performance, My eyes are not in the centre, White Rainbow, London, 2018

Sphinx 2018, performance, My eyes are not in the centre, White Rainbow, London, 2018
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©Taro Izumi. Courtesy White Rainbow, London and Take Ninagawa, Tokyo. Photography: Yukitaka Amemiya
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Detail of: Spring is between Winter and Summer, sleeping is between Spring and early Summer 2018, stage set with plants, fruit, drinks, and beach apparel, video projection and video on monitors dimensions variable, My eyes are not in the centre, White Rai

Detail of: Spring is between Winter and Summer, sleeping is between Spring and early Summer 2018, stage set with plants, fruit, drinks, and beach apparel, video projection and video on monitors dimensions variable, My eyes are not in the centre, White Rai
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©Taro Izumi. Courtesy White Rainbow, London and Take Ninagawa, Tokyo. Photography: Damian Griffiths
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Spring is between Winter and Summer, sleeping is between Spring and early Summer 2018, stage set with plants, fruit, drinks, and beach apparel, video projection and video on monitors dimensions variable, My eyes are not in the centre, White Rainbow, Londo

Spring is between Winter and Summer, sleeping is between Spring and early Summer 2018, stage set with plants, fruit, drinks, and beach apparel, video projection and video on monitors dimensions variable, My eyes are not in the centre, White Rainbow, Londo
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2500 x 1664 Pixel
©Taro Izumi. Courtesy White Rainbow, London and Take Ninagawa, Tokyo. Photography: Damian Griffiths
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Installation view of Tickled in a dream…maybe? 2017, assembly of various elements, wood, metal, various objects, fabrics. Light bulb accompanied by a double video projection, dimensions variable, Pan at Palais de Tokyo, Paris, 2017. Exhibition supported b

Installation view of Tickled in a dream…maybe? 2017, assembly of various elements, wood, metal, various objects, fabrics. Light bulb accompanied by a double video projection, dimensions variable, Pan at Palais de Tokyo, Paris, 2017. Exhibition supported b
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©︎ Taro Izumi, courtesy of Galerie Georges-Philippe & Nathalie Vallois, Paris, and Take Ninagawa, Tokyo
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*Taking a river nerve 2017, wooden structure with metal wheels, leaves made of gouached paper, various objects, and TV on wooden structure, video, dimensions variable Installation view of “Night Lie” at Galerie Georges-Phillipe & Nathalie Vallois, Paris,

*Taking a river nerve 2017, wooden structure with metal wheels, leaves made of gouached paper, various objects, and TV on wooden structure, video, dimensions variable Installation view of “Night Lie” at Galerie Georges-Phillipe & Nathalie Vallois, Paris,
JPG-Format (1.288 KB)
1267 x 1899 Pixel
Photo by Aurélien Mole; ©︎ Taro Izumi, Courtesy of Georges-Phillipe & Nathalie Vallois, Paris, and Take Ninagawa, Tokyo
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Old Name, or: Sorry, It’s Already Taken 2018, 6 channel video, dimensions variable TARO IZUMI A Child Suddenly, at 21st Century Museum of Contemporary Art, Kanazawa, 2018 Photo by Nobutada Omote

Old Name, or: Sorry, It’s Already Taken 2018, 6 channel video, dimensions variable TARO IZUMI A Child Suddenly, at 21st Century Museum of Contemporary Art, Kanazawa, 2018 Photo by Nobutada Omote
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©︎ Taro Izumi, courtesy of 21st Century Museum of Contemporary Art, Kanazawa, and Take Ninagawa, Tokyo
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Untitled 2012, sculpture / video, Real Japanesque: The Unique World of Japanese Contemporary Art , at the National Museum of Art, Osaka, 2012

Untitled 2012, sculpture / video, Real Japanesque: The Unique World of Japanese Contemporary Art , at the National Museum of Art, Osaka, 2012
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Photo by Nobutada Omote; © Taro Izumi, courtesy of the National Museum of Art, Osaka, and Take Ninagawa, Tokyo
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Little Cammy 2010, mixed media installation / video, Kneading, curated by Hitoshi Nakano at Kanagawa Prefectural Gallery, Yokohama, 2010

Little Cammy 2010, mixed media installation / video, Kneading, curated by Hitoshi Nakano at Kanagawa Prefectural Gallery, Yokohama, 2010
JPG-Format (3.233 KB)
2500 x 1663 Pixel
Photo by Yuichiro Tanaka Organized by Kanagawa Kenmin Hall, Yokohama; © Taro Izumi, courtesy of Take Ninagawa, Tokyo
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