Mariam & Ashraf Ghani Afghanistan: A Lexicon(dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 029)
Pressedownload
Der Pressedownload darf nur im Zusammenhang mit einer Buchbesprechung verwendet werden. Für die Illustration einer Buchbesprechung können nur bis zu drei Bilder genutzt werden. Für andere Textformate und Nutzungszwecke (wissenschaftliche Vorträge, Werbung oder ähnliches) bitten wir Sie, vorab mit uns in Kontakt zu treten, um mögliche Fragen zu Honorarkosten, Nutzungsund Urheberrechten zu klären. Die bereitgestellten Bilddaten dürfen nicht manipuliert, beschnitten oder zweckentfremdet verwendet werden. Die Pressebilder dürfen nur mit dem vollständigen Bildtitel, dem Namen des Künstlers und/oder Urhebers sowie mit dem Hinweis auf den Hatje Cantz Verlag veröffentlicht werden. Bitte beachten Sie außerdem im Einzelfall die Reproduktionsbedingungen der VG Bild-Kunst Bonn bzw. der internationalen Verwertungsgesellschaften für Bildende Kunst.
Mariam & Ashraf Ghani
In the form of a lexicon, artist Mariam Ghani describes, together with her father, the renowned anthropologist and political scientist Ashraf Ghani, the cycle of repeated collapse and recovery that Afghanistan has undergone over the course of the twentieth century. The lexicon comprises seventy-one mostly illustrated terms that include central figures and places, words that carry a specific (political) meaning in the Afghan context, and entries on recurring events and defining themes. The notebook’s point of departure is a detailed reflection on the reign of King Amanullah Khan (1919–29), whose successes and failures yielded a model for reformers who succeeded him. These thoughts are followed by a series of terms related to, among other things, Dar ul-Aman Palace, now a ruin, which was part of Amanullah’s design for a “new city,” and which characterized—as a space of exception, a center of conflict, a prototype for future plans, and a symbol of past failures—twentieth-century Afghan planning policy.Mariam Ghani (*1978) is an artist based in New York and Kabul. Ashraf Ghani (*1949), author of Fixing Failed States (in English) and A Window to a Just Order (in Dari and Pashtu), lives in Kabul.
In the form of a lexicon, artist Mariam Ghani describes, together with her father, the renowned anthropologist and political scientist Ashraf Ghani, the cycle of repeated collapse and recovery that Afghanistan has undergone over the course of the twentieth century. The lexicon comprises seventy-one mostly illustrated terms that include central figures and places, words that carry a specific (political) meaning in the Afghan context, and entries on recurring events and defining themes. The notebook’s point of departure is a detailed reflection on the reign of King Amanullah Khan (1919–29), whose successes and failures yielded a model for reformers who succeeded him. These thoughts are followed by a series of terms related to, among other things, Dar ul-Aman Palace, now a ruin, which was part of Amanullah’s design for a “new city,” and which characterized—as a space of exception, a center of conflict, a prototype for future plans, and a symbol of past failures—twentieth-century Afghan planning policy.Mariam Ghani (*1978) is an artist based in New York and Kabul. Ashraf Ghani (*1949), author of Fixing Failed States (in English) and A Window to a Just Order (in Dari and Pashtu), lives in Kabul.
In the form of a lexicon, artist Mariam Ghani describes, together with her father, the renowned anthropologist and political scientist Ashraf Ghani, the cycle of repeated collapse and recovery that Afghanistan has undergone over the course of the twentieth century. The lexicon comprises seventy-one mostly illustrated terms that include central figures and places, words that carry a specific (political) meaning in the Afghan context, and entries on recurring events and defining themes. The notebook’s point of departure is a detailed reflection on the reign of King Amanullah Khan (1919–29), whose successes and failures yielded a model for reformers who succeeded him. These thoughts are followed by a series of terms related to, among other things, Dar ul-Aman Palace, now a ruin, which was part of Amanullah’s design for a “new city,” and which characterized—as a space of exception, a center of conflict, a prototype for future plans, and a symbol of past failures—twentieth-century Afghan planning policy.Mariam Ghani (*1978) is an artist based in New York and Kabul. Ashraf Ghani (*1949), author of Fixing Failed States (in English) and A Window to a Just Order (in Dari and Pashtu), lives in Kabul.