Marcel Duchamp Die Erfindung der Gegenwart / Inventing the Present
€ 30.00
€ 17.99
€ 17.99
VAT included.
Shipping costs will be calculated at checkout
Press Download
Pressedownload
Der Pressedownload darf nur im Zusammenhang mit einer Buchbesprechung verwendet werden. Für die Illustration einer Buchbesprechung können nur bis zu drei Bilder genutzt werden. Für andere Textformate und Nutzungszwecke (wissenschaftliche Vorträge, Werbung oder ähnliches) bitten wir Sie, vorab mit uns in Kontakt zu treten, um mögliche Fragen zu Honorarkosten, Nutzungsund Urheberrechten zu klären. Die bereitgestellten Bilddaten dürfen nicht manipuliert, beschnitten oder zweckentfremdet verwendet werden. Die Pressebilder dürfen nur mit dem vollständigen Bildtitel, dem Namen des Künstlers und/oder Urhebers sowie mit dem Hinweis auf den Hatje Cantz Verlag veröffentlicht werden. Bitte beachten Sie außerdem im Einzelfall die Reproduktionsbedingungen der VG Bild-Kunst Bonn bzw. der internationalen Verwertungsgesellschaften für Bildende Kunst.
Marcel Duchamp
Marcel Duchamp: one of his themes was the boundary between works of art and everyday objects, and with it, he set the art world in an uproar. Surely one of his most brilliant strokes of genius was the Fontaine, a urinal he put on display. There are, of course, many more works that bear his signature, and the Duchamp Collection in Schwerin has ninety-two of them. Founded in 2009, the research center has succeeded in establishing an interdisciplinary, globally connected network of researchers in Schwerin. Under the title Marcel Duchamp: Inventing the Presence, individual as well as groups of artworks from the Schwerin collection are examined from philosophical, art historical, and literary perspectives in volume five of the series Poiesis.
MARCEL DUCHAMP: Actually Henri-Robert-Marcel Duchamp (1887–1968), Duchamp is one of the pioneers of Dadaism and Surrealism. His views posed radical questions about the concept of art and introduced the readymade to the art world.
KORNELIA RÖDER: Studied art history at Humboldt University in Berlin. Curator of the Staatliche Schlösser, Gärten und Kunstsammlungen (state palaces, gardens, and art collections) in Mecklenburg-Vorpommern. She and Gerhard Graulich have headed the Duchamp Research Center since 2009.
GERHARD GRAULICH: Studied art history, German, and philosophy at the Ruhr University in Bochum. He has been at the Staatliches Museum in Schwerin since 1994 in a variety of capacities, such as curator, head of the painting department, and assistant director; he is now co-chief of the Duchamp Research Center with Kornelia Röder.
Marcel Duchamp: one of his themes was the boundary between works of art and everyday objects, and with it, he set the art world in an uproar. Surely one of his most brilliant strokes of genius was the Fontaine, a urinal he put on display. There are, of course, many more works that bear his signature, and the Duchamp Collection in Schwerin has ninety-two of them. Founded in 2009, the research center has succeeded in establishing an interdisciplinary, globally connected network of researchers in Schwerin. Under the title Marcel Duchamp: Inventing the Presence, individual as well as groups of artworks from the Schwerin collection are examined from philosophical, art historical, and literary perspectives in volume five of the series Poiesis.
MARCEL DUCHAMP: Actually Henri-Robert-Marcel Duchamp (1887–1968), Duchamp is one of the pioneers of Dadaism and Surrealism. His views posed radical questions about the concept of art and introduced the readymade to the art world.
KORNELIA RÖDER: Studied art history at Humboldt University in Berlin. Curator of the Staatliche Schlösser, Gärten und Kunstsammlungen (state palaces, gardens, and art collections) in Mecklenburg-Vorpommern. She and Gerhard Graulich have headed the Duchamp Research Center since 2009.
GERHARD GRAULICH: Studied art history, German, and philosophy at the Ruhr University in Bochum. He has been at the Staatliches Museum in Schwerin since 1994 in a variety of capacities, such as curator, head of the painting department, and assistant director; he is now co-chief of the Duchamp Research Center with Kornelia Röder.
Marcel Duchamp: one of his themes was the boundary between works of art and everyday objects, and with it, he set the art world in an uproar. Surely one of his most brilliant strokes of genius was the Fontaine, a urinal he put on display. There are, of course, many more works that bear his signature, and the Duchamp Collection in Schwerin has ninety-two of them. Founded in 2009, the research center has succeeded in establishing an interdisciplinary, globally connected network of researchers in Schwerin. Under the title Marcel Duchamp: Inventing the Presence, individual as well as groups of artworks from the Schwerin collection are examined from philosophical, art historical, and literary perspectives in volume five of the series Poiesis.
MARCEL DUCHAMP: Actually Henri-Robert-Marcel Duchamp (1887–1968), Duchamp is one of the pioneers of Dadaism and Surrealism. His views posed radical questions about the concept of art and introduced the readymade to the art world.
KORNELIA RÖDER: Studied art history at Humboldt University in Berlin. Curator of the Staatliche Schlösser, Gärten und Kunstsammlungen (state palaces, gardens, and art collections) in Mecklenburg-Vorpommern. She and Gerhard Graulich have headed the Duchamp Research Center since 2009.
GERHARD GRAULICH: Studied art history, German, and philosophy at the Ruhr University in Bochum. He has been at the Staatliches Museum in Schwerin since 1994 in a variety of capacities, such as curator, head of the painting department, and assistant director; he is now co-chief of the Duchamp Research Center with Kornelia Röder.
