{"product_id":"17251-otto-dix-and-the-new-objectivity","title":"Otto Dix and the New Objectivity","description":"\u003cSPAN style=\"FONT-FAMILY: TheSans\"\u003e\u003cSPAN style=\"FONT-FAMILY: TheSans; mso-ansi-language: DE\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e“Neue Sachlichkeit—I invented it.” This is the catchy way Otto Dix, looking back, rewrote the development of the art movement, which alongside abstract art and Expressionism can be considered the “third path” taken in the development of art in the modern era. The unrelenting realism of his work is at the heart of an attitude situated somewhere between the grotesque and the classical, to which some of the most important artists of the twentieth century subscribed.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eThis is the first publication to illuminate Neue Sachlichkeit against the backdrop of the Weimar Republic \u003cI style=\"mso-bidi-font-style: normal\"\u003eand\u003c\/I\u003e National Socialism. Dix’s works—including the key \u003cI style=\"mso-bidi-font-style: normal\"\u003eMetropolis\u003c\/I\u003e triptych (1928–29), the great psychological portraits, and, last but not least, the landscapes with their hidden symbolism, painted during the years he spent at Lake Constance—form the starting point for this exploration of his oeuvre. They are placed in a context with works of art by George Grosz, Rudolf Schlichter, and Christian Schad, creating a new perspective on this crucial chapter in German art history.\u0026nbsp;\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e(German edition \u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN style=\"FONT-FAMILY: TheSans\"\u003eISBN 978-3-7757-3439-4)\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eExhibition schedule: Kunstmuseum Stuttgart, \u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"11\" Day=\"10\" Year=\"2012\"\u003eNovember 10, 2012\u003c\/st1:date\u003e–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"4\" Day=\"7\" Year=\"2013\"\u003eApril 7, 2013\u003c\/st1:date\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874907975944,"sku":"9783775734912","price":39.8,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734912_e9462420-8b98-42a8-af92-2786cf00b3a9.jpg?v=1744123487","url":"https:\/\/www.hatjecantz.de\/en\/products\/17251-otto-dix-and-the-new-objectivity","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}