{"product_id":"16211-natalja-gontscharowa","title":"Natalja Gontscharowa","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003eRussian avant-garde artist Natalia Goncharova (1881–1962) left behind an extensive and complex body of work. Inspired by the folklore and art of her country, in her early years she produced colorful, strongly ornamental paintings. Her religious paintings, which were influenced by icons, were highly controversial. She began working with Cubism during her\u003c?xml:namespace prefix = \"st1\" \/\u003e\u003cst1:city w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eMoscow\u003c\/st1:place\u003e\u003c\/st1:city\u003e period, providing the Russian avant-garde with an important impetus for linking tradition with modernity. Reading her letters and notes, one becomes aware of this non-conformist’s often biting, ironic tone.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003eIn 1917, Goncharova settled permanently in \u003cst1:city w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eParis\u003c\/st1:place\u003e\u003c\/st1:city\u003e, where she designed costumes and sets for Sergei Diaghilev’s Ballets Russes. In exile, however, the artist fell on hard times.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003eThis publication illuminates the details of Goncharova’s life and work and assigns the oeuvre of this unconventional artist—who to this day has not yet been properly recognized in her own country—the status it deserves. \u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT face=TheSans\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-ansi-language: EN-US\"\u003e(English\u0026nbsp;edition ISBN 978-3-7757-2579-8)\u003c\/SPAN\u003e\u003cFONT size=2\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT face=TheSans\u003e\u003cFONT size=2\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003cFONT size=2 face=TheSans\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003eExhibition schedule: Opelvillen, Rüsselsheim, October 5, 2009–January 24, 2010 | St. Annenmuseum, Lübeck, February 7–May 30, 2010 |Angermuseum, Erfurt, June 12–October 3, 2010\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874844766472,"sku":"9783775724258","price":39.8,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775724258_7def9d83-8acc-43f6-ba09-d65fbbe53e26.jpg?v=1744121575","url":"https:\/\/www.hatjecantz.de\/en\/products\/16211-natalja-gontscharowa","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}