{"product_id":"15729-idylle","title":"Idyll","description":"\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt\"\u003e\u003cFONT face=TheSans-Plain\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eCan\u0026nbsp;today’s paintings or installations be idyllic, suggesting a perfect world? What does it mean\u0026nbsp;if they do? An idyll, which must always be read as a contrast to actual circumstances, is more than just a deceptive image. Does it perhaps have a regulating, or even normative, character?\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003eThis publication presents a selection of works, divided into four sections focusing on the landscape, urban, private, and utopian variants of the idyll, which explore the issues surrounding its timeliness and present radicalization. There is always something more hidden in the individual works than a fleeting glance might first\u0026nbsp;suggest to suppose. For instance, the clear, comic-like landscape “paintings” by Rowena Dring are actually cunningly sewn together out of small, monotone pieces of fabric, which dissolve the image into countless flecks of color as soon as the viewer looks more closely.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt\"\u003e\u003cFONT face=TheSans-Plain\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt\"\u003e\u003cFONT face=TheSans-Plain\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt\"\u003e\u003cFONT face=TheSans-Plain\u003e\u003cSPAN style=\"FONT-SIZE: 10pt; mso-ansi-language: DE; mso-bidi-font-family: Arial\"\u003e\u003cFONT face=TheSans-Plain\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 11pt; FONT-FAMILY: 'Futura Lt BT'; mso-bidi-font-size: 10.0pt; mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-fareast-language: DE; mso-bidi-language: AR-SA\"\u003e\u003c\/SPAN\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt\"\u003e\u003cFONT face=TheSans-Plain\u003e\u003cSPAN style=\"FONT-SIZE: 10pt; mso-ansi-language: DE; mso-bidi-font-family: Arial\"\u003e\u003cFONT face=TheSans-Plain\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 11pt; FONT-FAMILY: 'Futura Lt BT'; mso-bidi-font-size: 10.0pt; mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-fareast-language: DE; mso-bidi-language: AR-SA\"\u003eArtists featured (selection): \u003c\/SPAN\u003eFranz Ackermann, Alexander Braun, David Claerbout, Mark Dion, Rowena Dring, Valéry Favre, Lothar Götz,\u003cSPAN style=\"mso-spacerun: yes\"\u003e\u0026nbsp; \u003c\/SPAN\u003eBeate Gütschow, Tom Hunter, Danni Jakob, Stefan Kürten, Peter Land, Jonathan Monk, Sarah Morris, Olaf Nicolai, Jorge Pardo, Daniel Roth, Glen Rubsamen, Yehudit Sasportas, Stefan Sehler, Qui Shi-hua, Diana Thater, Gert \u0026amp; Uwe Tobias, Francesco Vezzoli, Pae White\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e \u003c\/FONT\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt\"\u003e\u003cFONT face=TheSans-Plain\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt\"\u003e\u003cFONT face=TheSans-Plain\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN style=\"FONT-SIZE: 10pt; mso-ansi-language: DE\"\u003eExhibition schedule: Phoenix-Kulturstiftung\/Sammlung Falckenberg, Hamburg, October 2006–April 2007 · DA2 Domus Artium 2002, Salamanca, June 5–August 5, 2007 · Galerie der Stadt Remscheid October 22, 2007–January 13, 2008\u003c\/SPAN\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt\"\u003e\u003cFONT face=TheSans-Plain\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\n\u003cP\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874858201352,"sku":"9783775719438","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775719438_a638aff9-b962-489a-8f44-9bd97ce3a1d2.jpg?v=1744099290","url":"https:\/\/www.hatjecantz.de\/en\/products\/15729-idylle","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}