{"title":"Bilingual Editions","description":"","products":[{"product_id":"17561-robert-longo","title":"Robert Longo","description":"\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003eSTAND was a site-specific installation, which in 2012 activated the architecture of the Capitain Petzel gallery in Berlin. The building was shrouded with an enormous depiction of the American flag in black and white. Upon entering the gallery, the viewer was confronted with a large charcoal drawing, upon which the exterior of the gallery was based. This was flanked by two drawings: one depicting a claustrophobic mass of Occupy Wall Street protesters; the other, a lone American soldier walking towards an uncertain and ominous future. With the consent of the artist, Robert Longo also updated the style and content of Hans Haackes \u003cI style=\"mso-bidi-font-style: normal\"\u003eOelgemaelde, Hommage à Marcel Broodthaers \u003c\/I\u003e(1982). \u003cSPAN style=\"mso-spacerun: yes\"\u003e\u0026nbsp;\u003c\/SPAN\u003efor the exhibition, replacing Ronald Reagan opposite a large-scale image of a protest over the deployment of American missiles in Bonn, Germany, with President Obama opposite Tea Party protesters. The rest of the gallery held a group of 25 drawings, a performance based around a complete reading of the classic American novel \u003c\/SPAN\u003e\u003cI\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: PrimusTB-RegularItalic\"\u003eMoby Dick \u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: PrimusTB-RegularItalic; mso-bidi-font-style: italic\"\u003ealso\u003cI\u003e \u003c\/I\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003etook place. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526190981384,"sku":"9783775738149","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738149_0eb8ba46-3adb-4f0e-9a63-438bf73ee8ed.jpg?v=1744130634"},{"product_id":"44764-marc-mimram-structure-light","title":"Marc Mimram: Structure | Light","description":"\u003cp\u003eMarc Mimram (*1955, Paris), award-winning architect and engineer, presents his work of architecture and structure through the lens of Erieta Attali (1966, Tel Aviv-Jaffa), world-renowned architectural photographer, who explores the relationship between human-made structures and the landscape. Architecture is often represented as a product or disembodied object. This view transforms inhabitants into spectators of an architecture that is dematerialized, delocalized, dehumanized and reduced into an image of itself. The collaboration between Mimram and Attali aims for an all-encompassing approach, placing the architecture within its time-frame and physical environment, rather than presenting mere glossy images of the projects. This triple volume builds a new visual vocabulary through which to interpret the structures. The social functionality of public architecture is addressed, largely absent in architectural photography and the communication of built space until now. The first volume focuses on a two-year photographic documentation of the construction of the Airtime building in Paris. The second volume presents an overview of Mimram\u0026rsquo;s works around the world: bridges, train stations and academic institutions from France to Morocco and China. The third volume focuses on the newly redesigned home to the French Open, Roland-Garros. With texts by Marc Mimram, Erieta Attali, Ariel Genadt, Jean Attali, Paul Chemetov, Zvi Hecker and Sir Peter Cook.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem style=\"font-family: \u0026quot;Open Sans\u0026quot;, Arial, Helvetica, sans-serif; font-size: 12px;\"\u003e\u0026quot;Architecture is an art of transformation, the dialog between the photography and the projects can participate to the understanding of its coherency, its generosity.\u003c\/em\u003e\u003cem\u003e\u0026rdquo; \u003c\/em\u003e\u0026ndash; Marc Mimram\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188068616,"sku":"9783775744034","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744034_13e555ce-5196-4686-8389-9c2f51bb626a.jpg?v=1744114265"},{"product_id":"17985-fernando-casasempere","title":"Fernando Casasempere","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 8pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003eThe sea of flowers he presented in the courtyard of Somerset House during the 2012 Olympic Games in London made him and his art famous on the international stage: the Chilean sculptor Fernando Casasempere (*1958 in Santiago, Chile) placed ten thousand ceramic daffodils on the otherwise carefully mowed lawns there. Casasempere molded each one individually out of clay from his homeland, using the spring blossoms to draw attention to the wonders of nature with which humans destructively interfere\u0026mdash;in this case, with lawn mowers. Casasempere, who has lived in England since 1997, also employs clay to make far more experimental sculptures, such as seemingly liquid marble columns or vaulted and bulging shapes, through which he repeatedly questions humankind\u0026rsquo;s treatment of the environment. This richly illustrated catalogue is an impressive presentation of the development of his body of work over the past twenty-five years.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526191931656,"sku":"9783775742429","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742429_b302d598-820e-4d3b-97d8-c8b2724753bf.jpg?v=1744063169"},{"product_id":"16095-richard-paul-lohse-drucke","title":"Richard Paul Lohse. Prints","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-bidi-font-family: Arial\"\u003eRichard Paul Lohse is one of the founders of systematic-constructive art in the twentieth century. This second volume of the catalogue raisonn\u0026eacute; is devoted to his works on paper: 172 original prints and multiples, created between 1940 and 1987. This book is not only an indespensable standard reference for all scholars, art dealers, and collectors, it also provides detailed accounts of Lohse\u0026rsquo;s collaboration with publishers, printers, and fellow artists. The chapters shed light on personalities, institutions, and events that were to have a lasting impact on the course of artistic culture in\u003c!--?xml:namespace prefix = \"st1\" \/--\u003e\u003cst1:country-region w:st=\"on\"\u003eSwitzerland\u003c\/st1:country-region\u003e and \u003cst1:place w:st=\"on\"\u003eEurope\u003c\/st1:place\u003e. The color illustrations are not confined to the complete prints, but include project-related printed matter, in most cases likewise designed by Lohse. This book also affords new insights into Lohse\u0026rsquo;s work both with and on color and the complex interrelations between prints, paintings, and drawings.\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192161032,"sku":"9783775723091","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775723091_24ccff45-7bf4-4b6d-88fb-8ffa780a2587.jpg?v=1744130444"},{"product_id":"17678-carsten-lorenzen","title":"Carsten Lorenzen","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \"TheSansOsF ExtraLight\"'\u003eOnly a few notable architectural firms are special\u0026shy;ized in residential architecture. Carsten Lorenzen (* 1953 in Tønder) has a wealth of experience—rang\u0026shy;ing from subsidized housing to private complexes, from the conception phase to the execution of de\u0026shy;tails. The use of brick gives his buildings a striking, haptic quality. Working with exposed stonework is an involved process that requires precise planning and an exact knowledge of the stonemason’s craft. A sensitive design of intimate interiors within dense\u0026shy;ly built settlements and subtle transitions between public and private space are other definitive aspects of the architect’s work, which draws its inspiration from Nordic housing and leading figures such as Arne Jacobsen and Kay Fisker. This first monograph presents some 25 projects and ideas that have been planned or constructed since 1996. Essays describe the special challenges posed by brick construction, the quality of Lorenzen’s floor plans, and the archi\u0026shy;tect’s relationship to Copenhagen.\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US'\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807935240,"sku":"9783775739337","price":58.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739337_9bf00766-ff72-4e28-ad59-74107b8a7b81.jpg?v=1744050981"},{"product_id":"17222-pawel-althamer","title":"Pawel Althamer","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eAt the core of Pawel Althamer’s (*1967 in Warsaw) artistic work is man himself—as physical sculpture, an abstract assemblage of materials, as installation or specific video image, or as a genuinely social creature, which the artist uses as a theme in projects involving various groups of people. In the performance\/action \u003cI style=\"mso-bidi-font-style: normal\"\u003eCommon Task\u003c\/I\u003e, for instance, Althamer has friends and neighbors accompany his exhibitions in various places; the people are dressed in gold, as if they come from another star, bringing back a sense of amazement and the innocent gaze to the world, while celebrating and symbolizing them. This is the first publication to extensively examine the spiritual aspects of Althamer’s work and position it within the political and historical context of recent Polish history. In this way, it becomes possible to see the creative sphere within this specific, European-influenced cultural space.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eExhibition schedule: Sammlung Goetz, Munich, May 29\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e–October \u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e6, 2012 | Museion – Museum für moderne und zeitgenössische Kunst, Bolzano, May 26–August 26, 2012\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49788673097992,"sku":"9783775734615","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734615_c8f4f68d-0231-4bea-99eb-da8a1149e877.jpg?v=1744124732"},{"product_id":"17234-jorinde-voigt","title":"Jorinde Voigt","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003eThe unique visual language \u003cA href=\"http:\/\/www.jorindevoigt.com\/\"\u003eJorinde Voigt \u003c\/A\u003e(*1977 in Frankfurt am Main) develops in her drawings aims at making the invisible visible. Music, weather, geography, literature, and philosophy are among the subjects that serve as sources of inspiration for Voigt’s lyrical drawings, all of which she renders into a dizzying maelstrom of lines and notations as one thought is linked to the next. In \u003cI\u003ePiece for Words and Views,\u003c\/I\u003e Voigt turns to Roland Barthes’s famous book \u003cI\u003eA Lover’s Discourse: Fragments\u003c\/I\u003e to produce a series of thirty-six drawings, each of which contains elements of collage cut to represent particular words found in the book\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e—\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003ethereby recreating the central tenets of semiotics: signifier and signified. With texts by John Yau and the artist, this publication presents Jorinde Voigt’s complex pictorial spaces, which come together in a composition of form and idea.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188297992,"sku":"9783775734738","price":39.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734738_9d533771-3206-489c-a27b-15797aa3898e.jpg?v=1744104104"},{"product_id":"45299-jeppe-hein","title":"Jeppe Hein","description":"\u003cp\u003eFrom time immemorial breath has been closely tied to the soul and the spirit. Deep, slow breathing has a calming effect on the psyche, and breath exercises are essential components of spiritual education methods in both Christian and Eastern meditation. Breath also plays a special role for the Danish artist Jeppe Hein (*1974, Copenhagen). The exhibition \u003cem\u003eInhale \u0026ndash; Hold \u0026ndash; Exhale\u003c\/em\u003e\u003cem\u003e \u003c\/em\u003eand its companion publication are the first to shift the focus onto the significance of breath as both a theme and material for art, using Hein\u0026rsquo;s practice as the prime example. The catalog also draws an arc backward through the art history, all the way to the earliest high cultures, in which breath already had exceptional value as the seat of the life force. As well as photographs of the show and essays, the catalogue also features a conversation between Jeppe Hein and Helen Hirsch.\u003c\/p\u003e\n\n\u003cp\u003eExhibition : 3.3.\u0026ndash;29.7. 2018, Kunstmuseum Thun\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188330760,"sku":"9783775744386","price":9.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744386_72fec461-abc4-4083-8ca8-0e30174db3b0.jpg?v=1744103625"},{"product_id":"51725-dominik-halmer","title":"Dominik Halmer","description":"\u003cp\u003eDominik Halmer\u0026rsquo;s paintings and pictorial objects are based on the idea of connecting painting to real space. Three-dimensional objects like wooden rings and balls interact with painted elements and gestures. Different levels of reality, which are connected through visual analogies, collide in a poetic and associative unity. Halmer plays with an internal system of references that suggests a rule-based relationship between canvas painting, object, and spatial sign. In the installation \u003cem\u003eTerritory\u003c\/em\u003e, Dominik Halmer places graphic symbols on the wall that let the individual works play off one another by engaging in a dialogue addressing fundamental ideas about the nature of processes and meaning. The catalogue contains numerous installation views and a conversation with the artist.\u003c\/p\u003e\n\n\u003cp\u003eDOMINIK HALMER (*1978, Munich)\u0026nbsp;studied philosophy and art history at the Humboldt University Berlin, then Fine Arts at the Kunstakademie D\u0026uuml;sseldorf with Albert Oehlen and at the Academy of Fine Arts in Vienna with Heimo Zobernig. 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During telephone conferences and meetings, he does drawings and watercolors on the copies of his schedule, his work notes, on minutes, faxes, and other pieces of correspondence. The art he produces in the environs of national power forms an abstract journal, a vivid recording of political life and the everyday tensions between power and art. \u003c\/span\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eWork\u003c\/span\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003e is the first publication to present the drawings, ceramic sculptures, and tapestry, which was inspired by a similar tapestry in Rama\u0026rsquo;s office in Tirana. Made up of more than seven hundred of Rama\u0026rsquo;s drawings, the tapestry runs throughout the entire book, creating an immanent connection between his works. Besides essays on Rama\u0026rsquo;s work, the book also features a conversation with the artist.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eEdi Rama\u0026rsquo;s (*1964, Tirana) work has been shown at the 2017 Venice Biennial and the 1994 S\u0026atilde;o Paulo Biennale, the Haus der Kunst in Munich, the Centre Pompidou, Paris, and other renowned institutions. He began his political career as Albania\u0026rsquo;s cultural minister in 1998 and was elected Albania\u0026rsquo;s prime minister for the second time in 2017.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189379336,"sku":"9783775746014","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746014_03ab9211-5721-4eed-9be8-6f67d0cf0b83.jpg?v=1744058647"},{"product_id":"48399-guenter-fruhtrunk-werkverzeichnis-der-bilder-catalogue-raisonn-of-the-paintings-19521982","title":"Günter Fruhtrunk Catalogue Raisonné","description":"\u003cp\u003eWith his pictures, G\u0026uuml;nter Fruhtrunk (1923-1982) created an autonomous, uncompromising oeuvre that made him one of the outstanding representatives of German painting in the post-war era. He became famous for his vector-like, diagonal stripes: impressive paintings of parallel, diagonal bundles of stripes in yellow, orange, green, black, and white, whose geometrical, abstract vocabulary of forms he derived from constructivism.\u003c\/p\u003e\n\n\u003cp\u003eThis catalogue raisonn\u0026eacute;\u0026mdash;the result of extensive scientific research over a period of four years\u0026mdash; contains all of the paintings he produced between 1952 and 1982. Along with several essays that explore Fruhtrunk\u0026rsquo;s work and its significance, while also defining its place in art history, the catalogue raisonn\u0026eacute; contains texts by the author never published before and an extensive biography. The work is organized into two volumes according to chronology and visual motif.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nMunich, Galerie Walter Storms\u003cbr \/\u003e\n15.09.2018 - 13.10.2018\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189477640,"sku":"9783775745031","price":248.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745031_ea93e097-82e4-42eb-ae6a-d3018c148c55.jpg?v=1744094782"},{"product_id":"54107-helmut-federle","title":"Helmut Federle","description":"\u003cp\u003e\u003cstrong\u003e\u003ci style=\"caret-color: rgb(0, 0, 0);\"\u003e\u003cspan lang=\"EN-US\"\u003e\u0026quot;In all the noisy, shallow. and superficial hustle and bustle of the artistic\u0026nbsp;\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\" style=\"caret-color: rgb(0, 0, 0);\"\u003ezeitgeist\u003ci\u003e\u0026nbsp;with its shrill rhetoric of one-upmanship, Helmut Federle\u0026rsquo;s explorations of image composition almost seem like monastic spiritual exercises \u0026ndash;in the best sense of the term. This really has become a grammar of basic pictorial possibilities, one that compels the viewer to look more closely, to scrutinise, and to be rewarded all the more for it.\u0026quot;\u0026nbsp;\u003c\/i\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003ci style=\"caret-color: rgb(0, 0, 0);\"\u003e\u0026ndash;\u0026nbsp;\u003c\/i\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003eStephan Berg (director of the\u003c\/span\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003e\u0026nbsp;Kunstmuseum Bonn)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eH is here, in the truest sense, the alpha and omega. Helmut Federle uses the first letter of his first name as a format-filling, artistic matrix on canvases measuring between forty and fifty centimeters. Since his early days as an artist in the late 1970s, he has created seventy variations of \u003cem\u003eLiegendes H (\u003c\/em\u003eReclining H). The basic form of three lines and two squares enumerates the variations of expressions in painting. Their synopsis plays with figure and ground, forming an inventive collection of painterly techniques and the atmospheres they evoke. At the same time, the subtitles for the individual works seem to hint at the specific horizons of experience in their creation. They lend each work a poetic dimension, as one tries to imagine the artist\u0026rsquo;s world in the planes of color. Thus, each picture represents Helmut and is, in its mysterious originality, a fascinating haiku.\u003c\/p\u003e\n\n\u003cp\u003eNumerous solo exhibitions have been devoted to HELMUT FEDERLE\u0026rsquo;s (*1944, Solothurn) artwork. In 1997 he designed the Swiss Pavilion for the Venice Biennial. From 1999 to 2007 he was a professor at the Kunstakademie D\u0026uuml;sseldorf. He divides his time between Vienna and Camaiore, Italy.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189543176,"sku":"9783775747868","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747868_6bebd812-1844-4f7b-a7e9-c7dd112351ba.jpg?v=1744097811"},{"product_id":"57792-jean-molitor","title":"Jean Molitor","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-352c4707-7fff-25a3-4a2e-0494390a8f79\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eNo question that the Bauhaus was the most influential institution on architecture in the twentieth century. But does this aesthetic legacy live on in buildings? In what shape do we encounter it today, after about 100 years, in changing cityscapes? The photographer Jean Molitor has examined this question in depth all around the world. In his new illustrated volume \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003ebau2haus\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, he tracks the architecture that owes something to the Bauhaus and its special style across the globe. In strongly contrasted black-and-white photographs he draws attention to these fascinating structures. Selected with a meticulous eye, the photos play with perspective, perfectly balancing the openness and existing volume of each building. The result is a vivid history of architecture that readers will hardly be able to get enough of. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003ePreviously published by Hatje Cantz:\u003c\/span\u003e\u003cbr style=\"box-sizing: border-box;\" \/\u003e\n\u003cspan\u003ebau1haus - die moderne in der welt (2018)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJEAN MOLITOR (*1960) studied fine arts photography at the Hochschule für Grafik und Buchkunst in Leipzig. He is known around the globe as a documentary filmmaker as well as a specialist in street and architectural photography. His works have been seen in many exhibitions worldwide. He is based in Berlin.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189608712,"sku":"9783775750523","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750523_ec7a004b-985a-46b5-9eda-d0b05d9b8783.jpg?v=1744102329"},{"product_id":"56785-rights-of-future-generations","title":"Rights of Future Generations","description":"\u003cp\u003eCommunities that, around the world, are fighting against environmental violence and for the rights of their future generations to survive set an example: It is not just the present that makes clear demands of us, but the future does, as well. It requires not only ecological responsibility, but also a culture of remembrance, a responsible approach to colonial history and diasporas, and a new political consciousness. The first Sharjah Architecture Triennial 2019 was dedicated to these topics. Hatje Cantz published an anthology in the year of the event, which compiles the results of the exhibition and its consequences for future architects. The second volume now takes a broader look, with the contribution of important authors and activists, at the challenges that a future worth living in will bring.\u003c\/p\u003e\n\u003cp\u003eThe SHARJAH ARCHITECTURE TRIENNIAL was founded with the aim of providing critical contributions to architectural and urban development. It takes place in Sharjah, UAE, with a focus on architecture from the Middle East, North and East Africa, and South and Southeast Asia.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189739784,"sku":"9783775748728","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748728_2b9b9b7a-e568-4d7c-b84b-760631b93093.jpg?v=1744130536"},{"product_id":"53679-rose-wylie","title":"Rose Wylie","description":"\u003cp\u003eRose Wylie has long been considered one of the highest-profile artists in British contemporary painting, even though\u0026mdash;it\u0026rsquo;s hard to believe\u0026mdash;she achieved her international breakthrough just before her eightieth birthday. Out of a broad repertoire of motifs from pop culture, newspaper reports, and everyday life, the artist distills succinct scenes that humorously, yet critically, comment upon current events. In the process, Wylie impressively demonstrates how lighthearted and natural painting today can be. Her large paintings are touching, with their rare sense of ease and playful naivete. With energy and relish they tell of life and death, love and loss, joy and sorrow. And suddenly, surprisingly, the traditional themes of art history descend from their pedestals and meet us at eye level.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr \/\u003e\nROSE WYLIE (*1934, Kent) studied painting at the Folkestone School of Art, Kent, and at the Royal College of Art, London. Her works can be found in prominent collections, such as the Hammer Museum, Los Angeles; the National Museum of Women in the Arts in Washington, D.C.; Space K, Seoul; and Tate, London. Her exhibitions include one at the Tate in 2013 and another at the Serpentine Gallery in 2017. Wylie\u0026rsquo;s show at the Museum Langmatt marks the first time her work will be seen in Switzerland. \u0026nbsp;\u003cbr \/\u003e\n\u0026nbsp;\u003cbr \/\u003e\nEXHIBITION\u003cbr \/\u003e\nMuseum Langmatt, Baden\u003cbr \/\u003e\nFebruary 28\u0026ndash;May 24, 2021\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190001928,"sku":"9783775747431","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747431_56986d57-2758-4c40-89ff-816001a8bab8.jpg?v=1744131911"},{"product_id":"53107-lonnie-van-brummelen-and-siebren-de-haan","title":"Lonnie van Brummelen and Siebren de Haan","description":"\u003cp\u003eIn\u0026nbsp;\u003cem\u003eDrifting Studio Practice\u003c\/em\u003e, artists Lonnie van Brummelen and Siebren de Haan discuss their participatory documentaries\u0026nbsp;\u003cem\u003eEpisode of the Sea\u003c\/em\u003e\u0026nbsp;(2014) and\u0026nbsp;\u003cem\u003eStones Have Laws\u003c\/em\u003e\u0026nbsp;(2018), which they made with in collaboration with the Dutch fishing community of Urk and with the Saamaka and Okanisi maroons of Suriname, a former Dutch colony in Amazonia. The artists outline how they experimented with collective script writing and performative storytelling, including both human and other-than-human actors. Starting from their earlier artwork\u0026nbsp;\u003cem\u003eMonument of Sugar\u003c\/em\u003e\u0026nbsp;(2007), the account develops into a practice driven exploration of co-authorship and (non)human rights as strategies to cope with the plantationocene.\u003c\/p\u003e\n\u003cp\u003eVan Brummelen \u0026 De Haan collaborate since 2002, producing film installations, sculptures and collages that explore cultural and geopolitical landscapes such as Europe’s borders, sites of resource production and global trade, and sites of cultural heritage. Their artworks have been shown in international art exhibitions and are in the public collections.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190067464,"sku":"9783775747059","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747059_41e3aed8-3abe-42f4-bc46-0c7f0ddf110f.jpg?v=1744111289"},{"product_id":"53788-ting-yin-yung","title":"Ting Yin Yung","description":"\u003cp\u003eFor a long time only slightly noticed, modernist movements in Chinese art history are gaining more and more recognition. One of its key fi gures is Ting Yin Yung, whose art is essential to understanding Western-style art in China. Ting was one of the fi rst to turn to his own cultural history to inform the Western-style paintings he and others aspired to master, primarily to breathe life into what many considered a stagnant art tradition. It is diffi cult to gauge the full extent of Ting\u0026rsquo;s impact and infl uence on modern and contemporary Chinese art, but this comprehensive catalogue raisonn\u0026eacute; of his oil paintings brings us in a position to see how his vision, through both his art and his teachings, inspired and nurtured many.\u003c\/p\u003e\n\n\u003cp\u003eTING YIN YUNG (1902\u0026ndash;1978) was born and raised in the province of Guangdong, regarded as the hub of the Chinese revolution and at the forefront of progressive political thought. He was one of the earliest artists to advocate going beyond fusing East and West and infusing Western-style Chinese oil paintings with elements drawn directly from Chinese traditions to achieve a unique language, satisfying the needs of a modernized Chinese art and, indeed, of a nation striving to be contemporary.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190231304,"sku":"9783775747585","price":88.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747585_fa0645c1-6105-4df3-a371-d886b1532420.jpg?v=1744142330"},{"product_id":"56680-brigitte-waldach","title":"Brigitte Waldach","description":"\u003cp\u003eIn picturesque text clouds, spatial drawings, and sound installations, Brigitte Waldach explores surprising connections from our cultural and contemporary history. In her impressive drawings she deals with Germany\u0026rsquo;s past, but also with literature, music, emotion, and violence. She succeeds in creating haunting constellations and illuminating fields of context that challenge our senses and our thinking. In 2020 she was awarded the Marta Prize from the Wemh\u0026ouml;ner Foundation, which, for the first time, is combined with a solo exhibition at the Museum Marta Herford and a catalogue. This catalogue not only brings together the works shown in the exhibition, but also supplements them with other key works. In this way, themes and motifs are contextualized and space is provided for the development of complex trains of thought and reference systems in Brigitte Waldach\u0026rsquo;s \u003cspan\u003e\u0026OElig;uvre\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003eBRIGITTE WALDACH (*1966, Berlin) studied art education, art science, and German language and literature, before completing her studies in fine arts at the Berlin University of the Arts as a graduate student under Georg Baselitz. Her large-format drawings and multimedia installations are in exhibitions and collections around the world.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190296840,"sku":"9783775748520","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748520_d63c6f8d-fed8-437e-8b1f-a9e541675c6d.jpg?v=1744050469"},{"product_id":"53983-peter-weibel","title":"Peter Weibel","description":"\u003cp\u003ePeter Weibel, the long-standing CEO of the ZKM | Zentrum f\u0026uuml;r Kunst und Medien (Center for Art and Media) in Karlsruhe, and the recipient of the Lovis-Corinth-Preis in 2020, has influenced the international scene of media art as an artist as well as a theorist and curator. His artistic oeuvre comprises conceptual art, performance, experimental film, video, and computer art as well as his exploration of music.\u003cbr \/\u003e\nThis publication offers insight into Weibel\u0026rsquo;s diverse work. One main area consists of works in which the artist takes up core questions about Europe.\u0026nbsp; In other works critical of the system, which always question the usual concept of art as well, Weibel addresses migration, expulsion, war, and terrorism as well as economic and ecological catastrophes.\u003c\/p\u003e\n\u003cp\u003eThe LOVIS-CORINTH-PREIS was first awarded by the KünstlerGilde e. V. in the Kunstforum Ostdeutsche Galerie Regensburg in 1974.Under the conditions of the nascent age of media, since the 1960s PETER WEIBEL (*1944, Odessa) has created an oeuvre that dares to conceive artistic creativity as an open field of action. He is head of the ZKM, Karlsruhe until 2023. Since 2017 he has been director of the Peter Weibel Research Institute for Digital Culture at the Universität für angewandte Kunst in Vienna.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190362376,"sku":"9783775747936","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747936_bebaccd7-203b-4f5d-bd26-e563746d021a.jpg?v=1744126114"},{"product_id":"59147-michael-tewes","title":"Michael Tewes","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003eHighways are more than mere traffic routes \u0026ndash; they are symbols of speed and mobility; in 1930s Germany, they served propaganda purposes. Today they are central infrastructures. In this volume, photographer Michael Tewes devotes himself to the roads that have relentlessly carved paths across our country and through its nature, as well as to their special architectures. Often perceived as a monotonous stopover for people on their way to a destination, Tewes brings the highway into our conscious perception and shows it as an architectural building form in its own right. This monograph is the result of a six-year project and is published in parallel with the exhibition at the Deutsches Museum in Munich.\u003c\/p\u003e\n\u003cp\u003eMICHAEL TEWES is a photographer and artist. He studied in Dortmund, Potsdam, and Chicago. In addition to artistic projects, he works as a photographer for well-known brands. Tewes has won the Körber Fotopreis and the IF Design Award, among others, for his work.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190460680,"sku":"9783775751704","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751704_a61697b0-13e0-417a-80db-975e7365e9ba.jpg?v=1744285813"},{"product_id":"58457-anna-kazianka-falk-lennart-kremzow","title":"Anna Kazianka, Falk Lennart Kremzow","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-670e0a5f-7fff-9af0-c60b-673cbefa0c39\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThis photo series captures moments of periphery in Croatian Istria with 26 bus stops. Documentary and conceptual, the photographic cartography approaches the different perceptions of the places. Ed Ruscha\u0026rsquo;s methodology, and in particular his photographic series \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eTwentysix Gasoline Stations\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, serve as an inspiration to examine the stops and their identity in the urban fabric. With this photographic concept as well as the texts, the observations are presented analytically and at the same time unfold a greater poetic meaning. How does it feel to live in the environs of urban reality? The book transmits the fascination for simple building methods, locations as well as the aesthetics of decay.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\u0026nbsp;\u003c\/div\u003e\n\u003cp\u003eRotterdam and Vienna-based photographers and urbanists ANNA KAZIANKA (*1994) and FALK LENNART KREMZOW (*1989) explore the intersections between photography, architecture, and applied urbanism. Using conceptual and documentary methodology, the artist duo focuses on mobile society as well as urban and rural spaces with socially critical perspectives.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811846365448,"sku":"9783775751360","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751360_ea61775a-c9ad-458d-9550-13ebea181010.jpg?v=1744042054"},{"product_id":"59040-my-mother-country","title":"My Mother Country","description":"\u003cp\u003eThe collection of Jo\u0026euml;lle and Pierre Cl\u0026eacute;ment includes a careful selection of works by indigenous Australian painters. This catalogue by Kunsthaus Zug features 80 works by 50 artists from the collection, as well as paintings by Emily Kame Kngwarreye. The image and text contributions allow for an in-depth examination of the color-intensive, abstract painting and shed light on the diverse artistic positions of the different peoples and regions of Central Australia. With their \u0026ldquo;dot paintings,\u0026rdquo; the painters translate their millennia-old culture between traditional mythology and postcolonial reality into fascinating images created for indigenous and international viewers.\u003c\/p\u003e\n\n\u003cp\u003eThe publication brings together 50 painters, including established names such as Kathleen Petyarre and Clifford Possum Tjapaltjarri, as well as lesser-known positions. One focus is on the works of EMILY KAME KNGWARREYE (1910\u0026ndash;1996).\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49482584129800,"sku":"9783775751544","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751544_97bae27b-4399-40cf-ab86-9d8fd8e80417.jpg?v=1744120062"},{"product_id":"17353-peter-schmersal","title":"Peter Schmersal","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003ePeter Schmersal (*1952 in Wuppertal) paints landscapes, flowers, still lifes, nudes, and portraits. Besides his own compositions, the artistic appropriation and processing of important materials from art history also play a major role in his oeuvre—for instance of works by Velazquez, Goya, or Georges de la Tour. Schmersal thus augments his own technical skills while following in the footsteps of painters such as Vincent van Gogh, Oskar Kokoschka, Francis Bacon, Lucian Freud, and Frank Auerbach, all of whom tested the relevance of historical works of art for themselves. In his interpretations, Schmersal uses a powerful gesture to create something entirely new and altogether his own. 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The work is a displaced sculpture of McCarthy’s entire studio. Inconspicuous from the outside, a fabricated wooden structure like a shipping crate with four holes indicating the windows and doors in McCarthy's actual studio, the inside reveals an overwhelming diversity of objects thereby creating an intimate portrait of the artist’s mindscape. The contents of \u003cEM\u003eThe Box\u003c\/EM\u003e are the actual items from McCarthy's studio in Los Angeles, California, containing approximately three thousand objects, from a steel cabinet to a pencil, drawings and artworks. Only one thing is amiss, the box is tipped ninety degrees on its side, its contents, fixed to their surfaces, appear to defy gravity and taunt the viewer's perception of right-side-up. This radical displacement is repeated in the design of the catalog, thereby creating an object that functions as yet another haptic inversion. The aesthetic of disorientation is reflected in the volume, which was developed in close consultation with the artist.\u003c\/FONT\u003e\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/P\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874816160008,"sku":"9783775736145","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736145_43fcde8a-4c8a-41ba-b967-99cc47f6d94b.jpg?v=1744124616"},{"product_id":"17903-robin-rhode","title":"Robin Rhode","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'Times New Roman','serif'\"\u003eThe Berlin-based artist, Robin Rhode (* 1976 in Cape Town), engages\u0026nbsp;in a variety of visual languages such as photography, performance, drawing and sculpture to create arrestingly\u0026nbsp;beautiful narratives. Coming of age in a newly post-apartheid South Africa, Rhode was exposed to new forms of creative expression\u0026nbsp;motivated by the spirit of the individual rather than dictated by a political or social agenda. This new publication emphasizes the creative influence of the Italian Art movement Arte Povera during the early sixties and\u0026nbsp;seventies on Rhode’s hybrid street-based aesthetic.\u0026nbsp;The creative dialogue transformed urban landscapes and interior spaces into imaginary worlds, compressing space and time,\u0026nbsp;as two-dimensional renderings become the subject of three-dimensional interactions by a sole protagonist. 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Gaitán, presents an exhibition at three venues throughout the city: Haus am Waldsee, Dahlem Museums – National Museums in Berlin, and KW Institute for Contempo\u0026shy;rary Art. Almost exclusively new artistic productions, the exhibited artworks by more than fifty interna\u0026shy;tional artists connect the architecture, history, and sociology of the city of Berlin with a critical and glob\u0026shy;al perspective. In addition to contributions by curator Gaitán and the members of his Artistic Team—Tarek Atoui, Natasha Ginwala, Catalina Lozano, Mariana Munguía, Olaf Nicolai, and Danh Vo—this Guidebook contains images and individual texts on each partici\u0026shy;pating artist. Augmented by practical information for visitors, this concise and user-friendly guide is an es\u0026shy;sential tool for navigating the 8th Berlin Biennale.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormalCxSpMittel style=\"MARGIN: auto auto 0pt; LINE-HEIGHT: normal; mso-add-space: auto\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003e\u003cSPAN style=\"FONT-FAMILY: 'TheSansOsF Plain'; COLOR: black; mso-bidi-font-family: 'TheSansOsF Plain'\"\u003e8. 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Instagram is the medium for the perfect outfit, the perfect interior decor\u0026mdash;the perfect moment. The most popular photo format is the selfie\u0026mdash;self-portraits that present this perfection through reliable filters. Followers reward selfies with great admiration, envy, or even rejection.\u003cbr \/\u003e\nThis very special relationship between Instagram icons and their followers is observed in Chris Drange\u0026rsquo;s book \u003cem\u003eRelics\u003c\/em\u003e. Contrasting selfies from some of Instagram\u0026rsquo;s most successful users, such as Kim Kardashian or Selena Gomez, with selected comments from their followers, he draws a precise picture of the dynamic between the stars and their admirers. On double-spread pages against black backgrounds, and hardly bigger than a smartphone, this slim volume also visualizes a double-edged body image that oscillates between emancipation of dominant ideals of beauty and the digital body cult.\u003c\/p\u003e\n\n\u003cp\u003eThis book was realized in cooperation with the Materialverlag of the Hochschule f\u0026uuml;r bildende K\u0026uuml;nste Hamburg.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874825892104,"sku":"9783775743624","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743624_df419aa6-f109-472e-8603-56cfd8e337ef.jpg?v=1744051378"},{"product_id":"45305-yves-netzhammer","title":"Yves Netzhammer","description":"\u003cp\u003eWith a conversation between Michael Heitz and Yves Netzhammer\u003c\/p\u003e\n\n\u003cp\u003eA head, a rump, arms, legs; joints, skin, blood\u0026mdash;it only takes a little to identify the minimalist dolls Yves Netzhammer (*1970) draws on the computer; tender, yet shot through with violence at the same time, they are always getting into ambiguous situations. Taciturnly, they roam through the Swiss artist\u0026rsquo;s installations and film clips, challenging the boundaries between virtual and three-dimensional space. Richly illustrated in order to live up to the subtle, multifaceted works, the catalogue investigates the independence of Netzhammer\u0026rsquo;s art and its development through the most significant pieces from the years between 2008 and 2018, some of which are being published for the first time here.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: Museum zu Allerheiligen, September 28, 2018 \u0026ndash; February 17, 2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755196424456,"sku":"9783775744409","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744409_22bb390f-b709-470b-9c19-803e6bfb0028.jpg?v=1744150394"},{"product_id":"52719-jochen-hein","title":"Jochen Hein","description":"\u003cp\u003eA school of painterly vision\u0026mdash; the artist Jochen Hein offers nothing less. 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Influenced by Romanticism, especially the paintings of Caspar David Friedrich, Lang\u0026rsquo;s photographs also pose humanity\u0026rsquo;s great questions.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr \/\u003e\nExhibition:\u003cbr \/\u003e\n22.1.\u0026ndash;18.4.2019, Guardini Galerie Berlin\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811851280648,"sku":"9783775745482","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745482_8e15f8ae-69cb-4cb8-a76a-45047f278564.jpg?v=1744041788"},{"product_id":"51172-a","title":"A","description":"\u003cp\u003eIn 1958 at the Werkkunstschule in Offenbach, Franz Erhard Walther devised a typographical font without any diagonals. In this artist\u0026rsquo;s book he uses so-called work sets to form a letter on each page, facing a scene from his life between 1954 to 1973 on the opposite page\u0026mdash;an encounter with Reiner Ruthenbeck and \u0026nbsp;J\u0026ouml;rg Immendorff, for example, or his first show at the Museum of Modern Art in New York. Paging through, four sequential \u0026ldquo;work sets\u0026rdquo; make an appearance, including \u0026ldquo;The body draws\u0026rdquo; and \u0026ldquo;Sculptural memory\u0026rdquo;: on the left side, a hand-drawn letter in a mutable yellow, and on the right, a drawing of a recollection originating in his photographic memory. This book, conceived and designed by the artist himself, is itself a work of art.\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eFranz Erhard Walther (*1939) first studied at the Werkkunstschule (School of Applied Arts) in Offenbach am Main, and then later attended the Kunstakademie D\u0026uuml;sseldorf (D\u0026uuml;sseldorf Art Academy), where he and fellow students Gerhard Richter and Sigmar Polke studied under Karl Otto G\u0026ouml;tz. Walther lived in New York City between 1967 and 1971. In 1969 he and Dan Flavin exhibited the famous first work set at the Museum of Modern Art.\u003c\/p\u003e\n\n\u003cp\u003e\u0026ldquo;All throughout my life I was fascinated by this idea: that a work could have a plot. 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Anyone who has experienced Oriental Silk will answer this question with a clear \u0026ldquo;yes.\u0026rdquo; The project\u0026rsquo;s title is also the name of a company founded in Los Angeles in the early 1970s. Specializing in trading and distributing silks, it was headed for decades by Kenneth Wong and his family. Through her multi-sensory works Zhu opens up a multifaceted view of a firm that is distinguished, like its silk products, through its own haptics, style, colors, and values. The people, places, and stories that make up the phenomenon of Oriental Silk form a fascinating, vivid tapestry in which the past and present, art and life, are closely interwoven.\u003cbr \/\u003e\n\u003cbr \/\u003e\nXIAOWEN ZHU (*1986, Shanghai) calls herself a \u0026ldquo;visual poet and aesthetic researcher.\u0026rdquo; For her artistic studies she combines diverse materials and media to create an experience that articulates the specific world she inhabits. She lives in Berlin\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197309192,"sku":"9783775747851","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747851_953d3673-4938-487b-89b7-664589133d4f.jpg?v=1744150114"},{"product_id":"53502-koerper-blicke-macht-body-gaze-power","title":"Body. Gaze. Power. \/ Körper. Blicke. Macht.","description":"\u003cp\u003eAt the center of the project Body. Gaze. Power. A Cultural History of the Bath is a global social practice that is as old as humankind itself. Even though it has always been associated with cleansing rituals, what is revealed here are centuries of bathing references that go far beyond such topics as hygiene, health, and wellness. In fact, as the site where the act of bathing occurs, the bathroom has always been ideologically, religiously, socially, and culturally charged, and it remains so to this day. The catalogue features objects and works of art from various epochs, lands, and cultures, from seventeenth-century barber\u0026rsquo;s bowls, heaters, or nineteenth-century hammam sandals, to works by artists ranging from Albrecht D\u0026uuml;rer to David Hockney, Thomas Demand to Zoe Leonard. Besides the many illustrations, informative texts help readers to immerse themselves in the pleasures of various bathing cultures.\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eSELECTED FEATURED ARTISTS:\u003cbr \/\u003e\nPatrick Angus, Joseph Beuys, Giuseppe Cesari, Atelier de Jacques-Louis David, Maurice Denis, Thomas Demand, Albrecht D\u0026uuml;rer, Martin Engelbrecht, Rainer Fetting, Friedrich Wilhelm Gmelin, Nan Goldin, David Hockney, Nicolas Ren\u0026eacute; Jollain, Ute Klophaus, Leonard Koren, Katarzyna Kozyra, Lee Miller, Pablo Picasso, Chiharu Shiota, Gaston de la Touche, Ben Vautier, Eug\u0026egrave;ne Viollet-le-Duc, Friedrich Weinbrenner\u003cbr \/\u003e\n\u0026nbsp;\u003cbr \/\u003e\nEXHIBITION\u003cbr \/\u003e\nStaatliche Kunsthalle Baden-Baden\u003cbr \/\u003e\nMarch 7\u0026ndash;June 21, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197374728,"sku":"9783775747257","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747257_d17339d7-1048-4f54-b8ea-b49c31f18b4c.jpg?v=1744109537"},{"product_id":"56664-discreet-beauty-of-simplicity","title":"Discreet Beauty of Simplicity","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language:EN-US\"\u003eFor all their simplicity, the most important goal in J\u0026ouml;rg Schellmann\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ascii-font-family:Calibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:\nCalibri;mso-ansi-language:EN-US\"\u003e\u0026rsquo;\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language:\nEN-US\"\u003es furniture designs is to \u0026quot;avoid banality and reveal subtle beauty.\u0026quot; This kind of simplicity\u0026mdash;skillfully reducing everything to the essentials\u0026mdash;is anything but easy to achieve. It requires the special knowledge of aesthetics and the sort of artistic experience Schellmann has. As an art dealer and publisher, he has been working with the most important artists for over forty years. His furniture designs articulate his in-depth examination of Minimal and Conceptual Art. At the same time, they reflect an aesthetic that is equally inspired by industry and workshop. This work, as fascinating as it is clear, is presented in this illustrated book and accompanied by texts from Mateo Kries, Donald Judd, and Liam Gillick, among others. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJÖRG SCHELLMANN (*1944, Kassel) became internationally known through his work as a gallery owner and publisher of art editions. After producing furniture based on other artists’ designs, he created his own line, which is distinguished by skillful minimalism and functionalism.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197407496,"sku":"9783775748544","price":44.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748544_970f8e6e-3a9a-4dc2-9279-be546513a8a8.jpg?v=1744057004"},{"product_id":"56520-claudio-hils","title":"Claudio Hils","description":"\u003cp\u003eFor decades, Claudio Hils has shown in his photographs how the power of the state as well as war and terror have been reflected in mostly hidden spaces: His series\u0026nbsp;\u003cem\u003eArchive_Belfast\u0026nbsp;\u003c\/em\u003e(2004) documents the indirect traces of years of conflict in Northern Ireland.\u0026nbsp;\u003cem\u003eIndustrie Zeit Raum\u0026nbsp;\u003c\/em\u003e(2005) is an attempt\u0026nbsp;to use photographic images to capture the ambivalent approach to the past and present that companies from the defense industry have pursued in the Lake Constance region. With\u0026nbsp;\u003cem\u003eRed Land, Blue Land\u0026nbsp;\u003c\/em\u003e(2000) Claudio Hils provided the first series of unique images of a military training ground. Now he was granted access again to nine military bases in southern Germany over a period of five years.\u0026nbsp;\u003cem\u003eHome Front \u0026ndash; Staging War\u0026nbsp;\u003c\/em\u003eshowcases the places where emergency operations, counter-terrorism and warlike scenarios are simulated in analog and digital form to safeguard social order.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44880467624200,"sku":"9783775748438","price":44.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748438.jpg?v=1744051846"},{"product_id":"59239-vivian-suter","title":"Vivian Suter","description":"\u003cp\u003eThis comprehensive monograph takes a look at Vivian Suter\u0026#39;s complete works, bringing together early drawings, painterly wall reliefs from the 1980s, and her latest work from her studio in the tropical rainforest of Guatemala: loose canvases hanging lightly from the ceiling in atmospherically dense installations. The richly illustrated catalogue illuminates the interplay between unpredictable natural influences as the paintings are left outside open to the elements, and purposeful artistic work in Suter\u0026rsquo;s practice. With a Japanese binding and fold-out cover, this book is a visual as well as tactile delight, evoking the sensual appeal of free-hanging intensely colored canvases.\u003c\/p\u003e\n\u003cp\u003eSince her participation at documenta 14 in 2017, VIVIAN SUTER’s (*1949, Buenos Aires) work has been exhibited in many of the most influential museums worldwide. The artist grew up and studied painting in Basel. Today, she lives and works in the remote wilderness of Guatemala, where she has made the great outdoors her studio.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197800712,"sku":"9783775751933","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751933_86cd003a-8ab8-4857-ac87-2fa1996f1e9e.jpg?v=1744145467"},{"product_id":"58971-manuel-mathieu","title":"Manuel Mathieu","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003eElucidating the multi-layered explorations of Haitian Canadian artist Manuel Mathieu, this first comprehensive publication focuses on how Haiti has informed Mathieu\u0026rsquo;s work over the past few years. Reflecting on the complex revolutionary history of his family homeland by unearthing its traumatized subconscious, and the erasure of memories of the oppressive and violent Duvalier dictatorships, Mathieu\u0026rsquo;s vibrant paintings blur the boundaries between personal and political. Merging abstraction with figuration, Mathieu abrades his work springing from found photographs, by rubbing and scraping off layers of paint, before reintroducing impastoed snarls of color. Positioned at the fault lines of political and environmental crises, Mathieu considers Haiti\u0026rsquo;s quest for self-determination as a prism reflecting a global longing for freedom, and grassroots resistance to imperialist and capitalist exploits.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eMontreal-based artist MANUEL MATHIEU (*1986, Port-au-Prince) graduated with a Master’s degree in Fine Arts from Goldsmiths, University of London in 2016. Recent solo exhibitions have been held at Kavi Gupta, Chicago (2021), Montreal Museum of Fine Arts and The Power Plant Contemporary Art Gallery, Toronto (2020), and HDM Gallery, Beijing (2019).\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197866248,"sku":"9783775751377","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751377_fc21809b-8416-4e3b-ae3b-bac981e21fe5.jpg?v=1744114228"},{"product_id":"58150-rainer-fetting","title":"Rainer Fetting","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-b94a885b-7fff-c57d-f8da-2276fdce5d13\" style=\"line-height:1.2;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eRainer Fetting achieved international recognition with the \u0026quot;New Wild Ones\u0026quot; in the early 1980s. With its elements of Expressionist painting, his art formed in opposition to the conventions of Abstract and Conceptual Art toward the end of the 1970s is highly topical again today. Fetting\u0026#39;s painting is a highly significant precursor for the \u0026quot;queer\u0026quot; discourses on gender, identity, the individual, and power that not only shape the works of younger generations in our globalized art world but also current mainstream debates. His \u0026quot;expressive\u0026quot; portraits, cityscapes, and landscapes as well as the still lifes and flower paintings on which this publication focuses capture psychosocial energies that are evident in every painterly decision he makes. Works from four decades are presented here, some of them unpublished, early drawn studies and paintings from the time Fetting was commuting between New York and Berlin the 1980s and 1990s in addition to recent paintings, works on paper, and sculptures. The illustrated book is published in conjunction with the exhibition in the spaces of the Miettinen Collection in Berlin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRAINER FETTING (*1949) studied painting at the Hochschule der Künste, Berlin, 1972–78. In 1977, he founded the Galerie am Moritzplatz together with Helmut Middendorf, Salomé, Bernd Zimmer, Anne Jud and Berthold Schepers. From 1983-1994 he lived in New York and Berlin. Recent solo exhibitions have been shown at the Berlinische Galerie, Berlin, and Schloss Gottorf, Schleswig. Rainer Fetting lives and works in Berlin and Westerland.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197899016,"sku":"9783775750875","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750875_e2c7a21b-f001-47d7-a685-63e55e58397f.jpg?v=1744128888"},{"product_id":"57747-lukas-glinkowski","title":"Lukas Glinkowski","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-d50cdc92-7fff-9bd9-73ce-f062e1188311\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eIn his first comprehensive monograph, Lukas Glinkowski opens up insights into his visual world. His studio paintings recompose impressions and encounters from everyday life, creating a visual mashup: citations from art history, comics, and figures can be found on unusual backgrounds such as ingrain wallpaper, tiles, or mirrors. Glinkowski creates room to play with habitual ways of seeing and thinking. Viewers can configure contexts by themselves. Still, it does not stop with the process of viewing; visitors are often included in the process of painting and rediscover their own seemingly familiar world. Glinkowski\u0026rsquo;s painting does not attempt to explain, but instead poses many questions. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLUKAS GLINKOWSKI (*1984) graduated from the Dusseldorf Art Academy, where he studied under Katharina Grosse. The recipient of many grants and prizes, he has also exhibited a great deal, most recently in museums in Bonn, Chemnitz, and Wiesbaden, at the Deichtorhallen in Hamburg, and currently at Berghain in Berlin.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198259464,"sku":"9783775750479","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750479_73b84302-6dbe-474f-8282-4270b58ab98f.jpg?v=1744112582"},{"product_id":"59070-carol-rama","title":"Carol Rama","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-9002c812-7fff-840a-e5ae-a332c8ef2cf7\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eCarol Rama is one of the most exciting artistic rediscoveries of the 20th century. Her creative period spanned more than 70 years \u0026ndash; tirelessly testing different materials, styles, and media. Among other things, the artist created a body of graphic works and unique watercolors that will be presented at Berlin\u0026rsquo;s Gutshaus Steglitz. This overview publication on the work of the self-taught artist is being published at the same time. The Italian artist received attention for her unique oeuvre only at an advanced age and posthumously. In the 1940s, Rama caused a sensation with the permissive and, at the time, progressive portrayal of her protagonists. In her late work she returned to the depictions of her youth.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Italian painter CAROL RAMA (1918–2015) was self-taught. In 1948, she participated for the first time in the Venice Biennale, and in 2003 she was awarded the Golden Lion there for her life's work. 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A flat rubber or a massive steel sculpture in which letters have been punched to create openings serve, for example, as a windscreen and thus assume an entirely new function. This interplay of material extension and operational expansion between form and function is the fertile ground of Hans Kupelwieser\u0026#39;s analytical explorations. Presenting numerous large illustrations, the book offers an overview of the sculptor\u0026#39;s current work as well as several important reference works from early periods. Attention is also given to his photographic oeuvre, an equally important part of his work that relates closely to his sculpture. Exhibition schedule: Neue Galerie Graz am Landesmuseum Joanneum, May 8 - June 20, 2004 \u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198619912,"sku":"9783775714624","price":29.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775714624_b73b09c7-4937-4158-8e67-34348fbc6a8f.jpg?v=1744096480"},{"product_id":"17375-emscherkunst2013","title":"EMSCHERKUNST.2013","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eEmscherkunst\u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e is taking place for the second time in the northern Ruhr region: more than fifty prestigious artists from throughout the world will address the region’s architectural, economic, and social problems, which pose overwhelming challenges due to the decline of coal mining and the plight of the steel industry. The exhibition stretches along the Emscher River from Dinslaken and Duisburg to Oberhausen and Bottrop, and from there on to Essen and Gelsenkirchen. As a triennial, it accompanies one of the largest renaturation projects in the world: the redevelopment of the Emscher. Within the scope of a once-in-a-generation project, the river at the heart of the Ruhr Region will be transformed from an open sewer into an almost entirely natural body of water by 2020. At unusual sites, such as overgrown fallow land or former industrial centers, art forges a new path, proving its merit as an experimental field and a laboratory for the future.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eExhibition schedule: EMSCHERKUNST.2013, Emscher Island, June 22\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e–October \u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e6, 2013\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eArtists featured (selection): Ai Weiwei, Hans op de Beeck, Daniel Buren, Tue Greenfort, Michael Sailstorfer, Tomás Saraceno, Apolonija Sustersic, Elin Wikström, Anna Witt\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45284352000264,"sku":"9783775736244","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736244_09230083-3fea-4664-95fa-61ade9145c42.jpg?v=1744058489"},{"product_id":"17885-elemental","title":"Elemental","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eWhat began as an academic initiative to improve the quality of life of poor strata of the population has meanwhile become a professional \u0026ldquo;do tank\u0026rdquo; offering services that cover the entire spectrum of urban development. Alejandro Aravena (*1967 in Santiago de Chile) founded Elemental in 2001 in his hometown with the goal of alleviating social deprivation directly instead of hoping for a balance of income relations. Besides building public facilities and public housing, Elemental also develops new approaches for the reorganization of resources and the potential of cities by means of projects devoted to infrastructure and transportation. This publication documents the social activity and history of the international architectural team and sheds light on its financing strategies, for example through participative building.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e15th \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-fareast-language: JA; mso-bidi-language: DE\"\u003e\u0026nbsp;International Architecture Exhibition, Venice, May 28\u0026ndash;November 27, 2016\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874839523592,"sku":"9783775741422","price":39.8,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741422.jpg?v=1744061261"},{"product_id":"44898-pola-sieverding","title":"Pola Sieverding","description":"\u003cp\u003ePola Sieverding\u0026rsquo;s (*1981, D\u0026uuml;sseldorf) book \u003cem\u003eThe Epic\u003c\/em\u003e is based on her eponymous exhibition of two groups of works, \u003cem\u003eARENA\u003c\/em\u003e and \u003cem\u003eThe Epic,\u003c\/em\u003e at the Neuer Aachener Kunstverein in 2016. The images\u0026mdash;or rather, presentations\u0026mdash;of bodies from the worlds of wrestling and boxing materialize here in contrasting lights and darks; they are emphasized by the play of light on skin, which makes it possible to see musculature beneath. In the performance of the presentation and exhibition, the fleshy quality of the bodies becomes the actual event. It is not the fight itself, but its visual characteristics, which make it possible to understand the drama of victory or defeat in an instant. Sieverding\u0026rsquo;s camera seems to thread its way directly in between the combatants, allowing viewers to play the role of the medium; emotions are not situated solely in our gaze\u0026mdash;but rather, our body also negotiates the repertory of affects.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44425510813960,"sku":"9783775744126","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744126_ee6b30a2-721d-407c-b348-2539638e06c9.jpg?v=1744127569"},{"product_id":"44161-frank-kunert-lifestyle","title":"Frank Kunert","description":"\u003cp\u003eWorking slowing, consciously perceiving, precisely observing; in our increasingly fast-paced and abstract world, this type of working method seems to be more and more rare. Still, we know that the exception proves the rule. If Frank Kunert (*1963 in Frankfurt am Main) did not have the patience and calm he exhibits in creating his miniature, stage settings\u0026mdash;immortalized in photographs made with a large-format analog camera\u0026mdash;his \u0026ldquo;small worlds\u0026rdquo; would lose the charm we\u0026rsquo;ve grown so fond of through his previous publications, \u003cem\u003eVerkehrte Welt\u003c\/em\u003e (Inverted world) and \u003cem\u003eWunderland.\u003c\/em\u003e Here, the ordinary quickly reaches its limits and traverses beyond ad absurdum, while tragedy veers into comedy, and wit becomes debatable. Kunert\u0026rsquo;s works exist between the poles of grotesque and metaphysics. His new book, \u003cem\u003eLifestyle,\u003c\/em\u003e adds twenty-four miniatures to these philosophically based stories of everyday life.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755199734024,"sku":"9783775743761","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743761_97b19f1e-b8a6-4770-add7-7b5b2cc27109.jpg?v=1744064633"},{"product_id":"17256-ingmar-alge","title":"Ingmar Alge","description":"\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eIngmar Alge (*1971 in Höchst) is one of the most important Austrian artists of his generation. Precise observations of social realities and their contradictions are at the center of his artistic research. With a keen sense for the sociological, the artist explores society’s rejects and internal emptiness. He sheds light on the magical dimensions of loneliness and melancholy, focusing their existential forms and thus working within the tradition of Romantic painting. Although his paintings are based on photographs, he changes them by adding countless, finely glazed layers, or by intensifying colors or exaggerating the composition. As a result, it is not really reality that is visible, but instead, our imaginations are stimulated. This publication is the first to provide an overview of Alge’s oeuvre through large images, explanatory essays, and an index of works.\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eExhibition schedule: Galerie der Stadt Backnang, February\u0026nbsp;16–April 21, 2013\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/FONT\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526216933640,"sku":"9783775734967","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734967_69742328-bf90-48bd-bac3-bc0001938891.jpg?v=1744100403"},{"product_id":"45692-slavs-and-tatars","title":"Slavs and Tatars","description":"\u003cp\u003eThe internationally renowned art collective Slavs and Tatars is devoted to the area known as Eurasia: east of the former Berlin Wall and west of the Great Wall of China. Considering themselves as \u0026ldquo;archeologists of the everyday\u0026rdquo;, the collective focuses on the interplay of religion, power, language and identities. In books, exhibitions, and performances, they investigate mentalities, myths, traditions, and transitions, through a combination of scholarly research, polemics, and low-brow humor.\u003cbr \/\u003e\nWripped Scripped continues the collective\u0026rsquo;s investigation of alphabets as an equally political and affective platform. While the roll-out of new alphabets has often accompanied the rise and fall of empires, the artists attempt to liberate not so much peoples and nations but rather the sounds and letters that make up langauge. Chapters include a look at the phoneme [kh] as a sacred perspective in the Hebrew, Arabic and Cyrillic alphabets; Germany\u0026rsquo;s relationship with Orientalism through the tetragraph [dsch]; and a study of nasal phonemes in constructing Polish and Turkish identity.\u003c\/p\u003e\n\n\u003cp\u003eExhibition:\u003cbr \/\u003e\nAlbertinum (Kunsthalle im Lipsiusbau), Staatliche Kunstsammlungen Dresden, 2.6.\u0026ndash;14.10.2018\u003cbr \/\u003e\nKunstverein Hannover, 17.11.2018\u0026ndash;20.1.2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755199930632,"sku":"9783775744720","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744720_7485d2ac-5884-49a2-a61f-2393ed711509.jpg?v=1744135397"},{"product_id":"43467-rosa-barba","title":"Rosa Barba","description":"\u003cp\u003eRosa Barba\u0026rsquo;s work is grounded in a careful exploration of the materiality, the devices, the production conditions, and the grammar of cinema. The monograph \u003cem\u003eFrom Source to Poem \u003c\/em\u003eis an entrancing account of the main motives that drive the artist\u0026rsquo;s practice, underscoring the context in which the artworks are presented at both architectural and conceptual levels.\u003cbr \/\u003e\nBesides numerous films, sculptures, and works composed of light, the catalogue accompanying the exhibition at Pirelli HangarBicocca in Milan, and other recent exhibition venues, also features the new 35mm film \u003cem\u003eFrom Source to Poem\u003c\/em\u003e from 2016 for the first time in Italy. Hundreds of images from historical archives in the United States evolve into a kind of collage of the cultural legacy of a Western civilization in the twentieth century. \u0026ldquo;I would like,\u0026rdquo; says Barba, \u0026ldquo;to continue to explore the geographies that we create around us.\u0026rdquo;\u003c\/p\u003e\n\n\u003cp\u003eExhibitions: Pirelli HangarBicocca, Milan 5.5.\u0026ndash;8.10.2017; Museo Nacional Centro de Arte Reina Sof\u0026iacute;a, Palacio de Cristal, Madrid, 17.5.\u0026ndash;27.8.2017\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755199963400,"sku":"9783775743266","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743266_f47aed79-6ef8-45d8-81a8-17ac38baca22.jpg?v=1744131888"},{"product_id":"45720-sammlung-goetz","title":"Sammlung Goetz","description":"\u003cp\u003eIn 2018 the Sammlung Goetz is celebrating the 25th anniversary of its founding with a three-part exhibition devoted to the artistic oeuvres of women. On display will be nearly two hundred works of art, from drawings, photographs, paintings, and sculptures, to films and extensive installations by more than forty female artists, all set in an intergenerational dialogue. Besides the major artists in the Goetz Collection, such as Rosemarie Trockel, Andrea Zittel, Lucy McKenzie, Paulina Olowska, Pipilotti Rist, and Yayoi Kusama, there are also a few new (and re-) discoveries, such as the young painter Lucy Dodd, or the American nun Sister Mary Corita.\u003c\/p\u003e\n\n\u003cp\u003eThe catalogue documents the three-part exhibition and also offers extensive insight into the twenty-five years of the Sammlung Goetz\u0026rsquo;s history.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eExhibitions\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eGenerations. K\u0026uuml;nstlerinnen im Dialog - Part 1\u003cbr \/\u003e\nSammlung Goetz, M\u0026uuml;nchen: 22.2.\u0026ndash;30.6.2018\u003c\/p\u003e\n\n\u003cp\u003eGenerations. K\u0026uuml;nstlerinnen im Dialog - Part 2\u003cbr \/\u003e\nHaus der Kunst, M\u0026uuml;nchen 29.6.2018\u0026ndash;10.3.2019\u003c\/p\u003e\n\n\u003cp\u003eGenerations. K\u0026uuml;nstlerinnen im Dialog \u0026ndash; Part 3\u003cbr \/\u003e\nSammlung Goetz, M\u0026uuml;nchen 6.12.2018\u0026ndash;6.4.2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45305501712648,"sku":"9783775744805","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744805_c890f518-83fc-48d2-86c9-202081032bc1.jpg?v=1744133264"}],"url":"https:\/\/www.hatjecantz.de\/en\/collections\/zweisprachige-ausgaben.oembed?page=17","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}