{"title":"Contemporary Art at Special Prices","description":"","products":[{"product_id":"17799-julian-schnabel","title":"Julian Schnabel","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US'\u003eAt thirty-six, Julian Schnabel was not only represented in the most important exhibitions of his time; retrospectives of his works were already being celebrated in major museums such as the Stedelijk Museum, the Tate in London, or the Centre Pompidou in Paris. He writes this book, \u003cI style=\"mso-bidi-font-style: normal\"\u003eCVJ,\u003c\/I\u003e and gives an account of his life: how he leaves Texas in 1973 to return to his hometown of New York City, hangs out in Max’s Kansas City, meets Sigmar Polke, Blinky Palermo, Ross Bleckner, and numerous other people in the scene, and even travels to Europe to study the Old Masters—experiences and observations that are both poetic and amusing to read. And at the same time it is fascinating to see the oeuvre he had produced up to that point: the \u003cI style=\"mso-bidi-font-style: normal\"\u003ePlate Paintings\u003c\/I\u003e with their splintered surfaces, paintings in oil and wax, on velvet and tarpaulins, with “dirt” and cracks and \u003cI style=\"mso-bidi-font-style: normal\"\u003eobjets trouvés\u003c\/I\u003e that project into space, drawings, and sculptures. What is striking is their influence on younger generations of artists and on the current debate on painting.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874803708168,"sku":"9783775740562","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740562_d69b8ff7-5adb-4766-aa18-b5a66e496b25.jpg?v=1744105025"},{"product_id":"17366-paul-mccarthy","title":"Paul McCarthy","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoPlainText style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT face=Calibri\u003eThe new artist’s book by Paul McCarthy (* 1945 in Salt Lake City) presents one of the artist's most significant works:\u003cEM\u003e The Box\u003c\/EM\u003e (1999). The work is a displaced sculpture of McCarthy’s entire studio. Inconspicuous from the outside, a fabricated wooden structure like a shipping crate with four holes indicating the windows and doors in McCarthy's actual studio, the inside reveals an overwhelming diversity of objects thereby creating an intimate portrait of the artist’s mindscape. The contents of \u003cEM\u003eThe Box\u003c\/EM\u003e are the actual items from McCarthy's studio in Los Angeles, California, containing approximately three thousand objects, from a steel cabinet to a pencil, drawings and artworks. Only one thing is amiss, the box is tipped ninety degrees on its side, its contents, fixed to their surfaces, appear to defy gravity and taunt the viewer's perception of right-side-up. This radical displacement is repeated in the design of the catalog, thereby creating an object that functions as yet another haptic inversion. The aesthetic of disorientation is reflected in the volume, which was developed in close consultation with the artist.\u003c\/FONT\u003e\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/P\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874816160008,"sku":"9783775736145","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736145_43fcde8a-4c8a-41ba-b967-99cc47f6d94b.jpg?v=1744124616"},{"product_id":"17903-robin-rhode","title":"Robin Rhode","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'Times New Roman','serif'\"\u003eThe Berlin-based artist, Robin Rhode (* 1976 in Cape Town), engages\u0026nbsp;in a variety of visual languages such as photography, performance, drawing and sculpture to create arrestingly\u0026nbsp;beautiful narratives. Coming of age in a newly post-apartheid South Africa, Rhode was exposed to new forms of creative expression\u0026nbsp;motivated by the spirit of the individual rather than dictated by a political or social agenda. This new publication emphasizes the creative influence of the Italian Art movement Arte Povera during the early sixties and\u0026nbsp;seventies on Rhode’s hybrid street-based aesthetic.\u0026nbsp;The creative dialogue transformed urban landscapes and interior spaces into imaginary worlds, compressing space and time,\u0026nbsp;as two-dimensional renderings become the subject of three-dimensional interactions by a sole protagonist. Rhode’s work reveals a mastery of illusion, a rich range of historical\u0026nbsp;and contemporary references, and an innate skill for blending high and low art forms. \u003c\/SPAN\u003e\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\u003c\/P\u003e\u003c\/FONT\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526201532680,"sku":"9783775741606","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741606_a9fe0835-e3d8-4282-9dc5-5329d1e1fdd9.jpg?v=1744130727"},{"product_id":"17631-sculpture-after-sculpture-fritsch-koons-ray","title":"Sculpture After Sculpture: Fritsch, Koons, Ray","description":"\u003cp\u003eWhen, in the early eighties, minimalist and concep\u0026shy;tual approaches were dominant in art, the consis\u0026shy;tently figural and emphatically sculptural representa\u0026shy;tions of everyday subjects by Katharina Fritsch (* 1960), Jeff Koons (* 1955) und Charles Ray (* 1953) at\u0026shy;tracted a great deal of attention. Their striking stanc\u0026shy;es continue to have an influence on cultural visual memory. \u003cem\u003eSculpture After Sculpture: Fritsch, Koons, Ray\u003c\/em\u003e traces the parallel developments in the creative work of the three sculptors. Beginning with key works from the late eighties and early nineties that throw light on their shared interest in the consumer world and the ready-made, the publication delineates their ar\u0026shy;tistic practice up to the present day. A direct compari\u0026shy;son highlights the surprising similarities and marked differences in their oeuvres, and reveals the artists\u0026rsquo; compelling reasons for a decidedly contemporary art of sculpture.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003eExhibition: Moderna Museet, Stockholm 11.10.2014\u0026ndash;18.1.2015\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874822189320,"sku":"9783775738859","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738859_5185403a-a4bf-4a0a-a5e5-2c253dadaad7.jpg?v=1744133645"},{"product_id":"45305-yves-netzhammer","title":"Yves Netzhammer","description":"\u003cp\u003eWith a conversation between Michael Heitz and Yves Netzhammer\u003c\/p\u003e\n\n\u003cp\u003eA head, a rump, arms, legs; joints, skin, blood\u0026mdash;it only takes a little to identify the minimalist dolls Yves Netzhammer (*1970) draws on the computer; tender, yet shot through with violence at the same time, they are always getting into ambiguous situations. Taciturnly, they roam through the Swiss artist\u0026rsquo;s installations and film clips, challenging the boundaries between virtual and three-dimensional space. Richly illustrated in order to live up to the subtle, multifaceted works, the catalogue investigates the independence of Netzhammer\u0026rsquo;s art and its development through the most significant pieces from the years between 2008 and 2018, some of which are being published for the first time here.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: Museum zu Allerheiligen, September 28, 2018 \u0026ndash; February 17, 2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755196424456,"sku":"9783775744409","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744409_22bb390f-b709-470b-9c19-803e6bfb0028.jpg?v=1744150394"},{"product_id":"59221-im-tempel-des-ich-das-kuenstlerhaus-als-gesamtkunstwerk","title":"Im Tempel des Ich. Das Künstlerhaus als Gesamtkunstwerk","description":"\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eAs treasure troves of creativity, the homes of artists reflect the intellectual worlds of their creators. Starting with the Villa Stuck in Munich\u0026mdash;the aesthetic, conceptual cosmos and life\u0026rsquo;s work of the aristocratic artist Franz von Stuck\u0026mdash;this unique volume integrates the artist\u0026rsquo;s house as a category into the international context and is the first to assign these buildings the status of major works. About twenty examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures, and photographs closely related to the houses, plans and models convey the correlation between art and life as well as the kind of harmony of the arts expressed in Richard Wagner\u0026rsquo;s historical concept of the total work of art. (German edition ISBN 978-3-7757-3592-6)\u003c\/p\u003e\n\n\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eHouses featured (selection): Sir John Soane\u0026rsquo;s Museum, London; William Morris Red House, Bexleyheath; Louis Comfort Tiffany\u0026rsquo;s Tiffany House, New York City; Mortimer Menpes\u0026rsquo;s flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle\u0026rsquo;s villa and garden, Marrakesh; Kurt Schwitters\u0026rsquo; MERZbau, Hannover; Max Ernst\u0026rsquo;s house, Arizona\u003c\/p\u003e\n\n\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eExhibition schedule: Museum Villa Stuck, Munich, November 21, 2013\u0026ndash;March 2, 2014\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49808340189448,"sku":"9783775751865","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751865_f6af0748-ba95-4cb8-bcbd-aeeaac899e5c.jpg?v=1744270913"},{"product_id":"17758-andrea-fraser","title":"Andrea Fraser","description":"\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eControversial, provocative, and at the same time poignantly humorous. Andrea Fraser *1965 in Billings, Montana) is one of the most influential and pioneering artists of her generation and has been captivating her audience for more than thirty years. She employs a wide range of media, including prints, photographs, installations, and performances as well as texts and videos, time and again reformulating the same question: what we all want from art—the motivation behind Fraser’s artistic production, how we view it, and how the art market distributes it.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eThe richly illustrated catalogue allows tracing the artist for the first time from the beginning of her career. It assembles the early \u003cI style=\"mso-bidi-font-style: normal\"\u003eFour Posters\u003c\/I\u003e (1984) as well as her famous performances, such as \u003cI style=\"mso-bidi-font-style: normal\"\u003eMuseum Highlights \u003c\/I\u003e(1989), \u003cI style=\"mso-bidi-font-style: normal\"\u003eInaugural Speech\u003c\/I\u003e (1997), and \u003cI style=\"mso-bidi-font-style: normal\"\u003eOfficial Welcome\u003c\/I\u003e (2001\u003c\/FONT\u003e\u003cA name=_GoBack\u003e\u003c\/A\u003e\u003cFONT size=3\u003e\/03), linking them with her most recent videos.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-fareast-font-family: Calibri; mso-bidi-font-family: \"Times New Roman\"; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-theme-font: minor-latin; mso-bidi-theme-font: minor-bidi'\u003eExhibition: Museum der Moderne Salzburg, 21.3.–5.7.2015\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/FONT\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811856523528,"sku":"9783775740159","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740159_be1d2056-49b1-4379-96d2-89ea81d2d876.jpg?v=1744040569"},{"product_id":"17781-michael-buthe","title":"Michael Buthe","description":"\u003cP\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e“For me my sun is, like all paintings, a functional object for seeing, for feeling, for dreaming, for understanding” are the words Michael Buthe (1944–1994) uses to describe his recurring, central motif. With bright colors or radiant gold, the artist assembles the entire world—indeed, the entire universe—within the circle of this heavenly body. Michael Buthe has no reservations: taking his lead from German Art Informel and American Minimal Art, he is fascinated by non-European cultures, counters the cool concept of Minimalism with pronounced sensuousness, and seduces viewers into raising spiritual as well as social questions. The retrospective brings together apparently archaic assemblages, brightly colored works on paper, and intensely worked canvases, collages, and paintings in gold. The documentation of installations, which in their opulence address all the senses, also allows gaining access to Michael Buthe’s spatial works. \u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003eAusstellungen\/Exhibitions: Kunstmuseum Luzern, Luzern\/Lucerne 31.10.2015–31.01.2016 | Im Anschluss\/further venues S.M.A.K. Gent\/Ghent |Haus der Kunst, München\/Munich\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45169822793992,"sku":"9783775740388","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740388_a401db22-e03a-44ad-865e-cc6a40b19c7e.jpg?v=1744117245"},{"product_id":"17793-ethan-murrow","title":"Ethan Murrow","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003eA man caught in and behind wallpaper, a chimpanzee in a lifeboat, mountain climbers and hikers in the middle of a polar sea \u0026agrave; la Caspar David Friedrich: Ethan Murrow (*1975 \u003cspan class=\"st\"\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;\"\u003ein Greenfield, Massachusetts\u003c\/span\u003e\u003c\/span\u003e) plays with the dimensions we are familiar with and tells a scarcely conceivable story with each of his pictures. Their references lie in personal experiences, historical sources, or in the romanticizing landscapes of the Hudson River School, from which his fantasy springs. At first glance one believes to be looking at edited black-and-white photographs, until it quickly becomes apparent that these are meticulously prepared pencil drawings. Murrow examines the boundary between the artist\u0026rsquo;s fiction and depicted reality. Yet this volume deals not just with his pencil drawings\u0026mdash;for the first time, one can also marvel at the extensive works he magically conjures on walls with a ballpoint pen.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44425505964296,"sku":"9783775740500","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740500_a52e49ff-1744-45d6-95c4-eacdc2ee4355.jpg?v=1744061663"},{"product_id":"17845-lynn-hershman-leeson","title":"Lynn Hershman Leeson","description":"\u003cP\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eLynn Hershman Leeson is one of the first and most influential media artists. During the past five\u0026nbsp;decades she has done pioneering work in the fields of photography, video, film, performance, installation, and interactive and net-based media art. Hershman Leeson’s major themes are the construction of identity, surveillance and control, and life in the age of genetic engineering. Her most well-known series is \u003cI style=\"mso-bidi-font-style: normal\"\u003eRoberta Breitmore\u003c\/I\u003e (1973\u0026shy;-78)—, a fictional character embodied by her and three other women, in part simultaneously. A kind of clone of the artist, her life is staged in real time and space. In her most recent works, Hershman Leeson includes web applications and mass communication media such as smartphones, as well as the latest scientific developments in the field of genetics and regenerative medicine, including 3D bioprinters that create human body parts.\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eExhibition: Deichtorhallen 14.6.2015–17.1.2016\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755199013128,"sku":"9783775741026","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741026_c89582e6-21c9-4751-a4ed-af481afe4498.jpg?v=1744112649"},{"product_id":"17256-ingmar-alge","title":"Ingmar Alge","description":"\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eIngmar Alge (*1971 in Höchst) is one of the most important Austrian artists of his generation. Precise observations of social realities and their contradictions are at the center of his artistic research. With a keen sense for the sociological, the artist explores society’s rejects and internal emptiness. He sheds light on the magical dimensions of loneliness and melancholy, focusing their existential forms and thus working within the tradition of Romantic painting. Although his paintings are based on photographs, he changes them by adding countless, finely glazed layers, or by intensifying colors or exaggerating the composition. As a result, it is not really reality that is visible, but instead, our imaginations are stimulated. This publication is the first to provide an overview of Alge’s oeuvre through large images, explanatory essays, and an index of works.\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eExhibition schedule: Galerie der Stadt Backnang, February\u0026nbsp;16–April 21, 2013\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/FONT\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526216933640,"sku":"9783775734967","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734967_69742328-bf90-48bd-bac3-bc0001938891.jpg?v=1744100403"},{"product_id":"45692-slavs-and-tatars","title":"Slavs and Tatars","description":"\u003cp\u003eThe internationally renowned art collective Slavs and Tatars is devoted to the area known as Eurasia: east of the former Berlin Wall and west of the Great Wall of China. Considering themselves as \u0026ldquo;archeologists of the everyday\u0026rdquo;, the collective focuses on the interplay of religion, power, language and identities. In books, exhibitions, and performances, they investigate mentalities, myths, traditions, and transitions, through a combination of scholarly research, polemics, and low-brow humor.\u003cbr \/\u003e\nWripped Scripped continues the collective\u0026rsquo;s investigation of alphabets as an equally political and affective platform. While the roll-out of new alphabets has often accompanied the rise and fall of empires, the artists attempt to liberate not so much peoples and nations but rather the sounds and letters that make up langauge. Chapters include a look at the phoneme [kh] as a sacred perspective in the Hebrew, Arabic and Cyrillic alphabets; Germany\u0026rsquo;s relationship with Orientalism through the tetragraph [dsch]; and a study of nasal phonemes in constructing Polish and Turkish identity.\u003c\/p\u003e\n\n\u003cp\u003eExhibition:\u003cbr \/\u003e\nAlbertinum (Kunsthalle im Lipsiusbau), Staatliche Kunstsammlungen Dresden, 2.6.\u0026ndash;14.10.2018\u003cbr \/\u003e\nKunstverein Hannover, 17.11.2018\u0026ndash;20.1.2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755199930632,"sku":"9783775744720","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744720_7485d2ac-5884-49a2-a61f-2393ed711509.jpg?v=1744135397"},{"product_id":"44341-alessandro-twombly","title":"Alessandro Twombly","description":"\u003cp\u003eUnlike the sculptures by his father Cy Twombly, who assembled them as if they were collages composed of found pieces, Alessandro Twombly\u0026rsquo;s (*1959 in Rome) works are organic\u003cspan dir=\"RTL\"\u003e-\u003c\/span\u003elooking sculptures made from a single piece of material. They recall fossilized coral, hardened streams of lava, objects found on the beach, or statues of archaic divinities. As different as they are from one another in appearance, they all invoke the elementary forces of nature. Their dynamic shapes visualize the idea of metamorphosis, the eternal transformation that is the basis for growth. Marks of Twombly\u0026rsquo;s work are left on the surfaces of some of the sculptures, which are first cast in plaster or clay, and then in bronze or resin. In this survey of his work, which features Twombly\u0026rsquo;s sculptures from 1986 to 2016, one can see the processes and developments that have been inscribed in the material.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811859439880,"sku":"9783775743846","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743846_cf70320b-3763-4ca9-bfd7-8b53ee8c17cb.jpg?v=1744039128"},{"product_id":"58549-david-hockney","title":"David Hockney","description":"\u003cp dir=\"ltr\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-0c85b6bd-7fff-b879-8cf8-db87ffe14a71\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThis catalogue for the exhibition at Kunstmuseum Luzern covers the entire oeuvre of the outstanding British artist David Hockney. With more than 80 paintings, drawings, and prints, this life\u0026rsquo;s work spans Hockney\u0026rsquo;s London student years, the 1960s in Los Angeles, the reorientation of his painting in the 1980s, a decade of Yorkshire landscapes, and his most recent, monumental iPad drawings. These works from the Tate\u0026rsquo;s collection form the magical essence of this vast oeuvre, including the double portraits \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eMy Parents\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e and\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003e Mr and Mrs Clark and Percy\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, or the iconic \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eA Bigger Splash.\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e The essays illuminate Hockney\u0026rsquo;s socialization in the young queer culture of 1960s England; personal contributions and recollections by Frank Gehry, Marieke Lucas Rijneveld, Ed Ruscha, Christine Streuli, or Ali Smith mark Hockney\u0026rsquo;s great significance for contemporary everyday culture.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\u0026nbsp;\u003c\/div\u003e\n\u003cp\u003eDAVID HOCKNEY (*1937) spent his childhood in Yorkshire. During his studies at the Royal College of Art, he first attracted public attention in 1961. Since then he has advanced to become one of the most important contemporary artists. In addition to painting, he works as a draftsman, graphic artist, stage designer and photographer.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755201077512,"sku":"9783775751216","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751216_d79337fc-c391-467e-94e2-69007fd8450c.jpg?v=1744054083"},{"product_id":"59325-tomi-ungerer","title":"Tomi Ungerer","description":"\u003cp\u003eWorld famous for timeless classics such as \u003cem\u003eThe Three Robbers\u003c\/em\u003e and \u003cem\u003eMoon Man\u003c\/em\u003e, Tomi Ungerer is considered one of the most influential graphic artists, illustrators, and children\u0026rsquo;s book authors.\u0026nbsp;What is less well known, however, is that much of his drawing and graphic work was inspired by satirical observations of US society and politics. This beautifully-designed catalogue presents for the first time a cross-section from nine decades of his artistic work\u0026mdash;from childhood drawings to collages and objects. Shedding new light on his work by making it possible to comprehend political and stylistic lines and breaks, it\u0026rsquo;s all about freedom offers deeper insights into the artistic dimension of the \u0026ldquo;freewheeling\u0026rdquo; artist\u0026rsquo;s extensive oeuvre. Featuring hitherto unpublished works, this catalogue identifies recurring biographical and sociopolitical motifs that Ungerer experimented with across genres\u0026mdash;always informed by his ambiguous humor and cutting wit.\u003c\/p\u003e\n\u003cp\u003eA polymath and a provocateur, TOMI UNGERER (1931–2019) published over 140 books. He grew up in Alsace, France, and lived and worked in New York from 1956–1971. After spending several years in Nova Scotia, Canada. he moved to a farm in Southern Ireland in 1976.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755201274120,"sku":"9783775752053","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752053_96c1cfe9-32d2-4e80-9a4a-6e900630e40c.jpg?v=1744142531"},{"product_id":"52063-paris-calligrammes","title":"Paris Calligrammes","description":"\u003cp\u003eIn \u003cem\u003eParis Calligrammes\u003c\/em\u003e the filmmaker, photographer and collector of worlds Ulrike Ottinger links historical archival material with her own art and film works to create a sociogram of the era in which she came of age as an artist. In the grip of political upheavals, Paris of the 1960s attracted artists from all over the world and was a pulsating stream of energy hovering between trauma management and the utopia of Europe. From the Librairie Calligrammes, a meeting place of exiled German intellectuals, to the Cin\u0026eacute;math\u0026egrave;que fran\u0026ccedil;aise, which sparked her love of film, Ulrike Ottinger charts a city and its utopias. They live on in her collaged landscape of memories in a workshop exhibition complimenting her film \u003cem\u003eParis Calligrammes \u003c\/em\u003e(2019).\u003c\/p\u003e\n\n\u003cp\u003eThe films by\u0026nbsp;ULRIKE OTTINGER\u0026nbsp;(*1942 Konstanz, Germany) were shown at the most important international festivals and honored at various major museums, including the Centre Pompidou, Paris, the Museo Reina Sofia, Madrid, and the Museum of Modern Art, New York. With her photographs she was represented at the documenta and the Biennale di Venezia.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nHKW, Haus der Kulturen der Welt, Berlin\u003cbr \/\u003e\nAugust\u0026nbsp;23\u0026mdash;October\u0026nbsp;13,\u0026nbsp;2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755203862792,"sku":"9783775746373","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746373_6fc30a7b-11b7-423a-9ec5-9368c665d045.jpg?v=1744123706"},{"product_id":"42227-nalini-malani","title":"Nalini Malani","description":"\u003cp\u003eA pioneering artist in film, photography, video art and performance, Indian artist Nalini Malani is a transition figure between the modern and contemporary art of her country. Her work, which criticizes the political situation in India, is based not only on an iconography typical of the subcontinent\u0026rsquo;s culture, but also on Western artistic and literary tradition. The Centre Pompidou is staging France\u0026rsquo;s first retrospective of the Indian artist Nalini Malani. In the exhibition as well as the corresponding catalogue, the artist presents works from 1969-2017, covering almost five decades of her oeuvre. On this occasion, she also reactivates a spectacular work from the museum\u0026rsquo;s collections: the \u0026ldquo;video shadow theatre\u0026rdquo; \u003cem\u003eRemembering Mad Meg\u003c\/em\u003e (2007). Through this circuit Nalini Malani evokes the concepts underlying her work: utopias, dystopia, and her vision of India and the position of women throughout the world.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: 18.10.2017-8.1.2018, Centre Pompidou, Paris (Part I); 17.9.2018\u0026ndash;6.1.2019, Castello di Rivoli, Turin (Part II)\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526232203528,"sku":"9783775742900","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742900_701521ef-8202-4eb9-84c4-e1a2fe6fd479.jpg?v=1744120191"},{"product_id":"42230-keith-coventry","title":"Keith Coventry","description":"\u003cp\u003eWith this publication, Keith Coventry (*1958, Burnley, Great Britain) presents an overview of his oeuvre from its beginnings in the early 1990s to the present day, shedding light on his exploration of the legacy of modernism and post-modernism. In his series \u003cem\u003eJunk Paintings\u003c\/em\u003e (2012), for example, a new visual vocabulary containing elements of the famous McDonald\u0026rsquo;s logo shifts into focus, blending with Minimalism and Pop Art. In the white \u003cem\u003ePure Junk Paintings\u003c\/em\u003e (2015\/16) he continues his work with these formal elements, but using new materials: wood, muslin, beeswax, glass, and gesso lend the paintings a sculptural presence. The same is true of the series \u003cem\u003eGolden Arches\u003c\/em\u003e (2016), for which parts of the McDonald\u0026rsquo;s logo were cast in bronze and heavily gold plated, contrasting a cheap, mass produced commodity with materials representing permanence, craft, and value. In Coventry\u0026rsquo;s art the consumer world and mass production encounter an aesthetic characterized by beauty and timelessness.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526234792200,"sku":"9783775742931","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742931_5c4a527d-f2bf-4dc3-ba87-614246619adf.jpg?v=1744106496"},{"product_id":"17806-song-dong","title":"Song Dong","description":"\u003cSPAN style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"'\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eSquare meters of empty toothpaste tubes and bottles of cleaning solution, pencils, balls of wool, or shoes—all of it in neat rows: \u003cI style=\"mso-bidi-font-style: normal\"\u003eWaste not,\u003c\/I\u003e the spectacular installation by Song Dong (*1966) comprising more than ten thousand individual items, traveled around the whole world, inspiriting countless exhibition visitors. The artist’s mother fell into poverty during the Cultural Revolution and compulsively collected everyday objects. The installation arranges everything she accumulated, cataloguing and documenting her life.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eThis is the first volume to provide insight into all of the series of works by the Conceptual artist in which he deals with issues such as consumption, sustainability, memory, or spirituality. Song Dong arranges old doors and windows from demolished buildings to create new living spaces. In \u003cI style=\"mso-bidi-font-style: normal\"\u003eDoing Nothing Garden\u003c\/I\u003e at documenta 12, he transformed a mountain of garbage into an attractive recreation area, or he recreates modern cityscapes out of candy: \u003cI style=\"mso-bidi-font-style: normal\"\u003eEating the City\u003c\/I\u003e —unhealthy, but yummy. Taking a bite is allowed!\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; TEXT-AUTOSPACE: ; mso-layout-grid-align: none\"\u003e\u003cSPAN style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"'\u003eExhibitions: Groninger Museum, Netherlands, 13.6. – 1.11.2015 | Kunsthalle Düsseldorf, 5.12.2015 – 6.3.2016\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN style=\"FONT-FAMILY: TheSans\"\u003e\u003co:p\u003e\u003cFONT face=Arial\u003e\u0026nbsp;\u003c\/FONT\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN style=\"FONT-FAMILY: TheSans\"\u003e\u003co:p\u003e\u003cFONT face=Arial\u003e\u0026nbsp;\u003c\/FONT\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874880418056,"sku":"9783775740630","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740630_2a30cb18-253e-4673-8515-03a4ec3549cb.jpg?v=1744136320"},{"product_id":"56157-andrew-bick","title":"Andrew Bick","description":"\u003cp\u003eWhen Andrew Bick goes about his painting, it is not only in the spirit of creativity but also in a rich actualization of art history. Influenced above all by English Constructivism and System Art, Bick has found his own style. The starting point of each work is the grid. It structures the ground upon which Bick makes his shapes dance. Some lines define boundaries in the painting process, others are painted over, and sometimes the brush completely departs from the drawing\u0026#39;s guidelines and fills the pictorial space with the voluminous quality of its color. This creates a multifaceted interplay between order and freedom, painting and drawing, past and present. The transitions are hardly noticeable, bringing the extremes together and captivating the viewer.\u003c\/p\u003e\n\u003cp\u003eANDREW BICK (*1963, Coleford, Great Britain) studied painting at the Chelsea School of Art. He places his work in the tradition of constructivism. He was a research fellow at the Henry Moore Institute and is the winner of the Premio Internazionale Fiar.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811868057864,"sku":"9783775748568","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748568_48f8ce20-f9d4-4953-8880-cd4be94a8770.jpg?v=1744040772"},{"product_id":"58777-michael-wesely","title":"Michael Wesely","description":"\u003cp\u003e\u003cspan style=\"white-space: pre-wrap;\"\u003eThere is more to numbers than sums; they can also conceal histories, too. In this case, world-famous architectural history. For five years the renowned Neue Nationalgalerie (New National Gallery), designed by Ludwig Mies van der Rohe, was closed to the public for renovation. Nevertheless, the photographer Michael Wesely was able to accommodate \u0026ldquo;four guests\u0026rdquo; inside the iconic building: four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 360 and 730 pictures with an exposure time of 90 seconds each. Edited into bewitching montages, this fascinating synopsis allows readers to envision the building\u0026rsquo;s metamorphosis as it was undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr \/\u003e\nThis book is published on the occasion of the re-opening of the Neue Nationalgalerie, Berlin, August 2021. It is a slightly altered special edition of the original numbered edition of April 2021.\u003c\/p\u003e\n\u003cp\u003eThe photographer MICHAEL WESELY (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. He lives in Berlin.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755224211720,"sku":"9783775751292","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751292_1ff70744-377e-4f72-a5d8-5d474e4794e4.jpg?v=1744118405"},{"product_id":"17706-the-work-of-joan-jonas","title":"The Work of Joan Jonas","description":"\u003cH3 style=\"VERTICAL-ALIGN: baseline; MARGIN: 0cm 25.7pt 0pt 0cm; mso-line-height-alt: 9.8pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; FONT-WEIGHT: normal; COLOR: black; mso-bidi-font-size: 6.5pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial\"\u003eOne of the most continuously influential figures of the past half century, Joan Jonas (*1936) was among the first artists to embrace the forms of video, performance and installation. This extensively illustrated and authoritative book, containing hundreds of full-color images, presents the definitive collection of Jonas' work. The first career-spanning monograph of the multimedia pioneer, it covers more than 40 years of performances, films, videos, installations, texts and video sculptures. In addition to documentation of the artist's crucial projects,\u0026nbsp;\u003cI\u003e\u003cSPAN style=\"BORDER-TOP: windowtext 1pt; BORDER-RIGHT: windowtext 1pt; BORDER-BOTTOM: windowtext 1pt; PADDING-BOTTOM: 0cm; PADDING-TOP: 0cm; PADDING-LEFT: 0cm; BORDER-LEFT: windowtext 1pt; PADDING-RIGHT: 0cm; mso-border-alt: none windowtext 0cm\"\u003eIn the Shadow a Shadow\u003c\/SPAN\u003e\u003c\/I\u003e\u0026nbsp;includes individual essays by Douglas Crimp, Barbara Clausen and Johanna Burton, a major survey text by Joan Simon, texts by Joan Jonas about several of her seminal works, as well as unpublished photographs and drawings from Jonas' archives. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/H3\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526245409032,"sku":"9783775739610","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739610_453e8ff6-55eb-4e5e-a824-0f9713f12293.jpg?v=1744141060"},{"product_id":"17889-nalini-malani","title":"Nalini Malani","description":"\u003cp class=\"Boldkop2\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSans Plain'; FONT-WEIGHT: normal\"\u003eIn her thirty-fifth book, the eminent Dutch cultural theorist Mieke Bal (*1946 in Heemstede) explores the new language that Indian artist Nalini Malani (*1946 in Karachi) has been developing since early this century with her shadow plays. \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSans Plain'; FONT-WEIGHT: normal; mso-fareast-font-family: 'Times New Roman'\"\u003eThe result of Malani\u0026rsquo;s new art is an extremely powerful application of the idea of the (multiple) moving image\u0026mdash;past, present, and future.\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSans Plain'; FONT-WEIGHT: normal\"\u003e An iconic, politically engaged art form that has made waves at exhibitions such as \u003ci\u003eParis, Delhi, Bombay\u003c\/i\u003e at the Centre Pompidou in Paris (2011), Documenta (13) in Kassel (2012), and \u003ci\u003eScenes for a New Heritage\u003c\/i\u003e at the Museum of Modern Art in New York (2015\u0026ndash;16). Mieke Bal conducts a unique dialogue between five of Malani\u0026rsquo;s shadow plays and theoretical issues concerning art. It examines the complexity, layering, and multiplicity of images, thoughts, sound, and movements: technologies and poetic fragments, narratives and archives, as effective politically as it is artistically.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"Boldkop2\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp class=\"Boldkop2\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003eExhibition: 18.3.\u0026ndash;18.6.2017, Stedelijk Museum, Amsterdam\u003c\/p\u003e\n\n\u003cp class=\"Boldkop2\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSans Plain'; FONT-WEIGHT: normal\"\u003e\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874903322888,"sku":"9783775741460","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741460_38ebbd62-9d78-41ae-8ef2-7945136f2a97.jpg?v=1744120207"},{"product_id":"17593-willi-dorner","title":"Willi Dorner","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'TheSansOsF Plain'; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: 'TheSansOsF ExtraLight'\"\u003e\u003cFONT face=Calibri\u003eWilli Dorner’s imaginative art project \u003cI\u003ebodies in urban spaces \u003c\/I\u003etakes us on a walk through the urban land\u0026shy;scape. On predetermined courses carefully choreo\u0026shy;graphed by Dorner, a troupe of local dancers, per\u0026shy;formers and free runners moves through the down\u0026shy;town areas of cities worldwide, witnessed by a fasci\u0026shy;nated public. Up to twenty colorfully dressed people intertwine and stack their bodies in doorways, on ledges, landings, and park benches. These bizarre body sculptures open up a curious perspective and offer city-dwellers a surprisingly different urban ex\u0026shy;perience. In their innovative uses of urban space, the temporary interventions are provocative, and they sometimes inadvertently attract the attention of the police. Each performance has an individual character, depending on its specific features, site, and time of day, as conveyed by Lisa Rastl’s photographic docu\u0026shy;mentation.\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'TheSansOsF Plain'; mso-ansi-language: EN-US\"\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874906468616,"sku":"9783775738477","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738477_afa10c6d-489a-4c89-87be-b8a7fed88e84.jpg?v=1744147224"},{"product_id":"49004-louisa-clement","title":"Louisa Clement","description":"\u003cp\u003eThe photographs, videos, installations, sculptures, and new VR works by Louisa Clement (*1987) deal with phenomena related to a sense of disturbance in times of political and social insecurity. Clement\u0026rsquo;s investigations prove to be as seductive as they are cryptic: What is a human being in a digital age in which the body\u0026rsquo;s integrity is increasingly questioned through vehement medical and technological interventions? In an almost surreal manner, Clement\u0026rsquo;s detailed photographs conjure up a new image of the body that also represents the ambivalent vision of a \u0026ldquo;new human being.\u0026rdquo; With the help of her photographs, taken with smartphone cameras, she examines not only the medium\u0026rsquo;s ability to reproduce images, but also the reality of the technologically modified human. This publication is a companion to Louisa Clement\u0026rsquo;s first museum exhibition.\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eAUSSTELLUNGEN \/ EXHIBITIONS:\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eSprengel Museum Hannover\u003c\/p\u003e\n\n\u003cp\u003e30.1.\u0026ndash;2.6.2019\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eLudwig Forum Aachen\u003c\/p\u003e\n\n\u003cp\u003e27.9.2019\u0026ndash;26.1.2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755226702088,"sku":"9783775745314","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745314_7861a139-a04f-4f54-8be7-42331f5670e2.jpg?v=1744112272"},{"product_id":"56733-hidden-patterns","title":"Hidden Patterns","description":"\u003cp\u003eAlbert-L\u0026aacute;szl\u0026oacute; Barab\u0026aacute;si\u0026rsquo;s research has changed the way the world understands networks. For twenty-five years, he and his colleagues at the Barab\u0026aacute;siLab have been developing the visual vocabulary of complexity, inspired by his pioneering research on everything from protein interactions to the spread of fake news. Their 2-D visualizations and 3-D data sculptures have enabled us to see how the complex systems that govern our lives actually function. \u003cem\u003eHidden Patterns \u003c\/em\u003edocuments the evolution of the Barab\u0026aacute;siLab\u0026rsquo;s visual language. Published on the occasion of a retrospective exhibition of the Barab\u0026aacute;siLab\u0026rsquo;s work, which will debut at the Ludwig Museum in Budapest and then travel to ZKM | Center for Art and Media in Karlsruhe, Germany, this large-scale, richly illustrated compendium features dozens of full-color visualizations together with commentary and curatorial insights by leading voices in the worlds of art and design.\u003c\/p\u003e\n\u003cp\u003eALBERT-LÁSZLÓ BARABÁSI (*1967, Cârța, Romania) is a Distinguished University Professor of Physics and the director of the Center for Complex Network Research at Northeastern University in Boston. He also holds an appointment in the Department of Medicine at Harvard University and directs a European Research Council project at Central European University, in Budapest, Hungary. The recipient of the 2018 Moholy-Nagy Prize for his humanistic approach to technology and the former head of the World Economic Forum’s Global Agenda Council on Complex Systems, Barabási is the author of The Formula (2018), Bursts (2010), Linked (2002), and the award-winning textbook, Network Science (2016).\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755229946120,"sku":"9783775748629","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748629_a7138a56-674d-4c8f-b817-fc2a35cc79fb.jpg?v=1744098125"},{"product_id":"17718-alex-hoda","title":"Alex Hoda","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-GB\"\u003eThe practice of London-based artist Alex Hoda (*1980 in Canterbury) has evolved significantly from his initial figurative groupings of deformed, post-apocalyptic creatures, finished in his signature materials of latex and rubber. His most recent sculpture refers to our ability to arrive at a false premise by misinterpreting what is in front of us. Hoda's writhing metal forms, at once suggestive and impenetrable, ask us to consider whether a biased or predetermined reading occurs when interpreting abstract sculpture. In his current practice, he also uses a technique of automatism to challenge the viewer's approach to figurative sculpture. These works recall a surrealist agenda, one that is summed up by Max Ernst's desire for “the viewer to witness the emergence of the work”; what the viewer's sub-conscious brings to the sculpture ultimately determines its reading.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811875234056,"sku":"9783775739740","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739740_aea72f04-b0f6-48fd-9705-676f9a16ddd6.jpg?v=1744039135"},{"product_id":"17820-ceal-floyer","title":"Ceal Floyer","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003eThose who experience the oeuvre of Ceal Floyer (*1968), who has lived for many years in Berlin, for the first time may initially be surprised, irritated, and ultimately delighted. She plays with conventional patterns of perception in a highly sophisticated way, piercing through them with a keen sense of irony and the simplest of means. Her works are productive irritations whose inherent logic prompts an open process of seeing and thinking. With her work \u003ci style=\"mso-bidi-font-style: normal\"\u003eLight Switch \u003c\/i\u003e(1992) she hoodwinks us by showing us the photograph of a light switch at a place in the room where one might be located. Light illusions of deception and disappointment\u0026nbsp;also turn up in later works such as \u003ci style=\"mso-bidi-font-style: normal\"\u003eOverhead Projection\u003c\/i\u003e (2006). In this case, a light bulb seems to be suspended from the ceiling of the space that in reality is lying on the projection stage of an overhead projector. This is the first publication to systematically document sixty-three works selected by the artist herself. Mark Godfrey and Sergio Edelsztein\u0026mdash;two established authorities on Ceal Floyer\u0026rsquo;s art\u0026mdash;and her fellow artist and friend Tacita Dean examine her oeuvre and inspire us to reflect on it. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;\"\u003eExhibitions: Kunstmuseum Bonn 29.10.15 \u0026ndash; 10.1.2016 | Aargauer Kunsthaus, Aarau 30.1. \u0026ndash;\u0026nbsp;10.4.2016\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44873325838600,"sku":"9783775740777","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740777_c77635db-6ee1-4d5c-9da1-fd8f8e442c46.jpg?v=1744051156"},{"product_id":"59222-in-the-temple-of-the-self-the-artists-residence-as-a-total-work-of-art","title":"In the Temple of the Self. The Artist\u0026#x27;s Residence as a Total Work of Art","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eAs treasure troves of creativity, the homes of artists reflect the intellectual worlds of their creators. Starting with the Villa Stuck in Munich\u0026mdash;the aesthetic, conceptual cosmos and life\u0026rsquo;s work of the aristocratic artist Franz von Stuck\u0026mdash;this unique volume integrates the artist\u0026rsquo;s house as a category into the international context and is the first to assign these buildings the status of major works. About twenty examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures, and photographs closely related to the houses, plans and models convey the correlation between art and life as well as the kind of harmony of the arts expressed in Richard Wagner\u0026rsquo;s historical concept of the total work of art. (German edition \u003cspan style=\"FONT-FAMILY: TheSans\"\u003eISBN 978-3-7757-3592-6)\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eHouses featured (selection): Sir John Soane\u0026rsquo;s Museum, London; William Morris Red House, Bexleyheath; Louis Comfort Tiffany\u0026rsquo;s Tiffany House, New York City; Mortimer Menpes\u0026rsquo;s flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle\u0026rsquo;s villa and garden, Marrakesh; Kurt Schwitters\u0026rsquo; MERZbau, Hannover; Max Ernst\u0026rsquo;s house, Arizona\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eExhibition schedule: Museum Villa Stuck, \u003c!--?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/--\u003e\u003cst1:city w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eMunich\u003c\/st1:place\u003e\u003c\/st1:city\u003e, November 21, 2013\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e\u0026ndash;March 2, 2014\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49561338544392,"sku":"9783775751858","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751858_88e2de67-6ac1-4252-a233-a0ce02e3bf1f.jpg?v=1744288497"},{"product_id":"17726-hermann-goepfert","title":"Hermann Goepfert","description":"\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-fareast-font-family: Times; mso-bidi-font-family: 'Times New Roman'; mso-fareast-language: DE; mso-bidi-language: AR-SA\"\u003eHis early monochrome \u0026ldquo;white pictures\u0026rdquo;; his \u0026ldquo;reflectors,\u0026rdquo; polished, haptic, kinetic works made from silvery sheet metal and mounted on the wall; or his light-sound machines called \u0026ldquo;optophones\u0026rdquo;\u0026mdash;these are the works one associates with Hermann Goepfert. The ZERO artist (1926\u0026ndash;1982), who was primarily active in Frankfurt am Main, was the one who most vigorously represented the integration of art and architecture within the ZERO movement and at the same time was a markedly active figure in the postwar art scene: he was intimate with Piero Manzoni, Jef Verheyen, and Lucio Fontana; he was involved in major exhibitions of works by the ZERO artists. Goepfert participated at documenta III; his works were presented in the famous \u0026ldquo;Light and Movement\u0026rdquo; section, which provided a platform for pioneering new currents in art. The extensive catalogue raisonn\u0026eacute;\u003c\/span\u003e\u003cb class=\"b3\"\u003e \u003c\/b\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-fareast-font-family: Times; mso-bidi-font-family: 'Times New Roman'; mso-fareast-language: DE; mso-bidi-language: AR-SA\"\u003eby Beate Kemfert reappraises the art-historical relevance of Hermann Goepfert\u0026rsquo;s multifaceted oeuvre.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44425674260744,"sku":"9783775739832","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739832_7c8b1949-6c03-471b-ba5b-cf5e6f1cc45d.jpg?v=1744098021"},{"product_id":"44706-themen-zeigen-im-raum","title":"Themen zeigen im Raum","description":"\u003cp\u003eExhibitions at the Deutsches Hygiene-Museum are opportunities for society to reflect upon itself\u0026mdash;a kind of stage where themes are always mounted, interpreted, and presented. Over the past twenty-five years, the \u0026ldquo;museum of humanity\u0026rdquo; has continuously focused on a remarkable variety of present-day themes: from happiness and passion; to sex, death, sports, and dance; to the climate, migration, work, language, or shame. This diverse range of subjects requires constant consideration of the opportunities involved in producing exhibitions, as well as of the expansion of the term \u0026ldquo;exhibition.\u0026rdquo;\u003c\/p\u003e\n\n\u003cp\u003eIn numerous essays and pictures of the installations, this volume traces the history of the Deutsches Hygiene-Museum. Exhibition organizers analyze their shows at the Deutsches Hygiene-Museum and contemplate the major strategies of curating and exhibiting.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755235975432,"sku":"9783775743990","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743990_bced11d2-47e8-4504-b892-500cd891052d.jpg?v=1744141141"},{"product_id":"54196-heidi-bucher","title":"Heidi Bucher","description":"\u003cp\u003eHeidi Bucher\u0026#39;s fascination with the interplay between art and fashion gave rise to wearable genderless body sculptures back in the early 1970s in California. The works celebrated her concept of sculpture as something between performance and object. Already at this time, she began to experiment with unusual materials such as rubber, which she applied to surfaces in liquid form and pulled off again with great physical force after it had solidified. With material transformations that were at once radical and sensual, she investigated human forms of existence\u003cbr \/\u003e\nand their embedding in power structures. In doing so, she was always dedicated to a critical subversion of normative gender roles. This monograph presents Bucher\u0026rsquo;s oeuvre from its beginnings in Zurich in the 1940s, to the experimental phase in New York and Los Angeles in the 1960s and 1970s and the main body of work with architectural and human skins, to the works she created in the last years of her life on Lanzarote.\u003c\/p\u003e\n\u003cp\u003eThe sculptor and performative artist HEIDI BUCHER (1926–1993) was raised in Switzerland, studied under Johannes Itten in Zurich, and enjoyed her initial successes in the late 1960s in New York and California. Her works can be found in numerous museums and private collections around the world.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755236794632,"sku":"9783775747929","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747929_4f64c676-53f7-4a0b-b755-8fca45fc8f36.jpg?v=1744097619"},{"product_id":"58253-methode-rainer-werner-fassbinder","title":"Methode Rainer Werner Fassbinder","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-ef065d68-7fff-4b06-cec5-936919c8a1ce\" style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eFassbinder\u0026#39;s prominence, his creative non-conformity, and artistic radicalism led to now legendary films, television series and theatrical plays. Works such as \u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: italic; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eAli: Fear Eats the Soul\u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e, \u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: italic; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe Marriage of Maria Braun\u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e, \u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: italic; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eEight Hours Don\u0026#39;t Make a Day\u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e, \u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: italic; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eBerlin Alexanderplatz \u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eand \u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: italic; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eQuerelle\u003c\/span\u003e\u003cspan style=\"background-color: rgb(255, 255, 255); font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e have etched themselves into our collective visual memory. He was exceedingly prolific in his short life, writing, directing or shooting some fourty-five feature films and twenty-five plays. Fassbinder was an artist who succeeded in synthesizing radical subjectivity and social analysis in his works. He lived and demanded intensity. His sometimes unwieldy, critical stance that stood in contrast to often affectionate portrayals of people regardless of their respective social backgrounds was unparalleled and also of deeply respectful consistency. Often viewed controversially during his lifetime, Fassbinder\u0026#39;s work has lost none of its relevance, intensity, and charisma to this day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRAINER WERNER FASSBINDER (1945–1982) was a director, film producer, actor, and author. He is regarded as one of the most important exponents of the New German Cinema movement. Like almost no other artist, he shaped and inspired the intellectual image of post-war Germany through his work.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755237417224,"sku":"9783775751056","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751056_3db06aa5-7953-4616-87ec-d175b507cbe5.jpg?v=1744117236"},{"product_id":"57702-gruppendynamik","title":"Gruppendynamik","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-5b1fabf4-7fff-af86-01df-a3a70a31626c\" style=\"line-height:1.2;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eBuenos Aires, Casablanca, Beijing, Khartoum, Lahore, Tokyo: all over the world, artists joined forces in collectives throughout the twentieth century. While the tendency to form groups was (and still is) universal, the concerns of their members, their aesthetic methodologies, political goals, and utopian aspirations differed fundamentally depending on time and place. \u003c\/span\u003e\u003cspan style=\"background-color: transparent; white-space: pre-wrap;\"\u003eThe period from about 1900 to 1980 covered here coincides with the beginning of diverse international modernization movements and finally includes decolonization processes and the founding of new nations. These events were often accompanied by the establishment of art schools and collectives as well as the publication of programmatic texts and journals. \u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe project is funded by the German Federal Cultural Foundation in conjunction with its \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eMuseum Global\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e initiative. The catalogue accompanying the first part of the exhibition, \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eGroup Dynamics - The Blue Rider\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, also published by Hatje Cantz Verlag, is already available. It offers a comprehensive survey of works and new insights into the circle of artists who made up Der Blaue Reiter.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526276276488,"sku":"9783775750394","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750394_5965d41e-745a-45d7-b4bc-04ef7a880c97.jpg?v=1744094385"},{"product_id":"59129-anita-albus","title":"Anita Albus","description":"\u003cp dir=\"ltr\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003eAt first glance, Anita Albus\u0026rsquo;s artistic practice seems like a welcome anachronism in the midst of the fast pace of contemporary art production: the artist creates detailed images of plants and animals using color pigments she makes herself. She is inspired, among other things, by the still lifes of the Old Masters. Albus operates within the realm of the contemporary, recognizing the disappearance of species as a vanishing of culture. With her art, Albus moves at the intersection of meticulous nature research, creative work and high craftsmanship \u0026ndash; the results are detailed and colorful illustrations. In 2016, Kunsthalle Kiel purchased a collection of her works through the Karl-Walter Breitling und Charlotte-Breitling-Stiftung and published the accompanying book \u003cem\u003eThe Art of Seeing\u003c\/em\u003e. The new edition of this enchanting survey volume invites the reader on a discovery tour of Albus\u0026rsquo;s artistic research.\u003c\/p\u003e\n\u003cp\u003eANITA ALBUS (*1942) is a writer, illustrator, and artist. In addition to her art, she has published several literary works that have won numerous awards and allows narrative and illustrative forms of representation to merge.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811892109576,"sku":"9783775751742","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751742_340fdae1-2b9b-4bed-b3e6-2dcf14cdd680.jpg?v=1744041961"},{"product_id":"58199-schau-nach-oben-aya-und-du-kannst-die-sterne-greifen","title":"Schau nach oben Aya und du kannst die Sterne greifen","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-81e03b64-7fff-1e28-c41c-f194fb1d75c6\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThis enchanting volume by an artist couple who are also parents tells a very touching rite of passage story. Jeppe Hein and his wife Silke have teamed up to create a very special kind of picture book. It tells of the multifaceted experiences of the caterpillar Aya and its metamorphosis into a no less multifaceted radiant butterfly. The illustrations bring the story to life: Jeppe Hein\u0026#39;s watercolor drawings are congenially and sensitively enhanced by Silke Hein\u0026#39;s collages. Areas of color and texture of almost magical depth are created. There is no question that this attractive work is not only just for kids. Images of such sophisticated colorfulness will captivate viewers of all ages and lend wings to their own flights of fancy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSILKE and JEPPE HEIN (both *1974) have four children together. This first picture book by the artist couple arose from their experiences as a family. At the same time, it is an amalgamation of Jeppe Hein's watercolors and Silke Hein's collages. They live and work in Berlin.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526276374792,"sku":"9783775750998","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750998_e5182a04-959f-43e3-835e-1ce3c024ff6a.jpg?v=1744205109"},{"product_id":"59351-frida-kahlo","title":"Frida Kahlo","description":"\u003cp\u003eToday, Frida Kahlo is a global icon of the emancipated woman artist, celebrated for her political and social views, her extravagant personal style, and above all her breathtaking works of art. Her marriage to Diego Rivera in 1929, her exhibitions in Paris, and her friendship with Andr\u0026eacute; Breton \u0026ndash; captured by the most famous photographers of the time \u0026ndash; also made Frida Khalo very famous during her own lifetime. Her art, with its unique and immediately recognizable character, draws on elements of Mexican folk art, pre-Columbian culture and Surrealism.\u003cbr \/\u003e\nWith over 100 works from Frida Kahlo\u0026#39;s groundbreaking oeuvre, this volume is an ideal introduction to the work of this painter. Roxana Vel\u0026aacute;squez, a leading international authority on Kahlo, guides us through the artist\u0026#39;s life and work with a fresh and varied look at Kahlo\u0026rsquo;s captivating but rarely shown paintings as well as the well-known masterpieces.\u003c\/p\u003e\n\u003cp\u003eThe Mexican artist FRIDA KAHLO (1907–1954) holds one of the most important positions in 20th-century art. Her painting combines elements of Surrealism with influences from the popular culture of Latin America, but also allows the “Magic Realism” of Neue Sachlichkeit to shine through.ROXANA VELÁSQUEZ is the director of the San Diego Museum of Art. She enjoys international recognition as an expert on Frida Kahlo and has curated major exhibitions on her work, such as Frida Kahlo 1907–2007 and the National Homage at the Palacio de Bellas Artes, Mexico-City, in 2007.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755237581064,"sku":"9783775752060","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752060_45ab4044-0ace-4911-af57-6ea8a5ceece5.jpg?v=1744066013"},{"product_id":"45531-edouard-baribeaud","title":"Edouard Baribeaud","description":"\u003cp\u003eEdouard Baribeaud\u0026rsquo;s (*1984) art is influenced by his bilingualism and bi-cultural background. The son of a French father and a German mother, he grew up in France, studied in Paris at the \u0026Eacute;cole Nationale sup\u0026eacute;rieure des Arts D\u0026eacute;coratifs, and has lived in Berlin since 2010. In his works he not only unites different styles, but also allows the everyday to meet the mythical, guiding archaic figures through modern surroundings, and combining actual experiences with imaginary memories. Baribeaud proves that he is a brilliant craftsman and storyteller who draws us into fantastical scenes that fluctuate between East and West.\u003c\/p\u003e\n\n\u003cp\u003eBaribeaud\u0026rsquo;s first monograph presents the following groups of works: \u003cem\u003eThe Hour of the Gods \u003c\/em\u003e(2014-2015), \u003cem\u003eThe Nocturnal Vault\u003c\/em\u003e (2015-2017), and \u003cem\u003eAn Old Story for Our Modern Times \u003c\/em\u003e(2018), along with the artist\u0026rsquo;s \u003cem\u003eHerm\u0026egrave;s\u003c\/em\u003e scarf (2016), accompanied by essays by Imran Ali Khan, Pay Matthis Karstens, and Sabine Th\u0026uuml;mmler.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION:\u003cbr \/\u003e\nGalerie Judin, Berlin\u003cbr \/\u003e\n28.4.\u0026ndash;9.6.2018\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (signed) (978-6-00002703-2)","offer_id":41645943128241,"sku":"9786000027032","price":48.0,"currency_code":"EUR","in_stock":false},{"title":"Book (978-3-7757-4454-6)","offer_id":41645943095473,"sku":"9783775744546","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744546_01784db7-694b-46f4-bf3e-4aa8e70c21d7.jpg?v=1744058684"},{"product_id":"17412-taryn-simon","title":"Taryn Simon","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB\"\u003eIn 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the \u003c!--?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/--\u003e\u003cst1:place w:st=\"on\"\u003eCaribbean\u003c\/st1:place\u003e, titled\u0026nbsp;\u003ci\u003eBirds of the West Indies\u003c\/i\u003e. Ian Fleming, an active bird watcher living in \u003cst1:country-region w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eJamaica\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e, subsequently appropriated the name for his novel\u0026rsquo;s lead character. He found it to be perfectly \u0026ldquo;ordinary\u0026rdquo;, \u0026ldquo;brief\u0026rdquo;, \u0026ldquo;Anglo-Saxon\u0026rdquo; and \u0026ldquo;masculine\u0026rdquo;. This co-opting of names was the first replacement in a series of substitutions that would become central to the construction of the Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon\u0026nbsp;(*1975 in \u003cst1:place w:st=\"on\"\u003e\u003cst1:state w:st=\"on\"\u003eNew York\u003c\/st1:state\u003e\u003c\/st1:place\u003e)\u0026nbsp;inventoried women, weapons and vehicles in Bond. The contents of these categories function as essential accessories to the narrative\u0026rsquo;s myth of the seductive, powerful, and invincible western male.\u0026nbsp;In\u0026nbsp;\u003ci\u003eBirds of the West Indies\u003c\/i\u003e, Simon presents a visual database of interchangeable variables used in the production of fantasy, through which she examines the economic and emotional value generated by their repetition.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB\"\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eExhibition schedule: 2013 Carnegie International, Pittsburgh October 5, 2013\u0026ndash;March 16, 2014\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (signed) (978-3-7757-4140-8)","offer_id":45123060498696,"sku":"9783775741408","price":360.0,"currency_code":"EUR","in_stock":true},{"title":"Book (978-3-7757-3663-3)","offer_id":41645950763185,"sku":"9783775736633","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736633_0f7697e5-3869-4895-a1c5-f4078e46c0ea.jpg?v=1744139565"},{"product_id":"54119-max-kersting-einseitige-geschichten","title":"Max Kersting. Einseitige Geschichten","description":"\u003cp\u003eAnyone who has ever laughed out loud at Max Kersting\u0026rsquo;s brilliant combinations of word and image has immediately become a fan of his unique and original art. He lends new meaning to found photographs with his added speech and thought bubbles. The newly created word-image relationships are, in their sensitive way, as humorous as they are inimitably profound. This connection applies all the more to his new work, which could be called \u0026ldquo;purely graphic.\u0026rdquo; Here, Kersting considers the \u0026ldquo;graphic\u0026rdquo; in its two meanings of drawing and writing, or symbol. Even Roland Barthes compared the flow of the fountain pen to the pressure of the ballpoint pen. Like brilliant emblems from Kersting\u0026rsquo;s ballpoint pen, the texts are scratched across the paper in brief, marvelously unskilled handwriting, as well as across the existential ground upon which our daily lives occur.\u003c\/p\u003e\n\n\u003cp\u003eMAX KERSTING (*1983, Lippstadt) studied design in D\u0026uuml;sseldorf and is an advertising copywriter in Berlin. He and his idiosyncratic style quickly became famous through his found, self-annotated photographs. Kersting lives in Berlin.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4788-2)","offer_id":41645951713457,"sku":"9783775747882","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747882_27ce63a1-eaf4-4eea-ab69-d78f854d06ef.jpg?v=1744116909"},{"product_id":"58109-why-art-criticism-a-reader","title":"Why Art Criticism? A Reader","description":"\u003cp\u003eHow is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate S\u0026ouml;ntgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings today, and why is it important in its contemporary context?\u003c\/p\u003e\n\u003cp\u003eBEATE SÖNTGEN (*1963) is professor of art history at Leuphana University Lüneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group “Cultures of Critique: Forms, Media, Effects” and co-director of the program “PriMus - Doctoral Studies in Museums.”JULIA VOSS (*1974) is an honorary professor at Leuphana University Lüneburg. She studied art history, modern German literature, and philosophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5074-5)","offer_id":41645952696497,"sku":"9783775750745","price":16.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5092-9)","offer_id":44573665558792,"sku":"9783775750929","price":15.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5093-6)","offer_id":44573665591560,"sku":"9783775750936","price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750745_38029e6f-cdb5-45fc-a0a6-a62f1839e5ba.jpg?v=1744147010"},{"product_id":"17785-jorinde-voigt","title":"Jorinde Voigt","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; BACKGROUND: white; mso-ansi-language: EN-US\"\u003eIn her drawings Jorinde Voigt (*1977 in Frankfurt am Main) develops a kind of semantic code that seems extremely subjective and individual, yet is subjected to strict rules and systems. In the process her notations create visual spaces that employ an artistic, philosophical procedure to unfold the world in its fundamental parameters, such as distance, speed, direction, frequency, pop charts, genres, and much more, while at the same time revealing the simultaneity of all these things.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; BACKGROUND: white; mso-ansi-language: EN-US\"\u003eThis volume features drawings from the 32-part cycle, \u003cI style=\"mso-bidi-font-style: normal\"\u003eLudwig van Beethoven, Sonatas 1-32\u003c\/I\u003e, in which the artist attempts to use music as the theme without illustrating or interpreting it. Here, according to Voigt, the greatest challenge was “to develop a method of notation capable of extracting the emotional range that is inscribed in Beethoven’s music.”\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4042-5)","offer_id":41645960888497,"sku":"9783775740425","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"Book (signed) (978-6-00002687-5)","offer_id":41645960921265,"sku":"9786000026875","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740425_343bba59-f692-404c-95fd-b0e9fdaa0bc5.jpg?v=1744104092"},{"product_id":"59768-mondrian-evolution","title":"Mondrian Evolution","description":"\u003cp\u003ePiet Mondrian had a decisive influence on the development of painting from figuration to abstraction. On the occasion of his 150th birthday, \u003cem\u003eMondrian Evolution\u003c\/em\u003e is dedicated to his multifaceted work and artistic development. Initially working in the tradition of late-nineteenth century Dutch landscape painting, Symbolism and Cubism subsequently took on great significance for him. It was not until the early 1920s that the artist focused on a wholly non-representational pictorial vocabulary, concentrated on\u0026nbsp;the rectangular arrangement of black lines with surfaces in white and the primary colors blue, red, and yellow. In separate chapters, this path is traced through motifs such as windmills, dunes, the sea, farms reflected in the water, and plants in various forms of abstraction.\u003c\/p\u003e\n\u003cp\u003ePIET MONDRIAN (1872–1944) was one of the pioneers of abstract art. Hailing from a strict Calvinist family, the artist became famous for his compositions of black lines and rectangular fields in primary colors, but his early work was influenced by 19th century Dutch landscape painting.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526278078728,"sku":"9783775752374","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752374_efc669a7-8a70-4df1-9dbf-0112f9f8a1f9.jpg?v=1744119751"},{"product_id":"59739-stepping-out","title":"Stepping Out!","description":"\u003cp\u003eSince the beginning of China\u0026rsquo;s economic boom in the late 1980s and its ever-increasing influence on globalized society, the country\u0026rsquo;s burgeoning contemporary art scene has attracted great attention around the world. However, despite the Chinese art market\u0026rsquo;s emergence as a highly prolific industry and a growing international recognition of contemporary art from China, there is a remarkable lack of Chinese women artists represented in (inter-)national exhibitions and publications. \u003cem\u003eStepping Out!\u003c\/em\u003e is the first comprehensive publication in 25 years to present a broadly representative selection of the work of contemporary Chinese female artists, including pioneering as well as emerging artists thus far little-known abroad. Through an enormous wealth of perspectives, the artists reveal their personal and social fears, contradictions, and hopes in the tense field occupied by powerful tradition, and shed light upon the search for identity both as women and as artists within a rapidly changing Chinese society.\u003c\/p\u003e\n\u003cp\u003eStepping Out! features more than 100 artworks by 26 artists born between 1960 and 1994 living in mainland China, including Cao Fei, Lin Tianmiao, Luo Yang, Ma Qiusha, Tong Wenmin, Wen Hui, Xiao Lu, Xing Danwen, and Yin Yiuzhen.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977103798536,"sku":"9783775752336","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752336_aec9fd27-ae7a-48a6-b520-949b67bc70fd.jpg?v=1744137884"},{"product_id":"59767-mondrian-evolution","title":"Mondrian Evolution","description":"\u003cp\u003ePiet Mondrian had a decisive influence on the development of painting from figuration to abstraction. On the occasion of his 150th birthday, \u003cem\u003eMondrian Evolution\u003c\/em\u003e is dedicated to his multifaceted work and artistic development. Initially working in the tradition of late-nineteenth century Dutch landscape painting, Symbolism and Cubism subsequently took on great significance for him. It was not until the early 1920s that the artist focused on a wholly non-representational pictorial vocabulary, concentrated on the rectangular arrangement of black lines with surfaces in white and the primary colors blue, red, and yellow. In separate chapters, this path is traced through motifs such as windmills, dunes, the sea, farms reflected in the water, and plants in various forms of abstraction.\u003c\/p\u003e\n\u003cp\u003ePIET MONDRIAN (1872–1944) was one of the pioneers of abstract art. 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A symbolism that both reflects a (post-)pandemic unease and hints at the encounter of reality and illusion. Eerie and fascinating at the same time, the paintings outline a space marked by the collapse of a shared perception. In addition to studio insights and paintings, the volume includes an elucidating text by curator Jane Neal\u0026nbsp;as well as a conversation between Eder, Damien Hirst and Tim Marlow, director of London\u0026#39;s Design Museum.\u003c\/p\u003e\n\u003cp\u003eMARTIN EDER (*1968, Augsburg) lives and works in Berlin. He studied under Eberhard Bosslet at the Dresden Academy of Fine Arts. 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Moving from traditional Dutch landscape painting to a pronounced rhythmic framework focusing on compositional structure rather than naturalistic representation, Mondrian was profoundly impressed by contemporary culture. Thus, he was not only inspired by the pattern of the extensive Dutch canal system, but also by the rhythm of jazz and the foxtrot. Demonstrating the impact of his oeuvre, Yves Saint-Laurent\u0026#39;s famous \u0026quot;Mondrian Dress\u0026quot; even made him a fashion icon posthumously.\u0026nbsp;\u003cbr \/\u003e\nCelebrating the 150th anniversary of his birth, Ulf K\u0026uuml;ster entertainingly leads through well- and lesser-known aspects of Mondrian\u0026#39;s life and work offering inspiring impulses for reflection and further engagement with the fascinating artist.\u003c\/p\u003e\n\u003cp\u003ePIET MONDRIAN’s (1872–1944) early work was influenced by the Dutch landscape painting of the 19th century. 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It\u0026rsquo;s a claim to forgiveness.\u0026rdquo; This body of work began when the artist started incorporating clothes from all stages of her life into her art, and later expanded to include a range of other textiles such as bed linen, handkerchiefs, tapestry, and needlepoint. The fabric works mine the themes of identity and sexuality, trauma and memory, guilt and reparation, and serve as metaphors for emotional and psychological states. The catalogue \u0026ndash; which accompanies the exhibition at the Hayward Gallery, London, and the Gropius Bau, Berlin \u0026ndash; features works from numerous series, including the monumental Cell installations, figurative sculptures, and abstract drawings.\u003c\/p\u003e\n\u003cp\u003eLOUISE BOURGEOIS (1911–2010) is one of the most influential artists of the 20th and 21st centuries, best known for her formally inventive and psychologically powerful sculptures.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526280372488,"sku":"9783775752985","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752985_e043661f-6253-439e-8da2-9b17841e7079.jpg?v=1744112343"},{"product_id":"60042-jonathan-monk","title":"Jonathan Monk","description":"\u003cp\u003eBritish conceptual artist Jonathan Monk and Berlin haubrok foundation are connected through a long-standing friendship and a thriving relation, resulting in joint projects and exhibitions. Monk\u0026rsquo;s printed matter\u0026mdash;numerous publications, invitation cards, gallery guides, posters, and editions\u0026mdash;is an integral part of the haubrok collection. Hence, \u003cem\u003eJonathan Monk: A Bit of Matter and a Little Bit More\u003c\/em\u003e, published in the wake of the haubrok foundation\u0026#39;s exhibition on the grounds of FAHRBEREITSCHAFT in Berlin-Lichtenberg, is an ode to this friendship and to Monk\u0026#39;s conceptual approach of incorporating ephemera and artistic artifacts into his practice. The publication provides an archival, yet personal, overview of Monk\u0026#39;s printed matter, complemented by a commentary by publicist and art critic Raimar Stange.\u003c\/p\u003e\n\u003cp\u003eJONATHAN MONK (*1969, Leicester) is a contemporary conceptual artist living and working in Berlin. He restages and re-examines seminal works of 20th century Conceptual and Minimal art, reflecting on appropriation and demystifying the creative process. 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