{"title":"Contemporary Art","description":"","products":[{"product_id":"17317-rosa-barba","title":"Rosa Barba","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eRosa Barba (*1972 in Agrigent) works with the basic elements of the cinema: celluloid, light, projector, and sound. She dissects the structure of the narrative and plays with the often improbable characters, places, and stories of the medium of film. Her exploration of space, time, and language is crucial to the process. This publication presents her new project, which, like a story or a play in different acts, stretches out across two exhibition chapters: “Chapter 1” was shown in the Kunsthaus Zürich (June 6–\u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"9\" Day=\"9\" Year=\"2012\"\u003eSeptember 9, 2012\u003c\/st1:date\u003e), curated by Mirjam Varadinis. “Chapter 2” presented at the Bergen Kunsthall (February 2–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"3\" Day=\"17\" Year=\"2013\"\u003eMarch 17, 2013\u003c\/st1:date\u003e) is curated by Solveig \u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: Arial; mso-ansi-language: EN-GB\"\u003eØ\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003evsteb\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: Arial; mso-ansi-language: EN-GB\"\u003eø\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003e. The project revolves around a 35mm film, Time as Perspective, which Barba shot during the spring in \u003cst1:State w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eTexas\u003c\/st1:place\u003e\u003c\/st1:State\u003e—fascinated by the desert landscape, which she approaches from an almost archaeological perspective on a quest for inscribed signs and times.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eExhibition schedule: \u003cst1:place w:st=\"on\"\u003e\u003cst1:City w:st=\"on\"\u003eBergen\u003c\/st1:City\u003e\u003c\/st1:place\u003e Kunsthall, February 2–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"3\" Day=\"17\" Year=\"2013\"\u003eMarch 17, 2013\u003c\/st1:date\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874801905928,"sku":"9783775735605","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775735605_900776f6-1caa-4c40-8a97-c12c16e3f446.jpg?v=1744131857"},{"product_id":"17561-robert-longo","title":"Robert Longo","description":"\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003eSTAND was a site-specific installation, which in 2012 activated the architecture of the Capitain Petzel gallery in Berlin. The building was shrouded with an enormous depiction of the American flag in black and white. Upon entering the gallery, the viewer was confronted with a large charcoal drawing, upon which the exterior of the gallery was based. This was flanked by two drawings: one depicting a claustrophobic mass of Occupy Wall Street protesters; the other, a lone American soldier walking towards an uncertain and ominous future. With the consent of the artist, Robert Longo also updated the style and content of Hans Haackes \u003cI style=\"mso-bidi-font-style: normal\"\u003eOelgemaelde, Hommage à Marcel Broodthaers \u003c\/I\u003e(1982). \u003cSPAN style=\"mso-spacerun: yes\"\u003e\u0026nbsp;\u003c\/SPAN\u003efor the exhibition, replacing Ronald Reagan opposite a large-scale image of a protest over the deployment of American missiles in Bonn, Germany, with President Obama opposite Tea Party protesters. The rest of the gallery held a group of 25 drawings, a performance based around a complete reading of the classic American novel \u003c\/SPAN\u003e\u003cI\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: PrimusTB-RegularItalic\"\u003eMoby Dick \u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: PrimusTB-RegularItalic; mso-bidi-font-style: italic\"\u003ealso\u003cI\u003e \u003c\/I\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003etook place. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526190981384,"sku":"9783775738149","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738149_0eb8ba46-3adb-4f0e-9a63-438bf73ee8ed.jpg?v=1744130634"},{"product_id":"17799-julian-schnabel","title":"Julian Schnabel","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US'\u003eAt thirty-six, Julian Schnabel was not only represented in the most important exhibitions of his time; retrospectives of his works were already being celebrated in major museums such as the Stedelijk Museum, the Tate in London, or the Centre Pompidou in Paris. He writes this book, \u003cI style=\"mso-bidi-font-style: normal\"\u003eCVJ,\u003c\/I\u003e and gives an account of his life: how he leaves Texas in 1973 to return to his hometown of New York City, hangs out in Max’s Kansas City, meets Sigmar Polke, Blinky Palermo, Ross Bleckner, and numerous other people in the scene, and even travels to Europe to study the Old Masters—experiences and observations that are both poetic and amusing to read. And at the same time it is fascinating to see the oeuvre he had produced up to that point: the \u003cI style=\"mso-bidi-font-style: normal\"\u003ePlate Paintings\u003c\/I\u003e with their splintered surfaces, paintings in oil and wax, on velvet and tarpaulins, with “dirt” and cracks and \u003cI style=\"mso-bidi-font-style: normal\"\u003eobjets trouvés\u003c\/I\u003e that project into space, drawings, and sculptures. What is striking is their influence on younger generations of artists and on the current debate on painting.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874803708168,"sku":"9783775740562","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740562_d69b8ff7-5adb-4766-aa18-b5a66e496b25.jpg?v=1744105025"},{"product_id":"17835-taryn-simon","title":"Taryn Simon","description":"\u003cP class=MsoNormal style=\"BACKGROUND: white; MARGIN: 0cm 0cm 10pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eIn 1936, an American ornithologist named James Bond published the definitive taxonomy\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 12.0pt\"\u003e\u0026nbsp;\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eBirds of the \u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:place w:st=\"on\"\u003eWest Indies\u003c\/st1:place\u003e. Ian Fleming, an active bird-watcher living in \u003cst1:country-region w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eJamaica\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e, appropriated the name for his novel’s lead character. He found it “flat and colourless,” a fitting choice for a character intended to be “anonymous. . . a blunt instrument in the hands of the government.”\u0026nbsp;\u003cBR\u003eIn\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 12.0pt\"\u003e\u0026nbsp;\u003c\/SPAN\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eField Guide to\u0026nbsp;Birds of the West Indies\u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003e, Taryn Simon (*1975) casts herself as James Bond (1900–1989) the ornithologist, and identifies, photographs, and classifies all the birds that appear within the twenty-four films of the James Bond franchise. The appearance of many of the birds was unplanned and virtually undetected, operating as background noise for whatever set they happened to fly into. Simon’s ornithological discoveries occupy a liminal space—confined within the fiction of the James Bond universe and yet wholly separate from it. This taxonomy of 331 birds is a precise consideration of a new nature found in an alternate reality. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49664372375816,"sku":"9783775740920","price":78.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740920_a743a78e-21da-48f2-8660-7cac7b4aac40.jpg?v=1744139589"},{"product_id":"17975-sean-scully","title":"Sean Scully","description":"\u003cp\u003eThis catalogue, the second volume in a proposed series of five, chronicles Sean Scully\u0026rsquo;s paintings of the 1980s. Beginning with major breakthrough works early in the decade, it profiles the development of Scully\u0026rsquo;s mature style as well as his growing success in America and internationally.\u003c\/p\u003e\n\n\u003cp\u003eScully, a native of Ireland, was educated in England and moved to the United States in 1975. By the early 1980s, he was established in New York and making works that would influence his work years to come. In works both small (\u003cem\u003eSolomon\u003c\/em\u003e) and large (\u003cem\u003eHeart of Darkness\u003c\/em\u003e), Scully developed a powerful style of richly painted stripes and shapes with a masterly control of color and strongly built canvases. In an era of low regard for abstract painting, Scully invigorated and reinvented the form to include rich evocations of places, literature and other art forms, and emotions. By the end of the decade, he was universally regarded as one of the most important artists of the second half of the twentieth century.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188101384,"sku":"9783775742320","price":98.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742320_6efbd818-fbcd-4805-ae12-ccce131cf960.jpg?v=1744133700"},{"product_id":"18014-mark-bradford","title":"Mark Bradford","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 115%\"\u003e\u003ci\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003eTomorrow is Another Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003e is not only a catalogue for Mark Bradford\u0026rsquo;s representation of the United States at the 2017 Venice Biennale; it is a different kind of book. This substantial publication blends the biographical with the historical and political. The interwoven stories in the book are eloquently told\u0026nbsp;through\u0026nbsp;vivid archival photographs and documents as\u0026nbsp;well as by a chorus of compelling voices from across contemporary culture. The book also\u0026nbsp;includes a lengthy, revealing, and in-depth interview with Mark Bradford himself. \u003c\/span\u003eThe publication \u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003emakes a significant and important contribution to our\u0026nbsp;understanding of the work and\u0026nbsp;practice of one of today\u0026rsquo;s\u0026nbsp;most influential\u0026nbsp;contemporary artists and at the same time explores urgent and timely issues that art\u0026nbsp;\u0026mdash; and artists\u0026nbsp;\u0026mdash; can powerfully address.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192095496,"sku":"9783775742719","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742719_153c4d29-2dd4-4c03-859b-43ee6316ec9d.jpg?v=1744115229"},{"product_id":"17610-beuys-brock-vostell","title":"Beuys Brock Vostell","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;TheSansOsF ExtraLight\u0026quot;\"\u003eFor the first time, the prominent German artists Joseph Beuys (1921\u0026ndash;1986), Bazon Brock (* 1936), and Wolf Vostell (1932\u0026ndash;1998), who collaborated in the sixties, are being presented in a single publication. In addition to parallels in the content of their work, such as their examination of the Holocaust, the three friends shared certain interests in terms of their approach. All three were involved in developing teaching practices as a form of performance art and in shifting communication, discussion, and demonstrations to the heart of their work. The radical emancipation of the individual and social reform were also common goals. Not only groundbreaking for the de\u0026shy;velopment of the expanded concept of art, their practices also made a fundamental contribution to the performative turn and the development of participatory concepts in twentieth century art.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;TheSansOsF ExtraLight\u0026quot;\"\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;\"\u003eExhibition: ZKM | Museum f\u0026uuml;r Neue Kunst, Karlsruhe 24.5.\u0026ndash;9.11.2014, gef\u0026ouml;rdert von der Kunststiftung NRW\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807804168,"sku":"9783775738644","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738644_ae995668-3e1b-497c-a5e4-507531b0f29a.jpg?v=1744049653"},{"product_id":"17619-enzyklopaedie-der-medien-band-4","title":"Enzyklopädie der Medien. Band 4","description":"\u003cp\u003eFrom Greek antiquity to the present, from the book to the gramophone, from Gutenberg to Google, our culture is defined by changes in recording, storage, and transmission media. In a six-volume selection of his writings, Peter Weibel presents an encyclopedia that addresses all areas of the media world. The author has conceived this series as following in the tradition of the Enlightenment and the\u003cem\u003e Encyclop\u0026eacute;die \u003c\/em\u003eby Denis Diderot and Jean Baptiste le Rond d\u0026rsquo;Alembert. The fourth volume devises a history of literature that shows the chain of mental, formal, and mechanical elements in the production and reception of literature.\u003c\/p\u003e\n\n\u003cp\u003ePETER WEIBEL (* 1944, Odessa) is an internationally known media and conceptual artist, curator, and art and media theoretician. Since the 1960s his work has firmly regarded artistic creativity as an open-ended field of activity. He was head of the ZKM, Karlsruhe until 2020. Since 2017 he has been director of the Peter Weibel Research Institute for Digital Culture at the Universit\u0026auml;t f\u0026uuml;r angewandte Kunst in Vienna.\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188232456,"sku":"9783775738736","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738736_771b2b23-6ad6-4025-b35a-7df0b5a5a165.jpg?v=1744060311"},{"product_id":"17691-malerei-und-plastik","title":"Malerei und Plastik","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eThe high-quality paintings and sculptures in the still surprisingly young Hilti Art Foundation are moving into a dignified new domicile in Vaduz, in the immediate vicinity of the Kunstmuseum Liechtenstein. The unobtrusively designed “white cube” by the architectural office Morger Dettli Architekten provides an appropriate setting for the collection’s outstanding exhibits: the illustrious circle of artists represented in the first-class collection range from Georges Seurat and Paul Gauguin to Günther Uecker and Imi Knoebel. Based on choice individual works, the volume graphically demonstrates the groundbreaking currents of twentieth-century art history—from Post-Impressionism and classic modern works to concrete art. The representative publication includes concise texts that expound on the art-historical rank of the individual precious items as well as large-format full-view and detail illustrations.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874808000776,"sku":"9783775739467","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739467_5525cfd3-2201-4a69-92a8-a41321d3f1d3.jpg?v=1744114141"},{"product_id":"17234-jorinde-voigt","title":"Jorinde Voigt","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003eThe unique visual language \u003cA href=\"http:\/\/www.jorindevoigt.com\/\"\u003eJorinde Voigt \u003c\/A\u003e(*1977 in Frankfurt am Main) develops in her drawings aims at making the invisible visible. Music, weather, geography, literature, and philosophy are among the subjects that serve as sources of inspiration for Voigt’s lyrical drawings, all of which she renders into a dizzying maelstrom of lines and notations as one thought is linked to the next. In \u003cI\u003ePiece for Words and Views,\u003c\/I\u003e Voigt turns to Roland Barthes’s famous book \u003cI\u003eA Lover’s Discourse: Fragments\u003c\/I\u003e to produce a series of thirty-six drawings, each of which contains elements of collage cut to represent particular words found in the book\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e—\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003ethereby recreating the central tenets of semiotics: signifier and signified. With texts by John Yau and the artist, this publication presents Jorinde Voigt’s complex pictorial spaces, which come together in a composition of form and idea.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188297992,"sku":"9783775734738","price":39.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734738_9d533771-3206-489c-a27b-15797aa3898e.jpg?v=1744104104"},{"product_id":"43592-adrian-ghenie","title":"Adrian Ghenie","description":"\u003cp\u003eEver since his spectacular exhibition at the Romanian Pavilion at the 56th Venice Biennial in 2015 at the latest ,Adrian Ghenie has been known to a broader art audience as one of the most interesting and idiosyncratic painters of his generation. His works\u0026mdash;painted in oil, etched, troweled, or thrown\u0026mdash;have already found their way to the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. On the art market they are close on the heels of auction records. Still, neither Gehnie\u0026rsquo;s subjects nor his technique accommodate general taste: the most important source of his collage-like compositions is the history of the \u0026ldquo;century of humiliation,\u0026rdquo; as Ghenie calls the twentieth century\u0026mdash;its criminals and victims. These are joined by positive heroes such as van Gogh and Darwin, along with self-portraits.\u003c\/p\u003e\n\n\u003cp\u003eADRIAN GHENIE (*1977, Baia Mare, Romania) studied painting at the University of Art and Design in Cluj, Romania. He has had large solo shows at such institutions as the Museum of Contemporary Art in Denver, the S.M.A.K. in Ghent, the Palazzo Cini in Venice, and the National Museum of Contemporary Art in Bucharest. Ghenie lives in Berlin\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811845939464,"sku":"9783775743525","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743525_92b0df16-f3b2-40cd-b7d7-56da49698406.jpg?v=1744037870"},{"product_id":"52777-ashley-hans-scheirl","title":"Ashley Hans Scheirl","description":"\u003cp\u003eAshley Hans Scheirl overcomes the limitations of media as easily as she deals with gender and cultural norms. Born Angela Scheirl, the artist achieved international fame in the late 1980s for her experimental films and videos. She is now considered a trailblazer and a cult figure of the international queer and transgender artists scene. Scheirl\u0026rsquo;s work examines questions about her own identity by surmounting predefined genres and classifications. Her three-dimensional installations unite paintings, spatial designs, videos, photographs, drawings, sculptures, and performance props. The artist is interested in questioning the economy and power of social conditions and the libidinal structures active in them.\u003c\/p\u003e\n\n\u003cp\u003eASHLEY HANS SCHEIRL (*1956, Salzburg, lives in Vienna) studied restoration at the Akademie der Bildenden K\u0026uuml;nste (Academy of Fine Arts) in Vienna. She spent 1981\u0026ndash;82 in New York, and then sixteen years in London. In 2003 she finished her post-graduate studies in fine arts at the Central Saint Martin\u0026rsquo;s College of Art \u0026amp; Design in London. Since the fall of 2006 she has been a professor for contextual painting at the Akademie der Bildenden K\u0026uuml;nste, Vienna.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188756744,"sku":"9783775746885","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746885_0204808d-45cc-4bb3-a8b4-83a6fcd20d6b.jpg?v=1744045190"},{"product_id":"52729-thomas-hirschhorn","title":"Thomas Hirschhorn","description":"\u003cp\u003eFor three months Biel, Switzerland, hosted a special kind of sculpture. It was special not simply because it was created\u0026nbsp;by one of Switzerland\u0026rsquo;s most famous contemporary artists\u0026mdash; Thomas Hirschhorn\u0026mdash;and dedicated to one of the most prominent authors in the history of Swiss literature, Robert Walser. Beyond that, this sculpture was a redefinition of sculpture itself, because what takes on a plastic form here is not made of stone, steel, or bronze. It is society itself that helped to develop this work of art. In 2016 Thomas Hirschhorn and the curator Kathleen B\u0026uuml;hler began doing field research in Biel, the city of Robert Walser\u0026rsquo;s birth, connecting with residents, clubs, artists, literati, and experts. This resulted in a multifaceted agenda. Every day the two offered events such as readings, walking tours, lectures, and children\u0026rsquo;s activities. All of this ultimately comprised the Robert Walser-Sculpture. Never before has an entire city been integrated into a temporary work of art in this way.\u003cbr \/\u003e\n\u003cbr \/\u003e\n​THOMAS HIRSCHHORN (*1957, Bern) lives in Paris. His monuments, altars, and kiosks are admired around the world and have been awarded numerous accolades. Among other honors, Hirschhorn is the winner of the Prix Marcel Duchamp, the Basel Joseph Beuys Prize, and the Grand Prix Art\/Prix Meret Oppenheim from the Swiss Federal Office of Culture.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188855048,"sku":"9783775746809","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746809_cbcce9c1-d527-4051-b582-ed75f84abc08.jpg?v=1744141237"},{"product_id":"51725-dominik-halmer","title":"Dominik Halmer","description":"\u003cp\u003eDominik Halmer\u0026rsquo;s paintings and pictorial objects are based on the idea of connecting painting to real space. Three-dimensional objects like wooden rings and balls interact with painted elements and gestures. Different levels of reality, which are connected through visual analogies, collide in a poetic and associative unity. Halmer plays with an internal system of references that suggests a rule-based relationship between canvas painting, object, and spatial sign. In the installation \u003cem\u003eTerritory\u003c\/em\u003e, Dominik Halmer places graphic symbols on the wall that let the individual works play off one another by engaging in a dialogue addressing fundamental ideas about the nature of processes and meaning. The catalogue contains numerous installation views and a conversation with the artist.\u003c\/p\u003e\n\n\u003cp\u003eDOMINIK HALMER (*1978, Munich)\u0026nbsp;studied philosophy and art history at the Humboldt University Berlin, then Fine Arts at the Kunstakademie D\u0026uuml;sseldorf with Albert Oehlen and at the Academy of Fine Arts in Vienna with Heimo Zobernig. Halmer lives and works in Berlin.\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan data-sheets-userformat=\"{\u0026quot;2\u0026quot;:15147,\u0026quot;3\u0026quot;:{\u0026quot;1\u0026quot;:0},\u0026quot;4\u0026quot;:[null,2,16777215],\u0026quot;6\u0026quot;:{\u0026quot;1\u0026quot;:[{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:0,\u0026quot;5\u0026quot;:[null,2,0]},{\u0026quot;1\u0026quot;:0,\u0026quot;2\u0026quot;:0,\u0026quot;3\u0026quot;:3},{\u0026quot;1\u0026quot;:1,\u0026quot;2\u0026quot;:0,\u0026quot;4\u0026quot;:1}]},\u0026quot;8\u0026quot;:{\u0026quot;1\u0026quot;:[{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:0,\u0026quot;5\u0026quot;:[null,2,0]},{\u0026quot;1\u0026quot;:0,\u0026quot;2\u0026quot;:0,\u0026quot;3\u0026quot;:3},{\u0026quot;1\u0026quot;:1,\u0026quot;2\u0026quot;:0,\u0026quot;4\u0026quot;:1}]},\u0026quot;11\u0026quot;:4,\u0026quot;12\u0026quot;:0,\u0026quot;14\u0026quot;:[null,2,0],\u0026quot;15\u0026quot;:\u0026quot;Calibri\u0026quot;,\u0026quot;16\u0026quot;:11}\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Museum Wiesbaden\\n6.9.2018–13.1.2019\u0026quot;}\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 11pt; font-family: Calibri, Arial;\"\u003eEXHIBITION\u003cbr \/\u003e\nMuseum Wiesbaden\u003cbr \/\u003e\nSeptember\u0026nbsp;6,2018\u0026mdash;January\u0026nbsp;13,\u0026nbsp;2019\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189149960,"sku":"9783775746250","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746250_562a0d01-04ea-40d6-b6ac-27e872316200.jpg?v=1744057087"},{"product_id":"51107-edi-rama","title":"Edi Rama","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-da95de80-7fff-7a9e-99b9-fbf33234f94d\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eThe oeuvre of the Albanian artist and prime minister Edi Rama is inseparable from his political career. During telephone conferences and meetings, he does drawings and watercolors on the copies of his schedule, his work notes, on minutes, faxes, and other pieces of correspondence. The art he produces in the environs of national power forms an abstract journal, a vivid recording of political life and the everyday tensions between power and art. \u003c\/span\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eWork\u003c\/span\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003e is the first publication to present the drawings, ceramic sculptures, and tapestry, which was inspired by a similar tapestry in Rama\u0026rsquo;s office in Tirana. Made up of more than seven hundred of Rama\u0026rsquo;s drawings, the tapestry runs throughout the entire book, creating an immanent connection between his works. Besides essays on Rama\u0026rsquo;s work, the book also features a conversation with the artist.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eEdi Rama\u0026rsquo;s (*1964, Tirana) work has been shown at the 2017 Venice Biennial and the 1994 S\u0026atilde;o Paulo Biennale, the Haus der Kunst in Munich, the Centre Pompidou, Paris, and other renowned institutions. He began his political career as Albania\u0026rsquo;s cultural minister in 1998 and was elected Albania\u0026rsquo;s prime minister for the second time in 2017.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189379336,"sku":"9783775746014","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746014_03ab9211-5721-4eed-9be8-6f67d0cf0b83.jpg?v=1744058647"},{"product_id":"48984-now-is-the-time","title":"Now Is The Time","description":"\u003cp\u003eTo celebrate its 25th anniversary, the Kunstmuseum Wolfsburg is presenting its extensive collection of contemporary art in what will be the largest survey of it to date. It includes more than 600 installations, groups of works, and large individual works of art in all media, dating back to the crucial year of 1968. The spectrum of the 100 artists ranges from Franz Ackermann, Doug Aitken, and Firelei B\u0026aacute;ez, to Mithu Sen and Sam Taylor-Johnson, all the way to Jeff Wall and Thomas Zipp. This elaborate, lavishly illustrated volume gathers texts written by about 100 international authors\u0026mdash;curators, directors, gallerists, collectors, and architects\u0026mdash;on the artists in the collection. It achieves a multifaceted, overall picture of the Kunstmuseum Wolfsburg\u0026rsquo;s exquisite collection, as well as an impressive panorama of contemporary art from 1968 to the present.\u003c\/p\u003e\n\n\u003cp\u003eExhibition:\u003cbr \/\u003e\n24.3.\u0026ndash;29.9.2019, Kunstmuseum Wolfsburg\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189444872,"sku":"9783775745291","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745291_366f65f7-93b1-492d-bdb6-e13b84a297fc.jpg?v=1744122393"},{"product_id":"48399-guenter-fruhtrunk-werkverzeichnis-der-bilder-catalogue-raisonn-of-the-paintings-19521982","title":"Günter Fruhtrunk Catalogue Raisonné","description":"\u003cp\u003eWith his pictures, G\u0026uuml;nter Fruhtrunk (1923-1982) created an autonomous, uncompromising oeuvre that made him one of the outstanding representatives of German painting in the post-war era. He became famous for his vector-like, diagonal stripes: impressive paintings of parallel, diagonal bundles of stripes in yellow, orange, green, black, and white, whose geometrical, abstract vocabulary of forms he derived from constructivism.\u003c\/p\u003e\n\n\u003cp\u003eThis catalogue raisonn\u0026eacute;\u0026mdash;the result of extensive scientific research over a period of four years\u0026mdash; contains all of the paintings he produced between 1952 and 1982. Along with several essays that explore Fruhtrunk\u0026rsquo;s work and its significance, while also defining its place in art history, the catalogue raisonn\u0026eacute; contains texts by the author never published before and an extensive biography. The work is organized into two volumes according to chronology and visual motif.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nMunich, Galerie Walter Storms\u003cbr \/\u003e\n15.09.2018 - 13.10.2018\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189477640,"sku":"9783775745031","price":248.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745031_ea93e097-82e4-42eb-ae6a-d3018c148c55.jpg?v=1744094782"},{"product_id":"54107-helmut-federle","title":"Helmut Federle","description":"\u003cp\u003e\u003cstrong\u003e\u003ci style=\"caret-color: rgb(0, 0, 0);\"\u003e\u003cspan lang=\"EN-US\"\u003e\u0026quot;In all the noisy, shallow. and superficial hustle and bustle of the artistic\u0026nbsp;\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\" style=\"caret-color: rgb(0, 0, 0);\"\u003ezeitgeist\u003ci\u003e\u0026nbsp;with its shrill rhetoric of one-upmanship, Helmut Federle\u0026rsquo;s explorations of image composition almost seem like monastic spiritual exercises \u0026ndash;in the best sense of the term. This really has become a grammar of basic pictorial possibilities, one that compels the viewer to look more closely, to scrutinise, and to be rewarded all the more for it.\u0026quot;\u0026nbsp;\u003c\/i\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003ci style=\"caret-color: rgb(0, 0, 0);\"\u003e\u0026ndash;\u0026nbsp;\u003c\/i\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003eStephan Berg (director of the\u003c\/span\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003e\u0026nbsp;Kunstmuseum Bonn)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eH is here, in the truest sense, the alpha and omega. Helmut Federle uses the first letter of his first name as a format-filling, artistic matrix on canvases measuring between forty and fifty centimeters. Since his early days as an artist in the late 1970s, he has created seventy variations of \u003cem\u003eLiegendes H (\u003c\/em\u003eReclining H). The basic form of three lines and two squares enumerates the variations of expressions in painting. Their synopsis plays with figure and ground, forming an inventive collection of painterly techniques and the atmospheres they evoke. At the same time, the subtitles for the individual works seem to hint at the specific horizons of experience in their creation. They lend each work a poetic dimension, as one tries to imagine the artist\u0026rsquo;s world in the planes of color. Thus, each picture represents Helmut and is, in its mysterious originality, a fascinating haiku.\u003c\/p\u003e\n\n\u003cp\u003eNumerous solo exhibitions have been devoted to HELMUT FEDERLE\u0026rsquo;s (*1944, Solothurn) artwork. In 1997 he designed the Swiss Pavilion for the Venice Biennial. From 1999 to 2007 he was a professor at the Kunstakademie D\u0026uuml;sseldorf. He divides his time between Vienna and Camaiore, Italy.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189543176,"sku":"9783775747868","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747868_6bebd812-1844-4f7b-a7e9-c7dd112351ba.jpg?v=1744097811"},{"product_id":"57314-thomas-pihl","title":"Thomas Pihl","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-e018675b-7fff-73ca-765f-d4e05dbd6630\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe history of monochrome painting goes back more than a century. Since Kazimir Malevich revolutionized the art world in 1915 with his Black Square\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003e,\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e which was based on a single-color surface, this artistic form of expression has taken many different paths without ever losing its ability to fascinate. The distinctive works of Norwegian painter Thomas Pihl join this tradition, continuing and enlarging upon it. If they tell a story at all, it is about the process of how they were made and the physical and mental spaces they are exposed to. To create his pieces, Pihl applies many layers of paint to the canvas, making it possible to visualize the traces of his work process. The resulting visual world \u0026mdash; which shows us the nature of perception through its play of light and color \u0026mdash; is now summarized for the first time in this comprehensive publication.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTHOMAS PIHL (*1964) divides his time between New York and Bergen. Over the course of his more than thirty years of artistic activity, he has worked with monochrome painting, drawing, and sculpture. Around 2000, he began working particularly on large-format studies of the interplay of natural light and color.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189838088,"sku":"9783775749206","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775749206_82256eff-ebc5-4f26-befd-aebbc6da6d9f.jpg?v=1744141292"},{"product_id":"53511-david-byrd","title":"David Byrd","description":"\u003cp\u003eIt is a poignant look into the psychological depths of the human mind\u0026mdash;its possibilities and fragility. This is the impressive and sensitive legacy of the painter David Byrd. The artist joined the army during World War II and later worked as an orderly in the psychiatric ward of a Veterans hospital in Upstate New York. From 1958 to 1988, Byrd\u0026rsquo;s keen observation of this world, filled with the crowded histories of its troubled patients, was recorded in the artist\u0026rsquo;s sketches. This publication is a replica of the deeply personal, creative, and revelatory journal examining the human experience and its potential for pain and alienation on the fringe. Byrd\u0026rsquo;s work was not publicly exhibited until 2013, only a few months before his death\u0026mdash;an omission that seems absurd in the face of such a powerful output of artwork expressing the artist\u0026rsquo;s perspective as a veteran himself and his empathy toward those living with psychological trauma.\u003c\/p\u003e\n\n\u003cp\u003eDAVID BYRD (1926\u0026ndash;2013) was an American painter. After serving in World War II he studied at the Ozenfant School of Fine Arts. Rarely seen during his lifetime, his art was deeply shaped by his experience as an orderly working in the psychiatric ward at the Veterans Aff airs (VA) Hospital in Montrose, New York.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nAnton Kern Gallery, New York\u003cbr \/\u003e\nApril 2\u0026ndash;May 9, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189870856,"sku":"9783775747264","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747264_90804a01-7e6e-4d50-a37b-345a7a0bb7aa.jpg?v=1744054053"},{"product_id":"53107-lonnie-van-brummelen-and-siebren-de-haan","title":"Lonnie van Brummelen and Siebren de Haan","description":"\u003cp\u003eIn\u0026nbsp;\u003cem\u003eDrifting Studio Practice\u003c\/em\u003e, artists Lonnie van Brummelen and Siebren de Haan discuss their participatory documentaries\u0026nbsp;\u003cem\u003eEpisode of the Sea\u003c\/em\u003e\u0026nbsp;(2014) and\u0026nbsp;\u003cem\u003eStones Have Laws\u003c\/em\u003e\u0026nbsp;(2018), which they made with in collaboration with the Dutch fishing community of Urk and with the Saamaka and Okanisi maroons of Suriname, a former Dutch colony in Amazonia. The artists outline how they experimented with collective script writing and performative storytelling, including both human and other-than-human actors. Starting from their earlier artwork\u0026nbsp;\u003cem\u003eMonument of Sugar\u003c\/em\u003e\u0026nbsp;(2007), the account develops into a practice driven exploration of co-authorship and (non)human rights as strategies to cope with the plantationocene.\u003c\/p\u003e\n\u003cp\u003eVan Brummelen \u0026 De Haan collaborate since 2002, producing film installations, sculptures and collages that explore cultural and geopolitical landscapes such as Europe’s borders, sites of resource production and global trade, and sites of cultural heritage. Their artworks have been shown in international art exhibitions and are in the public collections.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190067464,"sku":"9783775747059","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747059_41e3aed8-3abe-42f4-bc46-0c7f0ddf110f.jpg?v=1744111289"},{"product_id":"56680-brigitte-waldach","title":"Brigitte Waldach","description":"\u003cp\u003eIn picturesque text clouds, spatial drawings, and sound installations, Brigitte Waldach explores surprising connections from our cultural and contemporary history. In her impressive drawings she deals with Germany\u0026rsquo;s past, but also with literature, music, emotion, and violence. She succeeds in creating haunting constellations and illuminating fields of context that challenge our senses and our thinking. In 2020 she was awarded the Marta Prize from the Wemh\u0026ouml;ner Foundation, which, for the first time, is combined with a solo exhibition at the Museum Marta Herford and a catalogue. This catalogue not only brings together the works shown in the exhibition, but also supplements them with other key works. In this way, themes and motifs are contextualized and space is provided for the development of complex trains of thought and reference systems in Brigitte Waldach\u0026rsquo;s \u003cspan\u003e\u0026OElig;uvre\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003eBRIGITTE WALDACH (*1966, Berlin) studied art education, art science, and German language and literature, before completing her studies in fine arts at the Berlin University of the Arts as a graduate student under Georg Baselitz. Her large-format drawings and multimedia installations are in exhibitions and collections around the world.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190296840,"sku":"9783775748520","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748520_d63c6f8d-fed8-437e-8b1f-a9e541675c6d.jpg?v=1744050469"},{"product_id":"53983-peter-weibel","title":"Peter Weibel","description":"\u003cp\u003ePeter Weibel, the long-standing CEO of the ZKM | Zentrum f\u0026uuml;r Kunst und Medien (Center for Art and Media) in Karlsruhe, and the recipient of the Lovis-Corinth-Preis in 2020, has influenced the international scene of media art as an artist as well as a theorist and curator. His artistic oeuvre comprises conceptual art, performance, experimental film, video, and computer art as well as his exploration of music.\u003cbr \/\u003e\nThis publication offers insight into Weibel\u0026rsquo;s diverse work. One main area consists of works in which the artist takes up core questions about Europe.\u0026nbsp; In other works critical of the system, which always question the usual concept of art as well, Weibel addresses migration, expulsion, war, and terrorism as well as economic and ecological catastrophes.\u003c\/p\u003e\n\u003cp\u003eThe LOVIS-CORINTH-PREIS was first awarded by the KünstlerGilde e. V. in the Kunstforum Ostdeutsche Galerie Regensburg in 1974.Under the conditions of the nascent age of media, since the 1960s PETER WEIBEL (*1944, Odessa) has created an oeuvre that dares to conceive artistic creativity as an open field of action. He is head of the ZKM, Karlsruhe until 2023. Since 2017 he has been director of the Peter Weibel Research Institute for Digital Culture at the Universität für angewandte Kunst in Vienna.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190362376,"sku":"9783775747936","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747936_bebaccd7-203b-4f5d-bd26-e563746d021a.jpg?v=1744126114"},{"product_id":"58069-rene-green","title":"Renée Green","description":"\u003cp\u003eSince the late 1980s, Ren\u0026eacute;e Green\u0026rsquo;s practice has imagined and expanded the ways in which art can give form to underwritten histories, collective memory, and circuits of cultural exchange. Her writing, installations, films, digital media, and sound works continue to trace and interrogate the power of cultural institutions and their relationships with language, knowledge, and constitutions of selfhood, while at the same time indicating other ways of being and becoming.\u003c\/p\u003e\n\n\u003cp\u003eThis artist\u0026rsquo;s catalogue extensively illustrates Green\u0026rsquo;s previously undocumented early work alongside recent installations, personal ephemera and excerpts from fiction selected by the artist. Essays by a new constellation of writers relate Green\u0026rsquo;s work to legacies of migration and displacement, language and access, as well as alternative approaches to reading and being read.\u003c\/p\u003e\n\u003cp\u003eRENÉE GREEN (*1959) is an artist, writer, and filmmaker known for her highly layered and formally complex multimedia installations in which ideas, perception, and experience are examined from myriad perspectives. Green’s exhibitions, videos and films have been seen throughout the world in museums, festivals, and art institutions, highlighting her unique approach to natural sciences, history, and aesthetics. She is a Professor at the Art, Culture, and Technology program at MIT.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191148808,"sku":"9783775750615","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750615_4b9ba22f-603f-4223-a7b5-d1b9b976bf8a.jpg?v=1744129342"},{"product_id":"57625-michael-wesely","title":"Michael Wesely","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-3194066e-7fff-a4a5-b3bf-caa9a3f9b4b6\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThere is more to numbers than sums; they can also conceal histories, too. In this case, world-famous architectural history. For five years the renowned Neue Nationalgalerie (New National Gallery), designed by Ludwig Mies van der Rohe, was closed to the public for renovation. Nevertheless, the photographer Michael Wesely was able to accommodate \u0026ldquo;four guests\u0026rdquo; inside the iconic building: four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 360 and 730 pictures with an exposure time of 90 seconds each. Edited into bewitching montages, this fascinating synopsis allows readers to envision the building\u0026rsquo;s metamorphosis as it was undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe photographer MICHAEL WESELY (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. He lives in Berlin.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191214344,"sku":"9783775750332","price":64.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750332_41650fa0-4dd6-45ec-b4bb-3dc57b61c1b0.jpg?v=1744118415"},{"product_id":"17110-zeitgenoessische-skulptur","title":"Zeitgenössische Skulptur","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan style=\"FONT-FAMILY: TheSans\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003eOver the past twenty years, since theory has begun scrutinizing the concept of sculpture itself, the genre has been experiencing a new renaissance as an artistic form of expression. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eThe collection brings together a variety of texts exploring what it means for artists to make and think about sculpture today. Including poetic statements, manifestos, letters, playscripts and a significant number of interviews, it allows artists to describe in their own words the fascinating terrain of contemporary sculpture, in all of its diverse practices and processes, and its multiple materials and meanings\u003cspan style=\"FONT-FAMILY: TheSans\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e. \u003c\/span\u003e(English\u0026nbsp;edition ISBN 978-3-7757-3347-2)\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan style=\"FONT-FAMILY: TheSans\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan style=\"FONT-FAMILY: TheSans\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan style=\"FONT-FAMILY: TheSans\"\u003eTHE ARTISTS PRESENTED\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr \/\u003e\nEdward Allington, Francis Al\u0026yuml;s, Phyllida Barlow, John Bock, Tony Cragg, Matthew Crawley, Krysten Cunningham, Jan De Cock, Richard Deacon, Michael Dean, Mark Dion, Elmgreen \u0026amp; Dragset, Chris Evans, Katharina Fritsch, Ryan Gander, Francesco Gennari, Katharina Grosse, Asta Gr\u0026ouml;ting, Ilya Kabakov, Oliver Laric, Mark Leckey, Hew Locke, Sarah Lucas, Paul McCarthy, Paul McDevitt, Bruce McLean, Nathaniel Mellors, Jonathan Monk, Ron Mueck, Juan Mu\u0026ntilde;oz, Mike Nelson, Tatzu Nishi, Patricia Piccinini, Falke Pisano, Bettina Pousttchi, Marc Quinn, Eva Rothschild, Gregor Schneider, Thomas Sch\u0026uuml;tte, Richard Serra, Roman Signer, Lucy Skaer, Florian Slotawa, Bob and Roberta Smith, Kiki Smith, Sarah Sze, Didier Vermeiren, Cathy Wilkes, Keith Wilson, Erwin Wurm\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"FONT-FAMILY: TheSans\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191738632,"sku":"9783775733465","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775733465_5995dacc-6a3a-4c65-8ead-4564556e8bee.jpg?v=1744150492"},{"product_id":"17366-paul-mccarthy","title":"Paul McCarthy","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoPlainText style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT face=Calibri\u003eThe new artist’s book by Paul McCarthy (* 1945 in Salt Lake City) presents one of the artist's most significant works:\u003cEM\u003e The Box\u003c\/EM\u003e (1999). The work is a displaced sculpture of McCarthy’s entire studio. Inconspicuous from the outside, a fabricated wooden structure like a shipping crate with four holes indicating the windows and doors in McCarthy's actual studio, the inside reveals an overwhelming diversity of objects thereby creating an intimate portrait of the artist’s mindscape. The contents of \u003cEM\u003eThe Box\u003c\/EM\u003e are the actual items from McCarthy's studio in Los Angeles, California, containing approximately three thousand objects, from a steel cabinet to a pencil, drawings and artworks. Only one thing is amiss, the box is tipped ninety degrees on its side, its contents, fixed to their surfaces, appear to defy gravity and taunt the viewer's perception of right-side-up. This radical displacement is repeated in the design of the catalog, thereby creating an object that functions as yet another haptic inversion. The aesthetic of disorientation is reflected in the volume, which was developed in close consultation with the artist.\u003c\/FONT\u003e\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/P\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874816160008,"sku":"9783775736145","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736145_43fcde8a-4c8a-41ba-b967-99cc47f6d94b.jpg?v=1744124616"},{"product_id":"17797-mm","title":"M+M","description":"\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\u003cFONT size=3\u003eEveryday madness: we accompany the protagonists of \u003c\/FONT\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cFONT size=3\u003e7 Days,\u003c\/FONT\u003e\u003c\/I\u003e\u003cFONT size=3\u003e a series of films by M+M, for an entire week. The artist duo’s two-channel installations, named for the days of the week, lead directly into the abysses of a volatile psyche. The Austrian actor Christoph Luser embodies the ambivalent main character—who comes across as partly melancholy, partly threatening—who is subjected to highly conflicting situations. Each day, he borrows from a key scene from cinematic history, for instance from \u003c\/FONT\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cFONT size=3\u003eThe Shining\u003c\/FONT\u003e\u003c\/I\u003e\u003cFONT size=3\u003e or \u003c\/FONT\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cFONT size=3\u003eSaturday Night Fever\u003c\/FONT\u003e\u003c\/I\u003e\u003cFONT size=3\u003e.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\u003cFONT size=3\u003eM+M —Marc Weis\u0026nbsp;and Martin De Mattia—are known for accessible, self-staged, and highly intense film installations that expand the narrative potential of art as well as cinema and at the same time completely dissolve the narrative’s linearity. In doing so, M+M question concepts of identity against the background of a radically altered perception of time. Their new, large-scale cycle \u003c\/FONT\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cFONT size=3\u003e7 Days\u003c\/FONT\u003e\u003c\/I\u003e\u003cFONT size=3\u003e developed over a period of seven years and will be presented for the first time in its entirety in the exhibition tour of the same name in 2015.\u003c\/FONT\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u003cSPAN style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt'\u003eExhibitions: Casino Luxembourg—Forum d'art contemporain 24.1.–3.5.2015 | Taxispalais—Galerie des Landes Tirol 3.10.–29.11.2015\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/FONT\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874817503496,"sku":"9783775740548","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740548_73380e47-4494-416b-92bb-45544b141e45.jpg?v=1744112762"},{"product_id":"17903-robin-rhode","title":"Robin Rhode","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'Times New Roman','serif'\"\u003eThe Berlin-based artist, Robin Rhode (* 1976 in Cape Town), engages\u0026nbsp;in a variety of visual languages such as photography, performance, drawing and sculpture to create arrestingly\u0026nbsp;beautiful narratives. Coming of age in a newly post-apartheid South Africa, Rhode was exposed to new forms of creative expression\u0026nbsp;motivated by the spirit of the individual rather than dictated by a political or social agenda. This new publication emphasizes the creative influence of the Italian Art movement Arte Povera during the early sixties and\u0026nbsp;seventies on Rhode’s hybrid street-based aesthetic.\u0026nbsp;The creative dialogue transformed urban landscapes and interior spaces into imaginary worlds, compressing space and time,\u0026nbsp;as two-dimensional renderings become the subject of three-dimensional interactions by a sole protagonist. Rhode’s work reveals a mastery of illusion, a rich range of historical\u0026nbsp;and contemporary references, and an innate skill for blending high and low art forms. \u003c\/SPAN\u003e\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\u003c\/P\u003e\u003c\/FONT\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526201532680,"sku":"9783775741606","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741606_a9fe0835-e3d8-4282-9dc5-5329d1e1fdd9.jpg?v=1744130727"},{"product_id":"17943-inner-the-collected-writings-and-selected-interviews-of-sean-scully","title":"Inner: The Collected Writings and Selected Interviews of Sean Scully","description":"\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\n\u003cP\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003eSean Scully is among the greatest abstract painters of our age. He is also one of the most outspoken. Since the late sixties, Scully’s visual expressiveness has been matched by a verbal dynamism that is no less arresting than his art. Varying widely in form from brief reflections of compressed eloquence to essay-long meditations on artists such as Vincent Van Gogh, Giorgio Morandi and Mark Rothko–Scully’s writings are distinguished by a brutal lyricism and the effortlessness of their aphoristic turn of phrase. At once biographical and political, poignant and unflinching, the nearly 200 texts that comprise \u003cI style=\"mso-bidi-font-style: normal\"\u003eInner: The Collected Writings and Selected Interviews of Sean Scully\u003c\/I\u003e provide a unique perspective on one of the most engaging artistic imaginations of the past half century. Here, readers will discover the effusions of a mind tirelessly wrestling with the profoundest issues of art, cultural history, and what it means to be a creator in the contemporary world. 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Their striking stanc\u0026shy;es continue to have an influence on cultural visual memory. \u003cem\u003eSculpture After Sculpture: Fritsch, Koons, Ray\u003c\/em\u003e traces the parallel developments in the creative work of the three sculptors. Beginning with key works from the late eighties and early nineties that throw light on their shared interest in the consumer world and the ready-made, the publication delineates their ar\u0026shy;tistic practice up to the present day. A direct compari\u0026shy;son highlights the surprising similarities and marked differences in their oeuvres, and reveals the artists\u0026rsquo; compelling reasons for a decidedly contemporary art of sculpture.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003eExhibition: Moderna Museet, Stockholm 11.10.2014\u0026ndash;18.1.2015\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874822189320,"sku":"9783775738859","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738859_5185403a-a4bf-4a0a-a5e5-2c253dadaad7.jpg?v=1744133645"},{"product_id":"17174-ernst-wilhelm-nay","title":"Ernst Wilhelm Nay","description":"\u003cp\u003eThe long-awaited, three-volume catalogue raisonn\u0026eacute; of works on paper by E. W. Nay (1902\u0026ndash;1968) offers a definitive overview of this German painter\u0026rsquo;s oeuvre that will appeal to art historians, art dealers, and art lovers alike. Comprehensive and indepth, the publica\u0026shy;tion brings new insights and understandings to the work of this important figure in twentieth-century abstraction. With more than six thousand watercol\u0026shy;ors, gouaches, and drawings, Nay\u0026rsquo;s works on paper far outnumber his oil paintings. He was a restless cre\u0026shy;ator who consistently put his ideas about form and color onto paper. These works embody a kind of work\u0026shy;ing \u0026ldquo;journal\u0026rdquo; that reveals surprising aspects of his ar\u0026shy;tistic method. Documenting the processes behind his artistic activities and research, Nay\u0026rsquo;s works on paper are also autonomous creations that impressively chronicle the artist\u0026rsquo;s development and vision.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526204711176,"sku":"9783775734127","price":248.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734127_0c481d95-50b9-4aa6-83d0-47224f56ae59.jpg?v=1744061446"},{"product_id":"43704-chris-drange","title":"Chris Drange","description":"\u003cp\u003eMore than seven hundred million people worldwide use Instagram every month, and the numbers are growing. Instagram is the medium for the perfect outfit, the perfect interior decor\u0026mdash;the perfect moment. The most popular photo format is the selfie\u0026mdash;self-portraits that present this perfection through reliable filters. Followers reward selfies with great admiration, envy, or even rejection.\u003cbr \/\u003e\nThis very special relationship between Instagram icons and their followers is observed in Chris Drange\u0026rsquo;s book \u003cem\u003eRelics\u003c\/em\u003e. Contrasting selfies from some of Instagram\u0026rsquo;s most successful users, such as Kim Kardashian or Selena Gomez, with selected comments from their followers, he draws a precise picture of the dynamic between the stars and their admirers. On double-spread pages against black backgrounds, and hardly bigger than a smartphone, this slim volume also visualizes a double-edged body image that oscillates between emancipation of dominant ideals of beauty and the digital body cult.\u003c\/p\u003e\n\n\u003cp\u003eThis book was realized in cooperation with the Materialverlag of the Hochschule f\u0026uuml;r bildende K\u0026uuml;nste Hamburg.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874825892104,"sku":"9783775743624","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743624_df419aa6-f109-472e-8603-56cfd8e337ef.jpg?v=1744051378"},{"product_id":"45691-max-hooper-schneiders-art-journey","title":"Max Hooper Schneider’s Art Journey","description":"\u003cp\u003eThe \u003cem\u003eBMW Art Journey\u003c\/em\u003e is a joint initiative of Art Basel and BMW that offers artists an opportunity to undertake a journey of creative discovery to a destination of their own choosing. Like a mobile studio, the \u003cem\u003eBMW Art Journey\u003c\/em\u003e can take an artist to almost anywhere in the world\u0026mdash;to establish contacts, to forge perspectives, to envision and create new work. The \u003cem\u003eBMW Art Journey\u003c\/em\u003e is open to artists exhibited in the Discoveries sector of Art Basel in Hong Kong. In conjunction with the launch of the initiative, 2015 saw the publication of \u003cem\u003eThe Sense of Movement: When Artists Travel\u003c\/em\u003e (Hatje Cantz), with examples of works by traveling artists in the past as an opener to a series of publications documenting the travels and projects of the \u003cem\u003eBMW Art Journey\u003c\/em\u003e recipients.\u003c\/p\u003e\n\n\u003cp\u003eMax Hooper Schneider\u0026rsquo;s (*1982, Los Angeles) Art Journey is a maritime exploration of coral reefs around the globe. He investigates reef systems from the Bikini Atoll to the Fukushima disaster \u0026ldquo;reef\u0026rdquo; in Japan, from Lake Baikal in Russia to the coast of Madagascar to produce a diverse narrative around them.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526206087432,"sku":"9783775744713","price":29.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744713_db799753-24e4-41a7-a58d-bf897905b593.jpg?v=1744116901"},{"product_id":"45305-yves-netzhammer","title":"Yves Netzhammer","description":"\u003cp\u003eWith a conversation between Michael Heitz and Yves Netzhammer\u003c\/p\u003e\n\n\u003cp\u003eA head, a rump, arms, legs; joints, skin, blood\u0026mdash;it only takes a little to identify the minimalist dolls Yves Netzhammer (*1970) draws on the computer; tender, yet shot through with violence at the same time, they are always getting into ambiguous situations. Taciturnly, they roam through the Swiss artist\u0026rsquo;s installations and film clips, challenging the boundaries between virtual and three-dimensional space. Richly illustrated in order to live up to the subtle, multifaceted works, the catalogue investigates the independence of Netzhammer\u0026rsquo;s art and its development through the most significant pieces from the years between 2008 and 2018, some of which are being published for the first time here.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: Museum zu Allerheiligen, September 28, 2018 \u0026ndash; February 17, 2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755196424456,"sku":"9783775744409","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744409_22bb390f-b709-470b-9c19-803e6bfb0028.jpg?v=1744150394"},{"product_id":"48486-superflex","title":"Superflex","description":"\u003cp\u003eThe critically-acclaimed Danish artist group SUPERFLEX, founded in 1993 by Jakob Fenger (b. 1968), Bj\u0026oslash;rnstjerne Christiansen (b. 1969), and Rasmus Nielsen (b. 1969), create humorous and playfully subversive installations and films that deal with financial crisis, corruption, migration, and the possible consequences of global warming. The artists describe their practice as the provision of \u0026ldquo;tools\u0026rdquo; that affect or influence social or economic contexts, and often root their projects in particular local situations, inviting the participation of viewers. Their work poses questions of political, economic, and environmental behavior and responsibility. This catalogue accompanies the group\u0026rsquo;s first major museum survey in the United States and highlights video, sculpture, and installation works relevant to the history, present, and future of cities like Miami, poised on the leading edge of pressing issues such as climate change and immigration.\u003c\/p\u003e\n\n\u003cp\u003eCo-published by Museum of Art and Design at Miami Dade College (MOAD), \u003cem\u003eSuperflex: \u003c\/em\u003e\u003cem\u003eWe Are All in the Same Boat\u003c\/em\u003e includes an introduction by the exhibition\u0026lsquo;s curator, Jacob Fabricius, Artistic Director of Kunsthal Aarhus, essays by Stephanie Wakefield and Gean Moreno, and George Yudice, and a fictional text about water, flooding, and the future of Miami by science-fiction writer Mark von Schlegell.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nNovember 15, 2018 \u0026ndash; April 21, 2019\u003cbr \/\u003e\nMuseum of Art and Design at Miami Dade College (MOAD), Miami\u003c\/p\u003e\n\n\u003cdiv\u003e\u0026nbsp;\u003c\/div\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755196948744,"sku":"9783775745109","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745109_90f51d81-48d4-4a71-bd4a-f227aad8d26d.jpg?v=1744138172"},{"product_id":"48981-now-is-the-time","title":"Now Is The Time","description":"\u003cp\u003eTo celebrate its 25th anniversary, the Kunstmuseum Wolfsburg is presenting its extensive collection of contemporary art in what will be the largest survey of it to date. It includes more than 600 installations, groups of works, and large individual works of art in all media, dating back to the crucial year of 1968. The spectrum of the 100 artists ranges from Franz Ackermann, Doug Aitken, and Firelei B\u0026aacute;ez, to Mithu Sen and Sam Taylor-Johnson, all the way to Jeff Wall and Thomas Zipp. This elaborate, lavishly illustrated volume gathers texts written by about 100 international authors\u0026mdash;curators, directors, gallerists, collectors, and architects\u0026mdash;on the artists in the collection. It achieves a multifaceted, overall picture of the Kunstmuseum Wolfsburg\u0026rsquo;s exquisite collection, as well as an impressive panorama of contemporary art from 1968 to the present.\u003c\/p\u003e\n\n\u003cp\u003eExhibition:\u003cbr \/\u003e\n24.3.\u0026ndash;29.9.2019, Kunstmuseum Wolfsburg\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197145352,"sku":"9783775745284","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745284_a5b8895b-a434-4bb5-9d43-972b0d7d8ca1.jpg?v=1744122386"},{"product_id":"51172-a","title":"A","description":"\u003cp\u003eIn 1958 at the Werkkunstschule in Offenbach, Franz Erhard Walther devised a typographical font without any diagonals. In this artist\u0026rsquo;s book he uses so-called work sets to form a letter on each page, facing a scene from his life between 1954 to 1973 on the opposite page\u0026mdash;an encounter with Reiner Ruthenbeck and \u0026nbsp;J\u0026ouml;rg Immendorff, for example, or his first show at the Museum of Modern Art in New York. Paging through, four sequential \u0026ldquo;work sets\u0026rdquo; make an appearance, including \u0026ldquo;The body draws\u0026rdquo; and \u0026ldquo;Sculptural memory\u0026rdquo;: on the left side, a hand-drawn letter in a mutable yellow, and on the right, a drawing of a recollection originating in his photographic memory. This book, conceived and designed by the artist himself, is itself a work of art.\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eFranz Erhard Walther (*1939) first studied at the Werkkunstschule (School of Applied Arts) in Offenbach am Main, and then later attended the Kunstakademie D\u0026uuml;sseldorf (D\u0026uuml;sseldorf Art Academy), where he and fellow students Gerhard Richter and Sigmar Polke studied under Karl Otto G\u0026ouml;tz. Walther lived in New York City between 1967 and 1971. In 1969 he and Dan Flavin exhibited the famous first work set at the Museum of Modern Art.\u003c\/p\u003e\n\n\u003cp\u003e\u0026ldquo;All throughout my life I was fascinated by this idea: that a work could have a plot. With the consequence that the plot itself takes on the character of a work of art.\u0026rdquo;\u003cbr \/\u003e\n\u003cem\u003eFranz Erhard Walther, S\u0026uuml;ddeutsche Zeitung Magazin\u003c\/em\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811852558600,"sku":"9783775746038","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746038_ab23ba87-b3c0-4763-a1f0-b3eb04b37435.jpg?v=1744037576"},{"product_id":"53746-vittorio-santoro","title":"Vittorio Santoro","description":"\u003cp\u003eWhat happens when we discover objects that are no longer in a familiar context? Do new worlds open up? In his works\u0026mdash;whether sculptures, objects, films, or sound installations\u0026mdash;Vittorio Santoro explores these kinds of constellations, which he describes as \u0026ldquo;sculptural situations.\u0026rdquo; His repertoire of media also includes the written word and language. Each work begins with an idea, a \u0026ldquo;phenomenon in the world\u0026rdquo; that occupies his mind. This is the first extensive monograph of the artist\u0026rsquo;s work, and it accompanies the eponymous exhibition at the Kunstmuseum Lucerne. Besides new works and photographs of installations he has had in various galleries and museums in the past fifteen years, this book also contains new essays on Santoro\u0026rsquo;s video installations and public art interventions, as well as on the material qualities and architectural approach of his art.\u003c\/p\u003e\n\n\u003cp\u003eVITTORIO SANTORO (*1962, Zurich) divides his time between Zurich and Paris. 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They have been seen at institutions such as the Espace Culturel Louis Vuitton, Paris (2013), the Centre Pompidou, Paris (2012), and Tate Modern, London (2006).\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION Kunstmuseum Lucerne, October 31, 2020\u0026ndash;January 31, 2021\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197276424,"sku":"9783775747448","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747448_2d069fd1-a005-4041-a13d-a7dc6ac4f81c.jpg?v=1744145460"},{"product_id":"58971-manuel-mathieu","title":"Manuel Mathieu","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003eElucidating the multi-layered explorations of Haitian Canadian artist Manuel Mathieu, this first comprehensive publication focuses on how Haiti has informed Mathieu\u0026rsquo;s work over the past few years. Reflecting on the complex revolutionary history of his family homeland by unearthing its traumatized subconscious, and the erasure of memories of the oppressive and violent Duvalier dictatorships, Mathieu\u0026rsquo;s vibrant paintings blur the boundaries between personal and political. Merging abstraction with figuration, Mathieu abrades his work springing from found photographs, by rubbing and scraping off layers of paint, before reintroducing impastoed snarls of color. Positioned at the fault lines of political and environmental crises, Mathieu considers Haiti\u0026rsquo;s quest for self-determination as a prism reflecting a global longing for freedom, and grassroots resistance to imperialist and capitalist exploits.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eMontreal-based artist MANUEL MATHIEU (*1986, Port-au-Prince) graduated with a Master’s degree in Fine Arts from Goldsmiths, University of London in 2016. Recent solo exhibitions have been held at Kavi Gupta, Chicago (2021), Montreal Museum of Fine Arts and The Power Plant Contemporary Art Gallery, Toronto (2020), and HDM Gallery, Beijing (2019).\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197866248,"sku":"9783775751377","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751377_fc21809b-8416-4e3b-ae3b-bac981e21fe5.jpg?v=1744114228"},{"product_id":"58150-rainer-fetting","title":"Rainer Fetting","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-b94a885b-7fff-c57d-f8da-2276fdce5d13\" style=\"line-height:1.2;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eRainer Fetting achieved international recognition with the \u0026quot;New Wild Ones\u0026quot; in the early 1980s. With its elements of Expressionist painting, his art formed in opposition to the conventions of Abstract and Conceptual Art toward the end of the 1970s is highly topical again today. Fetting\u0026#39;s painting is a highly significant precursor for the \u0026quot;queer\u0026quot; discourses on gender, identity, the individual, and power that not only shape the works of younger generations in our globalized art world but also current mainstream debates. His \u0026quot;expressive\u0026quot; portraits, cityscapes, and landscapes as well as the still lifes and flower paintings on which this publication focuses capture psychosocial energies that are evident in every painterly decision he makes. Works from four decades are presented here, some of them unpublished, early drawn studies and paintings from the time Fetting was commuting between New York and Berlin the 1980s and 1990s in addition to recent paintings, works on paper, and sculptures. The illustrated book is published in conjunction with the exhibition in the spaces of the Miettinen Collection in Berlin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRAINER FETTING (*1949) studied painting at the Hochschule der Künste, Berlin, 1972–78. In 1977, he founded the Galerie am Moritzplatz together with Helmut Middendorf, Salomé, Bernd Zimmer, Anne Jud and Berthold Schepers. From 1983-1994 he lived in New York and Berlin. Recent solo exhibitions have been shown at the Berlinische Galerie, Berlin, and Schloss Gottorf, Schleswig. Rainer Fetting lives and works in Berlin and Westerland.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197899016,"sku":"9783775750875","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750875_e2c7a21b-f001-47d7-a685-63e55e58397f.jpg?v=1744128888"},{"product_id":"58218-ali-kaaf","title":"Ali Kaaf","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-adfba693-7fff-13ed-4262-dd3ca2141a70\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003ePublished on the occasion of Ali Kaaf\u0026#39;s exhibition \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: italic; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eIch bin ein Fremder. Zweifach Fremder\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e at the Museum f\u0026uuml;r Islamische Kunst in the Pergamonmuseum Berlin, the catalogue documents the sculptural intervention created in the context of the Mschatta Fa\u0026ccedil;ade. The eventful history of this icon of Islamic architectural culture is not only a metaphor for human existence, but also equally for the biography of the German-Syrian artist. The volume is augmented to include works on paper from past groups of works in the \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: italic; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eRift\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e series and \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: italic; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eByzantine Corner\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e, which illustrate Kaaf\u0026#39;s intermedial working method. In subtle, abstract imagery, he works with layerings, incisions, burns, photography and digital image processing. Through the artistic exploration of breakages and reassemblages, complex spatial voids emerge that reflect both intercultural and internal processes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlgerian-born German-Syrian artist ALI KAAF (*1977) lives and works in Berlin, where he studied fine arts at the Universität der Künste. His works are equally influenced by European and Arabic culture and art tradition and can be found in both European and Asian collections.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811854721288,"sku":"9783775751018","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751018_0e4b4b9f-fd7a-4536-8066-2ea747dfbace.jpg?v=1744039338"},{"product_id":"59221-im-tempel-des-ich-das-kuenstlerhaus-als-gesamtkunstwerk","title":"Im Tempel des Ich. Das Künstlerhaus als Gesamtkunstwerk","description":"\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eAs treasure troves of creativity, the homes of artists reflect the intellectual worlds of their creators. Starting with the Villa Stuck in Munich\u0026mdash;the aesthetic, conceptual cosmos and life\u0026rsquo;s work of the aristocratic artist Franz von Stuck\u0026mdash;this unique volume integrates the artist\u0026rsquo;s house as a category into the international context and is the first to assign these buildings the status of major works. About twenty examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures, and photographs closely related to the houses, plans and models convey the correlation between art and life as well as the kind of harmony of the arts expressed in Richard Wagner\u0026rsquo;s historical concept of the total work of art. (German edition ISBN 978-3-7757-3592-6)\u003c\/p\u003e\n\n\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eHouses featured (selection): Sir John Soane\u0026rsquo;s Museum, London; William Morris Red House, Bexleyheath; Louis Comfort Tiffany\u0026rsquo;s Tiffany House, New York City; Mortimer Menpes\u0026rsquo;s flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle\u0026rsquo;s villa and garden, Marrakesh; Kurt Schwitters\u0026rsquo; MERZbau, Hannover; Max Ernst\u0026rsquo;s house, Arizona\u003c\/p\u003e\n\n\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eExhibition schedule: Museum Villa Stuck, Munich, November 21, 2013\u0026ndash;March 2, 2014\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49808340189448,"sku":"9783775751865","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751865_f6af0748-ba95-4cb8-bcbd-aeeaac899e5c.jpg?v=1744270913"},{"product_id":"58959-fabrice-samyn","title":"Fabrice Samyn","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-9684dcea-7fff-c619-b22c-7e6475a9b4c9\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe diverse work of Belgian artist Fabrice Samyn often references masterpieces of art history. His compositions, installations, and performances explore grand metaphysical questions, combining conceptual rigor with spiritual sensuality. Against the backdrop of his art-historical references, Samyn was invited by the Royal Museums of Fine Arts in Brussels to enter into a subtle dialogue with the masterpieces of the Old Masters as well as the Mus\u0026eacute;e Magritte. With his fascination for the spoken word and everyday poetry, Samyn is in a tradition with fellow Belgian artist Ren\u0026eacute; Magritte, and he is equally successful in translating details from the paintings of the Old Masters into a contemporary visual language.\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFABRICE SAMYN (*1981) is a painter, sculptor, graphic artist, photographer and performer. With this exhibition he has his largest presentation to date with over 70 works. He lives and works in Brussels.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198161160,"sku":"9783775751445","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751445_fc181beb-cc18-49c3-b1c1-b025499ff61a.jpg?v=1744062921"},{"product_id":"58961-fabrice-samyn","title":"Fabrice Samyn","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-a477725d-7fff-7a23-3ebe-d13047d1136e\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe diverse work of Belgian artist Fabrice Samyn often references masterpieces of art history. His compositions, installations, and performances explore grand metaphysical questions, combining conceptual rigor with spiritual sensuality. Against the backdrop of his art-historical references, Samyn was invited by the Royal Museums of Fine Arts in Brussels to enter into a subtle dialogue with the masterpieces of the Old Masters as well as the Mus\u0026eacute;e Magritte. With his fascination for the spoken word and everyday poetry, Samyn is in a tradition with fellow Belgian artist Ren\u0026eacute; Magritte, and he is equally successful in translating details from the paintings of the Old Masters into a contemporary visual language.\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFABRICE SAMYN (*1981) is a painter, sculptor, graphic artist, photographer and performer. With this exhibition he has his largest presentation to date with over 70 works. He lives and works in Brussels.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198226696,"sku":"9783775751469","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751469_2a5c9c61-7f79-44b7-b952-a7cc1cec75f2.jpg?v=1744062914"},{"product_id":"57747-lukas-glinkowski","title":"Lukas Glinkowski","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-d50cdc92-7fff-9bd9-73ce-f062e1188311\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eIn his first comprehensive monograph, Lukas Glinkowski opens up insights into his visual world. His studio paintings recompose impressions and encounters from everyday life, creating a visual mashup: citations from art history, comics, and figures can be found on unusual backgrounds such as ingrain wallpaper, tiles, or mirrors. Glinkowski creates room to play with habitual ways of seeing and thinking. Viewers can configure contexts by themselves. Still, it does not stop with the process of viewing; visitors are often included in the process of painting and rediscover their own seemingly familiar world. Glinkowski\u0026rsquo;s painting does not attempt to explain, but instead poses many questions. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLUKAS GLINKOWSKI (*1984) graduated from the Dusseldorf Art Academy, where he studied under Katharina Grosse. The recipient of many grants and prizes, he has also exhibited a great deal, most recently in museums in Bonn, Chemnitz, and Wiesbaden, at the Deichtorhallen in Hamburg, and currently at Berghain in Berlin.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198259464,"sku":"9783775750479","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750479_73b84302-6dbe-474f-8282-4270b58ab98f.jpg?v=1744112582"},{"product_id":"57754-no-plan-at-all","title":"No Plan At All","description":"\u003cp dir=\"ltr\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-317f9fcf-7fff-d595-c359-33447c6de365\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eGeorg Baselitz, Olafur Eliasson, Tacita Dean, Julie Mehretu, and Ragnar Kjartansson are among the great artists who have collaborated with Niels Borch Jensen\u0026rsquo;s printmaking studio in Copenhagen over the past forty years. They come not only for Jensen\u0026#39;s open-ended interest in invention and discovery, but also for the workshop\u0026#39;s extraordinary technical expertise, which has enabled the creation of unprecedented works of art. \u003c\/span\u003e\u003c\/span\u003eTo survey the story of the studio and its founder is\u0026nbsp;also to survey the breadth of contemporary art.\u0026nbsp;\u003cspan style=\"background-color: transparent; white-space: pre-wrap;\"\u003eThis volume is an excursion behind the scenes at the famous printmaking workshop. Artist contributions and the personal recollections of Niels Borch Jensen are put into context by critic and scholar Susan Tallman, offering \u003c\/span\u003e\u003cspan style=\"background-color: transparent; white-space: pre-wrap;\"\u003eintriguing insights into the art of printmaking and its relevance for today\u0026#39;s most groundbreaking \u003c\/span\u003e\u003cspan style=\"background-color: transparent; white-space: pre-wrap;\"\u003eartists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNIELS BORCH JENSEN (*1952) is one of the world’s most prominent printers and publishers of contemporary art. Since founding his printshop in Copenhagen in 1979, he has collaborated with dozens of major contemporary artists on works that can be found in renowned museum collections throughout the world.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198325000,"sku":"9783775750462","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750462_f87a19f9-ff17-4022-99ce-85d0afa4c993.jpg?v=1744122258"},{"product_id":"15250-hans-kupelwieser","title":"Hans Kupelwieser","description":"\u003cp\u003eAlongside Erwin Wurm and Franz West, Hans Kupelwieser (born in 1948 in Lunz) occupies a third independent position in contemporary Austrian sculpture that represents a significant step forward in the development of a Postmodern concept of sculpture. Kupelwieser has always sought new materials which he uses in the manner of Arte Povera but also in a kind of linguistic approach in which he explores new meanings associated with these materials. A flat rubber or a massive steel sculpture in which letters have been punched to create openings serve, for example, as a windscreen and thus assume an entirely new function. This interplay of material extension and operational expansion between form and function is the fertile ground of Hans Kupelwieser\u0026#39;s analytical explorations. Presenting numerous large illustrations, the book offers an overview of the sculptor\u0026#39;s current work as well as several important reference works from early periods. Attention is also given to his photographic oeuvre, an equally important part of his work that relates closely to his sculpture. Exhibition schedule: Neue Galerie Graz am Landesmuseum Joanneum, May 8 - June 20, 2004 \u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198619912,"sku":"9783775714624","price":29.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775714624_b73b09c7-4937-4158-8e67-34348fbc6a8f.jpg?v=1744096480"},{"product_id":"15765-gerhard-richter-catalogue-raisonn-volume-2","title":"Gerhard RichterCatalogue Raisonné. Volume 2","description":"\u003cp\u003eGerhard Richter\u0026rsquo;s oeuvre embraces in excess of three thousand individual works. Over a period of five decades he has created a stylistically heterogeneous, complex body of work that testifies to his status as the most important living artist of our time. This long-awaited first volume of the catalogue raisonn\u0026eacute; is being released on the occasion of the artist\u0026rsquo;s eightieth birthday in February 2012.\u003cbr \/\u003e\nDietmar Elger, director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, has spent years researching and preparing this publication. The six-volume catalogue raisonn\u0026eacute; of all of Richter\u0026rsquo;s paintings and sculptures will be published over the next seven years. Aside from the richly colored illustrations, many of them full-page, it includes full technical details, information about the artist\u0026rsquo;s handwritten notes, and the provenance, bibliography, and exhibitions of each individual work. This information is supplemented by commentary, quotes, and comparison images.\u003c\/p\u003e\n\n\u003cp\u003eSubscription price for complete set: \u0026euro; 198.00 per volume. You will be invoiced with each delivery.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198718216,"sku":"9783775719797","price":248.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775719797_2dbac77d-5bb9-4439-84bc-41a1c48d6739.jpg?v=1744068824"},{"product_id":"17758-andrea-fraser","title":"Andrea Fraser","description":"\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eControversial, provocative, and at the same time poignantly humorous. Andrea Fraser *1965 in Billings, Montana) is one of the most influential and pioneering artists of her generation and has been captivating her audience for more than thirty years. She employs a wide range of media, including prints, photographs, installations, and performances as well as texts and videos, time and again reformulating the same question: what we all want from art—the motivation behind Fraser’s artistic production, how we view it, and how the art market distributes it.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eThe richly illustrated catalogue allows tracing the artist for the first time from the beginning of her career. It assembles the early \u003cI style=\"mso-bidi-font-style: normal\"\u003eFour Posters\u003c\/I\u003e (1984) as well as her famous performances, such as \u003cI style=\"mso-bidi-font-style: normal\"\u003eMuseum Highlights \u003c\/I\u003e(1989), \u003cI style=\"mso-bidi-font-style: normal\"\u003eInaugural Speech\u003c\/I\u003e (1997), and \u003cI style=\"mso-bidi-font-style: normal\"\u003eOfficial Welcome\u003c\/I\u003e (2001\u003c\/FONT\u003e\u003cA name=_GoBack\u003e\u003c\/A\u003e\u003cFONT size=3\u003e\/03), linking them with her most recent videos.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-fareast-font-family: Calibri; mso-bidi-font-family: \"Times New Roman\"; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-theme-font: minor-latin; mso-bidi-theme-font: minor-bidi'\u003eExhibition: Museum der Moderne Salzburg, 21.3.–5.7.2015\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/FONT\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811856523528,"sku":"9783775740159","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740159_be1d2056-49b1-4379-96d2-89ea81d2d876.jpg?v=1744040569"}],"url":"https:\/\/www.hatjecantz.de\/en\/collections\/zeitgenossen.oembed?page=6","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}