{"title":"Contemporary test","description":"","products":[{"product_id":"17317-rosa-barba","title":"Rosa Barba","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eRosa Barba (*1972 in Agrigent) works with the basic elements of the cinema: celluloid, light, projector, and sound. She dissects the structure of the narrative and plays with the often improbable characters, places, and stories of the medium of film. Her exploration of space, time, and language is crucial to the process. This publication presents her new project, which, like a story or a play in different acts, stretches out across two exhibition chapters: “Chapter 1” was shown in the Kunsthaus Zürich (June 6–\u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"9\" Day=\"9\" Year=\"2012\"\u003eSeptember 9, 2012\u003c\/st1:date\u003e), curated by Mirjam Varadinis. “Chapter 2” presented at the Bergen Kunsthall (February 2–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"3\" Day=\"17\" Year=\"2013\"\u003eMarch 17, 2013\u003c\/st1:date\u003e) is curated by Solveig \u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: Arial; mso-ansi-language: EN-GB\"\u003eØ\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003evsteb\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: Arial; mso-ansi-language: EN-GB\"\u003eø\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003e. The project revolves around a 35mm film, Time as Perspective, which Barba shot during the spring in \u003cst1:State w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eTexas\u003c\/st1:place\u003e\u003c\/st1:State\u003e—fascinated by the desert landscape, which she approaches from an almost archaeological perspective on a quest for inscribed signs and times.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eExhibition schedule: \u003cst1:place w:st=\"on\"\u003e\u003cst1:City w:st=\"on\"\u003eBergen\u003c\/st1:City\u003e\u003c\/st1:place\u003e Kunsthall, February 2–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"3\" Day=\"17\" Year=\"2013\"\u003eMarch 17, 2013\u003c\/st1:date\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874801905928,"sku":"9783775735605","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775735605_900776f6-1caa-4c40-8a97-c12c16e3f446.jpg?v=1744131857"},{"product_id":"17396-when-now-is-minimal","title":"When Now Is Minimal","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eThe aesthetic fundamentals of sixties Minimal Art continue to define the art of today. This volume shows the ways that various generations of artists deal with Minimalist ideas within the framework of contemporary creative methods. Besides the artists who persist in advancing the Minimalist discourse of the sixties, the book also features young artists who freely and playfully carry on the approaches used by their predecessors, varying them and translating them into their own, new forms of expression. The cornucopia of selected media and a few debuts of several works from the Goetz Collection—from works on paper, paintings, photographs, and sculptures to wall and light installations—demonstrate the currency of the approach. Co-conceived by the artist Gerwald Rockenschaub, this volume is also exemplary of the Minimalist style.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eArtists featured (selected): Martin Boyce, Alan Charlton, Wade Guyton, Peter Halley, Imi Knoebel, Anthony McCall, Blinky Palermo, Gerwald Rockenschaub, Reiner Ruthenbeck, Fred Sandberg, Wolfgang Tillmans, Rosemarie Trockel, Andrea Zittel, and others\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eExhibition schedule: Neues Museum, Nuremberg, July 19\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e–\u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"10\" Day=\"20\" Year=\"2013\"\u003eOctober \u003cSPAN style=\"mso-bidi-font-family: Arial\"\u003e20, 2013\u003c\/SPAN\u003e\u003c\/st1:date\u003e\u003cSPAN style=\"mso-bidi-font-family: Arial\"\u003e | Museion, Bolzano, \u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"11\" Day=\"23\" Year=\"2013\"\u003eNovember 23, 2013\u003c\/st1:date\u003e\u003c\/SPAN\u003e–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"10\" Day=\"5\" Year=\"2014\"\u003eOctober \u003cSPAN style=\"mso-bidi-font-family: Arial\"\u003e5, 2014\u003c\/SPAN\u003e\u003c\/st1:date\u003e\u003cSPAN style=\"mso-bidi-font-family: Arial\"\u003e | Sammlung Goetz, Munich, 2015\/2016\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49640306770184,"sku":"9783775736473","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736473_d565bdc4-f2a2-4863-b9ec-3cbe665a5417.jpg?v=1744146995"},{"product_id":"17561-robert-longo","title":"Robert Longo","description":"\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003eSTAND was a site-specific installation, which in 2012 activated the architecture of the Capitain Petzel gallery in Berlin. The building was shrouded with an enormous depiction of the American flag in black and white. Upon entering the gallery, the viewer was confronted with a large charcoal drawing, upon which the exterior of the gallery was based. This was flanked by two drawings: one depicting a claustrophobic mass of Occupy Wall Street protesters; the other, a lone American soldier walking towards an uncertain and ominous future. With the consent of the artist, Robert Longo also updated the style and content of Hans Haackes \u003cI style=\"mso-bidi-font-style: normal\"\u003eOelgemaelde, Hommage à Marcel Broodthaers \u003c\/I\u003e(1982). \u003cSPAN style=\"mso-spacerun: yes\"\u003e\u0026nbsp;\u003c\/SPAN\u003efor the exhibition, replacing Ronald Reagan opposite a large-scale image of a protest over the deployment of American missiles in Bonn, Germany, with President Obama opposite Tea Party protesters. The rest of the gallery held a group of 25 drawings, a performance based around a complete reading of the classic American novel \u003c\/SPAN\u003e\u003cI\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: PrimusTB-RegularItalic\"\u003eMoby Dick \u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: PrimusTB-RegularItalic; mso-bidi-font-style: italic\"\u003ealso\u003cI\u003e \u003c\/I\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003etook place. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526190981384,"sku":"9783775738149","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738149_0eb8ba46-3adb-4f0e-9a63-438bf73ee8ed.jpg?v=1744130634"},{"product_id":"17717-hisachika-takahashi","title":"Hisachika Takahashi","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003cFONT face=\"TheSansOsF Plain\"\u003eBetween 1971 and 1972, a remarkable cross-section of New York’s downtown creative community participated in a collaborative drawing project conceived by Hisachika Takahashi (*1940 in Tokyo), an artist and studio assistant to Robert Rauschenberg. Repurposing a primary school exercise, Takahashi asked each artist to draw a map of the United States from memory. Contributions from the twenty-two participants—among them Jasper Johns, Joseph Kosuth, Brice Marden, Gordon Matta-Clark, Keith Sonnier, and Lawrence Weiner—range from sensitive renderings to visualized reminiscences and sly riffs on the process of mapping. After decades in storage, the drawings came to light in 2013. This publication reproduces the entire series and features comments from participants. \u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003cFONT face=\"TheSansOsF Plain\"\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003cSPAN lang=EN-US AR-SA?? mso-bidi-language: DE; mso-fareast-language: Roman?; New ?Times mso-bidi-font-family: mso-fareast-font-family: EN-US; mso-ansi-language: Plain?,?sans-serif?; TheSansOsF\u003eArtists featured (selection): Arakawa, Jed Bark, Mel Bochner, Juan Downey, Alex Hay, Jasper Johns, Joseph Kosuth, Jefrey Lew, Jane Logemann, Brice Marden, Gordon Matta-Clark, Richard Nonas, Robert Petersen, Robert Rauschenberg, Dorothea Rockburne, James Rosenquist, Keith Sonnier, Cy Twombly, Susan Weil, Lawrence Weiner, Robert Whitman, Don Wyman\u003c\/SPAN\u003e\u003c?XML:NAMESPACE PREFIX = \"O\" \/\u003e\u003cO:P\u003e\u003c\/O:P\u003e\u003c\/SPAN\u003e \u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49640306802952,"sku":"9783775739726","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739726_bebbcf03-1f77-435c-b118-271e7464b85c.jpg?v=1744098923"},{"product_id":"17760-joo-louro","title":"João Louro","description":"\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt\"\u003eThe book produced to accompany the presence of João Louro (*1963 in Lisbon) as the official representative of Portugal at the 56th Venice Biennale with the exhibition I Will Be Your Mirror—Poems and Problems is presented as the state of the art of Louro’s oeuvre, which, since the nineties, has developed a well-informed questioning of the meaning of the image as an object or sign and of language as a symbolic representation. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt\"\u003eLouro is an intensely conceptual artist, one whose intensity is demonstrated in his presentation and interpretation of the world. He is interested in generating new semantic aspects and raising doubts about norms accepted by our visual culture.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt\"\u003eThe texts by María de Corral, Paulo Herkenhoff, Delfim Sardo, and Nuno Crespo, authors who have a deep knowledge of João Louro’s work, are accompanied by images that show us the overall body of João Louro's production, including some works produced specifically for this exhibition.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526191210760,"sku":"9783775740173","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740173_96618580-4b6d-4ff3-92a9-03d9c47ea0a3.jpg?v=1744104877"},{"product_id":"17786-skulptur","title":"Skulptur","description":"\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eskulptur\u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e includes exceptional work by seventeen contemporary sculptors from Denmark, Finland, Iceland, Norway, and Sweden who were selected by the Royal British Society of Sculptors, London. From performance to object-based, video, and installation, their work embraces all aspects of the sculptural and challenges notions of the Nordic in its refreshing diversity. While Elmgreen \u0026amp; Dragset provocatively hold up a mirror to Copenhagen’s \u003cI\u003eLittle Mermaid, \u003c\/I\u003eSigurður Guðjónsson creates immersive sound and video installations of the vast, barren Icelandic landscapes and seascapes, and Swedish artist Michael Johansson gives the façade of the historic Royal British Society of Sculptors a ‘facelift,’ while Norwegian performance artist Karianne Stensland uses a pneumatic drill to carve marble while in a hypnotic state. Also included are essays on contemporary sculptural practice from each of the five countries\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003cFONT face=Calibri\u003e.\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\u003c\/SPAN\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eThe participating artists: Nanna Abell, Jacob Dahlgren, Elmgreen \u0026amp; Dragset, Sigurður\u0026nbsp;Guðjónsson, Marianne Hall, Timo Heino, Michael Johansson, Otto Karvonen, Tove Kjellmark, Anne Koskinen, Mariken Kramer, Maija Närhinen, Gudrun Nielsen, Laila Pullinen, Karianne Stensland, Hartmut Stockter, Jarno Vesala.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 12pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eExhibitions: Royal British Society of Sculptors Galleries, London 4.2.–15.5.2015; Prince’s Gardens, Imperial College, London 4.2.–15.5.2015; Goethe-Institut, London 4.2.–15.5.2015\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003cSPAN style='FONT-SIZE: 11pt; FONT-FAMILY: \"Calibri\",\"sans-serif\"; mso-ansi-language: DE; mso-fareast-font-family: Calibri; mso-bidi-font-family: \"Times New Roman\"; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-theme-font: minor-latin'\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; LINE-HEIGHT: 107%; mso-ansi-language: EN-US; mso-fareast-font-family: Calibri; mso-bidi-font-family: \"Times New Roman\"; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526191341832,"sku":"9783775740432","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740432_c459388c-1c97-4d12-b7d4-a3d4caa546f6.jpg?v=1744135374"},{"product_id":"17799-julian-schnabel","title":"Julian Schnabel","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US'\u003eAt thirty-six, Julian Schnabel was not only represented in the most important exhibitions of his time; retrospectives of his works were already being celebrated in major museums such as the Stedelijk Museum, the Tate in London, or the Centre Pompidou in Paris. He writes this book, \u003cI style=\"mso-bidi-font-style: normal\"\u003eCVJ,\u003c\/I\u003e and gives an account of his life: how he leaves Texas in 1973 to return to his hometown of New York City, hangs out in Max’s Kansas City, meets Sigmar Polke, Blinky Palermo, Ross Bleckner, and numerous other people in the scene, and even travels to Europe to study the Old Masters—experiences and observations that are both poetic and amusing to read. And at the same time it is fascinating to see the oeuvre he had produced up to that point: the \u003cI style=\"mso-bidi-font-style: normal\"\u003ePlate Paintings\u003c\/I\u003e with their splintered surfaces, paintings in oil and wax, on velvet and tarpaulins, with “dirt” and cracks and \u003cI style=\"mso-bidi-font-style: normal\"\u003eobjets trouvés\u003c\/I\u003e that project into space, drawings, and sculptures. What is striking is their influence on younger generations of artists and on the current debate on painting.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874803708168,"sku":"9783775740562","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740562_d69b8ff7-5adb-4766-aa18-b5a66e496b25.jpg?v=1744105025"},{"product_id":"17835-taryn-simon","title":"Taryn Simon","description":"\u003cP class=MsoNormal style=\"BACKGROUND: white; MARGIN: 0cm 0cm 10pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eIn 1936, an American ornithologist named James Bond published the definitive taxonomy\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 12.0pt\"\u003e\u0026nbsp;\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eBirds of the \u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:place w:st=\"on\"\u003eWest Indies\u003c\/st1:place\u003e. Ian Fleming, an active bird-watcher living in \u003cst1:country-region w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eJamaica\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e, appropriated the name for his novel’s lead character. He found it “flat and colourless,” a fitting choice for a character intended to be “anonymous. . . a blunt instrument in the hands of the government.”\u0026nbsp;\u003cBR\u003eIn\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 12.0pt\"\u003e\u0026nbsp;\u003c\/SPAN\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eField Guide to\u0026nbsp;Birds of the West Indies\u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003e, Taryn Simon (*1975) casts herself as James Bond (1900–1989) the ornithologist, and identifies, photographs, and classifies all the birds that appear within the twenty-four films of the James Bond franchise. The appearance of many of the birds was unplanned and virtually undetected, operating as background noise for whatever set they happened to fly into. Simon’s ornithological discoveries occupy a liminal space—confined within the fiction of the James Bond universe and yet wholly separate from it. This taxonomy of 331 birds is a precise consideration of a new nature found in an alternate reality. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49664372375816,"sku":"9783775740920","price":78.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740920_a743a78e-21da-48f2-8660-7cac7b4aac40.jpg?v=1744139589"},{"product_id":"17866-valentin-carron","title":"Valentin Carron","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 10pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eWhen Valentin Carron (*1977 in Martigny) was free to install his sculptures in the Swiss Pavilion in the Venice Giardini within the scope of the 2013 Biennale, the international art scene long since knew that he was one of the outstanding Swiss artists of his generation. Yet what constitutes the young Valaisian’s oeuvre? For the most part surely his profound affinity for his home, which can be considered one of his crucial sources of inspiration—Carron grew up in Valais and still lives and works there. At the same time, Carron’s works develop a second, defining component: they repeatedly ignite the issue of original and copy, of what tradition and identity can be. By reproducing familiar and traditional forms from his country using new materials, he allows space for their iconic meaning and impact in order to exhibit them with an ironic gesture. By doing so, the pristine white edelweiss is time and again exposed as being pristine white kitsch.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT face=Calibri\u003eExhibition: Overbeck-Gesellschaft, Lübeck 22.11.2015–7.2.2016\u003c\/FONT\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49690241958152,"sku":"9783775741231","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741231_2b76c1ed-afd3-4f74-8384-4c79c87d1014.jpg?v=1744144090"},{"product_id":"17871-basim-magdy-would-a-firefly-fear-the-fire-that-burns-in-its-heart","title":"Basim Magdy. Would a Firefly Fear the Fire that Burns in Its Heart?","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial'\u003eBasim Magdy (*1977 in Assiut, Egypt)—the Deutsche Bank’s 2016 “Artist of the Year”—has already presented his multifaceted oeuvre in numerous international group exhibitions. These include the biennales in Sharjah and Istanbul in 2013, the Biennale de Montréal in 2014, as well as the exhibitions \u003cI style=\"mso-bidi-font-style: normal\"\u003eWelcome to the Jungle\u003c\/I\u003e at the KW Institute for Contemporary Art, Berlin, and \u003cI style=\"mso-bidi-font-style: normal\"\u003eOcean of Images: New Photography\u003c\/I\u003e 2015 at the Museum of Modern Art in New York.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial'\u003eMagdy’s films, photographs, and drawings focus on structures of seeing, remembering, and archiving. His works often call to mind surreal narratives full of abysmal humor. The artist uses his psychedelically colored pictures and montages to scrutinize collective utopias and express doubt about dogmas and ideologies. At the same time, he appeals to the viewer’s power of imagination and causes alternative realities and designs for society to shine out. \u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial'\u003e\u003cSPAN style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: DE; mso-fareast-font-family: \"MS ??\"; mso-bidi-font-family: Arial; mso-fareast-language: DE; mso-bidi-language: AR-SA'\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial'\u003e\u003cSPAN style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: DE; mso-fareast-font-family: \"MS ??\"; mso-bidi-font-family: Arial; mso-fareast-language: DE; mso-bidi-language: AR-SA'\u003eExhibition: Deutsche Bank KunstHalle, Berlin 29.4.–3.7.2016\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874804068616,"sku":"9783775741286","price":39.8,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741286_532d66f6-3a06-44ec-a32d-97591dc52558.jpg?v=1744046764"},{"product_id":"17975-sean-scully","title":"Sean Scully","description":"\u003cp\u003eThis catalogue, the second volume in a proposed series of five, chronicles Sean Scully\u0026rsquo;s paintings of the 1980s. Beginning with major breakthrough works early in the decade, it profiles the development of Scully\u0026rsquo;s mature style as well as his growing success in America and internationally.\u003c\/p\u003e\n\n\u003cp\u003eScully, a native of Ireland, was educated in England and moved to the United States in 1975. By the early 1980s, he was established in New York and making works that would influence his work years to come. In works both small (\u003cem\u003eSolomon\u003c\/em\u003e) and large (\u003cem\u003eHeart of Darkness\u003c\/em\u003e), Scully developed a powerful style of richly painted stripes and shapes with a masterly control of color and strongly built canvases. In an era of low regard for abstract painting, Scully invigorated and reinvented the form to include rich evocations of places, literature and other art forms, and emotions. By the end of the decade, he was universally regarded as one of the most important artists of the second half of the twentieth century.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188101384,"sku":"9783775742320","price":98.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742320_6efbd818-fbcd-4805-ae12-ccce131cf960.jpg?v=1744133700"},{"product_id":"17985-fernando-casasempere","title":"Fernando Casasempere","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 8pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003eThe sea of flowers he presented in the courtyard of Somerset House during the 2012 Olympic Games in London made him and his art famous on the international stage: the Chilean sculptor Fernando Casasempere (*1958 in Santiago, Chile) placed ten thousand ceramic daffodils on the otherwise carefully mowed lawns there. Casasempere molded each one individually out of clay from his homeland, using the spring blossoms to draw attention to the wonders of nature with which humans destructively interfere\u0026mdash;in this case, with lawn mowers. Casasempere, who has lived in England since 1997, also employs clay to make far more experimental sculptures, such as seemingly liquid marble columns or vaulted and bulging shapes, through which he repeatedly questions humankind\u0026rsquo;s treatment of the environment. This richly illustrated catalogue is an impressive presentation of the development of his body of work over the past twenty-five years.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526191931656,"sku":"9783775742429","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742429_b302d598-820e-4d3b-97d8-c8b2724753bf.jpg?v=1744063169"},{"product_id":"18014-mark-bradford","title":"Mark Bradford","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 115%\"\u003e\u003ci\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003eTomorrow is Another Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003e is not only a catalogue for Mark Bradford\u0026rsquo;s representation of the United States at the 2017 Venice Biennale; it is a different kind of book. This substantial publication blends the biographical with the historical and political. The interwoven stories in the book are eloquently told\u0026nbsp;through\u0026nbsp;vivid archival photographs and documents as\u0026nbsp;well as by a chorus of compelling voices from across contemporary culture. 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However her work was overlooked for a long time. Kogelnik, who lived and worked in Vienna and New York, investigated themes related to politics, social criticism, the space age and the human body through her often colourful paintings, sculptures, collages and installations. She also experimented with new materials of the time such as vinyl. Kunsthall Stavanger and the Kiki Kogelnik Foundation have worked together to organise\u0026nbsp;\u003cem\u003eInner Life,\u0026nbsp;\u003c\/em\u003ea comprehensive overview\u0026nbsp;focussing on her sculptural works. The exhibition, as well as the abundantly illustrated catalogue present several works that have not been shown since the 1960s, as well as performances and happenings by the influential artist.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: 30.3.\u0026ndash;13.8.2017, Kunsthall Stavanger, Norway\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192718088,"sku":"9783775743372","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743372_f0ed920c-d717-44a7-ac83-28a9676b40b4.jpg?v=1744106623"},{"product_id":"17610-beuys-brock-vostell","title":"Beuys Brock Vostell","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;TheSansOsF ExtraLight\u0026quot;\"\u003eFor the first time, the prominent German artists Joseph Beuys (1921\u0026ndash;1986), Bazon Brock (* 1936), and Wolf Vostell (1932\u0026ndash;1998), who collaborated in the sixties, are being presented in a single publication. In addition to parallels in the content of their work, such as their examination of the Holocaust, the three friends shared certain interests in terms of their approach. All three were involved in developing teaching practices as a form of performance art and in shifting communication, discussion, and demonstrations to the heart of their work. The radical emancipation of the individual and social reform were also common goals. Not only groundbreaking for the de\u0026shy;velopment of the expanded concept of art, their practices also made a fundamental contribution to the performative turn and the development of participatory concepts in twentieth century art.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;TheSansOsF ExtraLight\u0026quot;\"\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;\"\u003eExhibition: ZKM | Museum f\u0026uuml;r Neue Kunst, Karlsruhe 24.5.\u0026ndash;9.11.2014, gef\u0026ouml;rdert von der Kunststiftung NRW\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807804168,"sku":"9783775738644","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738644_ae995668-3e1b-497c-a5e4-507531b0f29a.jpg?v=1744049653"},{"product_id":"17619-enzyklopaedie-der-medien-band-4","title":"Enzyklopädie der Medien. Band 4","description":"\u003cp\u003eFrom Greek antiquity to the present, from the book to the gramophone, from Gutenberg to Google, our culture is defined by changes in recording, storage, and transmission media. In a six-volume selection of his writings, Peter Weibel presents an encyclopedia that addresses all areas of the media world. The author has conceived this series as following in the tradition of the Enlightenment and the\u003cem\u003e Encyclop\u0026eacute;die \u003c\/em\u003eby Denis Diderot and Jean Baptiste le Rond d\u0026rsquo;Alembert. The fourth volume devises a history of literature that shows the chain of mental, formal, and mechanical elements in the production and reception of literature.\u003c\/p\u003e\n\n\u003cp\u003ePETER WEIBEL (* 1944, Odessa) is an internationally known media and conceptual artist, curator, and art and media theoretician. Since the 1960s his work has firmly regarded artistic creativity as an open-ended field of activity. He was head of the ZKM, Karlsruhe until 2020. Since 2017 he has been director of the Peter Weibel Research Institute for Digital Culture at the Universit\u0026auml;t f\u0026uuml;r angewandte Kunst in Vienna.\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188232456,"sku":"9783775738736","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738736_771b2b23-6ad6-4025-b35a-7df0b5a5a165.jpg?v=1744060311"},{"product_id":"17653-bettina-pousttchi","title":"Bettina Pousttchi","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 8pt; mso-margin-top-alt: auto\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; COLOR: #262626; mso-ansi-language: EN-US\"\u003eBettina Pousttchi (*1971) is the 2014 recipient of the Junge Stadt sieht Junge Kunst art prize of the City of Wolfsburg. The German-Iranian artist works in the media of photography, video, and sculpture, and primarily explores the connection between systems of time and space. She became known for her project \u003cI style=\"mso-bidi-font-style: normal\"\u003eWorld Time Clock\u003c\/I\u003e (2008–14), for which he traveled around the world for the purpose of taking photographs of clocks in public space, in each case at five minutes to two, in all of the different time zones. For her work \u003cI style=\"mso-bidi-font-style: normal\"\u003eThe City—A Transnational Skyline, \u003c\/I\u003econceived specifically for the façade of the Wolfsburg Castle, the Berlin-based artist joined together ten skyscrapers—such as the Empire State Building in New York, the Petronas Towers in Kuala Lumpur, or the Burj Khalifa in Dubai—to create a hybrid high-rise backdrop. This and further works in public space, such as the \u003cI style=\"mso-bidi-font-style: normal\"\u003eDrive-Thru Museum\u003c\/I\u003e in Dallas, are presented for the first time in the publication \u003cI style=\"mso-bidi-font-style: normal\"\u003eThe City.\u003c\/I\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 8pt; mso-margin-top-alt: auto\"\u003e\u003cSPAN style=\"FONT-FAMILY: TheSans; COLOR: #262626\"\u003eAusstellungen\/Exhibitions: Städtische Galerie Wolfsburg 24.5.–28.9.2014 \/\u0026nbsp;Nasher Sculpture Center Dallas 12.4.–17.8.2014\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 10pt; LINE-HEIGHT: normal\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192783624,"sku":"9783775739085","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739085_75459122-5868-4df8-bf93-cb751ca38507.jpg?v=1744049572"},{"product_id":"17686-komm-und-sieh","title":"Come And See","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-fareast-language: DE; mso-bidi-language: AR-SA\"\u003eThe volume presents remarkable works by internationally renowned artists and provides insight into the private collection of the Frankfurt-based couple von Kelterborn for the first time. They are convinced that art can make “the present” palpable and allow it to be experienced in its complexity and its contradictions as well as in its positive potential. The collection von Kelterborn therefore focuses on works that make reference to social, philosophically subtle, and politically explosive issues. Special emphasis is placed on photographs and videos. Conceptual Art and neon sculptures that work with language and texts can also be found in this one-of-a-kind collection. \u003cBR style=\"mso-special-character: line-break\"\u003e\u003cBR style=\"mso-special-character: line-break\"\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003cA name=_GoBack\u003e\u003c\/A\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eThe artists featured (selection): Maria José Arjona, Stuart Bird, Nathalie Djurberg, Teboho Edkins, Claire Fontaine, Jochen Gerz, Gary Hill, Clemens Krauss, Thomas Locher, Bjørn Melhus, Richard Mosse, Tatsumi Orimoto, Anke Röhrscheid, Taryn Simon, Mikhael Subotzky, Mariana Vassileva, Corinne Wasmuht, Hu Weiyi, Tobias Zielony\u0026nbsp;\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49704078311688,"sku":"9783775739412","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739412_fd6ee7eb-171a-4d5c-9e05-7048bcfd732d.jpg?v=1744108036"},{"product_id":"17691-malerei-und-plastik","title":"Malerei und Plastik","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eThe high-quality paintings and sculptures in the still surprisingly young Hilti Art Foundation are moving into a dignified new domicile in Vaduz, in the immediate vicinity of the Kunstmuseum Liechtenstein. The unobtrusively designed “white cube” by the architectural office Morger Dettli Architekten provides an appropriate setting for the collection’s outstanding exhibits: the illustrious circle of artists represented in the first-class collection range from Georges Seurat and Paul Gauguin to Günther Uecker and Imi Knoebel. Based on choice individual works, the volume graphically demonstrates the groundbreaking currents of twentieth-century art history—from Post-Impressionism and classic modern works to concrete art. The representative publication includes concise texts that expound on the art-historical rank of the individual precious items as well as large-format full-view and detail illustrations.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874808000776,"sku":"9783775739467","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739467_5525cfd3-2201-4a69-92a8-a41321d3f1d3.jpg?v=1744114141"},{"product_id":"17692-painting-and-sculpture","title":"Painting and Sculpture","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eThe high-quality paintings and sculptures in the still surprisingly young Hilti Art Foundation are moving into a dignified new domicile in Vaduz, in the immediate vicinity of the Kunstmuseum Liechtenstein. The unobtrusively designed “white cube” by the architectural office Morger Dettli Architekten provides an appropriate setting for the collection’s outstanding exhibits: the illustrious circle of artists represented in the first-class collection range from Georges Seurat and Paul Gauguin to Günther Uecker and Imi Knoebel. Based on choice individual works, the volume graphically demonstrates the groundbreaking currents of twentieth-century art history—from Post-Impressionism and classic modern works to concrete art. The representative publication includes concise texts that expound on the art-historical rank of the individual precious items as well as large-format full-view and detail illustrations.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874808033544,"sku":"9783775739474","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739474_870fed8b-36da-45b7-b0fa-a9de1a95a283.jpg?v=1744123638"},{"product_id":"17222-pawel-althamer","title":"Pawel Althamer","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eAt the core of Pawel Althamer’s (*1967 in Warsaw) artistic work is man himself—as physical sculpture, an abstract assemblage of materials, as installation or specific video image, or as a genuinely social creature, which the artist uses as a theme in projects involving various groups of people. In the performance\/action \u003cI style=\"mso-bidi-font-style: normal\"\u003eCommon Task\u003c\/I\u003e, for instance, Althamer has friends and neighbors accompany his exhibitions in various places; the people are dressed in gold, as if they come from another star, bringing back a sense of amazement and the innocent gaze to the world, while celebrating and symbolizing them. This is the first publication to extensively examine the spiritual aspects of Althamer’s work and position it within the political and historical context of recent Polish history. In this way, it becomes possible to see the creative sphere within this specific, European-influenced cultural space.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eExhibition schedule: Sammlung Goetz, Munich, May 29\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e–October \u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e6, 2012 | Museion – Museum für moderne und zeitgenössische Kunst, Bolzano, May 26–August 26, 2012\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49788673097992,"sku":"9783775734615","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734615_c8f4f68d-0231-4bea-99eb-da8a1149e877.jpg?v=1744124732"},{"product_id":"17234-jorinde-voigt","title":"Jorinde Voigt","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003eThe unique visual language \u003cA href=\"http:\/\/www.jorindevoigt.com\/\"\u003eJorinde Voigt \u003c\/A\u003e(*1977 in Frankfurt am Main) develops in her drawings aims at making the invisible visible. Music, weather, geography, literature, and philosophy are among the subjects that serve as sources of inspiration for Voigt’s lyrical drawings, all of which she renders into a dizzying maelstrom of lines and notations as one thought is linked to the next. In \u003cI\u003ePiece for Words and Views,\u003c\/I\u003e Voigt turns to Roland Barthes’s famous book \u003cI\u003eA Lover’s Discourse: Fragments\u003c\/I\u003e to produce a series of thirty-six drawings, each of which contains elements of collage cut to represent particular words found in the book\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e—\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003ethereby recreating the central tenets of semiotics: signifier and signified. With texts by John Yau and the artist, this publication presents Jorinde Voigt’s complex pictorial spaces, which come together in a composition of form and idea.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188297992,"sku":"9783775734738","price":39.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734738_9d533771-3206-489c-a27b-15797aa3898e.jpg?v=1744104104"},{"product_id":"45299-jeppe-hein","title":"Jeppe Hein","description":"\u003cp\u003eFrom time immemorial breath has been closely tied to the soul and the spirit. Deep, slow breathing has a calming effect on the psyche, and breath exercises are essential components of spiritual education methods in both Christian and Eastern meditation. Breath also plays a special role for the Danish artist Jeppe Hein (*1974, Copenhagen). The exhibition \u003cem\u003eInhale \u0026ndash; Hold \u0026ndash; Exhale\u003c\/em\u003e\u003cem\u003e \u003c\/em\u003eand its companion publication are the first to shift the focus onto the significance of breath as both a theme and material for art, using Hein\u0026rsquo;s practice as the prime example. The catalog also draws an arc backward through the art history, all the way to the earliest high cultures, in which breath already had exceptional value as the seat of the life force. As well as photographs of the show and essays, the catalogue also features a conversation between Jeppe Hein and Helen Hirsch.\u003c\/p\u003e\n\n\u003cp\u003eExhibition : 3.3.\u0026ndash;29.7. 2018, Kunstmuseum Thun\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188330760,"sku":"9783775744386","price":9.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744386_72fec461-abc4-4083-8ca8-0e30174db3b0.jpg?v=1744103625"},{"product_id":"43592-adrian-ghenie","title":"Adrian Ghenie","description":"\u003cp\u003eEver since his spectacular exhibition at the Romanian Pavilion at the 56th Venice Biennial in 2015 at the latest ,Adrian Ghenie has been known to a broader art audience as one of the most interesting and idiosyncratic painters of his generation. His works\u0026mdash;painted in oil, etched, troweled, or thrown\u0026mdash;have already found their way to the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. On the art market they are close on the heels of auction records. Still, neither Gehnie\u0026rsquo;s subjects nor his technique accommodate general taste: the most important source of his collage-like compositions is the history of the \u0026ldquo;century of humiliation,\u0026rdquo; as Ghenie calls the twentieth century\u0026mdash;its criminals and victims. These are joined by positive heroes such as van Gogh and Darwin, along with self-portraits.\u003c\/p\u003e\n\n\u003cp\u003eADRIAN GHENIE (*1977, Baia Mare, Romania) studied painting at the University of Art and Design in Cluj, Romania. He has had large solo shows at such institutions as the Museum of Contemporary Art in Denver, the S.M.A.K. in Ghent, the Palazzo Cini in Venice, and the National Museum of Contemporary Art in Bucharest. Ghenie lives in Berlin\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811845939464,"sku":"9783775743525","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743525_92b0df16-f3b2-40cd-b7d7-56da49698406.jpg?v=1744037870"},{"product_id":"45796-sehen-denken-traeumen","title":"Sehen Denken Träumen","description":"\u003cp\u003eThe Kupferkabinett at the Staatliche Kunsthalle Karlsruhe is home to a spectacular ensemble of French drawings. The collection ranges from the art of the sixteenth century court to Rococo drawings and nineteenth century landscape art, all the way to turn of the century Symbolism. The Kupferstichkabinett presents 120 of its drawings by French artists. Besides the works of Jean-Honor\u0026eacute; Fragonard, Eug\u0026egrave;ne Delacroix, Camille Corot, Edgar Degas, Paul C\u0026eacute;zanne, Odilon Redon, Paul Gauguin, and others, the show and its companion catalog feature motifs and drawing techniques, creative tools, drawing mounting methods, and various types of paper, vividly conveying what exactly makes these works on paper special. It\u0026rsquo;s a real rendezvous with the French \u0026ldquo;thinkers on paper\u0026rdquo;!\u003c\/p\u003e\n\n\u003cp\u003eExhibition:\u003cbr \/\u003e\n29.9.2018\u0026ndash;13.1.2019, Staatliche Kunsthalle Karlsruhe\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188560136,"sku":"9783775744850","price":14.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744850_89e55597-5a12-4cf1-a243-34f56a1ea5ec.jpg?v=1744134932"},{"product_id":"52777-ashley-hans-scheirl","title":"Ashley Hans Scheirl","description":"\u003cp\u003eAshley Hans Scheirl overcomes the limitations of media as easily as she deals with gender and cultural norms. Born Angela Scheirl, the artist achieved international fame in the late 1980s for her experimental films and videos. She is now considered a trailblazer and a cult figure of the international queer and transgender artists scene. Scheirl\u0026rsquo;s work examines questions about her own identity by surmounting predefined genres and classifications. Her three-dimensional installations unite paintings, spatial designs, videos, photographs, drawings, sculptures, and performance props. The artist is interested in questioning the economy and power of social conditions and the libidinal structures active in them.\u003c\/p\u003e\n\n\u003cp\u003eASHLEY HANS SCHEIRL (*1956, Salzburg, lives in Vienna) studied restoration at the Akademie der Bildenden K\u0026uuml;nste (Academy of Fine Arts) in Vienna. She spent 1981\u0026ndash;82 in New York, and then sixteen years in London. In 2003 she finished her post-graduate studies in fine arts at the Central Saint Martin\u0026rsquo;s College of Art \u0026amp; Design in London. Since the fall of 2006 she has been a professor for contextual painting at the Akademie der Bildenden K\u0026uuml;nste, Vienna.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188756744,"sku":"9783775746885","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746885_0204808d-45cc-4bb3-a8b4-83a6fcd20d6b.jpg?v=1744045190"},{"product_id":"52729-thomas-hirschhorn","title":"Thomas Hirschhorn","description":"\u003cp\u003eFor three months Biel, Switzerland, hosted a special kind of sculpture. It was special not simply because it was created\u0026nbsp;by one of Switzerland\u0026rsquo;s most famous contemporary artists\u0026mdash; Thomas Hirschhorn\u0026mdash;and dedicated to one of the most prominent authors in the history of Swiss literature, Robert Walser. Beyond that, this sculpture was a redefinition of sculpture itself, because what takes on a plastic form here is not made of stone, steel, or bronze. It is society itself that helped to develop this work of art. In 2016 Thomas Hirschhorn and the curator Kathleen B\u0026uuml;hler began doing field research in Biel, the city of Robert Walser\u0026rsquo;s birth, connecting with residents, clubs, artists, literati, and experts. This resulted in a multifaceted agenda. Every day the two offered events such as readings, walking tours, lectures, and children\u0026rsquo;s activities. All of this ultimately comprised the Robert Walser-Sculpture. Never before has an entire city been integrated into a temporary work of art in this way.\u003cbr \/\u003e\n\u003cbr \/\u003e\n​THOMAS HIRSCHHORN (*1957, Bern) lives in Paris. His monuments, altars, and kiosks are admired around the world and have been awarded numerous accolades. Among other honors, Hirschhorn is the winner of the Prix Marcel Duchamp, the Basel Joseph Beuys Prize, and the Grand Prix Art\/Prix Meret Oppenheim from the Swiss Federal Office of Culture.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188855048,"sku":"9783775746809","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746809_cbcce9c1-d527-4051-b582-ed75f84abc08.jpg?v=1744141237"},{"product_id":"51725-dominik-halmer","title":"Dominik Halmer","description":"\u003cp\u003eDominik Halmer\u0026rsquo;s paintings and pictorial objects are based on the idea of connecting painting to real space. Three-dimensional objects like wooden rings and balls interact with painted elements and gestures. Different levels of reality, which are connected through visual analogies, collide in a poetic and associative unity. Halmer plays with an internal system of references that suggests a rule-based relationship between canvas painting, object, and spatial sign. In the installation \u003cem\u003eTerritory\u003c\/em\u003e, Dominik Halmer places graphic symbols on the wall that let the individual works play off one another by engaging in a dialogue addressing fundamental ideas about the nature of processes and meaning. The catalogue contains numerous installation views and a conversation with the artist.\u003c\/p\u003e\n\n\u003cp\u003eDOMINIK HALMER (*1978, Munich)\u0026nbsp;studied philosophy and art history at the Humboldt University Berlin, then Fine Arts at the Kunstakademie D\u0026uuml;sseldorf with Albert Oehlen and at the Academy of Fine Arts in Vienna with Heimo Zobernig. Halmer lives and works in Berlin.\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan data-sheets-userformat=\"{\u0026quot;2\u0026quot;:15147,\u0026quot;3\u0026quot;:{\u0026quot;1\u0026quot;:0},\u0026quot;4\u0026quot;:[null,2,16777215],\u0026quot;6\u0026quot;:{\u0026quot;1\u0026quot;:[{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:0,\u0026quot;5\u0026quot;:[null,2,0]},{\u0026quot;1\u0026quot;:0,\u0026quot;2\u0026quot;:0,\u0026quot;3\u0026quot;:3},{\u0026quot;1\u0026quot;:1,\u0026quot;2\u0026quot;:0,\u0026quot;4\u0026quot;:1}]},\u0026quot;8\u0026quot;:{\u0026quot;1\u0026quot;:[{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:0,\u0026quot;5\u0026quot;:[null,2,0]},{\u0026quot;1\u0026quot;:0,\u0026quot;2\u0026quot;:0,\u0026quot;3\u0026quot;:3},{\u0026quot;1\u0026quot;:1,\u0026quot;2\u0026quot;:0,\u0026quot;4\u0026quot;:1}]},\u0026quot;11\u0026quot;:4,\u0026quot;12\u0026quot;:0,\u0026quot;14\u0026quot;:[null,2,0],\u0026quot;15\u0026quot;:\u0026quot;Calibri\u0026quot;,\u0026quot;16\u0026quot;:11}\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Museum Wiesbaden\\n6.9.2018–13.1.2019\u0026quot;}\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 11pt; font-family: Calibri, Arial;\"\u003eEXHIBITION\u003cbr \/\u003e\nMuseum Wiesbaden\u003cbr \/\u003e\nSeptember\u0026nbsp;6,2018\u0026mdash;January\u0026nbsp;13,\u0026nbsp;2019\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189149960,"sku":"9783775746250","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746250_562a0d01-04ea-40d6-b6ac-27e872316200.jpg?v=1744057087"},{"product_id":"50703-kistefosmuseet-sculpture-park","title":"Kistefos","description":"\u003cp\u003eKistefos, Norway\u0026rsquo;s preeminent home for contemporary sculpture since the late nineteen-nineties, offers globally-recognized artworks in a spectacular and atmospheric rural setting. The museum\u0026rsquo;s principal purpose is to preserve and develop what is today a technical and industrial monument of national importance. This book is the museum\u0026rsquo;s first major publication about its collection and not only documents works by artists such as Olafur Eliasson, Tony Cragg and Lynda Benglis, among many others in the collection, but also marks the opening of a new building designed by Bjarke Ingels Group (BIG) architects. It offers extensive written and visual material on the beautiful and innovative \u0026ldquo;twisted bridge\u0026rdquo; exhibition space that will open to the public in the summer of 2019. The book provides a comprehensive understanding of Kistefos\u0026rsquo; history, collection and architecture through essays that are accompanied by specially-commissioned images by renowned photographer H\u0026eacute;l\u0026egrave;ne Binet.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526195372296,"sku":"9783775745727","price":48.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745727_504c32d7-b98c-4270-b1eb-150c7a1e43a0.jpg?v=1744106735"},{"product_id":"51107-edi-rama","title":"Edi Rama","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-da95de80-7fff-7a9e-99b9-fbf33234f94d\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eThe oeuvre of the Albanian artist and prime minister Edi Rama is inseparable from his political career. During telephone conferences and meetings, he does drawings and watercolors on the copies of his schedule, his work notes, on minutes, faxes, and other pieces of correspondence. The art he produces in the environs of national power forms an abstract journal, a vivid recording of political life and the everyday tensions between power and art. \u003c\/span\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eWork\u003c\/span\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003e is the first publication to present the drawings, ceramic sculptures, and tapestry, which was inspired by a similar tapestry in Rama\u0026rsquo;s office in Tirana. Made up of more than seven hundred of Rama\u0026rsquo;s drawings, the tapestry runs throughout the entire book, creating an immanent connection between his works. Besides essays on Rama\u0026rsquo;s work, the book also features a conversation with the artist.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eEdi Rama\u0026rsquo;s (*1964, Tirana) work has been shown at the 2017 Venice Biennial and the 1994 S\u0026atilde;o Paulo Biennale, the Haus der Kunst in Munich, the Centre Pompidou, Paris, and other renowned institutions. He began his political career as Albania\u0026rsquo;s cultural minister in 1998 and was elected Albania\u0026rsquo;s prime minister for the second time in 2017.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189379336,"sku":"9783775746014","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746014_03ab9211-5721-4eed-9be8-6f67d0cf0b83.jpg?v=1744058647"},{"product_id":"48984-now-is-the-time","title":"Now Is The Time","description":"\u003cp\u003eTo celebrate its 25th anniversary, the Kunstmuseum Wolfsburg is presenting its extensive collection of contemporary art in what will be the largest survey of it to date. It includes more than 600 installations, groups of works, and large individual works of art in all media, dating back to the crucial year of 1968. The spectrum of the 100 artists ranges from Franz Ackermann, Doug Aitken, and Firelei B\u0026aacute;ez, to Mithu Sen and Sam Taylor-Johnson, all the way to Jeff Wall and Thomas Zipp. This elaborate, lavishly illustrated volume gathers texts written by about 100 international authors\u0026mdash;curators, directors, gallerists, collectors, and architects\u0026mdash;on the artists in the collection. It achieves a multifaceted, overall picture of the Kunstmuseum Wolfsburg\u0026rsquo;s exquisite collection, as well as an impressive panorama of contemporary art from 1968 to the present.\u003c\/p\u003e\n\n\u003cp\u003eExhibition:\u003cbr \/\u003e\n24.3.\u0026ndash;29.9.2019, Kunstmuseum Wolfsburg\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189444872,"sku":"9783775745291","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745291_366f65f7-93b1-492d-bdb6-e13b84a297fc.jpg?v=1744122393"},{"product_id":"50267-angela-bulloch","title":"Angela Bulloch","description":"\u003cp\u003eThe work of Angela Bulloch (*1966, Rainy River, Canada, currently based in Berlin) spans many media, manifesting her interest in systems, patterns and rules, as well as her preoccupation with the history of shapes and human interaction. Since 2014, a new series of sculptures have taken the logic of geometry one step further into a virtual space where computers perform calculations and gravity relinquishes its usual limitations. The sculptures emerge from this process with an uncanny virtual appearance, as if they have been beamed into the room. Transporting the virtual further into the real, for \u003cem\u003eThe Wired Salutation,\u003c\/em\u003e Bulloch collaborated with the composer and musician David Grubbs to create a live, music theater piece involving musicians with their avatars, video projection, and theater lighting. Besides in-depth documentation of the performance, sculptures, prints, wall paintings and other works, the publication includes texts by David Grubbs and Alexander Provan as well as a conversation with the artist and interactive links to music samples from \u003cem\u003eThe Wired Salutation.\u003c\/em\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811846234376,"sku":"9783775745505","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745505_ab9c0ef1-15e5-4f1d-ace5-83f596dd4efd.jpg?v=1744041909"},{"product_id":"50702-kistefosmuseet-sculpture-park","title":"Kistefos","description":"\u003cp\u003eKistefos, Norway\u0026rsquo;s preeminent home for contemporary sculpture since the late nineteen-nineties, offers globally-recognized artworks in a spectacular and atmospheric rural setting. 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The book provides a comprehensive understanding of Kistefos\u0026rsquo; history, collection and architecture through essays that are accompanied by specially-commissioned images by renowned photographer H\u0026eacute;l\u0026egrave;ne Binet.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526195601672,"sku":"9783775745710","price":48.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745710_41693b47-a138-42b9-9064-184c8a55d979.jpg?v=1744106728"},{"product_id":"48399-guenter-fruhtrunk-werkverzeichnis-der-bilder-catalogue-raisonn-of-the-paintings-19521982","title":"Günter Fruhtrunk Catalogue Raisonné","description":"\u003cp\u003eWith his pictures, G\u0026uuml;nter Fruhtrunk (1923-1982) created an autonomous, uncompromising oeuvre that made him one of the outstanding representatives of German painting in the post-war era. He became famous for his vector-like, diagonal stripes: impressive paintings of parallel, diagonal bundles of stripes in yellow, orange, green, black, and white, whose geometrical, abstract vocabulary of forms he derived from constructivism.\u003c\/p\u003e\n\n\u003cp\u003eThis catalogue raisonn\u0026eacute;\u0026mdash;the result of extensive scientific research over a period of four years\u0026mdash; contains all of the paintings he produced between 1952 and 1982. Along with several essays that explore Fruhtrunk\u0026rsquo;s work and its significance, while also defining its place in art history, the catalogue raisonn\u0026eacute; contains texts by the author never published before and an extensive biography. The work is organized into two volumes according to chronology and visual motif.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nMunich, Galerie Walter Storms\u003cbr \/\u003e\n15.09.2018 - 13.10.2018\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189477640,"sku":"9783775745031","price":248.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745031_ea93e097-82e4-42eb-ae6a-d3018c148c55.jpg?v=1744094782"},{"product_id":"54107-helmut-federle","title":"Helmut Federle","description":"\u003cp\u003e\u003cstrong\u003e\u003ci style=\"caret-color: rgb(0, 0, 0);\"\u003e\u003cspan lang=\"EN-US\"\u003e\u0026quot;In all the noisy, shallow. and superficial hustle and bustle of the artistic\u0026nbsp;\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\" style=\"caret-color: rgb(0, 0, 0);\"\u003ezeitgeist\u003ci\u003e\u0026nbsp;with its shrill rhetoric of one-upmanship, Helmut Federle\u0026rsquo;s explorations of image composition almost seem like monastic spiritual exercises \u0026ndash;in the best sense of the term. This really has become a grammar of basic pictorial possibilities, one that compels the viewer to look more closely, to scrutinise, and to be rewarded all the more for it.\u0026quot;\u0026nbsp;\u003c\/i\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003ci style=\"caret-color: rgb(0, 0, 0);\"\u003e\u0026ndash;\u0026nbsp;\u003c\/i\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003eStephan Berg (director of the\u003c\/span\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003e\u0026nbsp;Kunstmuseum Bonn)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eH is here, in the truest sense, the alpha and omega. Helmut Federle uses the first letter of his first name as a format-filling, artistic matrix on canvases measuring between forty and fifty centimeters. Since his early days as an artist in the late 1970s, he has created seventy variations of \u003cem\u003eLiegendes H (\u003c\/em\u003eReclining H). The basic form of three lines and two squares enumerates the variations of expressions in painting. Their synopsis plays with figure and ground, forming an inventive collection of painterly techniques and the atmospheres they evoke. At the same time, the subtitles for the individual works seem to hint at the specific horizons of experience in their creation. They lend each work a poetic dimension, as one tries to imagine the artist\u0026rsquo;s world in the planes of color. Thus, each picture represents Helmut and is, in its mysterious originality, a fascinating haiku.\u003c\/p\u003e\n\n\u003cp\u003eNumerous solo exhibitions have been devoted to HELMUT FEDERLE\u0026rsquo;s (*1944, Solothurn) artwork. In 1997 he designed the Swiss Pavilion for the Venice Biennial. From 1999 to 2007 he was a professor at the Kunstakademie D\u0026uuml;sseldorf. He divides his time between Vienna and Camaiore, Italy.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189543176,"sku":"9783775747868","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747868_6bebd812-1844-4f7b-a7e9-c7dd112351ba.jpg?v=1744097811"},{"product_id":"16244-vom-schoensten-das-beste","title":"Vom Schönsten das Beste","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eThe Staatliche Kunstsammlungen Dresden, or Dresden State Art Collections, comprise the oldest, second-largest group of museums in Germany. The twelve museums united under this umbrella organization are among the most famous in the world, and they contain a wealth of unique art treasures, which span a variety of themes and epochs, attracting visitors from all around the globe. Augustus the Strong and his son, Augustus III\u0026mdash;both electors of Saxony and kings of Poland during the eighteenth century\u0026mdash;were extraordinary connoisseurs of the arts, and their enthusiastic patronage had a lasting impact on the development of the collections, which today are exhibited in world-famous buildings, such as the Zwinger, the Rezidenz, and the Albertinum.\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e2010 marks the 450th anniversary of the Dresden State Art Collections, and visitors are invited to travel through time, from the days of antiquity to the present. This opulent volume features numerous illustrations of very special highlights and the historical buildings in which they are preserved. (Englische Ausgabe \u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eISBN 978-3-7757-2457-9)\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811845316872,"sku":"9783775724586","price":19.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775724586_e68fb598-244b-4a7f-8d2d-f8aee32dffda.jpg?v=1744145516"},{"product_id":"57314-thomas-pihl","title":"Thomas Pihl","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-e018675b-7fff-73ca-765f-d4e05dbd6630\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe history of monochrome painting goes back more than a century. Since Kazimir Malevich revolutionized the art world in 1915 with his Black Square\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003e,\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e which was based on a single-color surface, this artistic form of expression has taken many different paths without ever losing its ability to fascinate. The distinctive works of Norwegian painter Thomas Pihl join this tradition, continuing and enlarging upon it. If they tell a story at all, it is about the process of how they were made and the physical and mental spaces they are exposed to. To create his pieces, Pihl applies many layers of paint to the canvas, making it possible to visualize the traces of his work process. The resulting visual world \u0026mdash; which shows us the nature of perception through its play of light and color \u0026mdash; is now summarized for the first time in this comprehensive publication.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTHOMAS PIHL (*1964) divides his time between New York and Bergen. Over the course of his more than thirty years of artistic activity, he has worked with monochrome painting, drawing, and sculpture. Around 2000, he began working particularly on large-format studies of the interplay of natural light and color.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189838088,"sku":"9783775749206","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775749206_82256eff-ebc5-4f26-befd-aebbc6da6d9f.jpg?v=1744141292"},{"product_id":"53511-david-byrd","title":"David Byrd","description":"\u003cp\u003eIt is a poignant look into the psychological depths of the human mind\u0026mdash;its possibilities and fragility. This is the impressive and sensitive legacy of the painter David Byrd. The artist joined the army during World War II and later worked as an orderly in the psychiatric ward of a Veterans hospital in Upstate New York. From 1958 to 1988, Byrd\u0026rsquo;s keen observation of this world, filled with the crowded histories of its troubled patients, was recorded in the artist\u0026rsquo;s sketches. This publication is a replica of the deeply personal, creative, and revelatory journal examining the human experience and its potential for pain and alienation on the fringe. Byrd\u0026rsquo;s work was not publicly exhibited until 2013, only a few months before his death\u0026mdash;an omission that seems absurd in the face of such a powerful output of artwork expressing the artist\u0026rsquo;s perspective as a veteran himself and his empathy toward those living with psychological trauma.\u003c\/p\u003e\n\n\u003cp\u003eDAVID BYRD (1926\u0026ndash;2013) was an American painter. After serving in World War II he studied at the Ozenfant School of Fine Arts. Rarely seen during his lifetime, his art was deeply shaped by his experience as an orderly working in the psychiatric ward at the Veterans Aff airs (VA) Hospital in Montrose, New York.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nAnton Kern Gallery, New York\u003cbr \/\u003e\nApril 2\u0026ndash;May 9, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189870856,"sku":"9783775747264","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747264_90804a01-7e6e-4d50-a37b-345a7a0bb7aa.jpg?v=1744054053"},{"product_id":"53679-rose-wylie","title":"Rose Wylie","description":"\u003cp\u003eRose Wylie has long been considered one of the highest-profile artists in British contemporary painting, even though\u0026mdash;it\u0026rsquo;s hard to believe\u0026mdash;she achieved her international breakthrough just before her eightieth birthday. Out of a broad repertoire of motifs from pop culture, newspaper reports, and everyday life, the artist distills succinct scenes that humorously, yet critically, comment upon current events. In the process, Wylie impressively demonstrates how lighthearted and natural painting today can be. Her large paintings are touching, with their rare sense of ease and playful naivete. With energy and relish they tell of life and death, love and loss, joy and sorrow. And suddenly, surprisingly, the traditional themes of art history descend from their pedestals and meet us at eye level.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr \/\u003e\nROSE WYLIE (*1934, Kent) studied painting at the Folkestone School of Art, Kent, and at the Royal College of Art, London. Her works can be found in prominent collections, such as the Hammer Museum, Los Angeles; the National Museum of Women in the Arts in Washington, D.C.; Space K, Seoul; and Tate, London. Her exhibitions include one at the Tate in 2013 and another at the Serpentine Gallery in 2017. Wylie\u0026rsquo;s show at the Museum Langmatt marks the first time her work will be seen in Switzerland. \u0026nbsp;\u003cbr \/\u003e\n\u0026nbsp;\u003cbr \/\u003e\nEXHIBITION\u003cbr \/\u003e\nMuseum Langmatt, Baden\u003cbr \/\u003e\nFebruary 28\u0026ndash;May 24, 2021\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190001928,"sku":"9783775747431","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747431_56986d57-2758-4c40-89ff-816001a8bab8.jpg?v=1744131911"},{"product_id":"53107-lonnie-van-brummelen-and-siebren-de-haan","title":"Lonnie van Brummelen and Siebren de Haan","description":"\u003cp\u003eIn\u0026nbsp;\u003cem\u003eDrifting Studio Practice\u003c\/em\u003e, artists Lonnie van Brummelen and Siebren de Haan discuss their participatory documentaries\u0026nbsp;\u003cem\u003eEpisode of the Sea\u003c\/em\u003e\u0026nbsp;(2014) and\u0026nbsp;\u003cem\u003eStones Have Laws\u003c\/em\u003e\u0026nbsp;(2018), which they made with in collaboration with the Dutch fishing community of Urk and with the Saamaka and Okanisi maroons of Suriname, a former Dutch colony in Amazonia. The artists outline how they experimented with collective script writing and performative storytelling, including both human and other-than-human actors. Starting from their earlier artwork\u0026nbsp;\u003cem\u003eMonument of Sugar\u003c\/em\u003e\u0026nbsp;(2007), the account develops into a practice driven exploration of co-authorship and (non)human rights as strategies to cope with the plantationocene.\u003c\/p\u003e\n\u003cp\u003eVan Brummelen \u0026 De Haan collaborate since 2002, producing film installations, sculptures and collages that explore cultural and geopolitical landscapes such as Europe’s borders, sites of resource production and global trade, and sites of cultural heritage. Their artworks have been shown in international art exhibitions and are in the public collections.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190067464,"sku":"9783775747059","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747059_41e3aed8-3abe-42f4-bc46-0c7f0ddf110f.jpg?v=1744111289"},{"product_id":"53788-ting-yin-yung","title":"Ting Yin Yung","description":"\u003cp\u003eFor a long time only slightly noticed, modernist movements in Chinese art history are gaining more and more recognition. One of its key fi gures is Ting Yin Yung, whose art is essential to understanding Western-style art in China. Ting was one of the fi rst to turn to his own cultural history to inform the Western-style paintings he and others aspired to master, primarily to breathe life into what many considered a stagnant art tradition. It is diffi cult to gauge the full extent of Ting\u0026rsquo;s impact and infl uence on modern and contemporary Chinese art, but this comprehensive catalogue raisonn\u0026eacute; of his oil paintings brings us in a position to see how his vision, through both his art and his teachings, inspired and nurtured many.\u003c\/p\u003e\n\n\u003cp\u003eTING YIN YUNG (1902\u0026ndash;1978) was born and raised in the province of Guangdong, regarded as the hub of the Chinese revolution and at the forefront of progressive political thought. He was one of the earliest artists to advocate going beyond fusing East and West and infusing Western-style Chinese oil paintings with elements drawn directly from Chinese traditions to achieve a unique language, satisfying the needs of a modernized Chinese art and, indeed, of a nation striving to be contemporary.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190231304,"sku":"9783775747585","price":88.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747585_fa0645c1-6105-4df3-a371-d886b1532420.jpg?v=1744142330"},{"product_id":"56680-brigitte-waldach","title":"Brigitte Waldach","description":"\u003cp\u003eIn picturesque text clouds, spatial drawings, and sound installations, Brigitte Waldach explores surprising connections from our cultural and contemporary history. In her impressive drawings she deals with Germany\u0026rsquo;s past, but also with literature, music, emotion, and violence. She succeeds in creating haunting constellations and illuminating fields of context that challenge our senses and our thinking. In 2020 she was awarded the Marta Prize from the Wemh\u0026ouml;ner Foundation, which, for the first time, is combined with a solo exhibition at the Museum Marta Herford and a catalogue. This catalogue not only brings together the works shown in the exhibition, but also supplements them with other key works. In this way, themes and motifs are contextualized and space is provided for the development of complex trains of thought and reference systems in Brigitte Waldach\u0026rsquo;s \u003cspan\u003e\u0026OElig;uvre\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003eBRIGITTE WALDACH (*1966, Berlin) studied art education, art science, and German language and literature, before completing her studies in fine arts at the Berlin University of the Arts as a graduate student under Georg Baselitz. Her large-format drawings and multimedia installations are in exhibitions and collections around the world.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190296840,"sku":"9783775748520","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748520_d63c6f8d-fed8-437e-8b1f-a9e541675c6d.jpg?v=1744050469"},{"product_id":"53983-peter-weibel","title":"Peter Weibel","description":"\u003cp\u003ePeter Weibel, the long-standing CEO of the ZKM | Zentrum f\u0026uuml;r Kunst und Medien (Center for Art and Media) in Karlsruhe, and the recipient of the Lovis-Corinth-Preis in 2020, has influenced the international scene of media art as an artist as well as a theorist and curator. His artistic oeuvre comprises conceptual art, performance, experimental film, video, and computer art as well as his exploration of music.\u003cbr \/\u003e\nThis publication offers insight into Weibel\u0026rsquo;s diverse work. One main area consists of works in which the artist takes up core questions about Europe.\u0026nbsp; In other works critical of the system, which always question the usual concept of art as well, Weibel addresses migration, expulsion, war, and terrorism as well as economic and ecological catastrophes.\u003c\/p\u003e\n\u003cp\u003eThe LOVIS-CORINTH-PREIS was first awarded by the KünstlerGilde e. V. in the Kunstforum Ostdeutsche Galerie Regensburg in 1974.Under the conditions of the nascent age of media, since the 1960s PETER WEIBEL (*1944, Odessa) has created an oeuvre that dares to conceive artistic creativity as an open field of action. He is head of the ZKM, Karlsruhe until 2023. Since 2017 he has been director of the Peter Weibel Research Institute for Digital Culture at the Universität für angewandte Kunst in Vienna.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190362376,"sku":"9783775747936","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747936_bebaccd7-203b-4f5d-bd26-e563746d021a.jpg?v=1744126114"},{"product_id":"58308-michael-wesely","title":"Michael Wesely","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-3194066e-7fff-a4a5-b3bf-caa9a3f9b4b6\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThere is more to numbers than sums; they can also conceal histories, too. In this case, world-famous architectural history. For five years the renowned Neue Nationalgalerie (New National Gallery), designed by Ludwig Mies van der Rohe, was closed to the public for renovation. Nevertheless, the photographer Michael Wesely was able to accommodate \u0026ldquo;four guests\u0026rdquo; inside the iconic building: Four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 600 and 1100 pictures with an exposure time of two minutes each. Edited into bewitching montages, this fascinating synopsis allows readers to envision the building\u0026rsquo;s metamorphosis as it was undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe photographer MICHAEL WESELY (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. He lives in Berlin.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191935240,"sku":"9783775751117","price":350.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751117_959ddc12-0f89-4724-b012-fedf2645fe3e.jpg?v=1744118423"},{"product_id":"58098-beuys-duchamp","title":"Beuys \u0026amp; Duchamp","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-718c6500-7fff-517f-4a7c-5954a20cd453\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:8pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eIn conversations and interviews Joseph Beuys mentioned Marcel Duchamp more than any other artist. And hardly anyone else seems to have challenged him more than this artist from the previous generation. Direct evidence of this is his oft-cited action \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: italic; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eDas Schweigen von Marcel Duchamp wird \u0026uuml;berbewertet\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e (The Silence of Marcel Duchamp is Overrated) from 1964, through which Beuys attempted to shift focus onto the political and social dimensions of his concept of expanded art. The associations and connections between the artists go deep. Both used similar radical strategies to rejuvenate the concept of art and the role of art in everyday life; their questions had a number of aspects in common. This richly illustrated catalogue is the first to undertake a profound exploration of this multilayered relationship, while investigating both artists\u0026rsquo; future-oriented potential.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMARCEL DUCHAMP (1887–1968) was one of modernism’s most influential artists. From 1913 on, his readymades, objects, installations, and word games radically questioned the common concept of art.JOSEPH BEUYS (1921–1986) fundamentally altered art after 1960 in his many roles as a draftsman, sculptor, performance and installation artist, teacher, politician, and activist. At the center of his concept of expanded art and the universal work of art is the vision of changing society.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526196420872,"sku":"9783775750684","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750684_4f776ec9-05b0-4246-a0db-13934ad88cb5.jpg?v=1744049616"},{"product_id":"58069-rene-green","title":"Renée Green","description":"\u003cp\u003eSince the late 1980s, Ren\u0026eacute;e Green\u0026rsquo;s practice has imagined and expanded the ways in which art can give form to underwritten histories, collective memory, and circuits of cultural exchange. Her writing, installations, films, digital media, and sound works continue to trace and interrogate the power of cultural institutions and their relationships with language, knowledge, and constitutions of selfhood, while at the same time indicating other ways of being and becoming.\u003c\/p\u003e\n\n\u003cp\u003eThis artist\u0026rsquo;s catalogue extensively illustrates Green\u0026rsquo;s previously undocumented early work alongside recent installations, personal ephemera and excerpts from fiction selected by the artist. Essays by a new constellation of writers relate Green\u0026rsquo;s work to legacies of migration and displacement, language and access, as well as alternative approaches to reading and being read.\u003c\/p\u003e\n\u003cp\u003eRENÉE GREEN (*1959) is an artist, writer, and filmmaker known for her highly layered and formally complex multimedia installations in which ideas, perception, and experience are examined from myriad perspectives. Green’s exhibitions, videos and films have been seen throughout the world in museums, festivals, and art institutions, highlighting her unique approach to natural sciences, history, and aesthetics. She is a Professor at the Art, Culture, and Technology program at MIT.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191148808,"sku":"9783775750615","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750615_4b9ba22f-603f-4223-a7b5-d1b9b976bf8a.jpg?v=1744129342"},{"product_id":"57625-michael-wesely","title":"Michael Wesely","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-3194066e-7fff-a4a5-b3bf-caa9a3f9b4b6\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThere is more to numbers than sums; they can also conceal histories, too. In this case, world-famous architectural history. For five years the renowned Neue Nationalgalerie (New National Gallery), designed by Ludwig Mies van der Rohe, was closed to the public for renovation. Nevertheless, the photographer Michael Wesely was able to accommodate \u0026ldquo;four guests\u0026rdquo; inside the iconic building: four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 360 and 730 pictures with an exposure time of 90 seconds each. Edited into bewitching montages, this fascinating synopsis allows readers to envision the building\u0026rsquo;s metamorphosis as it was undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe photographer MICHAEL WESELY (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. He lives in Berlin.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191214344,"sku":"9783775750332","price":64.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750332_41650fa0-4dd6-45ec-b4bb-3dc57b61c1b0.jpg?v=1744118415"},{"product_id":"59007-louise-bourgeois","title":"Louise Bourgeois","description":"\u003cp dir=\"ltr\" style=\"line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;\"\u003eThis book provides a comprehensive overview of the fabric works from the last two decades in the career of legendary artist Louise Bourgeois. \u0026ldquo;I\u0026rsquo;ve always had a fascination with the needle,\u0026rdquo; she said, \u0026ldquo;the magic power of the needle. The needle is used to repair damage. It\u0026rsquo;s a claim to forgiveness.\u0026rdquo; This body of work began when the artist started incorporating clothes from all stages of her life into her art, and later expanded to include a range of other textiles such as bed linen, handkerchiefs, tapestry, and needlepoint. The fabric works mine the themes of identity and sexuality, trauma and memory, guilt and reparation, and serve as metaphors for emotional and psychological states. The catalogue \u0026ndash; which accompanies the exhibition at the Hayward Gallery, London, and the Gropius Bau, Berlin \u0026ndash; features works from numerous series, including the monumental \u003cem\u003eCell \u003c\/em\u003einstallations, figurative sculptures, and abstract drawings.\u003c\/p\u003e\n\u003cp\u003eLOUISE BOURGEOIS (1911–2010) is one of the most influential artists of the 20th and 21st centuries, best known for her formally inventive and psychologically powerful sculptures.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811846398216,"sku":"9783775751490","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751490_b2e23884-50ea-4c52-8b01-3016e5eb2e40.jpg?v=1744112329"},{"product_id":"59040-my-mother-country","title":"My Mother Country","description":"\u003cp\u003eThe collection of Jo\u0026euml;lle and Pierre Cl\u0026eacute;ment includes a careful selection of works by indigenous Australian painters. This catalogue by Kunsthaus Zug features 80 works by 50 artists from the collection, as well as paintings by Emily Kame Kngwarreye. The image and text contributions allow for an in-depth examination of the color-intensive, abstract painting and shed light on the diverse artistic positions of the different peoples and regions of Central Australia. With their \u0026ldquo;dot paintings,\u0026rdquo; the painters translate their millennia-old culture between traditional mythology and postcolonial reality into fascinating images created for indigenous and international viewers.\u003c\/p\u003e\n\n\u003cp\u003eThe publication brings together 50 painters, including established names such as Kathleen Petyarre and Clifford Possum Tjapaltjarri, as well as lesser-known positions. One focus is on the works of EMILY KAME KNGWARREYE (1910\u0026ndash;1996).\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49482584129800,"sku":"9783775751544","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751544_97bae27b-4399-40cf-ab86-9d8fd8e80417.jpg?v=1744120062"},{"product_id":"59095-techno-globalization-pandemic","title":"Techno Worlds","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-4df3dbc8-7fff-7406-bedc-062bb64fe284\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eAs a worldwide phenomenon, techno has not only influenced music history, but also contemporary culture. Its impulses into art, philosophy, pop culture, media consumption and technologies are omnipresent. Based on text and image contributions, the book opens a portal into the usually guarded world of techno. It traces the cultural-historical dimension and the artistic exploration of electronic sound experiences. The catalogue, published on the occasion of a worldwide exhibition tour by the Goethe-Institut, reflects on the history of techno and club culture as well as the diverse practices of clubbing. Experiences of space, sign systems, and the club as a place where questions of identity and gender are renegotiated reveal the enormous breadth of the topic. A recommendation not only for friends of electronic dance music.\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-4df3dbc8-7fff-7406-bedc-062bb64fe284\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-4df3dbc8-7fff-7406-bedc-062bb64fe284\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eWith contributions by artists such as Tony Cokes, Zuzanna Czebatul, Aleksandra Domanović, Abdul Qadim Haqq, Ryōji Ikeda, Maryam Jafri, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"white-space: pre-wrap;\"\u003eM+M, \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eHenrike Naumann \u0026amp; Bastian Hagedorn, Carsten Nicolai, The Otolith Group, Vinca Petersen, Daniel Pflumm, Sarah Sch\u0026ouml;nfeld, Jeremy Shaw, Dominique White, Tobias Zielony as well as the film directors Jacqueline Caux, Romuald Karmakar and the musicians DeForrest Brown, Jr., Chicks on Speed, Rangoato Hlasane, Robert Lippok and Mamba Negra.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003eThe book is published as part of the eponymous Goethe-Institut\u0026#39;s touring exhibition, curated by Mathilde Weh, Justin Hoffmann, and Creamcake.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Buch (978-3-7757-5166-7)","offer_id":49878741319944,"sku":"9783775751667","price":22.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-5430-9)","offer_id":49878741352712,"sku":"9783775754309","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5431-6)","offer_id":49878741385480,"sku":"9783775754316","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751667_8aa7636c-33fd-428d-990f-1addf0a280a1.jpg?v=1744139639"}],"url":"https:\/\/www.hatjecantz.de\/en\/collections\/zeitgenossen-test.oembed","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}