{"title":"Special Editions","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe special edition of a book transforms a standard edition into an intriguing collector's item through the intervention of the artist or author, limited to a clearly defined and often numbered quantity of copies. Whether in the form of a special binding or slipcase, a signature, or an addition (such as a photograph, illustration, or ex libris)—the possibilities for variation are numerous and generally have a close thematic connection to the publication in question.\u003c\/p\u003e","products":[{"product_id":"44951-ola-kolehmainen","title":"Ola Kolehmainen","description":"\u003cp\u003eOla Kolehmainen\u0026rsquo;s (*1964, Helsinki) works are visual journeys to space, time, and light. A graduate of the Helsinki University of Art and Design, and one of the most successful representatives of the first generation of the Helsinki School, Kolehmainen became famous for his method of reducing fa\u0026ccedil;ades to minimalist details. In his new series, the Finnish photographer, who has been based in Berlin since 2005, focuses masterfully on the space and light in the places where faith is practiced in. Inspired by his exploration of Islamic architecture and mosques in Istanbul, he continued portraying synagogues, mosques, churches, and cathedrals throughout Europe. Kolehmainen\u0026rsquo;s work here is more narrative. It draws attention to the commonalities, and shared histories of the religious spaces, underlining the universal nature of culture or religion.\u003c\/p\u003e\n\n\u003cp\u003eThis limited special edition of 99 copies includes an original print each.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: 6.12.2017\u0026ndash;4.3.2018, HAM Helsinki Art Museum\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526196224264,"sku":"9783775744157","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744157_851262b0-e3f4-42a0-9895-d046e5195166.jpg?v=1744122598"},{"product_id":"58307-elisabeth-neudoerfl","title":"Elisabeth Neudörfl","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-78295e8b-7fff-ba72-f79e-257839b2c3cb\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eHong Kong in 2020: It is a medical, economic and, above all, political state of emergency \u0026ndash; all at the same time. 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In a fascinating visual game, he slowly builds up his image through multiple exposures, using cut-out templates as a means for blocking and redirecting light through a series of standard color lenses. His approach is not to duplicate the original but to interpret it in the spirit of how it was conceived.\u003c\/p\u003e\n\n\u003cp\u003eNIKO LUOMA (*1970, Helsinki) is one of the most independent representatives of the Helsinki School. He studied photography in Boston and Helsinki. His works have been seen in renowned museums worldwide and can be found in prominent collections. In 2012 Hatje Cantz released \u003cem\u003eAnd Time is No Longer an Obstacle.\u003c\/em\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755240923400,"sku":"9783775751094","price":230.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751094_6dd25729-fefd-4511-8b20-b9aa402d2bd3.jpg?v=1765382906"},{"product_id":"17412-taryn-simon","title":"Taryn Simon","description":"\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB\"\u003eIn 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the \u003c!--?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/--\u003e\u003cst1:place w:st=\"on\"\u003eCaribbean\u003c\/st1:place\u003e, titled\u0026nbsp;\u003ci\u003eBirds of the West Indies\u003c\/i\u003e. Ian Fleming, an active bird watcher living in \u003cst1:country-region w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eJamaica\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e, subsequently appropriated the name for his novel\u0026rsquo;s lead character. He found it to be perfectly \u0026ldquo;ordinary\u0026rdquo;, \u0026ldquo;brief\u0026rdquo;, \u0026ldquo;Anglo-Saxon\u0026rdquo; and \u0026ldquo;masculine\u0026rdquo;. This co-opting of names was the first replacement in a series of substitutions that would become central to the construction of the Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon\u0026nbsp;(*1975 in \u003cst1:place w:st=\"on\"\u003e\u003cst1:state w:st=\"on\"\u003eNew York\u003c\/st1:state\u003e\u003c\/st1:place\u003e)\u0026nbsp;inventoried women, weapons and vehicles in Bond. The contents of these categories function as essential accessories to the narrative\u0026rsquo;s myth of the seductive, powerful, and invincible western male.\u0026nbsp;In\u0026nbsp;\u003ci\u003eBirds of the West Indies\u003c\/i\u003e, Simon presents a visual database of interchangeable variables used in the production of fantasy, through which she examines the economic and emotional value generated by their repetition.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 11pt; FONT-FAMILY: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB\"\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eExhibition schedule: 2013 Carnegie International, Pittsburgh October 5, 2013\u0026ndash;March 16, 2014\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Buch (signiert) (978-3-7757-4140-8)","offer_id":45123060498696,"sku":"9783775741408","price":360.0,"currency_code":"EUR","in_stock":true},{"title":"Book (978-3-7757-3663-3)","offer_id":41645950763185,"sku":"9783775736633","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736633_0f7697e5-3869-4895-a1c5-f4078e46c0ea.jpg?v=1744139565"},{"product_id":"54134-olaf-otto-becker","title":"Olaf Otto Becker - Siberian Summer (Limited Edition)","description":"\u003cp\u003eSummer in Siberia? What does that feel like? Is Siberia perhaps a new travel destination we didn\u0026rsquo;t know about? How is climate change making itself felt there? In several books of photographs Olaf Otto Becker has already documented the alterations in landscape caused by climate change, as well as the influence of human behavior on nature. He became world-famous for his pictures of icebergs, whose beauty is captivating, even in the face of their melting. Now, the photographer has turned to the permafrost zone and its gradual retreat northward. He captures the inhospitable formes of earth and ice\u0026nbsp;that tower above wet beaches, looking like abstract sculptures; follows a group of researchers who were taking soil samples during the \u0026ldquo;warm summer\u0026rdquo; of 2019; and finally lands in the semi-decaying harbor town of Tiksi, where children also play. An unusual, new Becker!\u003c\/p\u003e\n\n\u003cp\u003eOLAF OTTO BECKER (*1959, Travem\u0026uuml;nde, Germany) studied communications design in Augsburg, as well as philosophy and political science in Munich. His photographs can be found in exhibits and important collections worldwide. 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On second glance, however, it becomes clear what is going on. Tuori\u0026rsquo;s compositions of trees, tangled branches, and clouds are sophisticated montages made up of countless photos arranged sideby-side or on top of each other. This results in nearly abstract, fascinatingly complex images of nature; because it harmonizes with the sublime depiction of nature, the process of seeing transcends itself. The eye is no longer guided toward a vanishing point around which the image is organized. Instead, viewers luxuriate in an inexhaustible wealth of perspectives that allow them to continue to discover new phenomena. This goes along with the dramaturgy that stages the publication from one page to the next. At the beginning, you look up into the treetops. These are followed by pictures of clouds set at eye level. The final chord consists of a series of photographs that looks back to the abstract entanglement of the treetops. In every respect this is an uplifting illustrated volume.\u003cbr \/\u003e\n\u003cbr \/\u003e\n\u003cstrong\u003eThis limited special edition of 50 copies includes a original print.\u003c\/strong\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4701-1)","offer_id":41645956104369,"sku":"9783775747011","price":58.0,"currency_code":"EUR","in_stock":false},{"title":"Preference edition (978-3-7757-4821-6)","offer_id":43533597704456,"sku":"9783775748216","price":230.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747011_66d0fa65-bf16-4dde-8fdf-e6e7ccaf7195.jpg?v=1744133409"},{"product_id":"51357-christine-fenzl","title":"Christine Fenzl","description":"\u003cp\u003eIn this volume of photographs the photographer Christine Fenzl investigates the living conditions of young people in the peripheral areas of Berlin: Hellersdorf, Hohensch\u0026ouml;nhausen, Lichtenberg, and Marzahn. Although the Berlin Wall once strongly influenced their parents\u0026rsquo; living environment, the generation born after the collapse can no longer imagine what it was like. In her sensitive pictures Fenzl traces the stories of these youth, their expectations, and their confrontation with Berlin. Fenzl has already examined the subject of youth and their social circumstances in previous series, such as \u003cem\u003eStriking Chance \u0026ndash; Streetfootball\u003c\/em\u003e, for which she photographed children playing soccer in Nairobi, Skopje, London, and the favelas of S\u0026atilde;o Paulo.\u003c\/p\u003e\n\n\u003cp\u003eCHRISTINE FENZL (*1967, Munich) attended the Munich Fotoschule and spent two years living and working in New York City. Her photography has been featured in \u003cem\u003eDer Spiegel\u003c\/em\u003e, \u003cem\u003eDie Zeit\u003c\/em\u003e, \u003cem\u003eStern\u003c\/em\u003e, \u003cem\u003eThe New York Sunday Times\u003c\/em\u003e, and other publications, and has been exhibited internationally. Fenzl has lived in Berlin since 1992.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Special Edition with an inserted original print is limited to 20 copies.\u003c\/strong\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4609-0)","offer_id":41645960298673,"sku":"9783775746090","price":14.95,"currency_code":"EUR","in_stock":true},{"title":"Vorzugsausgabe (978-3-7757-4615-1)","offer_id":44604079472904,"sku":"9783775746151","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746090_9af64b9b-d643-49ff-b8dc-b6a27103bf50.jpg?v=1744051506"},{"product_id":"60172-daniel-rode","title":"Daniel Rode","description":"\u003cp\u003e\u003cspan\u003eDaniel Rode works with text fragments found in literature, conversations, and public space, deliberately disregarding syntax such as spaces and line breaks. Interrupting our reading habits, they retain their indeterminacy a little longer before these fragments can be decoded by reading. Detached from their original contexts, they find their way into both large-scale installations and drawings, often created in series. Rode moves between two polar opposites\u0026mdash;a sober, reserved aesthetic on the one hand, and a sensitive, almost tender devotion to artistic execution on the other. \u003cem\u003eAgain and Again\u003c\/em\u003e offers a comprehensive insight into Rode\u0026rsquo;s oeuvre, enriched by perceptive texts by 13 contributors providing an often surprisingly personal perspective on the artist and his work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDANIEL RODE (*1971, Eutin) studied in Greifswald and the Academy of Fine Arts Dresden in the class of Monika Brandmeier. He lived in Cairo from 2009 to 2014. Projects and residencies have taken him to Canada, the USA, Bahrain, Vietnam and many countries in Europe. Today, he lives in Dresden and Berlin.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755243544840,"sku":"9783775752947","price":128.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752947_b0124ed7-de52-4e44-b009-935643c76b70.jpg?v=1744052792"},{"product_id":"60301-george-byrne-post-truth","title":"George Byrne","description":"\u003cp\u003eTurning what architect Rem Koolhaas famously referred to as \u0026ldquo;junkspace\u0026rdquo;, the spatial flotsam of the Anthropocene, into candy-coloured dreamscapes, George Byrne depicts the gritty urbanism of Los Angeles in sublime otherworldliness. Arriving a decade ago, the Australian artist was immediately enthralled by the sprawling cityscape, mesmerized by the way the sunlight transformed it into two-dimensional, almost painterly abstractions, underpinned by a distinctive pastel color palette. Extending his practice beyond the confines of the lens by extracting elements from various images, his series \u003cem\u003ePost Truth \u003c\/em\u003edwells in the liminal space between real and imagined. Reassembling the urban landscape into striking, ascetic collages of color and geometric fragments, Byrne creates postmodernist oases in the metropolis that masterfully harness the malleability of the photographic medium. Byrne\u0026rsquo;s compositions evoke associations with Miami Beach\u0026rsquo;s Art Deco, the Memphis Group\u0026rsquo;s designs, as well as the work of David Hockney or Ed Ruscha, and at the same time tap into the specific aesthetics of today\u0026rsquo;s visual culture played out on Instagram. 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Nie weiß die Hotelbesitzerin, welche Emotion einchecken wird. Außerdem möchten ihre Gäste ganz individuell behandelt werden. Wut zum Beispiel ist sehr laut und braucht viel Platz, um sich Luft zu machen. Ihr ein zu kleines, abgelegenes Zimmer zu geben, ist keine gute Idee. Traurigkeit dagegen spricht mit leiser Stimme und überschwemmt gelegentlich das Badezimmer. Dankbarkeit streift gerne draußen umher und man weiß nie, wann sie kommt. 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