{"title":"Verlagsprogramm 2","description":"","products":[{"product_id":"15732-beyeler-collection","title":"Beyeler Collection","description":"\u003cSPAN lang=EN-US\u003e\n\u003cP class=MsoBodyText style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003eSince its inauguration in October 1997, the Fondation Beyeler in Riehen, near Basel, has become one of the world’s top destinations for modern art, a result of the combination of a unique collection, fascinating architecture, and a variety of world-class exhibitions. The reputation of Hildy and Ernst Beyeler’s collection, which features milestones of twentieth-century art as well as tribal works from Africa, Alaska, and Oceania, has been steadily growing ever since due to new acquisitions of important works.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans-Plain; mso-bidi-font-size: 10.0pt\"\u003eOn the tenth anniversary of the Fondation Beyeler, this complete, up-to-date catalogue takes stock of the museum’s collection, which today contains more than two hundred paintings and sculptures. In addition to some of Ernst Beyeler’s own comments, this publication offers a thorough overview of twentieth-century art, including a valuable, personal insight into the life and work of a collector, museum founder, and patron, who to this day remains passionately involved in art. (German edition ISBN 978-3-7757-1945-2; French edition ISBN 978-3-7757-1947-6)\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US\u003e\u003cFONT face=TheSans-Plain\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526186819848,"sku":"9783775719469","price":49.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775719469_7199a61e-0448-4ab5-942d-768a6f0b09a5.jpg?v=1744049671"},{"product_id":"14562-richard-paul-lohse","title":"Richard Paul Lohse","description":"\u003cp\u003eRichard Paul Lohse, with his modular and serial orders, is one of the founders of systematic-constructive art in the 20th century. This book, a project by the Richard Paul Lohse-Foundation, is the first to present the complete works of the Swiss-born artist and graphic designer. Numerous works, some of them not accessible since their first publication, are brought together here for the first time. A number of essays shed further light on the multi- faceted relationship between aesthetics and politics from the 1930s, exploring Lohse\u0026#39;s influence on the development of modern non-fiction books, informative product advertisements and the history of Swiss graphic design, which has had an exemplary status world-wide since the 1950s. The essays also explore the parallel developement of modular and serial thinking in architecture and design and analyse Lohse\u0026#39;s contribution to th magazines Bauen + Wohnen and Neue Grafik. The book concludes with the catalogue raisonné of his graphic design, opening the way to over 1,600 examples of his expertise. This volume is the first of a four volume series dealing with the pictorial work of Richard Paul Lohse.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44425444065544,"sku":"9783775707671","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775707671_abec0ba6-75c0-4a58-8e15-793315cd0581.jpg?v=1744130431"},{"product_id":"17308-les-multiples-visages-de-nfertiti","title":"Les multiples visages de Néfertiti","description":"\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eWhat have hitherto hindered an art-historical appreciation of the bust of Nefertiti at the Egyptian Museum Berlin are its popularity, media interest in alleged demands for restitution, and the poor presentation of the original. A decade of familiarity with the Nefertiti bust has allowed the author, who was director of the Egyptian Museum in Berlin from 1989 to 2009, to trace the modern history of this world-famous, 3,300-year-old sculpture—from its discovery and its reception in art and literature of the twentieth century to current reevaluations—and to present his findings. He turns a pretty cover girl into a profoundly touching masterpiece, an exemplar of one of the most interesting epochs of Ancient Egyptian art and history.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e(English\/Arabic\u0026nbsp;edition ISBN 978-3-7757-3485-1)\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874801840392,"sku":"9783775735513","price":9.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775735513_0feb9062-09f0-451c-8c75-7b4357b20953.jpg?v=1744110992"},{"product_id":"17317-rosa-barba","title":"Rosa Barba","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eRosa Barba (*1972 in Agrigent) works with the basic elements of the cinema: celluloid, light, projector, and sound. She dissects the structure of the narrative and plays with the often improbable characters, places, and stories of the medium of film. Her exploration of space, time, and language is crucial to the process. This publication presents her new project, which, like a story or a play in different acts, stretches out across two exhibition chapters: “Chapter 1” was shown in the Kunsthaus Zürich (June 6–\u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"9\" Day=\"9\" Year=\"2012\"\u003eSeptember 9, 2012\u003c\/st1:date\u003e), curated by Mirjam Varadinis. “Chapter 2” presented at the Bergen Kunsthall (February 2–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"3\" Day=\"17\" Year=\"2013\"\u003eMarch 17, 2013\u003c\/st1:date\u003e) is curated by Solveig \u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: Arial; mso-ansi-language: EN-GB\"\u003eØ\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003evsteb\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: Arial; mso-ansi-language: EN-GB\"\u003eø\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003e. The project revolves around a 35mm film, Time as Perspective, which Barba shot during the spring in \u003cst1:State w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eTexas\u003c\/st1:place\u003e\u003c\/st1:State\u003e—fascinated by the desert landscape, which she approaches from an almost archaeological perspective on a quest for inscribed signs and times.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eExhibition schedule: \u003cst1:place w:st=\"on\"\u003e\u003cst1:City w:st=\"on\"\u003eBergen\u003c\/st1:City\u003e\u003c\/st1:place\u003e Kunsthall, February 2–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"3\" Day=\"17\" Year=\"2013\"\u003eMarch 17, 2013\u003c\/st1:date\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874801905928,"sku":"9783775735605","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775735605_900776f6-1caa-4c40-8a97-c12c16e3f446.jpg?v=1744131857"},{"product_id":"17396-when-now-is-minimal","title":"When Now Is Minimal","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eThe aesthetic fundamentals of sixties Minimal Art continue to define the art of today. This volume shows the ways that various generations of artists deal with Minimalist ideas within the framework of contemporary creative methods. Besides the artists who persist in advancing the Minimalist discourse of the sixties, the book also features young artists who freely and playfully carry on the approaches used by their predecessors, varying them and translating them into their own, new forms of expression. The cornucopia of selected media and a few debuts of several works from the Goetz Collection—from works on paper, paintings, photographs, and sculptures to wall and light installations—demonstrate the currency of the approach. Co-conceived by the artist Gerwald Rockenschaub, this volume is also exemplary of the Minimalist style.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eArtists featured (selected): Martin Boyce, Alan Charlton, Wade Guyton, Peter Halley, Imi Knoebel, Anthony McCall, Blinky Palermo, Gerwald Rockenschaub, Reiner Ruthenbeck, Fred Sandberg, Wolfgang Tillmans, Rosemarie Trockel, Andrea Zittel, and others\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eExhibition schedule: Neues Museum, Nuremberg, July 19\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 12pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e–\u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"10\" Day=\"20\" Year=\"2013\"\u003eOctober \u003cSPAN style=\"mso-bidi-font-family: Arial\"\u003e20, 2013\u003c\/SPAN\u003e\u003c\/st1:date\u003e\u003cSPAN style=\"mso-bidi-font-family: Arial\"\u003e | Museion, Bolzano, \u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"11\" Day=\"23\" Year=\"2013\"\u003eNovember 23, 2013\u003c\/st1:date\u003e\u003c\/SPAN\u003e–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"10\" Day=\"5\" Year=\"2014\"\u003eOctober \u003cSPAN style=\"mso-bidi-font-family: Arial\"\u003e5, 2014\u003c\/SPAN\u003e\u003c\/st1:date\u003e\u003cSPAN style=\"mso-bidi-font-family: Arial\"\u003e | Sammlung Goetz, Munich, 2015\/2016\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49640306770184,"sku":"9783775736473","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736473_d565bdc4-f2a2-4863-b9ec-3cbe665a5417.jpg?v=1744146995"},{"product_id":"17495-christine-turnauer","title":"Christine Turnauer","description":"\u003cP\u003e\u003cFONT size=2 face=TheSans\u003eChristine Turnauer is a seeker, a wanderer between the worlds. She has been interested in the individuality and diversity of people since her childhood. For her, they are “like snowflakes.” We all know what it is like to intuitively understand a person, to comprehend someone at a glance, as lovers do. On her extended journeys Turnauer tries to capture this moment of absolute presence in her photographs. Without artificial lighting and in front of a neutral, preexisting background, each one of her touching black-and-white portraits represents an irrevocable encounter. Occasionally, one also sees the back of a person’s neck, a part of the body that signals vulnerability. Great trust and unconditional mutual respect form both the foundation for Turnauer’s artistic work and the core of the incomparable radiance of her portraits of people from very different cultures.\u003c\/FONT\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755187970312,"sku":"9783775737487","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775737487_01c5922b-dc77-4902-9b31-08484cb7840a.jpg?v=1744051526"},{"product_id":"17561-robert-longo","title":"Robert Longo","description":"\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003eSTAND was a site-specific installation, which in 2012 activated the architecture of the Capitain Petzel gallery in Berlin. The building was shrouded with an enormous depiction of the American flag in black and white. Upon entering the gallery, the viewer was confronted with a large charcoal drawing, upon which the exterior of the gallery was based. This was flanked by two drawings: one depicting a claustrophobic mass of Occupy Wall Street protesters; the other, a lone American soldier walking towards an uncertain and ominous future. With the consent of the artist, Robert Longo also updated the style and content of Hans Haackes \u003cI style=\"mso-bidi-font-style: normal\"\u003eOelgemaelde, Hommage à Marcel Broodthaers \u003c\/I\u003e(1982). \u003cSPAN style=\"mso-spacerun: yes\"\u003e\u0026nbsp;\u003c\/SPAN\u003efor the exhibition, replacing Ronald Reagan opposite a large-scale image of a protest over the deployment of American missiles in Bonn, Germany, with President Obama opposite Tea Party protesters. The rest of the gallery held a group of 25 drawings, a performance based around a complete reading of the classic American novel \u003c\/SPAN\u003e\u003cI\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: PrimusTB-RegularItalic\"\u003eMoby Dick \u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: PrimusTB-RegularItalic; mso-bidi-font-style: italic\"\u003ealso\u003cI\u003e \u003c\/I\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003etook place. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526190981384,"sku":"9783775738149","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738149_0eb8ba46-3adb-4f0e-9a63-438bf73ee8ed.jpg?v=1744130634"},{"product_id":"17717-hisachika-takahashi","title":"Hisachika Takahashi","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003cFONT face=\"TheSansOsF Plain\"\u003eBetween 1971 and 1972, a remarkable cross-section of New York’s downtown creative community participated in a collaborative drawing project conceived by Hisachika Takahashi (*1940 in Tokyo), an artist and studio assistant to Robert Rauschenberg. Repurposing a primary school exercise, Takahashi asked each artist to draw a map of the United States from memory. Contributions from the twenty-two participants—among them Jasper Johns, Joseph Kosuth, Brice Marden, Gordon Matta-Clark, Keith Sonnier, and Lawrence Weiner—range from sensitive renderings to visualized reminiscences and sly riffs on the process of mapping. After decades in storage, the drawings came to light in 2013. This publication reproduces the entire series and features comments from participants. \u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003cFONT face=\"TheSansOsF Plain\"\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003cSPAN lang=EN-US AR-SA?? mso-bidi-language: DE; mso-fareast-language: Roman?; New ?Times mso-bidi-font-family: mso-fareast-font-family: EN-US; mso-ansi-language: Plain?,?sans-serif?; TheSansOsF\u003eArtists featured (selection): Arakawa, Jed Bark, Mel Bochner, Juan Downey, Alex Hay, Jasper Johns, Joseph Kosuth, Jefrey Lew, Jane Logemann, Brice Marden, Gordon Matta-Clark, Richard Nonas, Robert Petersen, Robert Rauschenberg, Dorothea Rockburne, James Rosenquist, Keith Sonnier, Cy Twombly, Susan Weil, Lawrence Weiner, Robert Whitman, Don Wyman\u003c\/SPAN\u003e\u003c?XML:NAMESPACE PREFIX = \"O\" \/\u003e\u003cO:P\u003e\u003c\/O:P\u003e\u003c\/SPAN\u003e \u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49640306802952,"sku":"9783775739726","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739726_bebbcf03-1f77-435c-b118-271e7464b85c.jpg?v=1744098923"},{"product_id":"17732-lyonel-feiningeralfred-kubin","title":"Lyonel Feininger\/Alfred Kubin","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e“Of all of the contemporary draftsmen, I admire you the most,” wrote Alfred Kubin on November 25, 1912, in a letter to Lyonel Feininger. After the two had exchanged drawings with one another, they began an intense correspondence. Their letters are being published in this book for the first time, providing profound insight into the minds of Kubin and Feininger.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003eBesides drawings by Feininger from Kubin’s estate, the volume presents an extraordinary selection of drawings and prints by the latter, whose body of work full of dismal symbolism has not lost any of its fascination. Beginning with early drawings by Kubin and commercial caricatures by Feininger, the exhibition traces the artistic paths of two men who corresponded as soul mates yet developed in very different directions: Kubin shifted his attention to the illustration of literary works, while Feininger discovered painting.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt\"\u003eExhibition: Internationale Tage, Ingelheim, 24.5.–2.8.2015 | Albertina, Wien\/Vienna, 4. \u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e9.2015–10.1.2016\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874803446024,"sku":"9783775739894","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739894_40e61fea-0b08-4bae-993c-136cfc660611.jpg?v=1744112702"},{"product_id":"17752-bob-gysin-partner-bgp-architekten","title":"Bob Gysin + Partner BGP Architekten","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; TEXT-AUTOSPACE: ; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eSustainability has become a guiding principle of the twenty-first century. For the architectural office Bob Gysin + Partner BGP, this is not only an ecological premise but also stimulates and drives its architectural work. They have been setting standards with this approach for forty years and count among the leaders and pioneers in the European architecture scene. \u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; TEXT-AUTOSPACE: ; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eThe catalogue presents their modes of thought and methods and provides insight into their planning and implementation practices, which can be attributed to the uniqueness of their projects—from the Chriesbach aquatic research institute to the new headquarters of Greenpeace. It is furthermore an opportunity to address the simultaneous practice of architecture and art and their interconnectedness with sustainability. At the same time, it repeatedly succeeds in transgressing boundaries as well as connecting social involvement and cultural relevance with one another.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45284350558472,"sku":"9783775740098","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740098_7b31c22f-039d-4ae5-aadb-2b74376e52c7.jpg?v=1744049958"},{"product_id":"17760-joo-louro","title":"João Louro","description":"\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt\"\u003eThe book produced to accompany the presence of João Louro (*1963 in Lisbon) as the official representative of Portugal at the 56th Venice Biennale with the exhibition I Will Be Your Mirror—Poems and Problems is presented as the state of the art of Louro’s oeuvre, which, since the nineties, has developed a well-informed questioning of the meaning of the image as an object or sign and of language as a symbolic representation. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt\"\u003eLouro is an intensely conceptual artist, one whose intensity is demonstrated in his presentation and interpretation of the world. He is interested in generating new semantic aspects and raising doubts about norms accepted by our visual culture.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt\"\u003eThe texts by María de Corral, Paulo Herkenhoff, Delfim Sardo, and Nuno Crespo, authors who have a deep knowledge of João Louro’s work, are accompanied by images that show us the overall body of João Louro's production, including some works produced specifically for this exhibition.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none; mso-pagination: none\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526191210760,"sku":"9783775740173","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740173_96618580-4b6d-4ff3-92a9-03d9c47ea0a3.jpg?v=1744104877"},{"product_id":"17768-chienchi-chang","title":"Chien-Chi Chang","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 14.0pt; mso-ansi-language: EN-US\"\u003e“Today is Monday, so this must be Zurich.” For those who travel a lot, the world becomes a steel-and-concrete construct of interchangeable flight crews, hotel rooms, and check-in counters. In this jet-setting life, the most important thing is that the power adapter fits. For \u003cI style=\"mso-bidi-font-style: normal\"\u003eJet Lag,\u003c\/I\u003e award-winning photographer Chien-Chi Chang (*1961 in Taiwan) has created succinct black-and-white images of globalized disconnect. In these photographs, reality is less a touchstone than a distraction: the crucial space is “between.” Planes and beds and flickering screens provide the only continuity, and there is little human warmth except the body heat of the passenger in the next seat and the sounds coming through the wall from the adjacent room. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 14.0pt; mso-ansi-language: EN-US\"\u003e\u003cSPAN style=\"mso-spacerun: yes\"\u003e\u0026nbsp;\u003c\/SPAN\u003eChien-Chi Chang has been a member of Magnum Photos since 2001. His several series about alienation—in mental states, in marriage, in nationality—have been exhibited throughout the world, creating a sensation in 2001 and 2009 at the Venice Biennale.\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'TheSans Plain'; mso-bidi-font-size: 14.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'; mso-hansi-font-family: 'TheSans Plain'\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874803577096,"sku":"9783775740258","price":39.8,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740258_c71c3b0d-358b-4bdb-965b-f9a03c300cce.jpg?v=1744051333"},{"product_id":"17786-skulptur","title":"Skulptur","description":"\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eskulptur\u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e includes exceptional work by seventeen contemporary sculptors from Denmark, Finland, Iceland, Norway, and Sweden who were selected by the Royal British Society of Sculptors, London. From performance to object-based, video, and installation, their work embraces all aspects of the sculptural and challenges notions of the Nordic in its refreshing diversity. While Elmgreen \u0026amp; Dragset provocatively hold up a mirror to Copenhagen’s \u003cI\u003eLittle Mermaid, \u003c\/I\u003eSigurður Guðjónsson creates immersive sound and video installations of the vast, barren Icelandic landscapes and seascapes, and Swedish artist Michael Johansson gives the façade of the historic Royal British Society of Sculptors a ‘facelift,’ while Norwegian performance artist Karianne Stensland uses a pneumatic drill to carve marble while in a hypnotic state. Also included are essays on contemporary sculptural practice from each of the five countries\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003cFONT face=Calibri\u003e.\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\u003c\/SPAN\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eThe participating artists: Nanna Abell, Jacob Dahlgren, Elmgreen \u0026amp; Dragset, Sigurður\u0026nbsp;Guðjónsson, Marianne Hall, Timo Heino, Michael Johansson, Otto Karvonen, Tove Kjellmark, Anne Koskinen, Mariken Kramer, Maija Närhinen, Gudrun Nielsen, Laila Pullinen, Karianne Stensland, Hartmut Stockter, Jarno Vesala.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 12pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eExhibitions: Royal British Society of Sculptors Galleries, London 4.2.–15.5.2015; Prince’s Gardens, Imperial College, London 4.2.–15.5.2015; Goethe-Institut, London 4.2.–15.5.2015\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003cSPAN style='FONT-SIZE: 11pt; FONT-FAMILY: \"Calibri\",\"sans-serif\"; mso-ansi-language: DE; mso-fareast-font-family: Calibri; mso-bidi-font-family: \"Times New Roman\"; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-theme-font: minor-latin'\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; LINE-HEIGHT: 107%; mso-ansi-language: EN-US; mso-fareast-font-family: Calibri; mso-bidi-font-family: \"Times New Roman\"; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526191341832,"sku":"9783775740432","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740432_c459388c-1c97-4d12-b7d4-a3d4caa546f6.jpg?v=1744135374"},{"product_id":"17795-transparencecalder-picabia","title":"TransparenceCalder \/ Picabia","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eTransparence: Calder\/Picabia\u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e is the first publication to explore the important aspect of transparency in the oeuvres of the two artists. Alexander Calder (1898–1976) und Francis Picabia (1879–1953) are both regarded as great innovators of twentieth-century modernism. The volume creates an interface between selected works from the late twenties to the post-World War II period. It casts light on the ensuing dialogue between Calder’s radically new creations—for instance his works made of wire—the first to use transparency as a means of expression in sculpture, and Picabia’s abstracting contour pictures, his “transparencies,” and paintings that make reference to these. Arnauld Pierre and George Baker, renowned experts on the work of both artists, examine the significance and impact of these correspondencies in accompanying essays.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: DE\"\u003eAusstellung\/Exhibition: Hauser \u0026amp; Wirth, Zürich 14.6.–25.7.2015\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526191374600,"sku":"9783775740524","price":78.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740524_512138a4-7a94-4724-8242-3d3706e8928e.jpg?v=1744142608"},{"product_id":"17799-julian-schnabel","title":"Julian Schnabel","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US'\u003eAt thirty-six, Julian Schnabel was not only represented in the most important exhibitions of his time; retrospectives of his works were already being celebrated in major museums such as the Stedelijk Museum, the Tate in London, or the Centre Pompidou in Paris. 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What is striking is their influence on younger generations of artists and on the current debate on painting.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874803708168,"sku":"9783775740562","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740562_d69b8ff7-5adb-4766-aa18-b5a66e496b25.jpg?v=1744105025"},{"product_id":"17823-personalities","title":"Personalities","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eIn \u003cI style=\"mso-bidi-font-style: normal\"\u003ePersonalities,\u003c\/I\u003e people open doors into their very personal immediate surroundings: their homes and spaces of creative work. As different as they are, what connects them is something very special: the USM modular furniture system.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eWe set out on a journey into their lifeworlds and let them tell the stories behind the pieces of furniture—each one as individual as their owners. While the stories constitute the heart of \u003cI style=\"mso-bidi-font-style: normal\"\u003ePersonalities, \u003c\/I\u003ewell-known specialist authors supplement the subject of “personality” with a psychological and sociological perspective.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eWe take a trip into personality psychology, cast a glance in the direction of popular culture, and ultimately take a look at personality in the field of tension between having and being, between material culture and lifestyle.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eThe diversity of those portrayed is reflected in the variety of the accompanying essays, which call attention to the facets around the concept of personality in an entertaining and unexpected way.\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874803740936,"sku":"9783775740807","price":9.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740807_a47fd5fc-7a39-49c5-a1bc-45a5194eac9b.jpg?v=1744124820"},{"product_id":"17835-taryn-simon","title":"Taryn Simon","description":"\u003cP class=MsoNormal style=\"BACKGROUND: white; MARGIN: 0cm 0cm 10pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eIn 1936, an American ornithologist named James Bond published the definitive taxonomy\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 12.0pt\"\u003e\u0026nbsp;\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eBirds of the \u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:place w:st=\"on\"\u003eWest Indies\u003c\/st1:place\u003e. Ian Fleming, an active bird-watcher living in \u003cst1:country-region w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eJamaica\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e, appropriated the name for his novel’s lead character. He found it “flat and colourless,” a fitting choice for a character intended to be “anonymous. . . a blunt instrument in the hands of the government.”\u0026nbsp;\u003cBR\u003eIn\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 12.0pt\"\u003e\u0026nbsp;\u003c\/SPAN\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eField Guide to\u0026nbsp;Birds of the West Indies\u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003e, Taryn Simon (*1975) casts herself as James Bond (1900–1989) the ornithologist, and identifies, photographs, and classifies all the birds that appear within the twenty-four films of the James Bond franchise. The appearance of many of the birds was unplanned and virtually undetected, operating as background noise for whatever set they happened to fly into. Simon’s ornithological discoveries occupy a liminal space—confined within the fiction of the James Bond universe and yet wholly separate from it. This taxonomy of 331 birds is a precise consideration of a new nature found in an alternate reality. \u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49664372375816,"sku":"9783775740920","price":78.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740920_a743a78e-21da-48f2-8660-7cac7b4aac40.jpg?v=1744139589"},{"product_id":"17836-up-up","title":"Up Up","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"mso-ansi-language: EN-US\"\u003eThe publication \u003cI style=\"mso-bidi-font-style: normal\"\u003eUp Up—Stories of Johannesburg’s Highrises\u003c\/I\u003e presents a selection of buildings in the inner city of Johannesburg. The focus lies on tall modernist towers that stood out at the time they were constructed. Witnesses to profound shifts in the political history of the metropolis, the buildings have gone through immense changes. They are documented in two distinct sections: One the one hand the formal architecture is presented with facts, floor plans, archival discoveries and contemporary images of the interior and the exterior. On the other hand each building is accompanied by a reportage or subjective essay on the inner workings of the building. Interviews with residents, research based texts on contemporary issues and independent contributions from invited writers, artists and photographers allow brief insights into the old and new lives of these towers.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526191472904,"sku":"9783775740937","price":9.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740937_7bde88e3-c747-4160-af7e-65910843252b.jpg?v=1744143948"},{"product_id":"17866-valentin-carron","title":"Valentin Carron","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 10pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eWhen Valentin Carron (*1977 in Martigny) was free to install his sculptures in the Swiss Pavilion in the Venice Giardini within the scope of the 2013 Biennale, the international art scene long since knew that he was one of the outstanding Swiss artists of his generation. Yet what constitutes the young Valaisian’s oeuvre? For the most part surely his profound affinity for his home, which can be considered one of his crucial sources of inspiration—Carron grew up in Valais and still lives and works there. At the same time, Carron’s works develop a second, defining component: they repeatedly ignite the issue of original and copy, of what tradition and identity can be. By reproducing familiar and traditional forms from his country using new materials, he allows space for their iconic meaning and impact in order to exhibit them with an ironic gesture. By doing so, the pristine white edelweiss is time and again exposed as being pristine white kitsch.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT face=Calibri\u003eExhibition: Overbeck-Gesellschaft, Lübeck 22.11.2015–7.2.2016\u003c\/FONT\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49690241958152,"sku":"9783775741231","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741231_2b76c1ed-afd3-4f74-8384-4c79c87d1014.jpg?v=1744144090"},{"product_id":"17871-basim-magdy-would-a-firefly-fear-the-fire-that-burns-in-its-heart","title":"Basim Magdy. Would a Firefly Fear the Fire that Burns in Its Heart?","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial'\u003eBasim Magdy (*1977 in Assiut, Egypt)—the Deutsche Bank’s 2016 “Artist of the Year”—has already presented his multifaceted oeuvre in numerous international group exhibitions. These include the biennales in Sharjah and Istanbul in 2013, the Biennale de Montréal in 2014, as well as the exhibitions \u003cI style=\"mso-bidi-font-style: normal\"\u003eWelcome to the Jungle\u003c\/I\u003e at the KW Institute for Contemporary Art, Berlin, and \u003cI style=\"mso-bidi-font-style: normal\"\u003eOcean of Images: New Photography\u003c\/I\u003e 2015 at the Museum of Modern Art in New York.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial'\u003eMagdy’s films, photographs, and drawings focus on structures of seeing, remembering, and archiving. His works often call to mind surreal narratives full of abysmal humor. The artist uses his psychedelically colored pictures and montages to scrutinize collective utopias and express doubt about dogmas and ideologies. At the same time, he appeals to the viewer’s power of imagination and causes alternative realities and designs for society to shine out. \u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial'\u003e\u003cSPAN style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: DE; mso-fareast-font-family: \"MS ??\"; mso-bidi-font-family: Arial; mso-fareast-language: DE; mso-bidi-language: AR-SA'\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial'\u003e\u003cSPAN style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: DE; mso-fareast-font-family: \"MS ??\"; mso-bidi-font-family: Arial; mso-fareast-language: DE; mso-bidi-language: AR-SA'\u003eExhibition: Deutsche Bank KunstHalle, Berlin 29.4.–3.7.2016\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874804068616,"sku":"9783775741286","price":39.8,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741286_532d66f6-3a06-44ec-a32d-97591dc52558.jpg?v=1744046764"},{"product_id":"17921-keine-angst-vor-partizipation","title":"Don't Be Afraid to Participate","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"BORDER-TOP: medium none; FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; BORDER-RIGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium none; mso-ansi-language: EN-US; mso-fareast-font-family: Arial; mso-bidi-font-family: Arial\"\u003eThe further development of housing in the major European cities faces a number of challenges in these days of rampant urbanization. This trend is coupled with a growing interest in home ownership and increasingly diverse domestic requirements as a result of demographic change. In response to these challenges, new building initiatives are being formed with the aim of meeting individual requirements through self-determined forms of organization. These housing projects take a communal approach to both the planning process and later day-to-day living: Participation!\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"BORDER-TOP: medium none; FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; BORDER-RIGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium none; mso-ansi-language: EN-US; mso-fareast-font-family: Arial; mso-bidi-font-family: Arial\"\u003eFrom A for Architect to Z for Zoning, this book provides a brief and informative overview of all the key terms describing communal planning and living. These terms accompany the development of ideas and concepts as well as the planning processes for housing projects and map their inner structure. They are part of the communication between residents, client and architect, and describe the path toward the ultimate goal of living in a functioning community.\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"BORDER-TOP: medium none; FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; BORDER-RIGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium none; mso-ansi-language: EN-US; mso-fareast-font-family: Arial; mso-bidi-font-family: Arial\"\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"BORDER-TOP: medium none; FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; BORDER-RIGHT: medium none; BORDER-BOTTOM: medium none; BORDER-LEFT: medium none; mso-ansi-language: EN-US; mso-fareast-font-family: Arial; mso-bidi-font-family: Arial\"\u003e\u003cFONT size=4\u003eExhibition: Architekturmuseum TU München in der Pinakothek der Moderne\u0026nbsp;17.3.–12.6.2016\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874804232456,"sku":"9783775741781","price":4.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741781_82b4393e-3f77-48e5-8f69-cd3d7b8f0a5b.jpg?v=1744106489"},{"product_id":"17924-fred-herzog","title":"Fred Herzog","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 10pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US\"\u003eFred Herzog is known for his unusual use of color in the 1950s and 1960s, a time when art photography was almost exclusively associated with black and white imagery. The Canadian photographer worked almost exclusively with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide. In this respect, his photographs can be seen as a pre-figuration of the New Color photographers of the seventies.This book will bring together over 230 images, many never before reproduced, and will feature essays by acclaimed authors David Campany and Hans-Michael Koetzle. \u003cem\u003eFred Herzog\u003c\/em\u003e will be the most comprehensive publication on this important photographer to date.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44634898727176,"sku":"9783775741811","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741811_9213ccf0-3199-4b02-a9e6-f4c339397481.jpg?v=1744285451"},{"product_id":"17949-karolin-klueppel","title":"Karolin Klüppel","description":"\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 10pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eKarolin Klüppel (*1985 in Kassel) can already look back at a body of creative work that enjoys a wide range of enthusiastic reviews and awards. This extraordinary resonance is due to the elegant alternation of her photographs between documentation and composition as well as her marked sense of impressive subjects. The pictures in the\u0026nbsp;\u003cEM\u003eKingdom of Girls\u003c\/EM\u003e\u0026nbsp;series stand out not only due to their powerful and contemplative aesthetic, they also tell a story. The girls’ faces reveal the lifeworld and culture of the Khasi, an indigenous people in the Indian state of Meghalaya with a matrilineal social system: the youngest daughter is given preference in the order of succession. When she marries, her husband moves into her family’s home, the children receive the mother’s name. Only the birth of a daughter guarantees the continuity of the clan. 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Architecture is often represented as a product or disembodied object. This view transforms inhabitants into spectators of an architecture that is dematerialized, delocalized, dehumanized and reduced into an image of itself. The collaboration between Mimram and Attali aims for an all-encompassing approach, placing the architecture within its time-frame and physical environment, rather than presenting mere glossy images of the projects. This triple volume builds a new visual vocabulary through which to interpret the structures. The social functionality of public architecture is addressed, largely absent in architectural photography and the communication of built space until now. The first volume focuses on a two-year photographic documentation of the construction of the Airtime building in Paris. The second volume presents an overview of Mimram\u0026rsquo;s works around the world: bridges, train stations and academic institutions from France to Morocco and China. The third volume focuses on the newly redesigned home to the French Open, Roland-Garros. With texts by Marc Mimram, Erieta Attali, Ariel Genadt, Jean Attali, Paul Chemetov, Zvi Hecker and Sir Peter Cook.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem style=\"font-family: \u0026quot;Open Sans\u0026quot;, Arial, Helvetica, sans-serif; font-size: 12px;\"\u003e\u0026quot;Architecture is an art of transformation, the dialog between the photography and the projects can participate to the understanding of its coherency, its generosity.\u003c\/em\u003e\u003cem\u003e\u0026rdquo; \u003c\/em\u003e\u0026ndash; Marc Mimram\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188068616,"sku":"9783775744034","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744034_13e555ce-5196-4686-8389-9c2f51bb626a.jpg?v=1744114265"},{"product_id":"17975-sean-scully","title":"Sean Scully","description":"\u003cp\u003eThis catalogue, the second volume in a proposed series of five, chronicles Sean Scully\u0026rsquo;s paintings of the 1980s. Beginning with major breakthrough works early in the decade, it profiles the development of Scully\u0026rsquo;s mature style as well as his growing success in America and internationally.\u003c\/p\u003e\n\n\u003cp\u003eScully, a native of Ireland, was educated in England and moved to the United States in 1975. By the early 1980s, he was established in New York and making works that would influence his work years to come. In works both small (\u003cem\u003eSolomon\u003c\/em\u003e) and large (\u003cem\u003eHeart of Darkness\u003c\/em\u003e), Scully developed a powerful style of richly painted stripes and shapes with a masterly control of color and strongly built canvases. In an era of low regard for abstract painting, Scully invigorated and reinvented the form to include rich evocations of places, literature and other art forms, and emotions. By the end of the decade, he was universally regarded as one of the most important artists of the second half of the twentieth century.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188101384,"sku":"9783775742320","price":98.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742320_6efbd818-fbcd-4805-ae12-ccce131cf960.jpg?v=1744133700"},{"product_id":"17985-fernando-casasempere","title":"Fernando Casasempere","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 8pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003eThe sea of flowers he presented in the courtyard of Somerset House during the 2012 Olympic Games in London made him and his art famous on the international stage: the Chilean sculptor Fernando Casasempere (*1958 in Santiago, Chile) placed ten thousand ceramic daffodils on the otherwise carefully mowed lawns there. Casasempere molded each one individually out of clay from his homeland, using the spring blossoms to draw attention to the wonders of nature with which humans destructively interfere\u0026mdash;in this case, with lawn mowers. Casasempere, who has lived in England since 1997, also employs clay to make far more experimental sculptures, such as seemingly liquid marble columns or vaulted and bulging shapes, through which he repeatedly questions humankind\u0026rsquo;s treatment of the environment. This richly illustrated catalogue is an impressive presentation of the development of his body of work over the past twenty-five years.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526191931656,"sku":"9783775742429","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742429_b302d598-820e-4d3b-97d8-c8b2724753bf.jpg?v=1744063169"},{"product_id":"18008-florian-geiss","title":"Florian Geiss","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 10pt\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US\"\u003eYearning, vulnerability, self-image, and desire\u0026mdash;all of this can be found in the densely atmospheric photographs by Florian Geiss (*1969 in Koblenz, Germany), which emanate a fascinating, yet disturbing aura. \u003ci style=\"mso-bidi-font-style: normal\"\u003eGimme Shelter\u003c\/i\u003e is a book whose photographs focus on their protagonists\u0026rsquo; search for identity and individuality within the iconic, tense context known as the American way of life. With their interplay of light and shadow, and minimal, yet succinct colors, these works of art unite formal elements of cinematic advertising aesthetics with traditional American color photography. Intimate portraits and panoramic landscape pictures open up spaces for questions about belonging and unconventionality, dreams of life, and reality.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192062728,"sku":"9783775742658","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742658_675b5f6c-57ad-43c0-a231-17f330dba760.jpg?v=1744063278"},{"product_id":"18014-mark-bradford","title":"Mark Bradford","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 115%\"\u003e\u003ci\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003eTomorrow is Another Day\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003e is not only a catalogue for Mark Bradford\u0026rsquo;s representation of the United States at the 2017 Venice Biennale; it is a different kind of book. This substantial publication blends the biographical with the historical and political. The interwoven stories in the book are eloquently told\u0026nbsp;through\u0026nbsp;vivid archival photographs and documents as\u0026nbsp;well as by a chorus of compelling voices from across contemporary culture. The book also\u0026nbsp;includes a lengthy, revealing, and in-depth interview with Mark Bradford himself. \u003c\/span\u003eThe publication \u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003emakes a significant and important contribution to our\u0026nbsp;understanding of the work and\u0026nbsp;practice of one of today\u0026rsquo;s\u0026nbsp;most influential\u0026nbsp;contemporary artists and at the same time explores urgent and timely issues that art\u0026nbsp;\u0026mdash; and artists\u0026nbsp;\u0026mdash; can powerfully address.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192095496,"sku":"9783775742719","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742719_153c4d29-2dd4-4c03-859b-43ee6316ec9d.jpg?v=1744115229"},{"product_id":"16095-richard-paul-lohse-drucke","title":"Richard Paul Lohse. Prints","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-bidi-font-family: Arial\"\u003eRichard Paul Lohse is one of the founders of systematic-constructive art in the twentieth century. This second volume of the catalogue raisonn\u0026eacute; is devoted to his works on paper: 172 original prints and multiples, created between 1940 and 1987. This book is not only an indespensable standard reference for all scholars, art dealers, and collectors, it also provides detailed accounts of Lohse\u0026rsquo;s collaboration with publishers, printers, and fellow artists. The chapters shed light on personalities, institutions, and events that were to have a lasting impact on the course of artistic culture in\u003c!--?xml:namespace prefix = \"st1\" \/--\u003e\u003cst1:country-region w:st=\"on\"\u003eSwitzerland\u003c\/st1:country-region\u003e and \u003cst1:place w:st=\"on\"\u003eEurope\u003c\/st1:place\u003e. The color illustrations are not confined to the complete prints, but include project-related printed matter, in most cases likewise designed by Lohse. This book also affords new insights into Lohse\u0026rsquo;s work both with and on color and the complex interrelations between prints, paintings, and drawings.\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192161032,"sku":"9783775723091","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775723091_24ccff45-7bf4-4b6d-88fb-8ffa780a2587.jpg?v=1744130444"},{"product_id":"16185-ville-lenkkeri","title":"Ville Lenkkeri","description":"\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eVille Lenkkeri (*1972 in Oulu, Finland) is one of the graduates of the famous Helsinki School, whose brilliant works have drawn worldwide attention to Finland’s contemporary photography scene. Hatje Cantz published Lenkkeri’s debut book, \u003cI style=\"mso-bidi-font-style: normal\"\u003eReality in the Making,\u003c\/I\u003e in 2006, and the reception was enthusiastic: “If the strength of Finnish photography is in gathering together irony, skillful craftsmanship, humor, and reflection on media, then it has found one of its most talented representatives in Ville Lenkkeri,” wrote \u003cI\u003ePHOTO International.\u003c\/I\u003e\u003cSPAN style=\"mso-bidi-font-style: italic\"\u003e\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; mso-bidi-font-style: italic\"\u003eFor his new book, Lenkkeri made several visits to two Russian towns on Spitzbergen. \u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eTo him, a now-deserted mining settlement appeared “not as a depressing . . . scar on the Arctic landscape, but as a formerly just and happy commonwealth . . . where competitive hierarchies had been abolished in favor of equality.” The journey became a “personal quest for alternative ways of living,” the place itself “a utopia in many respects, not least for having failed to exist” (Ville Lenkkeri).\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eExhibition schedule: Kulturhuset, S\u003c?xml:namespace prefix = \"st1\" \/\u003e\u003cst1:city w:st=\"on\"\u003etockholm, F\u003c\/st1:city\u003eebruary 14–May 17, 2009 · Finsk-norsk kulturinstitutt, Oslo, May 28–August 16, 2009 · \u003cst1:placename w:st=\"on\"\u003eSynart\u003c\/st1:placename\u003e \u003cst1:placename w:st=\"on\"\u003eArt\u003c\/st1:placename\u003e \u003cst1:placename w:st=\"on\"\u003eGallery\u003c\/st1:placename\u003e, \u003cst1:place w:st=\"on\"\u003eFrankfurt\/Main\u003c\/st1:place\u003e, September 2009 · And further venues\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49767662190856,"sku":"9783775723992","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775723992_c2e49460-4cb7-43b2-8f2c-318d2f65144a.jpg?v=1744145334"},{"product_id":"17602-tor-seidel","title":"Tor Seidel","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \"TheSansOsF ExtraLight\"'\u003eDubai was rapidly transformed by the discovery of oil in the nineteen-fifties. Within a brief period the num\u0026shy;ber of inhabitants rose three hundred percent. The construction of the world’s tallest buildings in the desert metropolis was followed by scores of amuse\u0026shy;ment parks, two hundred artificial islands, tourism, and consumption. New Dubai emerged without any historical precedents, a concept of a center, or logical network of streets. Tor Seidel (* 1964) views this frag\u0026shy;mented urban landscape from a distance. Resisting the allure of these outward appearances, he points to the yawning gaps in this façade. In his photographs giant shopping malls are spread out before the mel\u0026shy;ancholy backdrop of mammoth building projects that have been abandoned. The artist does not make clear whether his photographs have been digitally edited or are authentic depictions of reality, and thus \u003cI\u003eThe Dubai \u003c\/I\u003ebecomes an allegory of a dazzling metropolis situated between promise and illusion.\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US'\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807640328,"sku":"9783775738569","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738569_ec2dd045-7ed2-4553-89f1-016b23795ee8.jpg?v=1744142561"},{"product_id":"17832-franz-roeckle","title":"Franz Roeckle","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; TEXT-AUTOSPACE: ; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US; mso-bidi-font-family: FrutigerLTStd-Light'\u003eIt may come as a surprise that a comprehensive volume on the buildings by the Liechtenstein architect has never been published. A partial reason for this may be found in the ambiguous personal background of Franz Roeckle (1879–1953) and the incompatibility of his political and aesthetic stances: shortly after studying under Theodor Tischer, he won the competition for the construction of the Westend synagogue. It would become one of his most notable buildings and earned him further large-scale construction projects in the region of Frankfurt, including the hospital of the Israelite community and the Israelite nurses’ residence. The caesura came in 1923: the architect sympathized with the National Socialist German Workers’ Party, which he joined in 1932. Yet in 1924 he was in charge of the building of the Institute of Social Research. He was furthermore the architect responsible for the Riedhof residential estate under the direction of Ernst May and was instrumental in the construction of the Dammerstock colony by Walter Gropius.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; TEXT-AUTOSPACE: ; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US; mso-bidi-font-family: FrutigerLTStd-Light'\u003eThis publication draws on the last surviving documents and sources that allow getting an idea of this largely neglected protagonist of the New Architecture movement. \u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807673096,"sku":"9783775740890","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740890_3b6a0d7f-1b5c-4492-9933-31d4bad26b61.jpg?v=1744065774"},{"product_id":"43516-kiki-kogelnik","title":"Kiki Kogelnik","description":"\u003cp\u003eKiki Kogelnik\u0026nbsp;(1935\u0026ndash;1997) worked in the United States for almost four decades, for many years on an equal level with pop artists like Andy Warhol and Roy Lichtenstein. However her work was overlooked for a long time. Kogelnik, who lived and worked in Vienna and New York, investigated themes related to politics, social criticism, the space age and the human body through her often colourful paintings, sculptures, collages and installations. She also experimented with new materials of the time such as vinyl. Kunsthall Stavanger and the Kiki Kogelnik Foundation have worked together to organise\u0026nbsp;\u003cem\u003eInner Life,\u0026nbsp;\u003c\/em\u003ea comprehensive overview\u0026nbsp;focussing on her sculptural works. The exhibition, as well as the abundantly illustrated catalogue present several works that have not been shown since the 1960s, as well as performances and happenings by the influential artist.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: 30.3.\u0026ndash;13.8.2017, Kunsthall Stavanger, Norway\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192718088,"sku":"9783775743372","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743372_f0ed920c-d717-44a7-ac83-28a9676b40b4.jpg?v=1744106623"},{"product_id":"17610-beuys-brock-vostell","title":"Beuys Brock Vostell","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;TheSansOsF ExtraLight\u0026quot;\"\u003eFor the first time, the prominent German artists Joseph Beuys (1921\u0026ndash;1986), Bazon Brock (* 1936), and Wolf Vostell (1932\u0026ndash;1998), who collaborated in the sixties, are being presented in a single publication. In addition to parallels in the content of their work, such as their examination of the Holocaust, the three friends shared certain interests in terms of their approach. All three were involved in developing teaching practices as a form of performance art and in shifting communication, discussion, and demonstrations to the heart of their work. The radical emancipation of the individual and social reform were also common goals. Not only groundbreaking for the de\u0026shy;velopment of the expanded concept of art, their practices also made a fundamental contribution to the performative turn and the development of participatory concepts in twentieth century art.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;TheSansOsF ExtraLight\u0026quot;\"\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;\"\u003eExhibition: ZKM | Museum f\u0026uuml;r Neue Kunst, Karlsruhe 24.5.\u0026ndash;9.11.2014, gef\u0026ouml;rdert von der Kunststiftung NRW\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807804168,"sku":"9783775738644","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738644_ae995668-3e1b-497c-a5e4-507531b0f29a.jpg?v=1744049653"},{"product_id":"17619-enzyklopaedie-der-medien-band-4","title":"Enzyklopädie der Medien. Band 4","description":"\u003cp\u003eFrom Greek antiquity to the present, from the book to the gramophone, from Gutenberg to Google, our culture is defined by changes in recording, storage, and transmission media. In a six-volume selection of his writings, Peter Weibel presents an encyclopedia that addresses all areas of the media world. The author has conceived this series as following in the tradition of the Enlightenment and the\u003cem\u003e Encyclop\u0026eacute;die \u003c\/em\u003eby Denis Diderot and Jean Baptiste le Rond d\u0026rsquo;Alembert. The fourth volume devises a history of literature that shows the chain of mental, formal, and mechanical elements in the production and reception of literature.\u003c\/p\u003e\n\n\u003cp\u003ePETER WEIBEL (* 1944, Odessa) is an internationally known media and conceptual artist, curator, and art and media theoretician. Since the 1960s his work has firmly regarded artistic creativity as an open-ended field of activity. He was head of the ZKM, Karlsruhe until 2020. Since 2017 he has been director of the Peter Weibel Research Institute for Digital Culture at the Universit\u0026auml;t f\u0026uuml;r angewandte Kunst in Vienna.\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188232456,"sku":"9783775738736","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738736_771b2b23-6ad6-4025-b35a-7df0b5a5a165.jpg?v=1744060311"},{"product_id":"17653-bettina-pousttchi","title":"Bettina Pousttchi","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 8pt; mso-margin-top-alt: auto\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; COLOR: #262626; mso-ansi-language: EN-US\"\u003eBettina Pousttchi (*1971) is the 2014 recipient of the Junge Stadt sieht Junge Kunst art prize of the City of Wolfsburg. The German-Iranian artist works in the media of photography, video, and sculpture, and primarily explores the connection between systems of time and space. She became known for her project \u003cI style=\"mso-bidi-font-style: normal\"\u003eWorld Time Clock\u003c\/I\u003e (2008–14), for which he traveled around the world for the purpose of taking photographs of clocks in public space, in each case at five minutes to two, in all of the different time zones. For her work \u003cI style=\"mso-bidi-font-style: normal\"\u003eThe City—A Transnational Skyline, \u003c\/I\u003econceived specifically for the façade of the Wolfsburg Castle, the Berlin-based artist joined together ten skyscrapers—such as the Empire State Building in New York, the Petronas Towers in Kuala Lumpur, or the Burj Khalifa in Dubai—to create a hybrid high-rise backdrop. This and further works in public space, such as the \u003cI style=\"mso-bidi-font-style: normal\"\u003eDrive-Thru Museum\u003c\/I\u003e in Dallas, are presented for the first time in the publication \u003cI style=\"mso-bidi-font-style: normal\"\u003eThe City.\u003c\/I\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 8pt; mso-margin-top-alt: auto\"\u003e\u003cSPAN style=\"FONT-FAMILY: TheSans; COLOR: #262626\"\u003eAusstellungen\/Exhibitions: Städtische Galerie Wolfsburg 24.5.–28.9.2014 \/\u0026nbsp;Nasher Sculpture Center Dallas 12.4.–17.8.2014\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 10pt; LINE-HEIGHT: normal\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192783624,"sku":"9783775739085","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739085_75459122-5868-4df8-bf93-cb751ca38507.jpg?v=1744049572"},{"product_id":"17668-cyberarts-2014","title":"CyberArts 2014","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; BACKGROUND: white; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003eThe book documenting the works that won the \u003c\/FONT\u003e\u003cA href=\"http:\/\/www.aec.at\/\"\u003e\u003cFONT size=2\u003e2014 Prix Ars Electronica \u003c\/FONT\u003e\u003c\/A\u003e\u003cFONT size=2\u003efeatures numerous pictures and texts by the artists and jury members. The DVD contains a selection of prizewinning submissions dealing with current trends. Since its founding in 1987, the Prix Ars Electronica has been an annual barometer of tendencies in digital art and has taken on a pioneering role in discovering artistic innovations. International experts evaluate thousands of submissions to the categories of \"Computer Animation\/Film\/VFX,” “Digital Music \u0026amp; Sound Art,” “Interactive Art,” “Digital Communities,” “[the next idea] voestalpine Art and Technology Grant,” and the special youth competition “u19—CREATE YOUR WORLD.” Furthermore, the book also presents the winning projects of the Prix Ars Electronica Collide@CERN Award, the new artist-in-residence program sponsored by CERN and Ars Electronica, and the newly created Golden Nica for\u0026nbsp; »Visionary Pioneers of Media Art«.\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; BACKGROUND: white; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2 face=TheSans\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; BACKGROUND: white; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003cFONT size=2\u003eFestival Ars Electronica, Linz 4.-8.9.2014\u003cBR\u003e\u003c\/FONT\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807869704,"sku":"9783775739238","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739238_c689ad6c-a1c2-43fd-81b7-25fdfaa3c61c.jpg?v=1744052416"},{"product_id":"17678-carsten-lorenzen","title":"Carsten Lorenzen","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \"TheSansOsF ExtraLight\"'\u003eOnly a few notable architectural firms are special\u0026shy;ized in residential architecture. Carsten Lorenzen (* 1953 in Tønder) has a wealth of experience—rang\u0026shy;ing from subsidized housing to private complexes, from the conception phase to the execution of de\u0026shy;tails. The use of brick gives his buildings a striking, haptic quality. Working with exposed stonework is an involved process that requires precise planning and an exact knowledge of the stonemason’s craft. A sensitive design of intimate interiors within dense\u0026shy;ly built settlements and subtle transitions between public and private space are other definitive aspects of the architect’s work, which draws its inspiration from Nordic housing and leading figures such as Arne Jacobsen and Kay Fisker. This first monograph presents some 25 projects and ideas that have been planned or constructed since 1996. Essays describe the special challenges posed by brick construction, the quality of Lorenzen’s floor plans, and the archi\u0026shy;tect’s relationship to Copenhagen.\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US'\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807935240,"sku":"9783775739337","price":58.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739337_9bf00766-ff72-4e28-ad59-74107b8a7b81.jpg?v=1744050981"},{"product_id":"17686-komm-und-sieh","title":"Come And See","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-fareast-language: DE; mso-bidi-language: AR-SA\"\u003eThe volume presents remarkable works by internationally renowned artists and provides insight into the private collection of the Frankfurt-based couple von Kelterborn for the first time. They are convinced that art can make “the present” palpable and allow it to be experienced in its complexity and its contradictions as well as in its positive potential. The collection von Kelterborn therefore focuses on works that make reference to social, philosophically subtle, and politically explosive issues. Special emphasis is placed on photographs and videos. Conceptual Art and neon sculptures that work with language and texts can also be found in this one-of-a-kind collection. \u003cBR style=\"mso-special-character: line-break\"\u003e\u003cBR style=\"mso-special-character: line-break\"\u003e\u003c\/SPAN\u003e\u003c\/SPAN\u003e\u003cA name=_GoBack\u003e\u003c\/A\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eThe artists featured (selection): Maria José Arjona, Stuart Bird, Nathalie Djurberg, Teboho Edkins, Claire Fontaine, Jochen Gerz, Gary Hill, Clemens Krauss, Thomas Locher, Bjørn Melhus, Richard Mosse, Tatsumi Orimoto, Anke Röhrscheid, Taryn Simon, Mikhael Subotzky, Mariana Vassileva, Corinne Wasmuht, Hu Weiyi, Tobias Zielony\u0026nbsp;\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49704078311688,"sku":"9783775739412","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739412_fd6ee7eb-171a-4d5c-9e05-7048bcfd732d.jpg?v=1744108036"},{"product_id":"17691-malerei-und-plastik","title":"Malerei und Plastik","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eThe high-quality paintings and sculptures in the still surprisingly young Hilti Art Foundation are moving into a dignified new domicile in Vaduz, in the immediate vicinity of the Kunstmuseum Liechtenstein. The unobtrusively designed “white cube” by the architectural office Morger Dettli Architekten provides an appropriate setting for the collection’s outstanding exhibits: the illustrious circle of artists represented in the first-class collection range from Georges Seurat and Paul Gauguin to Günther Uecker and Imi Knoebel. Based on choice individual works, the volume graphically demonstrates the groundbreaking currents of twentieth-century art history—from Post-Impressionism and classic modern works to concrete art. The representative publication includes concise texts that expound on the art-historical rank of the individual precious items as well as large-format full-view and detail illustrations.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874808000776,"sku":"9783775739467","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739467_5525cfd3-2201-4a69-92a8-a41321d3f1d3.jpg?v=1744114141"},{"product_id":"17692-painting-and-sculpture","title":"Painting and Sculpture","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eThe high-quality paintings and sculptures in the still surprisingly young Hilti Art Foundation are moving into a dignified new domicile in Vaduz, in the immediate vicinity of the Kunstmuseum Liechtenstein. The unobtrusively designed “white cube” by the architectural office Morger Dettli Architekten provides an appropriate setting for the collection’s outstanding exhibits: the illustrious circle of artists represented in the first-class collection range from Georges Seurat and Paul Gauguin to Günther Uecker and Imi Knoebel. Based on choice individual works, the volume graphically demonstrates the groundbreaking currents of twentieth-century art history—from Post-Impressionism and classic modern works to concrete art. The representative publication includes concise texts that expound on the art-historical rank of the individual precious items as well as large-format full-view and detail illustrations.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874808033544,"sku":"9783775739474","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739474_870fed8b-36da-45b7-b0fa-a9de1a95a283.jpg?v=1744123638"},{"product_id":"17222-pawel-althamer","title":"Pawel Althamer","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eAt the core of Pawel Althamer’s (*1967 in Warsaw) artistic work is man himself—as physical sculpture, an abstract assemblage of materials, as installation or specific video image, or as a genuinely social creature, which the artist uses as a theme in projects involving various groups of people. In the performance\/action \u003cI style=\"mso-bidi-font-style: normal\"\u003eCommon Task\u003c\/I\u003e, for instance, Althamer has friends and neighbors accompany his exhibitions in various places; the people are dressed in gold, as if they come from another star, bringing back a sense of amazement and the innocent gaze to the world, while celebrating and symbolizing them. This is the first publication to extensively examine the spiritual aspects of Althamer’s work and position it within the political and historical context of recent Polish history. In this way, it becomes possible to see the creative sphere within this specific, European-influenced cultural space.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003eExhibition schedule: Sammlung Goetz, Munich, May 29\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e–October \u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e6, 2012 | Museion – Museum für moderne und zeitgenössische Kunst, Bolzano, May 26–August 26, 2012\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49788673097992,"sku":"9783775734615","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734615_c8f4f68d-0231-4bea-99eb-da8a1149e877.jpg?v=1744124732"},{"product_id":"17234-jorinde-voigt","title":"Jorinde Voigt","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003eThe unique visual language \u003cA href=\"http:\/\/www.jorindevoigt.com\/\"\u003eJorinde Voigt \u003c\/A\u003e(*1977 in Frankfurt am Main) develops in her drawings aims at making the invisible visible. Music, weather, geography, literature, and philosophy are among the subjects that serve as sources of inspiration for Voigt’s lyrical drawings, all of which she renders into a dizzying maelstrom of lines and notations as one thought is linked to the next. In \u003cI\u003ePiece for Words and Views,\u003c\/I\u003e Voigt turns to Roland Barthes’s famous book \u003cI\u003eA Lover’s Discourse: Fragments\u003c\/I\u003e to produce a series of thirty-six drawings, each of which contains elements of collage cut to represent particular words found in the book\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e—\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003ethereby recreating the central tenets of semiotics: signifier and signified. With texts by John Yau and the artist, this publication presents Jorinde Voigt’s complex pictorial spaces, which come together in a composition of form and idea.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188297992,"sku":"9783775734738","price":39.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734738_9d533771-3206-489c-a27b-15797aa3898e.jpg?v=1744104104"},{"product_id":"45299-jeppe-hein","title":"Jeppe Hein","description":"\u003cp\u003eFrom time immemorial breath has been closely tied to the soul and the spirit. Deep, slow breathing has a calming effect on the psyche, and breath exercises are essential components of spiritual education methods in both Christian and Eastern meditation. 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As well as photographs of the show and essays, the catalogue also features a conversation between Jeppe Hein and Helen Hirsch.\u003c\/p\u003e\n\n\u003cp\u003eExhibition : 3.3.\u0026ndash;29.7. 2018, Kunstmuseum Thun\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188330760,"sku":"9783775744386","price":9.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744386_72fec461-abc4-4083-8ca8-0e30174db3b0.jpg?v=1744103625"},{"product_id":"43505-cyberarts-2017","title":"CyberArts 2017","description":"\u003cp\u003eThe Prix Ars Electronica is the most tradition-steeped media art competition in the world. Announced annually since 1987, due to its continuity and the large number and high quality of the submissions, it is considered a trend barometer of global media art. 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