{"title":"Our summer reading recommendations","description":"\u003cp\u003eLong days, warm nights, and finally time to get lost in a good book again. We have compiled our reading recommendations for your summer holiday.\u003c\/p\u003e\n\u003cp\u003eMany of our books are available both as a printed book and as an e-book. \u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"59225-textwerk","title":"TextWerk","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003eThe reader \u003cem\u003eTEXT\\WERK\u003c\/em\u003e gathers scholarly contributions on the artistic and academic-essayistic works of the renowned media artist, director, and author Hito Steyerl (*1966). How does Steyerl\u0026rsquo;s writing inscribe itself into her films and videos? How do these in turn feed back into her texts and exhibition practices? Interdisciplinarily conceived between media, theater, and cultural studies as well as art history, this anthology provides the first analysis of this central aspect of Steyerl\u0026rsquo;s work and includes an interview with the artist.\u0026nbsp;It also includes the current conditions of art reception in pandemic times. This publication was prompted by a digital workshop held in November 2020 in cooperation between the DFG Research Training Group \u0026quot;The Documentary: Excess and Privation\u0026quot; at the Universities of Bochum and D\u0026uuml;sseldorf with the Kunstsammlung Nordrhein-Westfalen.\u003c\/p\u003e\n\u003cp\u003eHITO STEYERL (*1966) is one of the most important contemporary artists. Her work reflects on the social role of art and museums, forms of presentation in the media, and critically examines the use of artificial intelligence. In 2020\/21, the Kunstsammlung Nordrhein-Westfalen, Düsseldorf, together with the Centre Pompidou, Paris, showed her first retrospective.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755223884040,"sku":"9783775751889","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751889_b1a2219a-33a6-4404-90fe-7c3df432e878.jpg?v=1744139754"},{"product_id":"57506-stefan-roemer","title":"Stefan Römer","description":"DeConceptualize is based on the hypothesis that Minimalism and Conceptualism in artistic writing have laid highly relevant foundations for Artistic Research. Writing here serves as self-exploration, self-defense and self-empowerment, as well as notation, material or image.\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5023-3)","offer_id":41645948928177,"sku":"9783775750233","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5024-0)","offer_id":44573662839048,"sku":"9783775750240","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5025-7)","offer_id":44577201455368,"sku":"9783775750257","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750233_ff2fe07f-e427-4837-b006-21a75eabe87f.jpg?v=1766150115"},{"product_id":"57741-es-gibt-im-moment-keine-besseren-kuenstler-als-uns-in-deutschland","title":"HP Zimmer","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-ae0dbdb8-7fff-0cdc-28cf-58175c979efc\" style=\"line-height:1.2;margin-top:0pt;margin-bottom:8pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u0026quot;I have kept a diary since my school days,\u0026quot; HP Zimmer remarked in 1984. This is also true of the time of the artists\u0026#39; group SPUR he co-founded in 1957. He wrote to \u0026quot;seek my own point of view in the midst of often turbulent events and sometimes controversial debates.\u0026quot; This book presents representative excerpts from the manuscript, which was reviewed by the artist in the early 1990s. Stylistically aware and (self-) critical, Zimmer comments on the cultural and social climate of postwar Germany. He provides insights into the contemporary German art scene and its European network with close ties to the Situationist International. The debates\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003erecorded by Zimmer in his diaries \u0026ndash; about painting and artistic freedom as well as revolution, boxing matches, crime series, and the threat of nuclear war \u0026ndash; are still strangely relevant to us today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHP ZIMMER (1936-1992) studied at the Hamburg Kunsthochschule and the Munich Kunstakademie in the late 1950s. SPUR, which he co-founded, was one of the first post-war avant-gardes groups in the Federal Republic. In 1982, HP Zimmer became a professor of painting at the Hochschule für Bildende Künste in Braunschweig.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5075-2)","offer_id":41645949354161,"sku":"9783775750752","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5076-9)","offer_id":44573662871816,"sku":"9783775750769","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5077-6)","offer_id":44573662904584,"sku":"9783775750776","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750752_62311d76-c84b-4b03-9e3b-034702a3d760.jpg?v=1744287439"},{"product_id":"58109-why-art-criticism-a-reader","title":"Why Art Criticism? A Reader","description":"\u003cp\u003eHow is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate S\u0026ouml;ntgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings today, and why is it important in its contemporary context?\u003c\/p\u003e\n\u003cp\u003eBEATE SÖNTGEN (*1963) is professor of art history at Leuphana University Lüneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group “Cultures of Critique: Forms, Media, Effects” and co-director of the program “PriMus - Doctoral Studies in Museums.”JULIA VOSS (*1974) is an honorary professor at Leuphana University Lüneburg. She studied art history, modern German literature, and philosophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5074-5)","offer_id":41645952696497,"sku":"9783775750745","price":16.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5092-9)","offer_id":44573665558792,"sku":"9783775750929","price":15.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5093-6)","offer_id":44573665591560,"sku":"9783775750936","price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750745_38029e6f-cdb5-45fc-a0a6-a62f1839e5ba.jpg?v=1744147010"},{"product_id":"58088-max-porter","title":"Max Porter","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-df891824-7fff-a497-9d7d-ae41281a549f\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-54c4f5b7-7fff-497f-5817-a75a932ab48e\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eMax Porter\u0026#39;s book is a fragmentary, poetic reinterpretation of Francis Bacon\u0026#39;s last days in Madrid. In seven chapters, \u0026quot;Untitled,\u0026quot; he invites the reader to experience the painter\u0026#39;s examination of his extraordinary life and work. (Employing a lyrical and haunting language, Max Porter draws near to the artist.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMAX PORTER (*1981) studied art history and worked as a freelance bookseller and editor. His internationally acclaimed debut novel, Grief is the Thing with Feathers, was the winner of several awards.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5064-6)","offer_id":41645959053489,"sku":"9783775750646","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5082-0)","offer_id":44573668049160,"sku":"9783775750820","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5081-3)","offer_id":44573668081928,"sku":"9783775750813","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750646_0dc990c8-4d67-474d-87cb-a88624eb464d.jpg?v=1744116925"},{"product_id":"58089-servermanifest","title":"Servermanifest","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-6d161960-7fff-8d9a-d43a-9af14a7fb241\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eIf data is the greatest collective treasure of a digital society, basic material for business and politics: Why are the places where it is stored still so invisible? \u003c\/span\u003eNiklas Maak, architectural critic and Professor for Architecture at St\u0026auml;delschule Frankfurt, explores this question in his new publication and envisions radical solutions for the future.\u003c\/p\u003e\n\u003cp\u003eNIKLAS MAAK (*1972) studied art history, philosophy and architecture in Hamburg and Paris. His 1998 doctoral thesis was devoted to the design theory of Le Corbusier and Paul Valéry. He has been editor for art and architecture in the feature section of the Frankfurter Allgemeine Zeitung since 2001.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5069-1)","offer_id":41645959184561,"sku":"9783775750691","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5071-4)","offer_id":44573668344072,"sku":"9783775750714","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5079-0)","offer_id":44577201553672,"sku":"9783775750790","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750691_34eb8428-b5ed-47ed-9ca5-f26889450bb7.jpg?v=1744287949"},{"product_id":"60064-vittoria-martini","title":"Vittoria Martini","description":"\u003cp\u003e\u003cem\u003eThe Bijlmer Spinoza-Festival\u003c\/em\u003e is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdam\u0026rsquo;s south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its \u0026ldquo;Ambassador\u0026rdquo;, art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this \u0026ldquo;precarious\u0026rdquo; work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian\u0026rsquo;s presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls \u0026ldquo;precarious art history\u0026rdquo;. Accompanying the readers through her experience of the physical existence of \u003cem\u003eThe Bijlmer Spinoza-Festival\u003c\/em\u003e, Martini\u0026rsquo;s commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind\u0026mdash; elsewhere, at some other time\u0026mdash;because in the meantime it has become universal.\u003c\/p\u003e\n\u003cp\u003eParis-based artist THOMAS HIRSCHHORN (*1957, Bern) is best known for his sculptures in public space (more than seventy to the present day) - monuments, kiosks, altars such as his Bataille Monument which was set up in a residential area in Kassel during documenta 11. Questioning the autonomy, the authorship and resistance of a work of art, he asserts the power of art to touch and transform the other. The Bijlmer Spinoza-Festival (2009) is one of such projects, the Gramsci Monument in The Bronx, New York (2013), and more recently in 2019 the Robert Walser-Sculpture in Biel-Bienne, Switzerland. He represented Switzerland at the 54th Venice Biennale in 2011, and received the Prix Marcel Duchamp, the Joseph Beuys Stiftung Prize, and the Meret Oppenheim Prize, among others.VITTORIA MARTINI is an independent art historian with a focus on the history of exhibitions and the economics of contemporary art. Her main research topic is the institutional, topographic, cultural, and social history of the Venice Biennale.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5262-6)","offer_id":41648778838193,"sku":"9783775752626","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5264-0)","offer_id":44573669327112,"sku":"9783775752640","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5263-3)","offer_id":44573669359880,"sku":"9783775752633","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752640_84f942e9-086a-458f-97b0-2af4279c3ac5.jpg?v=1744287457"},{"product_id":"60038-bettina-lockemann","title":"Bettina Lockemann","description":"\u003cp\u003e\u003cspan\u003eThe photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. The\u0026nbsp;artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion\u0026nbsp;complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates\u0026nbsp;precise terms for analyzing this\u0026nbsp;medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBETTINA LOCKEMANN (*1971) is an artist and scholar specialized in artistic documentary photography. After studying art photography and media art in Leipzig and earning a PhD in art history at the ABK Stuttgart she was professor for practice and theory of photography at the HBK Braunschweig for five years. She lives in Cologne.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5268-8)","offer_id":41693648584881,"sku":"9783775752688","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5269-5)","offer_id":44557550059784,"sku":"9783775752695","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5270-1)","offer_id":44557550027016,"sku":"9783775752701","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752688_8c382145-c9f7-419c-8ac5-ff82f774622e.jpg?v=1744049557"},{"product_id":"60035-nadim-samman","title":"Nadim Samman","description":"\u003cp\u003e\u0026ldquo;We are all inside this thing\u0026mdash;but how?\u0026rdquo; This book explores 21st century art\u0026rsquo;s reckonings with the technosphere. Almost unimaginable in its complexity and scale, a man-made megastructure surrounds all of us, and often seems inescapable. Outlining the poetics of encryption that are involved with this infrastructural condition, Samman explores dramatic motifs including confinement, capture, and burial, as well as access and exclusion from secured domains. \u003cem\u003ePoetics of Encryption\u003c\/em\u003e excavates the art of our times as it quests through caves, cables, codes, satellites, and icons. Toggling between enlightened concern and occult dreaming it surveys a counter-intuitive aesthetic of the interface: addressing those who cannot write code, this analogy in contemporary art stages its own \u0026quot;digital,\u0026quot; both virtually and analog.\u003c\/p\u003e\n\u003cp\u003eNADIM SAMMAN is Curator for the Digital Sphere at KW Institute for Contemporary Art, Berlin. He read Philosophy at University College London before receiving his PhD from the Courtauld Institute of Art. Widely published, in 2019 he was First Prize recipient of the International Award for Art Criticism (IAAC). Major curatorial projects included the 4th Marrakech Biennale (2012), the 5th Moscow Biennale for Young Art (2015) and the 1st Antarctic Biennale (2017).\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5265-7)","offer_id":41693648715953,"sku":"9783775752657","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5267-1)","offer_id":44573669392648,"sku":"9783775752671","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5266-4)","offer_id":44573669425416,"sku":"9783775752664","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752657_7c62795c-6c71-4b9e-87be-ab1d95d3d674.jpg?v=1744288840"},{"product_id":"60033-bettina-lockemann","title":"Bettina Lockemann","description":"\u003cp\u003e\u003cspan\u003eThe photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. The artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBETTINA LOCKEMANN (*1971) is an artist and scholar specialized in artistic documentary photography. After studying art photography and media art in Leipzig and earning a PhD in art history at the ABK Stuttgart she was professor for practice and theory of photography at the HBK Braunschweig for five years. She lives in Cologne.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5271-8)","offer_id":41693648748721,"sku":"9783775752718","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5272-5)","offer_id":44557550092552,"sku":"9783775752725","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5273-2)","offer_id":44557550125320,"sku":"9783775752732","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752718_37d2bff8-a1bf-4fca-9fa8-97f61d1d8c49.jpg?v=1744049541"},{"product_id":"60087-andrs-sznt-imagining-the-future-museum","title":"András Szántó","description":"\u003cp\u003eHint on \u003cem\u003eThe Future of the Museum\u003c\/em\u003e, in which the New York author and consultant for culture strategy András Szántó speaks to today's generation of museum director about the future of the museum, this series of talks turns to the architect of these buildings. The \"software\" of the art museums has developed: museums \"work to design the institutions of open, inclusive, experience -oriented, culturally more voice, technologically more experienced, in close connection to the neighborhood and audience and committed in the decisive topics of our time\". But the \"hardware\" of the art museum must also change. 20 architectural firms illustrate new approaches - not only by architect that has built some of the most famous institutions in the world, but also by the up -and -coming, globally networked generation, which will shape the museum of the future.\u003c\/p\u003e\u003cp\u003eAndrás Szántó (*1964, Budapest) advises museums, cultural institutions and leading brands on cultural strategic questions. His writings appeared as the author and editor in the New York Times, in the Art Forum, in the art newspaper and many other publications. He headed the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, which lives in Brooklyn, has been talking to leading representatives of the art world since the early 1990s, among other things as a frequent moderator of the Talk series Art Basel Conversations.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Buch (978-3-7757-5276-3)","offer_id":41761661190321,"sku":"9783775752763","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5277-0)","offer_id":44573669622024,"sku":"9783775752770","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5278-7)","offer_id":44573669654792,"sku":"9783775752787","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752763_617c7de4-d71a-4a60-987a-43c144ea8c0e.jpg?v=1744040819"},{"product_id":"59937-hans-uhlmann","title":"Hans Uhlmann","description":"\u003cp dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 6pt;\"\u003eLike many advanced artists of his time, Hans Uhlmann also suffered from the rule of the National Socialists. Politically clear on the left, he was arrested in 1933 and detained for almost two years. In this phase, diaries and sketchbooks were created, which are published for the first time in this volume and are of particular value in various ways: based on their, the emergence of a unique artistic position can be followed up and authentic insights into everyday prison life under the swastika. They provide information about the importance of the drawing in the work of Uhlmann, which is often primarily received as a sculptor, and about its inner rearing against the injustice regime.\u003c\/p\u003e\u003cp\u003eHans Uhlmann (1900–1975), who is known for his metal work, is one of the most important German artists of the post -war period. From 1950 he was a professor at the HDK Berlin and took part in numerous large exhibitions, such as the Biennale São Paulo, Documenta or Biennale Venice.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Buch (978-3-7757-5252-7)","offer_id":43541643362568,"sku":"9783775752527","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5274-9)","offer_id":44573669490952,"sku":"9783775752749","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5275-6)","offer_id":44573669458184,"sku":"9783775752756","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752527_235d2e62-3a61-4245-9d58-b189d77a5f39.jpg?v=1744096535"},{"product_id":"56265-andrs-sznt-the-future-of-the-museum","title":"András Szántó. The Future of the Museum","description":"When museums worldwide had to close in 2020 due to the novel coronavirus, New York-based cultural strategist András Szántó conducted interviews with a number of internationally active museum directors. At a time when economic, political, and cultural changes signal the beginning of a new era, the museum leaders spoke openly about the historical limitations and untapped potential of their institutions. The 28 dialogues in this book each address a specific theme relevant to art institutions today and tomorrow. What emerged from this series of conversations is a composite portrait of a generation of museum directors working to make institutions more open, democratic, inclusive, experimental and experience-oriented, technologically savvy, and culturally polyphonic, aligned with the needs of their visitors and communities, and engaging with the important questions of the societies around them.\u003cbr\u003e\u003cbr\u003eINTERLOCUTORS: Marion Ackermann (Staatliche Kunstsammlungen Dresden), Cecilia Alemani (The High Line, New York), Anton Belov (Garage Museum of Contemporary Art, Moscow), Meriem Berrada (MACAAL, Marrakesh), Daniel Birnbaum (Acute Art, London), Thomas P. Campbell (Fine Arts Museums of San Francisco), Tania Coen-Uzzielli (Tel Aviv Museum of Art), Rhana Devenport (Art Gallery of South Australia, Adelaide), María Mercedes González (Museo de Arte Moderno de Medellín), Max Hollein (The Metropolitan Museum of Art, New York), Sandra Jackson-Dumont (Lucas Museum of Narrative Art, Los Angeles), Mami Kataoka (Mori Art Museum, Tokyo), Brian Kennedy (Peabody Essex Museum, Salem), Koyo Kouoh (Zeitz Museum of Contemporary Art Africa, Cape Town), Sonia Lawson (Palais de Lomé), Adam Levine (Toledo Museum of Art), Victoria Noorthoorn (Museo de Arte Moderno de Buenos Aires), Hans Ulrich Obrist (Serpentine Galleries, London), Anne Pasternak (Brooklyn Museum), Adriano Pedrosa (MASP, São Paulo), Suhanya Raffel (M+ Museum, Hong Kong), Axel Rüger (Royal Academy of Arts, London), Katrina Sedgwick (Australian Centre for the Moving Image, Melbourne), Franklin Sirmans (Pérez Art Museum Miami), Eugene Tan (National Gallery Singapore \u0026amp; Singapore Art Museum), Philip Tinari (UCCA Center for Contemporary Art, Beijing), Marc-Olivier Wahler (Musée d’Art et d’Histoire, Geneva), and Marie-Cécile Zinsou (Musée de la Fondation Zinsou, Ouidah)\u003cbr\u003e\u003cbr\u003ePODCAST RECOMMENDATION\u003cbr\u003e\u003cbr\u003e\u0026lt;iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/6WVTLuPqCcKWNv8fds6LYe?utm_source=generator\" width=\"100%\" height=\"232\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u003cbr\u003e\u003cbr\u003eANDRÁS SZÁNTÓ (*1964, Budapest), PhD, advises museums, cultural institutions, and leading brands on cultural strategy. As an author and editor, his writings have appeared in the New York Times, Artforum, Kunstzeitung, and many other publications. He directed the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, who lives in Brooklyn, has been conducting conversations with leading figures in the art world since the early 1990s, including as a frequent moderator of the Art Basel Conversations series.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4827-8)","offer_id":44244603339016,"sku":"9783775748278","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-4828-5)","offer_id":44573670277384,"sku":"9783775748285","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4829-2)","offer_id":44577201881352,"sku":"9783775748292","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748278_9cc9207c-5f74-48a8-88a1-dee2bf4fa67f.jpg?v=1744040845"},{"product_id":"53856-tal-sterngast-zwoelf-bilder","title":"Tal Sterngast. Twelve Pictures","description":"The Gemäldegalerie of the Staatliche Museen zu Berlin is known for its outstanding collection of European masterpieces from the 13th to the 18th century. Each of the twelve chapters of this book is dedicated to a painting from the collection. The compilation reveals painting as it discovers itself and, in doing so, becomes a medium for expressing modern subjectivity. The paintings discussed here unfold in their artistic questions, which are also our own. In which paradoxes do artworks created by women emerge? How does the ancient urge to destroy artworks influence today's discourse on art? Where did painting's modern struggle against the image begin and how did it manifest itself? Why does the Wild Man from the German Renaissance still haunt us today? And why is it unimportant to know whether Jan Vermeer used an optical device when painting or not? \"Twelve Paintings\" is an ode to the topicality of the Old Masters.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/53857-tal-sterngast-twelve-paintings?_pos=1\u0026amp;_sid=eaec051c8\u0026amp;_ss=r\"\u003eEnglish\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eTAL STERNGAST (*1972, Israel) studied photography and film in Jerusalem, London, and Berlin. She has published numerous essays and articles on contemporary art and films in international newspapers and magazines and has curated exhibitions. This volume is based on the series \"Alte Meister\" (Old Masters), which Sterngast published from 2017 to 2019 in the weekend supplement of the tageszeitung.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4766-0)","offer_id":44244603437320,"sku":"9783775747660","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-4906-0)","offer_id":44573670408456,"sku":"9783775749060","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"E-book - PDF (978-3-7757-4908-4)","offer_id":44573670441224,"sku":"9783775749084","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747660_eac89129-ebb7-4316-81a6-9f0dc86d9d94.jpg?v=1744139479"},{"product_id":"65373-milkyways","title":"Milky Ways","description":"Milkyways is a collection of essays in which artist Camille Henrot explores the ambivalence of motherhood and the process of creation, both in art and in life. Each chapter opens up a cosmos of references to literature, cartoons, art history, and psychoanalysis – from Greek mythology to Marcel Proust and Hélène Cixous. Alongside reproductions of Henrot's paintings, drawings, and sculptures, her texts oscillate freely between the personal and the social, the obvious and the complex, the unconsciously instinctive and the utterly mundane.\u003cbr\u003e\u003cbr\u003eMilkyways was originally conceived at the invitation of Antje Stahl for the magazine Republik and written in collaboration with Jacob Bromberg, Antje Stahl, and Léa Trudel.\u003cbr\u003e\u003cbr\u003eCAMILLE HENROT (b. 1978, Paris) is considered one of the most influential voices in contemporary art. Her practice spans drawing, painting, sculpture, installation, and film. Inspired by references from literature, psychoanalysis, cultural anthropology, and the banality of everyday life, she questions what it means to be both a private individual and a global subject in an increasingly interconnected and overstimulated world. Henrot has had numerous solo exhibitions worldwide, including at the Middelheim Museum, Antwerp, the Palais de Tokyo, Paris, the National Gallery of Victoria, Melbourne, the New Museum, New York, and the Art Sonje Center, Seoul. She lives and works in New York City.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5534-4)","offer_id":44364483821832,"sku":"9783775755344","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5535-1)","offer_id":44573669982472,"sku":"9783775755351","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5536-8)","offer_id":44573669949704,"sku":"9783775755368","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755368_00f006eb-21d0-4fe6-86aa-4cb919347768.jpg?v=1745308908"},{"product_id":"16636-ian-wallace","title":"Ian Wallace","description":"The first documenta took place in Kassel in 1955. Initially conceived as a one-off event, it has since become a fundamental exhibition and reflection of contemporary art, recurring every five years. In his essay, delivered as a lecture at the University of British Columbia, Vancouver, in 1987, Ian Wallace examines the first documenta, which aimed to provide a forum for artists who had been ostracized as \"degenerate\" under National Socialism after World War II. The first documenta is both a mirror and a protagonist of the cultural and political climate of the post-war era and, under the leadership of Arnold Bode, with the support of Werner Haftmann, contributed significantly to the triumph of abstraction, which reconnected West Germany with European modernism.\u003cbr\u003eIan Wallace (b. 1943) is an artist. He lives in Vancouver and has taught at the University of British Columbia and the Emily Carr University of Art and Design.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2851-5)","offer_id":44503951311112,"sku":"9783775728515","price":8.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-4992-3)","offer_id":44573663002888,"sku":"9783775749923","price":4.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-3031-0)","offer_id":44573663035656,"sku":"9783775730310","price":4.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775728515_2ab1a33f-3afd-47bb-a3b5-5f6402cf3f4b.jpg?v=1744099172"},{"product_id":"16721-iwona-blazwick","title":"Iwona Blazwick","description":"\u003cp\u003eBased on the curatorial structure of dOCUMENTA (13) with its four states of being – under siege, on stage, in retreat, and in a state of hope – Iwona Blazwick embarks on a historical excursion into exhibition practice. The reader gains insight into the aesthetic practice of the curator who, as director of the Whitechapel Gallery in London, significantly contributed to opening up the institutional framework of museums and galleries to alternative forms of presentation. For example, she describes how art increasingly left the neutral white cube of public exhibition spaces and how artists preferred abandoned industrial buildings or vacant shops. The White Cube, on the other hand, such as the Whitechapel Gallery surrounded by the vibrant life of London's East End, can assert itself as a slowed-down place of retreat, \"as a refuge,\" and can hope for the \"invention of new cultural forms.\"\u003cbr\u003eIwona Blazwick (*1945) is the Director of the Whitechapel Gallery, London, and a member of the Honorary Advisory Committee of dOCUMENTA (13).\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2936-9)","offer_id":44503951769864,"sku":"9783775729369","price":4.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-4923-7)","offer_id":44573663723784,"sku":"9783775749237","price":1.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-3116-4)","offer_id":44573663756552,"sku":"9783775731164","price":1.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775729369_b2f92d77-cc54-4cf1-ab01-9e44f3675025.jpg?v=1744100692"},{"product_id":"16709-chus-martnez","title":"Chus Martínez","description":"\"Art is thinking, not theory.\" In Chus Martínez's notebook, the compulsion for permanent attribution of meaning, both public and private, is theoretically and visually unsettled. Martínez focuses on collaborative thinking that can generate a vibrant state, productive in its ambiguity: knowledge. In doing so, she redefines \"artistic research,\" a practice that can instigate a \"genuine public debate\" within a community and that, in an age of consensus, produces errors and \"nonsense\" (un-sense). \"Not expressing the expressible\" questions the role of contemporary art for our ideas and actions according to or against societal rules.\u003cbr\u003e \u003cbr\u003eChus Martínez (b. 1972) is a core member of the agents' group and head of the department of dOCUMENTA (13).","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2924-6)","offer_id":44503952064776,"sku":"9783775729246","price":6.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-3104-1)","offer_id":44573664411912,"sku":"9783775731041","price":3.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5020-2)","offer_id":44573664444680,"sku":"9783775750202","price":3.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775729246_733e6de1-806d-4a2e-863e-0a773043fd8a.jpg?v=1744051691"},{"product_id":"16672-douard-glissant-hans-ulrich-obrist","title":"Édouard Glissant \u0026 Hans Ulrich Obrist","description":"\u003cp\u003eThis notebook is a tribute by curator Hans Ulrich Obrist to the French writer, poet, and philosopher Édouard Glissant (1928–2011), who passed away this year. Glissant, one of the most important authors of the French-speaking Caribbean and a pioneer of postcolonial thought, drew attention to “possibilities of global exchange that do not homogenize culture but rather produce a difference from which something new can emerge.” Following a recommendation from Alighiero Boetti, Obrist encountered Glissant at the beginning of his work as a curator and read his books before later meeting him in person. Obrist sketches a multifaceted portrait of the intellectual by elaborating on some of his key concepts – the creolization of the world, “archipelagic thought,” the museum as an archipelago, and utopia – ideas that have also found expression in personal dedications, notes, and drawings with which Glissant adorned the covers of his books reproduced here in a selection.\u003cbr\u003eÉdouard Glissant (1928–2011) was a French writer, poet, and philosopher.\u003cbr\u003eCurator and critic Hans Ulrich Obrist (b. 1968) is Co-Director, Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2887-4)","offer_id":44503952916744,"sku":"9783775728874","price":6.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-3067-9)","offer_id":44573665952008,"sku":"9783775730679","price":3.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4944-2)","offer_id":44573665984776,"sku":"9783775749442","price":3.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775728874_76869e5d-fc25-4899-9483-1e9487d3703d.jpg?v=1744151361"},{"product_id":"16642-lawrence-weiner","title":"Lawrence Weiner","description":"For this series, the artist Lawrence Weiner created an artist's book in the same format (A6) and with the same number of pages (24) as his first contribution to documenta 5 in 1972, curated by Harald Szeemann. The partly handwritten instructions, statements, definitions, poems, and pictograms offer insight into his working methods and articulate his ideas for dOCUMENTA (13) with eloquence and poetry. Weiner has been a central figure in conceptual art since its beginnings, working in various media including video, books, performance, and installation. Lawrence Weiner (born 1942 in the Bronx, New York) studied literature and philosophy at Hunter College in New York. After an intensive engagement with the traditional arts of painting and sculpture, he developed his unique artistic approach using language in the late 1960s. His work has been presented in numerous solo exhibitions and major international group exhibitions. More recently, the Whitney Museum of American Art, New York, K21, Düsseldorf, and the Museum of Contemporary Art, Los Angeles, organized a retrospective of his work entitled AS FAR AS THE EYE CAN SEE (2007\/08). Weiner participated in documenta 5 (1972), 6 (1977), and 7 (1982) and is also represented at dOCUMENTA (13) in Kassel in 2012. 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Sf is that potent material semiotic sign for speculative fabulation, speculative feminism, science fiction, science fact, science fantasy – and, I would suggest, string figures.\" In her text, Donna Haraway, author of the influential \"Cyborg Manifesto\" (1985), outlines the formula for a possible world, Terrapolis, and links it to the well-known string games, which are a prevalent cultural practice among the Navajo to this day as representations of cosmological constellations and creation myths.\u003cbr\u003eCultural theorist, biologist, and feminist Donna Haraway (b. 1944) is Distinguished Professor Emerita in the History of Consciousness Department at the University of California, Santa Cruz, and a member of the Honorary Advisory Committee of dOCUMENTA (13).","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2882-9)","offer_id":44503955931400,"sku":"9783775728829","price":6.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-4971-8)","offer_id":44573668540680,"sku":"9783775749718","price":3.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-3062-4)","offer_id":44573668573448,"sku":"9783775730624","price":3.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775728829_507080ca-3dd1-426c-8f95-0fabc51c692e.jpg?v=1744057170"},{"product_id":"16640-etel-adnan","title":"Etel Adnan","description":"In her poetic essay, the artist, poet, and essayist Etel Adnan (b. 1925) describes various forms of love: love for an idea, for God, for things, and for nature. Yet today we have moved far away from a self-consuming love for something higher, such as that which drove Nietzsche to madness or the Islamic mystic al-Hallaj to martyrdom. Love for nature, which Adnan depicts based on her own experiences, seems to have even given way to contempt – how else could we explain the ecological catastrophe we are heading towards? The price for stopping it would be too high, for it would be associated with a radical change in our way of life – similar to the most conventional form of love, that between two people, which brings with it an intensity that few are willing to endure.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2855-3)","offer_id":44503955964168,"sku":"9783775728553","price":6.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-3035-8)","offer_id":44573668671752,"sku":"9783775730358","price":3.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4980-0)","offer_id":44573668704520,"sku":"9783775749800","price":3.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775728553_3ccdb5d4-82f5-492c-afeb-aae749c61ea7.jpg?v=1744061639"},{"product_id":"65366-story-of-water-and-fire","title":"Story of Water and Fire","description":"Story of Water and Fire is a compelling account of the shared lives of two central figures in the Iraqi art scene, poet and art critic May Muzaffar and artist Rafa Nasiri. This literary text provides an insight into the social and artistic milieu of Baghdad from the 1960s to the 1990s, as well as the couple's travels and their years in exile in Amman and Manama. Through vivid descriptions and rarely seen photographs, May Muzaffar offers insights into her position in the Arab and international art scene. The book serves as a guide to the archival material that the al Mawrid Arab Center for the Study of Art at NYU Abu Dhabi has digitized and made available to scholars.\u003cbr\u003e\u003cbr\u003eMAY MUZAFFAR (b. 1940, Baghdad) is a poet, author, art critic, and translator. After graduating with a degree in English literature from the University of Baghdad in 1961, she has published seven volumes of poetry and five collections of short stories in Baghdad, Beirut, and Amman. She is the author and editor of numerous art publications, with a focus on the art of Rafa Nasiri. 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Twelve Paintings","description":"The Gemäldegalerie of the Staatliche Museen zu Berlin is known for its outstanding collection of European masterpieces from the 13th to the 18th century. Each of the twelve chapters in this book is dedicated to a painting from the collection. In their entirety, they reveal a kind of painting that discovers itself and thereby becomes a medium for expressing modern subjectivity. The paintings discussed here unfold in their artistic questions, which are also our own. In what paradoxes are artworks created by women? How does the ancient urge to destroy artworks influence today's discourse on art? Where did painting's modern struggle against the image begin and how did it manifest itself? Why does the Wild Man from the German Renaissance still haunt us today? And why is it unimportant to know whether Jan Vermeer used an optical device when painting or not? \"Twelve Pictures\" is an ode to the topicality of the Old Masters.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/53856-tal-sterngast-zwoelf-bilder?_pos=1\u0026amp;_sid=d2131990a\u0026amp;_ss=r\"\u003eGerman\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eTAL STERNGAST (*1972, Israel) studied photography and film in Jerusalem, London, and Berlin. She has published numerous essays and articles on contemporary art and films in international newspapers and magazines and curated exhibitions. 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How are artworks and a truly unique, extraordinary style created? And through what eyes does the renowned painter view his own work? World-famous painter Sean Scully sat down with philosopher David Carrier for several in-depth interview sessions. Their conversations explored these and many more questions about Scully's life, work, and thoughts. The result is a rich manuscript that comes very close to the status of a definitive biography. Scully offers personal insights into his life and reveals the important sources of inspiration for his career. He unveils his own perspective on his entire oeuvre, art history, and his place within it. Thus, this text becomes a literal eye-opener for Scully's art, which can be (re)discovered through his words.\u003cbr\u003e\u003cbr\u003eSEAN SCULLY (b. 1945, Dublin) is one of the most renowned artists of his generation. 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Yet, 1945 was not simply a turning point in this area, as is often assumed. The contributions in this book question apparent inevitabilities and attempt to explore possibilities across disciplines that are not free of contradictions. On the one hand, art and cultural policy in the post-war period are considered in their diversity and independently of their later success. On the other hand, this involves a critical reflection on the research and memory that contributed to the transmission of well-known narratives and furthermore explains why a comprehensive engagement with continuities and breaks in the field of art and culture is still pending.\u003cbr\u003e\u003cbr\u003eMARIA NEUMANN is a historian. She is a research associate at the documenta Institute, where she researches the Nazi pasts of documenta participants.*\u003cbr\u003e\u003cbr\u003eFELIX VOGEL is a professor of Art and Knowledge at the University of Kassel and a member of the documenta Institute. 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