{"title":"Ulrike Ottinger","description":"\u003cp\u003eUlrike Ottinger is one of Germany's most important filmmakers. In 1973, she moved to Berlin and became a pioneer of avant-garde film art. Ottinger's photographic works, feature films, and documentaries have been shown at major international festivals and numerous retrospectives. To date, the filmmaker has published four books and one \u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/edition-hatjecantz.com\/products\/werk-48822\" target=\"_blank\" title=\"Ulrike Ottinger | Edition Hatje Cantz\" rel=\"noopener\"\u003eedition\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e with Hatje Cantz.\u003c\/p\u003e","products":[{"product_id":"52063-paris-calligrammes","title":"Paris Calligrammes","description":"\u003cp\u003eIn \u003cem\u003eParis Calligrammes\u003c\/em\u003e the filmmaker, photographer and collector of worlds Ulrike Ottinger links historical archival material with her own art and film works to create a sociogram of the era in which she came of age as an artist. In the grip of political upheavals, Paris of the 1960s attracted artists from all over the world and was a pulsating stream of energy hovering between trauma management and the utopia of Europe. From the Librairie Calligrammes, a meeting place of exiled German intellectuals, to the Cin\u0026eacute;math\u0026egrave;que fran\u0026ccedil;aise, which sparked her love of film, Ulrike Ottinger charts a city and its utopias. They live on in her collaged landscape of memories in a workshop exhibition complimenting her film \u003cem\u003eParis Calligrammes \u003c\/em\u003e(2019).\u003c\/p\u003e\n\n\u003cp\u003eThe films by\u0026nbsp;ULRIKE OTTINGER\u0026nbsp;(*1942 Konstanz, Germany) were shown at the most important international festivals and honored at various major museums, including the Centre Pompidou, Paris, the Museo Reina Sofia, Madrid, and the Museum of Modern Art, New York. With her photographs she was represented at the documenta and the Biennale di Venezia.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nHKW, Haus der Kulturen der Welt, Berlin\u003cbr \/\u003e\nAugust\u0026nbsp;23\u0026mdash;October\u0026nbsp;13,\u0026nbsp;2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755203862792,"sku":"9783775746373","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746373_6fc30a7b-11b7-423a-9ec5-9368c665d045.jpg?v=1744123706"},{"product_id":"17223-ulrike-ottinger","title":"Ulrike Ottinger","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eAfter starting out as a painter, curator, and publisher in the sixties, Ulrike Ottinger (*1942 in Konstanz) found her artistic home in the medium of film. In her numerous projects she has developed an inimitable, unconventional imagery that seldom permits a clear separation between documentary and fiction. Her works thrive on the dialogue between the two poles. With the trilogy \u003c\/SPAN\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN style=\"FONT-FAMILY: TheSans\"\u003eBildnis einer Trinkerin—\u003c\/SPAN\u003e\u003c\/I\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eAller jamais retour\u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e (Portrait of a Female Drunkard—Ticket of No Return, 1979), \u003cI style=\"mso-bidi-font-style: normal\"\u003eFreak Orlando\u003c\/I\u003e (1981), and \u003cI style=\"mso-bidi-font-style: normal\"\u003eDorian Gray im Spiegel der Boulevardpresse\u003c\/I\u003e (Dorian Gray in the Mirror of the Yellow Press, 1984), Ottinger created a monument to her hometown of Berlin while at the same time producing an absurd, theatrical, and historically charged universe. This publication presents her most important works, including the eight-channel installation \u003cI style=\"mso-bidi-font-style: normal\"\u003eFloating Food\u003c\/I\u003e (2011), in which the artist provides an audiovisual summary of her journeys to distant lands and cultures, drawing attention to cultural phenomena and rituals.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eExhibition schedule: Sammlung Goetz, \u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:City w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eMunich\u003c\/st1:place\u003e\u003c\/st1:City\u003e, May 29–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"10\" Day=\"6\" Year=\"2012\"\u003eOctober 6, 2012\u003c\/st1:date\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49640310702344,"sku":"9783775734622","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734622_914c65c3-fc83-4e5c-91fc-f7c51b2934dd.jpg?v=1744143797"},{"product_id":"59924-zusammenspiel","title":"Zusammenspiel","description":"\u003cp\u003e\u0026ldquo;She, a woman of high beauty, created like no other to be Medea, Madonna, Iphigenia, Aspasia, decided one sunny winter day to escape her loneliness and to leave La Rotonda. She bought a ticket \u0026lsquo;Aller jamais retour. Berlin Tegel\u0026rsquo;.\u0026rdquo; This is the opening scene of Ulrike Ottinger\u0026rsquo;s momentous 1979 film \u003cem\u003eTicket of No Return\u003c\/em\u003e\u0026mdash;the woman of high beauty was Tabea Blumenschein. Unconcerned by all conventions, Blumenschein adored transformation: in a distinctive, avant-garde aesthetic, the two women embraced various different identities and challenged many norms, in the process revealing the performativity of gender. Initiating a dialog between the two artists\u0026rsquo; perspectives, these books bring together for the first time Blumenschein\u0026rsquo;s drawings with Ottinger\u0026rsquo;s photographs from their joint performance sessions.\u003c\/p\u003e\n\u003cp\u003eULRIKE OTTINGER (*1942, Constance) is one of the most import- ant German filmmakers. Moving to Berlin in 1973, she became a pioneer of avant-garde cinematography. Ottinger’s photographic works, feature films and documentaries have been shown at major international festivals and retrospectives, including the MoMa in New York, Berlinale, the documenta and the Venice Biennale.TABEA BLUMENSCHEIN (1952–2020) was a cult figure of West Berlin’s queer feminist subculture in the 1970s and 80s. For about ten years, she played a key role in Ottinger’s films as leading actress and costume designer, and was part of legendary avant- garde punk collective Die tödliche Doris. In the 1990s she withdrew from the public, yet remained active as an artist until her death.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755242856712,"sku":"9783775752435","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752435_154b08c9-dcba-48e7-a4b8-90f4ae06bcbd.jpg?v=1744150703"},{"product_id":"60530-cosmos-ottinger","title":"Cosmos Ottinger","description":"\u003cp\u003eAs a painter, filmmaker, and photographer, Ulrike Ottinger has created an entire artistic universe, a \u003cem\u003eCosmos Ottinger.\u003c\/em\u003e Her transdisciplinary approach is groundbreaking today but Ottinger is also a pioneer of queer art, post-colonial criticism, and the confrontation with fascism and persecution. These questions are all still urgent today: How can we locate contemporary feminist, queer, and aesthetic debates historically? And how does one situate these debates in a museum setting? The catalogue, edited by the Kunsthalle Baden-Baden, documents this part of her work but also addresses these theoretical and art historical questions raised by Ottinger\u0026#39;s searching and investigative approach.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977104978184,"sku":"9783775753289","price":32.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753289_e59d85d2-b7ad-4114-9d8e-0dde4b9f197b.jpg?v=1744052168"}],"url":"https:\/\/www.hatjecantz.de\/en\/collections\/ulrike-ottinger-1.oembed","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}