{"title":"UVP","description":"","products":[{"product_id":"15732-beyeler-collection","title":"Beyeler Collection","description":"\u003cSPAN lang=EN-US\u003e\n\u003cP class=MsoBodyText style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003eSince its inauguration in October 1997, the Fondation Beyeler in Riehen, near Basel, has become one of the world’s top destinations for modern art, a result of the combination of a unique collection, fascinating architecture, and a variety of world-class exhibitions. The reputation of Hildy and Ernst Beyeler’s collection, which features milestones of twentieth-century art as well as tribal works from Africa, Alaska, and Oceania, has been steadily growing ever since due to new acquisitions of important works.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans-Plain; mso-bidi-font-size: 10.0pt\"\u003eOn the tenth anniversary of the Fondation Beyeler, this complete, up-to-date catalogue takes stock of the museum’s collection, which today contains more than two hundred paintings and sculptures. In addition to some of Ernst Beyeler’s own comments, this publication offers a thorough overview of twentieth-century art, including a valuable, personal insight into the life and work of a collector, museum founder, and patron, who to this day remains passionately involved in art. (German edition ISBN 978-3-7757-1945-2; French edition ISBN 978-3-7757-1947-6)\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US\u003e\u003cFONT face=TheSans-Plain\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526186819848,"sku":"9783775719469","price":49.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775719469_7199a61e-0448-4ab5-942d-768a6f0b09a5.jpg?v=1744049671"},{"product_id":"17317-rosa-barba","title":"Rosa Barba","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eRosa Barba (*1972 in Agrigent) works with the basic elements of the cinema: celluloid, light, projector, and sound. She dissects the structure of the narrative and plays with the often improbable characters, places, and stories of the medium of film. Her exploration of space, time, and language is crucial to the process. This publication presents her new project, which, like a story or a play in different acts, stretches out across two exhibition chapters: “Chapter 1” was shown in the Kunsthaus Zürich (June 6–\u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"9\" Day=\"9\" Year=\"2012\"\u003eSeptember 9, 2012\u003c\/st1:date\u003e), curated by Mirjam Varadinis. “Chapter 2” presented at the Bergen Kunsthall (February 2–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"3\" Day=\"17\" Year=\"2013\"\u003eMarch 17, 2013\u003c\/st1:date\u003e) is curated by Solveig \u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: Arial; mso-ansi-language: EN-GB\"\u003eØ\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003evsteb\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: Arial; mso-ansi-language: EN-GB\"\u003eø\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003e. The project revolves around a 35mm film, Time as Perspective, which Barba shot during the spring in \u003cst1:State w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eTexas\u003c\/st1:place\u003e\u003c\/st1:State\u003e—fascinated by the desert landscape, which she approaches from an almost archaeological perspective on a quest for inscribed signs and times.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eExhibition schedule: \u003cst1:place w:st=\"on\"\u003e\u003cst1:City w:st=\"on\"\u003eBergen\u003c\/st1:City\u003e\u003c\/st1:place\u003e Kunsthall, February 2–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"3\" Day=\"17\" Year=\"2013\"\u003eMarch 17, 2013\u003c\/st1:date\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874801905928,"sku":"9783775735605","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775735605_900776f6-1caa-4c40-8a97-c12c16e3f446.jpg?v=1744131857"},{"product_id":"17561-robert-longo","title":"Robert Longo","description":"\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003eSTAND was a site-specific installation, which in 2012 activated the architecture of the Capitain Petzel gallery in Berlin. The building was shrouded with an enormous depiction of the American flag in black and white. Upon entering the gallery, the viewer was confronted with a large charcoal drawing, upon which the exterior of the gallery was based. This was flanked by two drawings: one depicting a claustrophobic mass of Occupy Wall Street protesters; the other, a lone American soldier walking towards an uncertain and ominous future. With the consent of the artist, Robert Longo also updated the style and content of Hans Haackes \u003cI style=\"mso-bidi-font-style: normal\"\u003eOelgemaelde, Hommage à Marcel Broodthaers \u003c\/I\u003e(1982). \u003cSPAN style=\"mso-spacerun: yes\"\u003e\u0026nbsp;\u003c\/SPAN\u003efor the exhibition, replacing Ronald Reagan opposite a large-scale image of a protest over the deployment of American missiles in Bonn, Germany, with President Obama opposite Tea Party protesters. 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He writes this book, \u003cI style=\"mso-bidi-font-style: normal\"\u003eCVJ,\u003c\/I\u003e and gives an account of his life: how he leaves Texas in 1973 to return to his hometown of New York City, hangs out in Max’s Kansas City, meets Sigmar Polke, Blinky Palermo, Ross Bleckner, and numerous other people in the scene, and even travels to Europe to study the Old Masters—experiences and observations that are both poetic and amusing to read. And at the same time it is fascinating to see the oeuvre he had produced up to that point: the \u003cI style=\"mso-bidi-font-style: normal\"\u003ePlate Paintings\u003c\/I\u003e with their splintered surfaces, paintings in oil and wax, on velvet and tarpaulins, with “dirt” and cracks and \u003cI style=\"mso-bidi-font-style: normal\"\u003eobjets trouvés\u003c\/I\u003e that project into space, drawings, and sculptures. What is striking is their influence on younger generations of artists and on the current debate on painting.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874803708168,"sku":"9783775740562","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740562_d69b8ff7-5adb-4766-aa18-b5a66e496b25.jpg?v=1744105025"},{"product_id":"17835-taryn-simon","title":"Taryn Simon","description":"\u003cP class=MsoNormal style=\"BACKGROUND: white; MARGIN: 0cm 0cm 10pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eIn 1936, an American ornithologist named James Bond published the definitive taxonomy\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 12.0pt\"\u003e\u0026nbsp;\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eBirds of the \u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:place w:st=\"on\"\u003eWest Indies\u003c\/st1:place\u003e. Ian Fleming, an active bird-watcher living in \u003cst1:country-region w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eJamaica\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e, appropriated the name for his novel’s lead character. He found it “flat and colourless,” a fitting choice for a character intended to be “anonymous. . . a blunt instrument in the hands of the government.”\u0026nbsp;\u003cBR\u003eIn\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 12.0pt\"\u003e\u0026nbsp;\u003c\/SPAN\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eField Guide to\u0026nbsp;Birds of the West Indies\u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003e, Taryn Simon (*1975) casts herself as James Bond (1900–1989) the ornithologist, and identifies, photographs, and classifies all the birds that appear within the twenty-four films of the James Bond franchise. The appearance of many of the birds was unplanned and virtually undetected, operating as background noise for whatever set they happened to fly into. Simon’s ornithological discoveries occupy a liminal space—confined within the fiction of the James Bond universe and yet wholly separate from it. 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Architecture is often represented as a product or disembodied object. This view transforms inhabitants into spectators of an architecture that is dematerialized, delocalized, dehumanized and reduced into an image of itself. The collaboration between Mimram and Attali aims for an all-encompassing approach, placing the architecture within its time-frame and physical environment, rather than presenting mere glossy images of the projects. This triple volume builds a new visual vocabulary through which to interpret the structures. The social functionality of public architecture is addressed, largely absent in architectural photography and the communication of built space until now. The first volume focuses on a two-year photographic documentation of the construction of the Airtime building in Paris. The second volume presents an overview of Mimram\u0026rsquo;s works around the world: bridges, train stations and academic institutions from France to Morocco and China. The third volume focuses on the newly redesigned home to the French Open, Roland-Garros. With texts by Marc Mimram, Erieta Attali, Ariel Genadt, Jean Attali, Paul Chemetov, Zvi Hecker and Sir Peter Cook.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem style=\"font-family: \u0026quot;Open Sans\u0026quot;, Arial, Helvetica, sans-serif; font-size: 12px;\"\u003e\u0026quot;Architecture is an art of transformation, the dialog between the photography and the projects can participate to the understanding of its coherency, its generosity.\u003c\/em\u003e\u003cem\u003e\u0026rdquo; \u003c\/em\u003e\u0026ndash; Marc Mimram\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188068616,"sku":"9783775744034","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744034_13e555ce-5196-4686-8389-9c2f51bb626a.jpg?v=1744114265"},{"product_id":"17975-sean-scully","title":"Sean Scully","description":"\u003cp\u003eThis catalogue, the second volume in a proposed series of five, chronicles Sean Scully\u0026rsquo;s paintings of the 1980s. 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The book also\u0026nbsp;includes a lengthy, revealing, and in-depth interview with Mark Bradford himself. \u003c\/span\u003eThe publication \u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003emakes a significant and important contribution to our\u0026nbsp;understanding of the work and\u0026nbsp;practice of one of today\u0026rsquo;s\u0026nbsp;most influential\u0026nbsp;contemporary artists and at the same time explores urgent and timely issues that art\u0026nbsp;\u0026mdash; and artists\u0026nbsp;\u0026mdash; can powerfully address.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192095496,"sku":"9783775742719","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742719_153c4d29-2dd4-4c03-859b-43ee6316ec9d.jpg?v=1744115229"},{"product_id":"16095-richard-paul-lohse-drucke","title":"Richard Paul Lohse. Prints","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-bidi-font-family: Arial\"\u003eRichard Paul Lohse is one of the founders of systematic-constructive art in the twentieth century. This second volume of the catalogue raisonn\u0026eacute; is devoted to his works on paper: 172 original prints and multiples, created between 1940 and 1987. This book is not only an indespensable standard reference for all scholars, art dealers, and collectors, it also provides detailed accounts of Lohse\u0026rsquo;s collaboration with publishers, printers, and fellow artists. The chapters shed light on personalities, institutions, and events that were to have a lasting impact on the course of artistic culture in\u003c!--?xml:namespace prefix = \"st1\" \/--\u003e\u003cst1:country-region w:st=\"on\"\u003eSwitzerland\u003c\/st1:country-region\u003e and \u003cst1:place w:st=\"on\"\u003eEurope\u003c\/st1:place\u003e. The color illustrations are not confined to the complete prints, but include project-related printed matter, in most cases likewise designed by Lohse. This book also affords new insights into Lohse\u0026rsquo;s work both with and on color and the complex interrelations between prints, paintings, and drawings.\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192161032,"sku":"9783775723091","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775723091_24ccff45-7bf4-4b6d-88fb-8ffa780a2587.jpg?v=1744130444"},{"product_id":"17234-jorinde-voigt","title":"Jorinde Voigt","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003eThe unique visual language \u003cA href=\"http:\/\/www.jorindevoigt.com\/\"\u003eJorinde Voigt \u003c\/A\u003e(*1977 in Frankfurt am Main) develops in her drawings aims at making the invisible visible. Music, weather, geography, literature, and philosophy are among the subjects that serve as sources of inspiration for Voigt’s lyrical drawings, all of which she renders into a dizzying maelstrom of lines and notations as one thought is linked to the next. In \u003cI\u003ePiece for Words and Views,\u003c\/I\u003e Voigt turns to Roland Barthes’s famous book \u003cI\u003eA Lover’s Discourse: Fragments\u003c\/I\u003e to produce a series of thirty-six drawings, each of which contains elements of collage cut to represent particular words found in the book\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e—\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003ethereby recreating the central tenets of semiotics: signifier and signified. With texts by John Yau and the artist, this publication presents Jorinde Voigt’s complex pictorial spaces, which come together in a composition of form and idea.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188297992,"sku":"9783775734738","price":39.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734738_9d533771-3206-489c-a27b-15797aa3898e.jpg?v=1744104104"},{"product_id":"44951-ola-kolehmainen","title":"Ola Kolehmainen","description":"\u003cp\u003eOla Kolehmainen\u0026rsquo;s (*1964, Helsinki) works are visual journeys to space, time, and light. A graduate of the Helsinki University of Art and Design, and one of the most successful representatives of the first generation of the Helsinki School, Kolehmainen became famous for his method of reducing fa\u0026ccedil;ades to minimalist details. In his new series, the Finnish photographer, who has been based in Berlin since 2005, focuses masterfully on the space and light in the places where faith is practiced in. Inspired by his exploration of Islamic architecture and mosques in Istanbul, he continued portraying synagogues, mosques, churches, and cathedrals throughout Europe. Kolehmainen\u0026rsquo;s work here is more narrative. It draws attention to the commonalities, and shared histories of the religious spaces, underlining the universal nature of culture or religion.\u003c\/p\u003e\n\n\u003cp\u003eThis limited special edition of 99 copies includes an original print each.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: 6.12.2017\u0026ndash;4.3.2018, HAM Helsinki Art Museum\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526196224264,"sku":"9783775744157","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744157_851262b0-e3f4-42a0-9895-d046e5195166.jpg?v=1744122598"},{"product_id":"43592-adrian-ghenie","title":"Adrian Ghenie","description":"\u003cp\u003eEver since his spectacular exhibition at the Romanian Pavilion at the 56th Venice Biennial in 2015 at the latest ,Adrian Ghenie has been known to a broader art audience as one of the most interesting and idiosyncratic painters of his generation. 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Otzko gives one hundred contemporary photographers from her country the space to show their best images, including renowned figures such as Dag Alveng, Jonas Bendiksen, Knut Bry, Morten Krogvold, Annemor Larsen, Crispin Gurholt and Mikkel McAlinden. With several double pages for each photographer, the book is a vivid archive of Norwegian photography, uniting the most diverse genres, from landscapes to portraits, experimental photography to snapshots. It provides an extensive overview of the mysterious country in the north, the land of glaciers and fjords, showing it in brilliant facets\u0026mdash;witty, absurd, poetic, political, special.\u003c\/p\u003e\n\n\u003cp\u003eINA OTZKO (*1972, Alsten Island, Norway) is an artist and independent curator. She holds masters from Goldsmiths, London and Udk, Berlin. Her work is exhibited internationally. 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Marked by the photographers\u0026rsquo; differing visual vocabularies, nationalities, and cultural backgrounds, the picture that emerges is not a single, monolithic vision, but rather a diverse and fragmented portrait. The images have previously been shown in renowned museums such as DOX Centre for Contemporary Art in Prague, the Tel Aviv Museum of Art, and the Brooklyn Museum. Now, the project culminates in this retrospective volume, which contains more than 200 spectacular photographs and views of the exhibition, as well as essays by distinguished curators on the project\u0026rsquo;s history and its meaning for today\u0026rsquo;s political and cultural discourse.\u003c\/p\u003e\n\n\u003cp\u003eFEATURING PHOTOGRAPHS BY\u003cbr \/\u003e\nFr\u0026eacute;d\u0026eacute;ric Brenner, Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Stephen Shore, Rosalind Fox Solomon, Thomas Struth, Jeff Wall, Nick Waplington\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nJewish Museum Berlin\u003cbr \/\u003e\nJune 7, 2019\u0026mdash;January 5, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188625672,"sku":"9783775746168","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746168_cc3396a5-6b3c-43ac-8bc3-cb7e571334f9.jpg?v=1744141183"},{"product_id":"52781-donald-graham","title":"Donald Graham","description":"\u003cp\u003eAuthenticity, honesty, and character: Donald Graham\u0026rsquo;s portraits are not simply photographic recordings. Looking at them is like looking at human beings themselves, brought forth by the photographer with his virtuoso technique and sensibilities. These brilliant, strongly contrasting black-and-white photos are evidence of attitude, rather than studied gestures. Eyes and faces are not model-like masks; instead, they express the unique nature of those portrayed. Inevitably, viewers fi nd themselves in a dialogue with the images. You wonder about the stories behind these faces; though unfamiliar, they are nevertheless an emotional experience. This magnifi cent volume of pictures is the fi rst extensive publication of Graham\u0026rsquo;s haunting work. Reproduced in an elaborate triplex process, the printed photographs also possess great brilliance. On paper they seem almost tangible, fully revealing this outstanding oeuvre.\u003cbr \/\u003e\n\u003cbr \/\u003e\nDONALD GRAHAM is an internationally celebrated fashion, portrait, and fi ne art photographer. 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I wander the streets alone at night, camera in hand, trying to find my place in my latest \u0026#39;home.\u0026rsquo;\u0026rdquo; What does \u0026quot;home\u0026quot; mean when one is a stranger living in another country? Artist Romeo Alaeff explores this question in \u003cem\u003eIn der Fremde: Pictures from Home,\u003c\/em\u003e a haunting, cinematic, and evocative survey of Berlin as seen through the lens of an eternal outsider. Framed by Alaeff\u0026rsquo;s complex familial background, spanning from Yemen to the former USSR, Poland, Israel, and the United States, the photographs are tinged with a deep sense of longing and touch on themes of migration, belonging, and the search for home. Inspiring essays by Yuval Noah Harari, Christian Rattemeyer, Charles Simic, Eva Hoffman, Rory MacLean, Joseph Kertes, and Romeo Alaeff illuminate a wide horizon of perspectives.\u003c\/p\u003e\n\u003cp\u003eROMEO ALAEFF (*1970, Brooklyn) lives in Berlin. 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The artists outline how they experimented with collective script writing and performative storytelling, including both human and other-than-human actors. Starting from their earlier artwork\u0026nbsp;\u003cem\u003eMonument of Sugar\u003c\/em\u003e\u0026nbsp;(2007), the account develops into a practice driven exploration of co-authorship and (non)human rights as strategies to cope with the plantationocene.\u003c\/p\u003e\n\u003cp\u003eVan Brummelen \u0026 De Haan collaborate since 2002, producing film installations, sculptures and collages that explore cultural and geopolitical landscapes such as Europe’s borders, sites of resource production and global trade, and sites of cultural heritage. 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For his most iconic series, \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe Brown Sisters\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, he followed four sisters over 46 years. His practice, however, encompasses a much broader spectrum, such as the simple life in the southern states of the US or landscape portraits of the rough industrial areas around Detroit. Beginning with the aspect of intimacy, this monograph provides the first overview of Nixon\u0026rsquo;s oeuvre. It is a journey through the artist\u0026rsquo;s life and work \u0026ndash; at once distant and at times intimate and close \u0026ndash; and also features new, previously unpublished photographs.\u0026nbsp;\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNICHOLAS NIXON (*1947) works with portrait and documentary photography. He studied art at the University of Michigan and the University of New Mexico. 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Her writing, installations, films, digital media, and sound works continue to trace and interrogate the power of cultural institutions and their relationships with language, knowledge, and constitutions of selfhood, while at the same time indicating other ways of being and becoming.\u003c\/p\u003e\n\n\u003cp\u003eThis artist\u0026rsquo;s catalogue extensively illustrates Green\u0026rsquo;s previously undocumented early work alongside recent installations, personal ephemera and excerpts from fiction selected by the artist. Essays by a new constellation of writers relate Green\u0026rsquo;s work to legacies of migration and displacement, language and access, as well as alternative approaches to reading and being read.\u003c\/p\u003e\n\u003cp\u003eRENÉE GREEN (*1959) is an artist, writer, and filmmaker known for her highly layered and formally complex multimedia installations in which ideas, perception, and experience are examined from myriad perspectives. 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In this case, world-famous architectural history. For five years the renowned Neue Nationalgalerie (New National Gallery), designed by Ludwig Mies van der Rohe, was closed to the public for renovation. Nevertheless, the photographer Michael Wesely was able to accommodate \u0026ldquo;four guests\u0026rdquo; inside the iconic building: four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 360 and 730 pictures with an exposure time of 90 seconds each. Edited into bewitching montages, this fascinating synopsis allows readers to envision the building\u0026rsquo;s metamorphosis as it was undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe photographer MICHAEL WESELY (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. 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The most comprehensive publication to date about Singh\u0026rsquo;s art, it includes a series of scholarly long-form and short-form essays, full-color reproductions, and installation images. The texts situate Singh\u0026rsquo;s work in relation to topics such as Indian classical music, traditions of the photographic, imaginations of the archive, choreography and economies of reproduction. Presenting every important phase in the artist\u0026rsquo;s oeuvre, it also enters Singh\u0026rsquo;s archive to include never-before-seen early works from the 1980s, a new series of montages and the works \u003cem\u003eLet\u0026rsquo;s see, Museum of Chance, Museum of Shedding, I am as I am, Go Away Closer\u003c\/em\u003e and \u003cem\u003eBox 507\u003c\/em\u003e, among others.\u003c\/p\u003e\n\u003cp\u003eDAYANITA SINGH (*1961) is one of the most important contemporary artists. 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The work is a displaced sculpture of McCarthy’s entire studio. Inconspicuous from the outside, a fabricated wooden structure like a shipping crate with four holes indicating the windows and doors in McCarthy's actual studio, the inside reveals an overwhelming diversity of objects thereby creating an intimate portrait of the artist’s mindscape. The contents of \u003cEM\u003eThe Box\u003c\/EM\u003e are the actual items from McCarthy's studio in Los Angeles, California, containing approximately three thousand objects, from a steel cabinet to a pencil, drawings and artworks. Only one thing is amiss, the box is tipped ninety degrees on its side, its contents, fixed to their surfaces, appear to defy gravity and taunt the viewer's perception of right-side-up. This radical displacement is repeated in the design of the catalog, thereby creating an object that functions as yet another haptic inversion. 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He is also one of the most outspoken. Since the late sixties, Scully’s visual expressiveness has been matched by a verbal dynamism that is no less arresting than his art. Varying widely in form from brief reflections of compressed eloquence to essay-long meditations on artists such as Vincent Van Gogh, Giorgio Morandi and Mark Rothko–Scully’s writings are distinguished by a brutal lyricism and the effortlessness of their aphoristic turn of phrase. At once biographical and political, poignant and unflinching, the nearly 200 texts that comprise \u003cI style=\"mso-bidi-font-style: normal\"\u003eInner: The Collected Writings and Selected Interviews of Sean Scully\u003c\/I\u003e provide a unique perspective on one of the most engaging artistic imaginations of the past half century. Here, readers will discover the effusions of a mind tirelessly wrestling with the profoundest issues of art, cultural history, and what it means to be a creator in the contemporary world. 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Their striking stanc\u0026shy;es continue to have an influence on cultural visual memory. \u003cem\u003eSculpture After Sculpture: Fritsch, Koons, Ray\u003c\/em\u003e traces the parallel developments in the creative work of the three sculptors. Beginning with key works from the late eighties and early nineties that throw light on their shared interest in the consumer world and the ready-made, the publication delineates their ar\u0026shy;tistic practice up to the present day. A direct compari\u0026shy;son highlights the surprising similarities and marked differences in their oeuvres, and reveals the artists\u0026rsquo; compelling reasons for a decidedly contemporary art of sculpture.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003eExhibition: Moderna Museet, Stockholm 11.10.2014\u0026ndash;18.1.2015\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874822189320,"sku":"9783775738859","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738859_5185403a-a4bf-4a0a-a5e5-2c253dadaad7.jpg?v=1744133645"},{"product_id":"17174-ernst-wilhelm-nay","title":"Ernst Wilhelm Nay","description":"\u003cp\u003eThe long-awaited, three-volume catalogue raisonn\u0026eacute; of works on paper by E. 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Like a mobile studio, the \u003cem\u003eBMW Art Journey\u003c\/em\u003e can take an artist to almost anywhere in the world\u0026mdash;to establish contacts, to forge perspectives, to envision and create new work. The \u003cem\u003eBMW Art Journey\u003c\/em\u003e is open to artists exhibited in the Discoveries sector of Art Basel in Hong Kong. In conjunction with the launch of the initiative, 2015 saw the publication of \u003cem\u003eThe Sense of Movement: When Artists Travel\u003c\/em\u003e (Hatje Cantz), with examples of works by traveling artists in the past as an opener to a series of publications documenting the travels and projects of the \u003cem\u003eBMW Art Journey\u003c\/em\u003e recipients.\u003c\/p\u003e\n\n\u003cp\u003eMax Hooper Schneider\u0026rsquo;s (*1982, Los Angeles) Art Journey is a maritime exploration of coral reefs around the globe. He investigates reef systems from the Bikini Atoll to the Fukushima disaster \u0026ldquo;reef\u0026rdquo; in Japan, from Lake Baikal in Russia to the coast of Madagascar to produce a diverse narrative around them.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526206087432,"sku":"9783775744713","price":29.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744713_db799753-24e4-41a7-a58d-bf897905b593.jpg?v=1744116901"},{"product_id":"45305-yves-netzhammer","title":"Yves Netzhammer","description":"\u003cp\u003eWith a conversation between Michael Heitz and Yves Netzhammer\u003c\/p\u003e\n\n\u003cp\u003eA head, a rump, arms, legs; joints, skin, blood\u0026mdash;it only takes a little to identify the minimalist dolls Yves Netzhammer (*1970) draws on the computer; tender, yet shot through with violence at the same time, they are always getting into ambiguous situations. Taciturnly, they roam through the Swiss artist\u0026rsquo;s installations and film clips, challenging the boundaries between virtual and three-dimensional space. Richly illustrated in order to live up to the subtle, multifaceted works, the catalogue investigates the independence of Netzhammer\u0026rsquo;s art and its development through the most significant pieces from the years between 2008 and 2018, some of which are being published for the first time here.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: Museum zu Allerheiligen, September 28, 2018 \u0026ndash; February 17, 2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755196424456,"sku":"9783775744409","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744409_22bb390f-b709-470b-9c19-803e6bfb0028.jpg?v=1744150394"},{"product_id":"52806-the-helsinki-school","title":"The Helsinki School","description":"\u003cp\u003e\u003cem\u003eThe Nature of Being\u003c\/em\u003e is the sixth volume from the series of books about the Helsinki School. It concentrates on bringing together the various approaches used by the School\u0026rsquo;s representatives to conceptualize nature visibly. The stated goal is not to limit oneself to purely physical depictions of animals, plants, and landscapes. Nature ought to be expressed through a di\u0026curren;erent type of unit and with a new way of gauging time. Days, months, and seasons become the points of crystallization for time. Thus, the photographs reflect a Nordic sense about feelings of loneliness, jealousy, or desire. The works provide photographic insight into the complex horizon of emotions that characterize our individual views of nature. They do not portray landscape as such, but the world in which we live.\u003cbr \/\u003e\n\u003cbr \/\u003e\nSince the 1990s the name HELSINKI SCHOOL has been used to describe a group of fine art photographers who studied, taught, or graduated from the Aalto University\u0026rsquo;s School of Art, Design and Architecture. The term unites a consistent conceptual approach.\u003cbr \/\u003e\n\u003cbr \/\u003e\nEXHIBITION\u003cbr \/\u003e\nKunsthalle St. Annen,\u0026nbsp;L\u0026uuml;beck, Germany\u003cbr \/\u003e\nJanuary 26\u0026mdash;April 26, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755196555528,"sku":"9783775746991","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746991_08b4f7bd-7084-4833-922e-860c57525cdb.jpg?v=1744140014"},{"product_id":"52767-niko-luoma","title":"Niko Luoma","description":"\u003cp\u003eNo one uses the camera like the photographer Niko Luoma. He is not interested in capturing the world in front of his lens. He uses light to create his own visual spheres. Using up to a thousand multiple exposures he applies individual elements of color and form to the negative, layer by layer. Meticulous calculations and geometrical skills are the necessary foundation for this. The results are abstract photographs of impressive, colorful intensity and luminosity. This book of photos is based on the series \u003cem\u003eAdaptations, \u003c\/em\u003ewhich reproduces famous works by other artists. Luoma presents a fascinating visual game in which the independent charisma of the photographs acts in concert with its reverence toward Francis Bacon, David Hockney, Vincent van Gogh, or Pablo Picasso. With tongue in cheek referencing, Luoma thus realizes the avant-garde\u0026rsquo;s desire to liberate photography from reproducing reality, allowing it to become an art.\u003c\/p\u003e\n\n\u003cp\u003eNIKO LUOMA (*1970, Helsinki) is one of the most independent representatives of the Helsinki School. He studied photography in Boston and Helsinki. His works have been seen in renowned museums worldwide and can be found in prominent collections. In 2012 Hatje Cantz released \u003cem\u003eAnd Time is No Longer an Obstacle.\u003c\/em\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755196850440,"sku":"9783775746892","price":54.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746892_ec3aa5e8-c2a2-4e06-b6d9-06ebe08622c7.jpg?v=1744122120"},{"product_id":"48486-superflex","title":"Superflex","description":"\u003cp\u003eThe critically-acclaimed Danish artist group SUPERFLEX, founded in 1993 by Jakob Fenger (b. 1968), Bj\u0026oslash;rnstjerne Christiansen (b. 1969), and Rasmus Nielsen (b. 1969), create humorous and playfully subversive installations and films that deal with financial crisis, corruption, migration, and the possible consequences of global warming. The artists describe their practice as the provision of \u0026ldquo;tools\u0026rdquo; that affect or influence social or economic contexts, and often root their projects in particular local situations, inviting the participation of viewers. Their work poses questions of political, economic, and environmental behavior and responsibility. This catalogue accompanies the group\u0026rsquo;s first major museum survey in the United States and highlights video, sculpture, and installation works relevant to the history, present, and future of cities like Miami, poised on the leading edge of pressing issues such as climate change and immigration.\u003c\/p\u003e\n\n\u003cp\u003eCo-published by Museum of Art and Design at Miami Dade College (MOAD), \u003cem\u003eSuperflex: \u003c\/em\u003e\u003cem\u003eWe Are All in the Same Boat\u003c\/em\u003e includes an introduction by the exhibition\u0026lsquo;s curator, Jacob Fabricius, Artistic Director of Kunsthal Aarhus, essays by Stephanie Wakefield and Gean Moreno, and George Yudice, and a fictional text about water, flooding, and the future of Miami by science-fiction writer Mark von Schlegell.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nNovember 15, 2018 \u0026ndash; April 21, 2019\u003cbr \/\u003e\nMuseum of Art and Design at Miami Dade College (MOAD), Miami\u003c\/p\u003e\n\n\u003cdiv\u003e\u0026nbsp;\u003c\/div\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755196948744,"sku":"9783775745109","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745109_90f51d81-48d4-4a71-bd4a-f227aad8d26d.jpg?v=1744138172"},{"product_id":"52595-heiter-bis-wolkig","title":"Heiter bis wolkig","description":"\u003cp\u003e\u0026ldquo;Fair to cloudy\u0026rdquo; is a prognostication regularly made on the evening weather report, promising everything and nothing. Homeland\u0026mdash;what is it, and how do you recognize or identify it? Three young photographers travel across the country searching for what is \u0026ldquo;typically German,\u0026rdquo; something that is both fascinating and disconcerting to them. On their journey from Husum to Donaueschingen they take a serene and self-ironic look at life in the provinces, with all of its peculiarities and unquestioned traditions, which puts a smile on everyone\u0026rsquo;s face. This raises the question of whether there might be something of all this in us, too. These amusing photos are accompanied by a foreword by Frank Goosen, who, with no less wit, traces German lives and superficialities in an historical survey from the 1960s to the present day.\u003c\/p\u003e\n\n\u003cp\u003eDAVID CARRE\u0026Ntilde;O HANSEN (*1978, Madrid), SVEN STOLZENWALD (*1986, Neuss), and CHRISTIAN A. WERNER (*1980, Weimar) met at the Hochschule Hannover, where they were all studying documentary photography. Heiter bis wolkig is their collaborative final exam project. Besides working as freelance photographers, all of them are busy with (social) documentary photography projects. The author FRANK GOOSEN (*1966, Bochum) travels on the lecture circuit all over Germany, generally by train.\u003cbr \/\u003e\n\u003cbr \/\u003e\nEXHIBITION\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003eFreelens Galerie, Hamburg\u0026nbsp;\u003c\/span\u003e\u003cbr \/\u003e\nJune 24\u0026ndash;August 12, 2021\u003c\/p\u003e\n\n\u003cp\u003eHaus der Geschichte, Bonn,\u0026nbsp;U-Bahnstation Heussallee\/Museumsmeile\u003cbr \/\u003e\nJune 28, 2021\u003cspan style=\"text-transform: uppercase; caret-color: rgb(0, 0, 0);\"\u003e\u0026ndash;\u003c\/span\u003eSpring\u0026nbsp;2022\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197047048,"sku":"9783775746687","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746687_e23237f7-739f-42a7-bc1a-891f751b1a29.jpg?v=1744097687"},{"product_id":"51172-a","title":"A","description":"\u003cp\u003eIn 1958 at the Werkkunstschule in Offenbach, Franz Erhard Walther devised a typographical font without any diagonals. In this artist\u0026rsquo;s book he uses so-called work sets to form a letter on each page, facing a scene from his life between 1954 to 1973 on the opposite page\u0026mdash;an encounter with Reiner Ruthenbeck and \u0026nbsp;J\u0026ouml;rg Immendorff, for example, or his first show at the Museum of Modern Art in New York. Paging through, four sequential \u0026ldquo;work sets\u0026rdquo; make an appearance, including \u0026ldquo;The body draws\u0026rdquo; and \u0026ldquo;Sculptural memory\u0026rdquo;: on the left side, a hand-drawn letter in a mutable yellow, and on the right, a drawing of a recollection originating in his photographic memory. This book, conceived and designed by the artist himself, is itself a work of art.\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eFranz Erhard Walther (*1939) first studied at the Werkkunstschule (School of Applied Arts) in Offenbach am Main, and then later attended the Kunstakademie D\u0026uuml;sseldorf (D\u0026uuml;sseldorf Art Academy), where he and fellow students Gerhard Richter and Sigmar Polke studied under Karl Otto G\u0026ouml;tz. Walther lived in New York City between 1967 and 1971. In 1969 he and Dan Flavin exhibited the famous first work set at the Museum of Modern Art.\u003c\/p\u003e\n\n\u003cp\u003e\u0026ldquo;All throughout my life I was fascinated by this idea: that a work could have a plot. With the consequence that the plot itself takes on the character of a work of art.\u0026rdquo;\u003cbr \/\u003e\n\u003cem\u003eFranz Erhard Walther, S\u0026uuml;ddeutsche Zeitung Magazin\u003c\/em\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811852558600,"sku":"9783775746038","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746038_ab23ba87-b3c0-4763-a1f0-b3eb04b37435.jpg?v=1744037576"},{"product_id":"53721-steirischer-herbst-19","title":"steirischer herbst ’19","description":"\u003cp\u003eA grand hotel on the edge of the abyss? The phrase that provided the title and the agenda for steirischer herbst \u0026rsquo;19\u0026mdash;\u003cem\u003eGrand Hotel Abyss \u003c\/em\u003ecame from the pen of the philosopher Georg Luk\u0026aacute;cs. In the early 1930s he used this striking metaphor to describe the attitude of the European intellectual and cultural scene who continued to party in an uninhibited, hedonistic manner, despite the looming rise of fascism. Doomsday scenarios viewed from a snug sofa, along with the culinary and cultural comfort zones known as \u0026ldquo;Genusshauptst\u0026auml;dte\u0026rdquo; (pleasure capitals), demonstrate that the apocalypse can be shaped in a thoroughly pleasant and exciting manner today. This reader, accompanying the 52nd edition of the steirischer herbst, tracks these observations and explores the actual relevance of this historical context, as well as the significance of critical artistic attitudes, in essays, artists\u0026rsquo; texts, and numerous illustrations.\u003cbr \/\u003e\n\u003cbr \/\u003e\nEvery year for a month,\u003cem\u003e steirischer herbst,\u003c\/em\u003e the oldest interdisciplinary festival of contemporary art in Europe, turns the city of Graz and the province of Styria in Austria into a parcours of installative and performative works. Since 1968, the festival has offered a platform for public debates, critical positions, and dialogues between the arts.\u003cbr \/\u003e\n\u003cbr \/\u003e\nTHE ARTISTS\u003cbr \/\u003e\nAriel Efraim Ashbel and friends; Cibelle Cavalli Bastos; Alexander Brener and Barbara Schurz; Keti Chukhrov \/ Guram Matskhonashvili; Jasmina Cibic; Counterpositions (Eduard Freudmann, Thomas Geiger, and Elizabeth Ward); Das Planetenparty Prinzip; Jeremy Deller; Bojan Djordjev \/ Goran Ferčec; Elmgreen \u0026amp; Dragset; Ian Hamilton Finlay; Jule Flierl; Giorgi Gago Gagoshidze; Riccardo Giacconi; Grupa Ee; Jakob Lena Knebl and Markus Pires Mata; The Life and Adventures of GL; Daniel Mann and Eitan Efrat; Oscar Murillo; Erna \u0026Oacute;marsd\u0026oacute;ttir \u0026amp; Valdimar J\u0026oacute;hannsson; Boris Ondreička; Manuel Pelmuș; Michael Portnoy; Blanka R\u0026aacute;d\u0026oacute;czy \/ Vladimir Sorokin; Hanna Rohn; Andreas Siekmann; Nedko Solakov; Andrei Stadnikov with Vanya Bowden, Shifra Kazhdan, and Dmitry Vlasik; Theater im Bahnhof; Michiel Vandevelde; Gernot Wieland; Jaśmina W\u0026oacute;jcik; Zorka Wollny; Artur Żmijewski\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197669640,"sku":"9783775747462","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747462_c789821e-6e14-422a-ae4a-3c55021ac122.jpg?v=1744151171"},{"product_id":"58971-manuel-mathieu","title":"Manuel Mathieu","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003eElucidating the multi-layered explorations of Haitian Canadian artist Manuel Mathieu, this first comprehensive publication focuses on how Haiti has informed Mathieu\u0026rsquo;s work over the past few years. Reflecting on the complex revolutionary history of his family homeland by unearthing its traumatized subconscious, and the erasure of memories of the oppressive and violent Duvalier dictatorships, Mathieu\u0026rsquo;s vibrant paintings blur the boundaries between personal and political. Merging abstraction with figuration, Mathieu abrades his work springing from found photographs, by rubbing and scraping off layers of paint, before reintroducing impastoed snarls of color. Positioned at the fault lines of political and environmental crises, Mathieu considers Haiti\u0026rsquo;s quest for self-determination as a prism reflecting a global longing for freedom, and grassroots resistance to imperialist and capitalist exploits.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eMontreal-based artist MANUEL MATHIEU (*1986, Port-au-Prince) graduated with a Master’s degree in Fine Arts from Goldsmiths, University of London in 2016. 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Starting with the Villa Stuck in Munich\u0026mdash;the aesthetic, conceptual cosmos and life\u0026rsquo;s work of the aristocratic artist Franz von Stuck\u0026mdash;this unique volume integrates the artist\u0026rsquo;s house as a category into the international context and is the first to assign these buildings the status of major works. About twenty examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures, and photographs closely related to the houses, plans and models convey the correlation between art and life as well as the kind of harmony of the arts expressed in Richard Wagner\u0026rsquo;s historical concept of the total work of art. (German edition ISBN 978-3-7757-3592-6)\u003c\/p\u003e\n\n\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eHouses featured (selection): Sir John Soane\u0026rsquo;s Museum, London; William Morris Red House, Bexleyheath; Louis Comfort Tiffany\u0026rsquo;s Tiffany House, New York City; Mortimer Menpes\u0026rsquo;s flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle\u0026rsquo;s villa and garden, Marrakesh; Kurt Schwitters\u0026rsquo; MERZbau, Hannover; Max Ernst\u0026rsquo;s house, Arizona\u003c\/p\u003e\n\n\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eExhibition schedule: Museum Villa Stuck, Munich, November 21, 2013\u0026ndash;March 2, 2014\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49808340189448,"sku":"9783775751865","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751865_f6af0748-ba95-4cb8-bcbd-aeeaac899e5c.jpg?v=1744270913"},{"product_id":"57830-fgp-atelier","title":"FGP ATELIER","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-1caa7f15-7fff-ee77-45d9-b4012042a438\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThis illustrated volume provides insight into the work of the internationally renowned architectural firm FGP \u003c\/span\u003eATELIER\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e, famous for its spectacular high-rises in Asia and the construction of the biggest baseball stadium in Mexico City. Accompanying the many photographs are essays that elucidate the basic conceptual principles behind the firm\u0026rsquo;s architectural work. The result is a multilayered \u0026ldquo;big picture\u0026rdquo; that always allows for a clearly visible signature, despite the differences among the projects. Using the terms \u0026ldquo;values,\u0026rdquo; \u0026ldquo;network,\u0026rdquo; and \u0026ldquo;ambition,\u0026rdquo; the publication discusses current issues, such as sustainability, ethics, technical design, the infrastructure for a more equitable city, and finally the future of living. With \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: italic; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eProgression,\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e FGP \u003c\/span\u003eATELIER\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e provides interesting food for thought about the question of which direction architecture as a discipline might take as it continues to develop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFRANCISCO GONZÁLEZ PULIDO (*1970) is a Mexican architect known for his expressive yet rational approach to design. He has worked on many different types of buildings in America, Europe, Asia, and the Middle East and is the recipient of many awards.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197997320,"sku":"9783775750578","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750578_0b42039a-9857-4a1b-928c-e2b0051aec14.jpg?v=1744062900"},{"product_id":"58959-fabrice-samyn","title":"Fabrice Samyn","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-9684dcea-7fff-c619-b22c-7e6475a9b4c9\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe diverse work of Belgian artist Fabrice Samyn often references masterpieces of art history. His compositions, installations, and performances explore grand metaphysical questions, combining conceptual rigor with spiritual sensuality. Against the backdrop of his art-historical references, Samyn was invited by the Royal Museums of Fine Arts in Brussels to enter into a subtle dialogue with the masterpieces of the Old Masters as well as the Mus\u0026eacute;e Magritte. With his fascination for the spoken word and everyday poetry, Samyn is in a tradition with fellow Belgian artist Ren\u0026eacute; Magritte, and he is equally successful in translating details from the paintings of the Old Masters into a contemporary visual language.\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFABRICE SAMYN (*1981) is a painter, sculptor, graphic artist, photographer and performer. With this exhibition he has his largest presentation to date with over 70 works. He lives and works in Brussels.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198161160,"sku":"9783775751445","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751445_fc181beb-cc18-49c3-b1c1-b025499ff61a.jpg?v=1744062921"},{"product_id":"58961-fabrice-samyn","title":"Fabrice Samyn","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-a477725d-7fff-7a23-3ebe-d13047d1136e\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe diverse work of Belgian artist Fabrice Samyn often references masterpieces of art history. His compositions, installations, and performances explore grand metaphysical questions, combining conceptual rigor with spiritual sensuality. Against the backdrop of his art-historical references, Samyn was invited by the Royal Museums of Fine Arts in Brussels to enter into a subtle dialogue with the masterpieces of the Old Masters as well as the Mus\u0026eacute;e Magritte. With his fascination for the spoken word and everyday poetry, Samyn is in a tradition with fellow Belgian artist Ren\u0026eacute; Magritte, and he is equally successful in translating details from the paintings of the Old Masters into a contemporary visual language.\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFABRICE SAMYN (*1981) is a painter, sculptor, graphic artist, photographer and performer. With this exhibition he has his largest presentation to date with over 70 works. He lives and works in Brussels.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198226696,"sku":"9783775751469","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751469_2a5c9c61-7f79-44b7-b952-a7cc1cec75f2.jpg?v=1744062914"}],"url":"https:\/\/www.hatjecantz.de\/en\/collections\/test-sprache.oembed","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}