{"title":"SALE","description":"\u003cp\u003eDiscover discounted illustrated books and exhibition catalogues on art, photography, architecture, and design—available while supplies last.\u003c\/p\u003e","products":[{"product_id":"17799-julian-schnabel","title":"Julian Schnabel","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US'\u003eAt thirty-six, Julian Schnabel was not only represented in the most important exhibitions of his time; retrospectives of his works were already being celebrated in major museums such as the Stedelijk Museum, the Tate in London, or the Centre Pompidou in Paris. He writes this book, \u003cI style=\"mso-bidi-font-style: normal\"\u003eCVJ,\u003c\/I\u003e and gives an account of his life: how he leaves Texas in 1973 to return to his hometown of New York City, hangs out in Max’s Kansas City, meets Sigmar Polke, Blinky Palermo, Ross Bleckner, and numerous other people in the scene, and even travels to Europe to study the Old Masters—experiences and observations that are both poetic and amusing to read. And at the same time it is fascinating to see the oeuvre he had produced up to that point: the \u003cI style=\"mso-bidi-font-style: normal\"\u003ePlate Paintings\u003c\/I\u003e with their splintered surfaces, paintings in oil and wax, on velvet and tarpaulins, with “dirt” and cracks and \u003cI style=\"mso-bidi-font-style: normal\"\u003eobjets trouvés\u003c\/I\u003e that project into space, drawings, and sculptures. What is striking is their influence on younger generations of artists and on the current debate on painting.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874803708168,"sku":"9783775740562","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740562_d69b8ff7-5adb-4766-aa18-b5a66e496b25.jpg?v=1744105025"},{"product_id":"44764-marc-mimram-structure-light","title":"Marc Mimram: Structure | Light","description":"\u003cp\u003eMarc Mimram (*1955, Paris), award-winning architect and engineer, presents his work of architecture and structure through the lens of Erieta Attali (1966, Tel Aviv-Jaffa), world-renowned architectural photographer, who explores the relationship between human-made structures and the landscape. Architecture is often represented as a product or disembodied object. This view transforms inhabitants into spectators of an architecture that is dematerialized, delocalized, dehumanized and reduced into an image of itself. The collaboration between Mimram and Attali aims for an all-encompassing approach, placing the architecture within its time-frame and physical environment, rather than presenting mere glossy images of the projects. This triple volume builds a new visual vocabulary through which to interpret the structures. The social functionality of public architecture is addressed, largely absent in architectural photography and the communication of built space until now. The first volume focuses on a two-year photographic documentation of the construction of the Airtime building in Paris. The second volume presents an overview of Mimram\u0026rsquo;s works around the world: bridges, train stations and academic institutions from France to Morocco and China. The third volume focuses on the newly redesigned home to the French Open, Roland-Garros. With texts by Marc Mimram, Erieta Attali, Ariel Genadt, Jean Attali, Paul Chemetov, Zvi Hecker and Sir Peter Cook.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem style=\"font-family: \u0026quot;Open Sans\u0026quot;, Arial, Helvetica, sans-serif; font-size: 12px;\"\u003e\u0026quot;Architecture is an art of transformation, the dialog between the photography and the projects can participate to the understanding of its coherency, its generosity.\u003c\/em\u003e\u003cem\u003e\u0026rdquo; \u003c\/em\u003e\u0026ndash; Marc Mimram\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188068616,"sku":"9783775744034","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744034_13e555ce-5196-4686-8389-9c2f51bb626a.jpg?v=1744114265"},{"product_id":"16095-richard-paul-lohse-drucke","title":"Richard Paul Lohse. Prints","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-bidi-font-family: Arial\"\u003eRichard Paul Lohse is one of the founders of systematic-constructive art in the twentieth century. This second volume of the catalogue raisonn\u0026eacute; is devoted to his works on paper: 172 original prints and multiples, created between 1940 and 1987. This book is not only an indespensable standard reference for all scholars, art dealers, and collectors, it also provides detailed accounts of Lohse\u0026rsquo;s collaboration with publishers, printers, and fellow artists. The chapters shed light on personalities, institutions, and events that were to have a lasting impact on the course of artistic culture in\u003c!--?xml:namespace prefix = \"st1\" \/--\u003e\u003cst1:country-region w:st=\"on\"\u003eSwitzerland\u003c\/st1:country-region\u003e and \u003cst1:place w:st=\"on\"\u003eEurope\u003c\/st1:place\u003e. The color illustrations are not confined to the complete prints, but include project-related printed matter, in most cases likewise designed by Lohse. This book also affords new insights into Lohse\u0026rsquo;s work both with and on color and the complex interrelations between prints, paintings, and drawings.\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192161032,"sku":"9783775723091","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775723091_24ccff45-7bf4-4b6d-88fb-8ffa780a2587.jpg?v=1744130444"},{"product_id":"51371-100-norwegian-photographers","title":"100 Norwegian Photographers","description":"\u003cp\u003eCurated and edited by the artist Ina Otzko, \u003cem\u003e100 Norwegian Photographers \u003c\/em\u003eis a magnificent volume of photos from today\u0026rsquo;s Norwegian photography scene. Otzko gives one hundred contemporary photographers from her country the space to show their best images, including renowned figures such as Dag Alveng, Jonas Bendiksen, Knut Bry, Morten Krogvold, Annemor Larsen, Crispin Gurholt and Mikkel McAlinden. With several double pages for each photographer, the book is a vivid archive of Norwegian photography, uniting the most diverse genres, from landscapes to portraits, experimental photography to snapshots. It provides an extensive overview of the mysterious country in the north, the land of glaciers and fjords, showing it in brilliant facets\u0026mdash;witty, absurd, poetic, political, special.\u003c\/p\u003e\n\n\u003cp\u003eINA OTZKO (*1972, Alsten Island, Norway) is an artist and independent curator. She holds masters from Goldsmiths, London and Udk, Berlin. Her work is exhibited internationally. In 2018 she was awarded the new art prize Twendeprisen for her work as a visual artist and for her engagement with the arts in Norway and abroad.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811846005000,"sku":"9783775746106","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746106_00e9084b-1c76-4e3e-a6ca-a6d4c7ce3f3d.jpg?v=1744037499"},{"product_id":"56785-rights-of-future-generations","title":"Rights of Future Generations","description":"\u003cp\u003eCommunities that, around the world, are fighting against environmental violence and for the rights of their future generations to survive set an example: It is not just the present that makes clear demands of us, but the future does, as well. It requires not only ecological responsibility, but also a culture of remembrance, a responsible approach to colonial history and diasporas, and a new political consciousness. The first Sharjah Architecture Triennial 2019 was dedicated to these topics. Hatje Cantz published an anthology in the year of the event, which compiles the results of the exhibition and its consequences for future architects. The second volume now takes a broader look, with the contribution of important authors and activists, at the challenges that a future worth living in will bring.\u003c\/p\u003e\n\u003cp\u003eThe SHARJAH ARCHITECTURE TRIENNIAL was founded with the aim of providing critical contributions to architectural and urban development. It takes place in Sharjah, UAE, with a focus on architecture from the Middle East, North and East Africa, and South and Southeast Asia.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189739784,"sku":"9783775748728","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748728_2b9b9b7a-e568-4d7c-b84b-760631b93093.jpg?v=1744130536"},{"product_id":"59229-nicholas-nixon","title":"Nicholas Nixon","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-58307f6f-7fff-2285-642d-0266f2aaf8aa\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eAmerican photographer Nicholas Nixon is known for his large-format black-and-white photographs, in which he creates a special connection with the viewers by sharing intimate moments in life. For his most iconic series, \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe Brown Sisters\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, he followed four sisters over 46 years. His practice, however, encompasses a much broader spectrum, such as the simple life in the southern states of the US or landscape portraits of the rough industrial areas around Detroit. Beginning with the aspect of intimacy, this monograph provides the first overview of Nixon\u0026rsquo;s oeuvre. It is a journey through the artist\u0026rsquo;s life and work \u0026ndash; at once distant and at times intimate and close \u0026ndash; and also features new, previously unpublished photographs.\u0026nbsp;\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNICHOLAS NIXON (*1947) works with portrait and documentary photography. He studied art at the University of Michigan and the University of New Mexico. He had his first solo exhibition in 1976 at the Museum of Modern Art in New York.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190395144,"sku":"9783775751896","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751896_8fe11ccf-ab29-4544-afb5-4f0ef486c3b7.jpg?v=1744121916"},{"product_id":"59207-dayanita-singh","title":"Dayanita Singh","description":"\u003cp dir=\"ltr\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003eThe internationally acclaimed artist Dayanita Singh often describes herself as a \u0026ldquo;book artist.\u0026rdquo; Singh was closely involved in the making of this exhibition catalogue, which accompanies the major touring retrospective of Singh\u0026rsquo;s work, curated by Stephanie Rosenthal for the Gropius-Bau. The most comprehensive publication to date about Singh\u0026rsquo;s art, it includes a series of scholarly long-form and short-form essays, full-color reproductions, and installation images. The texts situate Singh\u0026rsquo;s work in relation to topics such as Indian classical music, traditions of the photographic, imaginations of the archive, choreography and economies of reproduction. Presenting every important phase in the artist\u0026rsquo;s oeuvre, it also enters Singh\u0026rsquo;s archive to include never-before-seen early works from the 1980s, a new series of montages and the works \u003cem\u003eLet\u0026rsquo;s see, Museum of Chance, Museum of Shedding, I am as I am, Go Away Closer\u003c\/em\u003e and \u003cem\u003eBox 507\u003c\/em\u003e, among others.\u003c\/p\u003e\n\u003cp\u003eDAYANITA SINGH (*1961) is one of the most important contemporary artists. Solo exhibitions include: MMK, Frankfurt; Hayward Gallery, London; Hamburger Bahnhof, Berlin; and Art Institute of Chicago. In 2013, Singh contributed to the German Pavilion at the 55th Venice Biennale.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191279880,"sku":"9783775751759","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751759_11c7a13f-2d2d-4de8-8990-8addcecc481a.jpg?v=1744054216"},{"product_id":"17366-paul-mccarthy","title":"Paul McCarthy","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoPlainText style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT face=Calibri\u003eThe new artist’s book by Paul McCarthy (* 1945 in Salt Lake City) presents one of the artist's most significant works:\u003cEM\u003e The Box\u003c\/EM\u003e (1999). The work is a displaced sculpture of McCarthy’s entire studio. Inconspicuous from the outside, a fabricated wooden structure like a shipping crate with four holes indicating the windows and doors in McCarthy's actual studio, the inside reveals an overwhelming diversity of objects thereby creating an intimate portrait of the artist’s mindscape. The contents of \u003cEM\u003eThe Box\u003c\/EM\u003e are the actual items from McCarthy's studio in Los Angeles, California, containing approximately three thousand objects, from a steel cabinet to a pencil, drawings and artworks. Only one thing is amiss, the box is tipped ninety degrees on its side, its contents, fixed to their surfaces, appear to defy gravity and taunt the viewer's perception of right-side-up. This radical displacement is repeated in the design of the catalog, thereby creating an object that functions as yet another haptic inversion. The aesthetic of disorientation is reflected in the volume, which was developed in close consultation with the artist.\u003c\/FONT\u003e\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/P\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874816160008,"sku":"9783775736145","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736145_43fcde8a-4c8a-41ba-b967-99cc47f6d94b.jpg?v=1744124616"},{"product_id":"17903-robin-rhode","title":"Robin Rhode","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 150%\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: 'Times New Roman','serif'\"\u003eThe Berlin-based artist, Robin Rhode (* 1976 in Cape Town), engages\u0026nbsp;in a variety of visual languages such as photography, performance, drawing and sculpture to create arrestingly\u0026nbsp;beautiful narratives. Coming of age in a newly post-apartheid South Africa, Rhode was exposed to new forms of creative expression\u0026nbsp;motivated by the spirit of the individual rather than dictated by a political or social agenda. This new publication emphasizes the creative influence of the Italian Art movement Arte Povera during the early sixties and\u0026nbsp;seventies on Rhode’s hybrid street-based aesthetic.\u0026nbsp;The creative dialogue transformed urban landscapes and interior spaces into imaginary worlds, compressing space and time,\u0026nbsp;as two-dimensional renderings become the subject of three-dimensional interactions by a sole protagonist. Rhode’s work reveals a mastery of illusion, a rich range of historical\u0026nbsp;and contemporary references, and an innate skill for blending high and low art forms. \u003c\/SPAN\u003e\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\u003c\/P\u003e\u003c\/FONT\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526201532680,"sku":"9783775741606","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741606_a9fe0835-e3d8-4282-9dc5-5329d1e1fdd9.jpg?v=1744130727"},{"product_id":"17631-sculpture-after-sculpture-fritsch-koons-ray","title":"Sculpture After Sculpture: Fritsch, Koons, Ray","description":"\u003cp\u003eWhen, in the early eighties, minimalist and concep\u0026shy;tual approaches were dominant in art, the consis\u0026shy;tently figural and emphatically sculptural representa\u0026shy;tions of everyday subjects by Katharina Fritsch (* 1960), Jeff Koons (* 1955) und Charles Ray (* 1953) at\u0026shy;tracted a great deal of attention. Their striking stanc\u0026shy;es continue to have an influence on cultural visual memory. \u003cem\u003eSculpture After Sculpture: Fritsch, Koons, Ray\u003c\/em\u003e traces the parallel developments in the creative work of the three sculptors. Beginning with key works from the late eighties and early nineties that throw light on their shared interest in the consumer world and the ready-made, the publication delineates their ar\u0026shy;tistic practice up to the present day. A direct compari\u0026shy;son highlights the surprising similarities and marked differences in their oeuvres, and reveals the artists\u0026rsquo; compelling reasons for a decidedly contemporary art of sculpture.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003eExhibition: Moderna Museet, Stockholm 11.10.2014\u0026ndash;18.1.2015\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874822189320,"sku":"9783775738859","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738859_5185403a-a4bf-4a0a-a5e5-2c253dadaad7.jpg?v=1744133645"},{"product_id":"45296-das-geheimnis","title":"Das Geheimnis","description":"\u003cp\u003eSecrecy is alluring! Already early anthropologists showed great interest in secret knowledge and secret societies, and, in the age of Wikileaks and the ongoing Internet privacy debate, the issue is still high on the list. The companion volume to the exhibition of the same title at the Museum der Kulturen Basel (13 April 2018 to 21 April 2019) looks at secrecy from the perspective of social order. Secrecy creates boundaries between insiders and outsiders, between the informed and the uninformed. Access to secret knowledge means power, revealing it spells danger.\u003c\/p\u003e\n\n\u003cp\u003eContributions from current research in diverse fields uncover how secrecy comes into effect in different cultural settings, while in-depth portraits of arcane objects from the collections of the Museum der Kulturen Basel reveal that secrets not only have a hidden but very often also a visible, public dimension.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526205923592,"sku":"9783775744362","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744362_45e88acc-ebd0-4835-8db3-f7d837cc5337.jpg?v=1744052953"},{"product_id":"45305-yves-netzhammer","title":"Yves Netzhammer","description":"\u003cp\u003eWith a conversation between Michael Heitz and Yves Netzhammer\u003c\/p\u003e\n\n\u003cp\u003eA head, a rump, arms, legs; joints, skin, blood\u0026mdash;it only takes a little to identify the minimalist dolls Yves Netzhammer (*1970) draws on the computer; tender, yet shot through with violence at the same time, they are always getting into ambiguous situations. Taciturnly, they roam through the Swiss artist\u0026rsquo;s installations and film clips, challenging the boundaries between virtual and three-dimensional space. Richly illustrated in order to live up to the subtle, multifaceted works, the catalogue investigates the independence of Netzhammer\u0026rsquo;s art and its development through the most significant pieces from the years between 2008 and 2018, some of which are being published for the first time here.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: Museum zu Allerheiligen, September 28, 2018 \u0026ndash; February 17, 2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755196424456,"sku":"9783775744409","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744409_22bb390f-b709-470b-9c19-803e6bfb0028.jpg?v=1744150394"},{"product_id":"52806-the-helsinki-school","title":"The Helsinki School","description":"\u003cp\u003e\u003cem\u003eThe Nature of Being\u003c\/em\u003e is the sixth volume from the series of books about the Helsinki School. It concentrates on bringing together the various approaches used by the School\u0026rsquo;s representatives to conceptualize nature visibly. The stated goal is not to limit oneself to purely physical depictions of animals, plants, and landscapes. Nature ought to be expressed through a di\u0026curren;erent type of unit and with a new way of gauging time. Days, months, and seasons become the points of crystallization for time. Thus, the photographs reflect a Nordic sense about feelings of loneliness, jealousy, or desire. The works provide photographic insight into the complex horizon of emotions that characterize our individual views of nature. They do not portray landscape as such, but the world in which we live.\u003cbr \/\u003e\n\u003cbr \/\u003e\nSince the 1990s the name HELSINKI SCHOOL has been used to describe a group of fine art photographers who studied, taught, or graduated from the Aalto University\u0026rsquo;s School of Art, Design and Architecture. The term unites a consistent conceptual approach.\u003cbr \/\u003e\n\u003cbr \/\u003e\nEXHIBITION\u003cbr \/\u003e\nKunsthalle St. Annen,\u0026nbsp;L\u0026uuml;beck, Germany\u003cbr \/\u003e\nJanuary 26\u0026mdash;April 26, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755196555528,"sku":"9783775746991","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746991_08b4f7bd-7084-4833-922e-860c57525cdb.jpg?v=1744140014"},{"product_id":"52595-heiter-bis-wolkig","title":"Heiter bis wolkig","description":"\u003cp\u003e\u0026ldquo;Fair to cloudy\u0026rdquo; is a prognostication regularly made on the evening weather report, promising everything and nothing. Homeland\u0026mdash;what is it, and how do you recognize or identify it? Three young photographers travel across the country searching for what is \u0026ldquo;typically German,\u0026rdquo; something that is both fascinating and disconcerting to them. On their journey from Husum to Donaueschingen they take a serene and self-ironic look at life in the provinces, with all of its peculiarities and unquestioned traditions, which puts a smile on everyone\u0026rsquo;s face. This raises the question of whether there might be something of all this in us, too. These amusing photos are accompanied by a foreword by Frank Goosen, who, with no less wit, traces German lives and superficialities in an historical survey from the 1960s to the present day.\u003c\/p\u003e\n\n\u003cp\u003eDAVID CARRE\u0026Ntilde;O HANSEN (*1978, Madrid), SVEN STOLZENWALD (*1986, Neuss), and CHRISTIAN A. WERNER (*1980, Weimar) met at the Hochschule Hannover, where they were all studying documentary photography. Heiter bis wolkig is their collaborative final exam project. Besides working as freelance photographers, all of them are busy with (social) documentary photography projects. The author FRANK GOOSEN (*1966, Bochum) travels on the lecture circuit all over Germany, generally by train.\u003cbr \/\u003e\n\u003cbr \/\u003e\nEXHIBITION\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003eFreelens Galerie, Hamburg\u0026nbsp;\u003c\/span\u003e\u003cbr \/\u003e\nJune 24\u0026ndash;August 12, 2021\u003c\/p\u003e\n\n\u003cp\u003eHaus der Geschichte, Bonn,\u0026nbsp;U-Bahnstation Heussallee\/Museumsmeile\u003cbr \/\u003e\nJune 28, 2021\u003cspan style=\"text-transform: uppercase; caret-color: rgb(0, 0, 0);\"\u003e\u0026ndash;\u003c\/span\u003eSpring\u0026nbsp;2022\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197047048,"sku":"9783775746687","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746687_e23237f7-739f-42a7-bc1a-891f751b1a29.jpg?v=1744097687"},{"product_id":"59221-im-tempel-des-ich-das-kuenstlerhaus-als-gesamtkunstwerk","title":"Im Tempel des Ich. Das Künstlerhaus als Gesamtkunstwerk","description":"\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eAs treasure troves of creativity, the homes of artists reflect the intellectual worlds of their creators. Starting with the Villa Stuck in Munich\u0026mdash;the aesthetic, conceptual cosmos and life\u0026rsquo;s work of the aristocratic artist Franz von Stuck\u0026mdash;this unique volume integrates the artist\u0026rsquo;s house as a category into the international context and is the first to assign these buildings the status of major works. About twenty examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures, and photographs closely related to the houses, plans and models convey the correlation between art and life as well as the kind of harmony of the arts expressed in Richard Wagner\u0026rsquo;s historical concept of the total work of art. (German edition ISBN 978-3-7757-3592-6)\u003c\/p\u003e\n\n\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eHouses featured (selection): Sir John Soane\u0026rsquo;s Museum, London; William Morris Red House, Bexleyheath; Louis Comfort Tiffany\u0026rsquo;s Tiffany House, New York City; Mortimer Menpes\u0026rsquo;s flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle\u0026rsquo;s villa and garden, Marrakesh; Kurt Schwitters\u0026rsquo; MERZbau, Hannover; Max Ernst\u0026rsquo;s house, Arizona\u003c\/p\u003e\n\n\u003cp style=\"margin: 0px 0px 0.7em; padding: 0px;\"\u003eExhibition schedule: Museum Villa Stuck, Munich, November 21, 2013\u0026ndash;March 2, 2014\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49808340189448,"sku":"9783775751865","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751865_f6af0748-ba95-4cb8-bcbd-aeeaac899e5c.jpg?v=1744270913"},{"product_id":"17758-andrea-fraser","title":"Andrea Fraser","description":"\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eControversial, provocative, and at the same time poignantly humorous. Andrea Fraser *1965 in Billings, Montana) is one of the most influential and pioneering artists of her generation and has been captivating her audience for more than thirty years. She employs a wide range of media, including prints, photographs, installations, and performances as well as texts and videos, time and again reformulating the same question: what we all want from art—the motivation behind Fraser’s artistic production, how we view it, and how the art market distributes it.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eThe richly illustrated catalogue allows tracing the artist for the first time from the beginning of her career. It assembles the early \u003cI style=\"mso-bidi-font-style: normal\"\u003eFour Posters\u003c\/I\u003e (1984) as well as her famous performances, such as \u003cI style=\"mso-bidi-font-style: normal\"\u003eMuseum Highlights \u003c\/I\u003e(1989), \u003cI style=\"mso-bidi-font-style: normal\"\u003eInaugural Speech\u003c\/I\u003e (1997), and \u003cI style=\"mso-bidi-font-style: normal\"\u003eOfficial Welcome\u003c\/I\u003e (2001\u003c\/FONT\u003e\u003cA name=_GoBack\u003e\u003c\/A\u003e\u003cFONT size=3\u003e\/03), linking them with her most recent videos.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u003cSPAN lang=EN-US style='FONT-SIZE: 11pt; FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-fareast-font-family: Calibri; mso-bidi-font-family: \"Times New Roman\"; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-theme-font: minor-latin; mso-bidi-theme-font: minor-bidi'\u003eExhibition: Museum der Moderne Salzburg, 21.3.–5.7.2015\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/FONT\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811856523528,"sku":"9783775740159","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740159_be1d2056-49b1-4379-96d2-89ea81d2d876.jpg?v=1744040569"},{"product_id":"17781-michael-buthe","title":"Michael Buthe","description":"\u003cP\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e“For me my sun is, like all paintings, a functional object for seeing, for feeling, for dreaming, for understanding” are the words Michael Buthe (1944–1994) uses to describe his recurring, central motif. With bright colors or radiant gold, the artist assembles the entire world—indeed, the entire universe—within the circle of this heavenly body. Michael Buthe has no reservations: taking his lead from German Art Informel and American Minimal Art, he is fascinated by non-European cultures, counters the cool concept of Minimalism with pronounced sensuousness, and seduces viewers into raising spiritual as well as social questions. The retrospective brings together apparently archaic assemblages, brightly colored works on paper, and intensely worked canvases, collages, and paintings in gold. The documentation of installations, which in their opulence address all the senses, also allows gaining access to Michael Buthe’s spatial works. \u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003eAusstellungen\/Exhibitions: Kunstmuseum Luzern, Luzern\/Lucerne 31.10.2015–31.01.2016 | Im Anschluss\/further venues S.M.A.K. Gent\/Ghent |Haus der Kunst, München\/Munich\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45169822793992,"sku":"9783775740388","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740388_a401db22-e03a-44ad-865e-cc6a40b19c7e.jpg?v=1744117245"},{"product_id":"17793-ethan-murrow","title":"Ethan Murrow","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003eA man caught in and behind wallpaper, a chimpanzee in a lifeboat, mountain climbers and hikers in the middle of a polar sea \u0026agrave; la Caspar David Friedrich: Ethan Murrow (*1975 \u003cspan class=\"st\"\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;\"\u003ein Greenfield, Massachusetts\u003c\/span\u003e\u003c\/span\u003e) plays with the dimensions we are familiar with and tells a scarcely conceivable story with each of his pictures. Their references lie in personal experiences, historical sources, or in the romanticizing landscapes of the Hudson River School, from which his fantasy springs. At first glance one believes to be looking at edited black-and-white photographs, until it quickly becomes apparent that these are meticulously prepared pencil drawings. Murrow examines the boundary between the artist\u0026rsquo;s fiction and depicted reality. Yet this volume deals not just with his pencil drawings\u0026mdash;for the first time, one can also marvel at the extensive works he magically conjures on walls with a ballpoint pen.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44425505964296,"sku":"9783775740500","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740500_a52e49ff-1744-45d6-95c4-eacdc2ee4355.jpg?v=1744061663"},{"product_id":"17845-lynn-hershman-leeson","title":"Lynn Hershman Leeson","description":"\u003cP\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eLynn Hershman Leeson is one of the first and most influential media artists. During the past five\u0026nbsp;decades she has done pioneering work in the fields of photography, video, film, performance, installation, and interactive and net-based media art. Hershman Leeson’s major themes are the construction of identity, surveillance and control, and life in the age of genetic engineering. Her most well-known series is \u003cI style=\"mso-bidi-font-style: normal\"\u003eRoberta Breitmore\u003c\/I\u003e (1973\u0026shy;-78)—, a fictional character embodied by her and three other women, in part simultaneously. A kind of clone of the artist, her life is staged in real time and space. In her most recent works, Hershman Leeson includes web applications and mass communication media such as smartphones, as well as the latest scientific developments in the field of genetics and regenerative medicine, including 3D bioprinters that create human body parts.\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eExhibition: Deichtorhallen 14.6.2015–17.1.2016\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755199013128,"sku":"9783775741026","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741026_c89582e6-21c9-4751-a4ed-af481afe4498.jpg?v=1744112649"},{"product_id":"17848-paul-bulteel","title":"Paul Bulteel","description":"\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; TEXT-AUTOSPACE: ; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US; mso-bidi-font-family: TheSansOsF-ExtraLight'\u003eWaste: like the air we breathe, it is part of life. When badly managed, it destroys habitats on land, pollutes the air, and befouls our rivers and oceans. For human populations this translates into major health issues. Avoiding excess consumption and recycling waste are therefore crucial. But what does recycling really mean? Although the term is familiar, hardly anyone can form a mental picture of what recycling actually entails. Belgian photographer Paul Bulteel takes on this task in a series of striking and highly illuminating photographs of what happens when our discarded paper, metal, glass, plastic, appliances, clothing and countless other industrial byproducts and leftovers are broken down and transformed into new materials. Visually fascinating and well documented, these images give us food for thought.\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874839195912,"sku":"9783775741057","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741057_ef1aaf0b-0f6f-4757-99f6-d1e99662b6aa.jpg?v=1744124294"},{"product_id":"17256-ingmar-alge","title":"Ingmar Alge","description":"\u003cFONT style=\"BACKGROUND-COLOR: #ffffff\" size=4 face=Arial\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eIngmar Alge (*1971 in Höchst) is one of the most important Austrian artists of his generation. Precise observations of social realities and their contradictions are at the center of his artistic research. With a keen sense for the sociological, the artist explores society’s rejects and internal emptiness. He sheds light on the magical dimensions of loneliness and melancholy, focusing their existential forms and thus working within the tradition of Romantic painting. Although his paintings are based on photographs, he changes them by adding countless, finely glazed layers, or by intensifying colors or exaggerating the composition. As a result, it is not really reality that is visible, but instead, our imaginations are stimulated. This publication is the first to provide an overview of Alge’s oeuvre through large images, explanatory essays, and an index of works.\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cFONT size=3\u003eExhibition schedule: Galerie der Stadt Backnang, February\u0026nbsp;16–April 21, 2013\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\u003c\/FONT\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526216933640,"sku":"9783775734967","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775734967_69742328-bf90-48bd-bac3-bc0001938891.jpg?v=1744100403"},{"product_id":"45692-slavs-and-tatars","title":"Slavs and Tatars","description":"\u003cp\u003eThe internationally renowned art collective Slavs and Tatars is devoted to the area known as Eurasia: east of the former Berlin Wall and west of the Great Wall of China. Considering themselves as \u0026ldquo;archeologists of the everyday\u0026rdquo;, the collective focuses on the interplay of religion, power, language and identities. In books, exhibitions, and performances, they investigate mentalities, myths, traditions, and transitions, through a combination of scholarly research, polemics, and low-brow humor.\u003cbr \/\u003e\nWripped Scripped continues the collective\u0026rsquo;s investigation of alphabets as an equally political and affective platform. While the roll-out of new alphabets has often accompanied the rise and fall of empires, the artists attempt to liberate not so much peoples and nations but rather the sounds and letters that make up langauge. Chapters include a look at the phoneme [kh] as a sacred perspective in the Hebrew, Arabic and Cyrillic alphabets; Germany\u0026rsquo;s relationship with Orientalism through the tetragraph [dsch]; and a study of nasal phonemes in constructing Polish and Turkish identity.\u003c\/p\u003e\n\n\u003cp\u003eExhibition:\u003cbr \/\u003e\nAlbertinum (Kunsthalle im Lipsiusbau), Staatliche Kunstsammlungen Dresden, 2.6.\u0026ndash;14.10.2018\u003cbr \/\u003e\nKunstverein Hannover, 17.11.2018\u0026ndash;20.1.2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755199930632,"sku":"9783775744720","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744720_7485d2ac-5884-49a2-a61f-2393ed711509.jpg?v=1744135397"},{"product_id":"44341-alessandro-twombly","title":"Alessandro Twombly","description":"\u003cp\u003eUnlike the sculptures by his father Cy Twombly, who assembled them as if they were collages composed of found pieces, Alessandro Twombly\u0026rsquo;s (*1959 in Rome) works are organic\u003cspan dir=\"RTL\"\u003e-\u003c\/span\u003elooking sculptures made from a single piece of material. They recall fossilized coral, hardened streams of lava, objects found on the beach, or statues of archaic divinities. As different as they are from one another in appearance, they all invoke the elementary forces of nature. Their dynamic shapes visualize the idea of metamorphosis, the eternal transformation that is the basis for growth. Marks of Twombly\u0026rsquo;s work are left on the surfaces of some of the sculptures, which are first cast in plaster or clay, and then in bronze or resin. In this survey of his work, which features Twombly\u0026rsquo;s sculptures from 1986 to 2016, one can see the processes and developments that have been inscribed in the material.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811859439880,"sku":"9783775743846","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743846_cf70320b-3763-4ca9-bfd7-8b53ee8c17cb.jpg?v=1744039128"},{"product_id":"58549-david-hockney","title":"David Hockney","description":"\u003cp dir=\"ltr\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-0c85b6bd-7fff-b879-8cf8-db87ffe14a71\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThis catalogue for the exhibition at Kunstmuseum Luzern covers the entire oeuvre of the outstanding British artist David Hockney. With more than 80 paintings, drawings, and prints, this life\u0026rsquo;s work spans Hockney\u0026rsquo;s London student years, the 1960s in Los Angeles, the reorientation of his painting in the 1980s, a decade of Yorkshire landscapes, and his most recent, monumental iPad drawings. These works from the Tate\u0026rsquo;s collection form the magical essence of this vast oeuvre, including the double portraits \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eMy Parents\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e and\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003e Mr and Mrs Clark and Percy\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, or the iconic \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eA Bigger Splash.\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e The essays illuminate Hockney\u0026rsquo;s socialization in the young queer culture of 1960s England; personal contributions and recollections by Frank Gehry, Marieke Lucas Rijneveld, Ed Ruscha, Christine Streuli, or Ali Smith mark Hockney\u0026rsquo;s great significance for contemporary everyday culture.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\u0026nbsp;\u003c\/div\u003e\n\u003cp\u003eDAVID HOCKNEY (*1937) spent his childhood in Yorkshire. During his studies at the Royal College of Art, he first attracted public attention in 1961. Since then he has advanced to become one of the most important contemporary artists. In addition to painting, he works as a draftsman, graphic artist, stage designer and photographer.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755201077512,"sku":"9783775751216","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751216_d79337fc-c391-467e-94e2-69007fd8450c.jpg?v=1744054083"},{"product_id":"59097-die-fabelhafte-geschichte-des-riesen-thophile","title":"Die fabelhafte Geschichte des Riesen Théophile","description":"\u003cp dir=\"ltr\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-8af5bbb8-7fff-948a-2cc0-8d27d22f1d83\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eTh\u0026eacute;ophile is tall, in fact, very tall. The bigger he gets, the more this size complicates his life. One day, he discovers the fine store of a tailor, which becomes a revelation for him: Here, Th\u0026eacute;ophile feels comfortable and the clothes fit him like a glove. In these tailored suits, Th\u0026eacute;ophile finds himself beautiful for the first time. He discovers elegance \u0026ndash; and acceptance of his otherness. Lovingly and entertainingly, this beautiful tale with its attractive drawings about fashion and craftsmanship introduces readers to current issues around diversity, multiplicity, and self-empowerment. It is sure to inspire young and adult readers alike.\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe French-German artist ÉDOUARD BARIBEAUD (*1984) enchants the art scene with his exotic-popular pictorial worlds between figuration and abstract ornamentation. Classical-opulent sceneries meet contemporary themes. Hermès is one of his clients. This is his first children’s book.MARC BEAUGÉ (*1980) is one of France’s best-known experts on men’s fashion. The journalist writes for Le Monde, among others, is a columnist for the TV magazine Quotidien and founder of the fashion magazine L'Étiquette.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755201143048,"sku":"9783775751674","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751674_ff3c881d-cd2c-49fa-b88e-ff7316c5d4a3.jpg?v=1744205221"},{"product_id":"59325-tomi-ungerer","title":"Tomi Ungerer","description":"\u003cp\u003eWorld famous for timeless classics such as \u003cem\u003eThe Three Robbers\u003c\/em\u003e and \u003cem\u003eMoon Man\u003c\/em\u003e, Tomi Ungerer is considered one of the most influential graphic artists, illustrators, and children\u0026rsquo;s book authors.\u0026nbsp;What is less well known, however, is that much of his drawing and graphic work was inspired by satirical observations of US society and politics. This beautifully-designed catalogue presents for the first time a cross-section from nine decades of his artistic work\u0026mdash;from childhood drawings to collages and objects. Shedding new light on his work by making it possible to comprehend political and stylistic lines and breaks, it\u0026rsquo;s all about freedom offers deeper insights into the artistic dimension of the \u0026ldquo;freewheeling\u0026rdquo; artist\u0026rsquo;s extensive oeuvre. Featuring hitherto unpublished works, this catalogue identifies recurring biographical and sociopolitical motifs that Ungerer experimented with across genres\u0026mdash;always informed by his ambiguous humor and cutting wit.\u003c\/p\u003e\n\u003cp\u003eA polymath and a provocateur, TOMI UNGERER (1931–2019) published over 140 books. He grew up in Alsace, France, and lived and worked in New York from 1956–1971. After spending several years in Nova Scotia, Canada. he moved to a farm in Southern Ireland in 1976.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755201274120,"sku":"9783775752053","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752053_96c1cfe9-32d2-4e80-9a4a-6e900630e40c.jpg?v=1744142531"},{"product_id":"58185-xu-yong","title":"Xu Yong","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-3968a233-7fff-4e6a-c309-f1974249058c\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003ePhotographer Xu Yong took 500 portraits of Zi U \u0026ndash; a sex worker in Beijing. He accompanied her on a normal working day to continually take close-ups of her face, often right after a customer had said goodbye. Together with Zi U\u0026#39;s diary entries, Xu recorded her life and mood. The result provides realistic and intimate insights into the lives of sex workers in China. On page after page, the book shows how a Chinese woman observes and reacts to the world. Zi U\u0026#39;s face reflects her personal feelings about life as well as the longings of present-day China. The series is banned there; this illustrated volume makes it accessible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eXU YONG (*1954) studied at the Henan University of Technology before starting his career as a photographer in the marketing and advertising sector. Best known for his documentary work, he is a cofounder of the 798 Art Zone Beijing. The artist lives and works in Beijing.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755201437960,"sku":"9783775750967","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750967_6d678c2b-106b-46d6-99f2-18870e7fae7d.jpg?v=1744150120"},{"product_id":"52063-paris-calligrammes","title":"Paris Calligrammes","description":"\u003cp\u003eIn \u003cem\u003eParis Calligrammes\u003c\/em\u003e the filmmaker, photographer and collector of worlds Ulrike Ottinger links historical archival material with her own art and film works to create a sociogram of the era in which she came of age as an artist. In the grip of political upheavals, Paris of the 1960s attracted artists from all over the world and was a pulsating stream of energy hovering between trauma management and the utopia of Europe. From the Librairie Calligrammes, a meeting place of exiled German intellectuals, to the Cin\u0026eacute;math\u0026egrave;que fran\u0026ccedil;aise, which sparked her love of film, Ulrike Ottinger charts a city and its utopias. They live on in her collaged landscape of memories in a workshop exhibition complimenting her film \u003cem\u003eParis Calligrammes \u003c\/em\u003e(2019).\u003c\/p\u003e\n\n\u003cp\u003eThe films by\u0026nbsp;ULRIKE OTTINGER\u0026nbsp;(*1942 Konstanz, Germany) were shown at the most important international festivals and honored at various major museums, including the Centre Pompidou, Paris, the Museo Reina Sofia, Madrid, and the Museum of Modern Art, New York. With her photographs she was represented at the documenta and the Biennale di Venezia.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nHKW, Haus der Kulturen der Welt, Berlin\u003cbr \/\u003e\nAugust\u0026nbsp;23\u0026mdash;October\u0026nbsp;13,\u0026nbsp;2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755203862792,"sku":"9783775746373","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746373_6fc30a7b-11b7-423a-9ec5-9368c665d045.jpg?v=1744123706"},{"product_id":"50291-reza-abdoh","title":"Reza Abdoh","description":"\u003cp class=\"m_-2557092256468223854s5\" style=\"margin-top:5px;margin-bottom:5px;line-height:21.600000381469727px\"\u003e\u003cspan style=\"background-color:rgba(255,255,255,0)\"\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eOver a brief, twelve-year career, the Iranian director and playwright Reza \u003cspan class=\"il\"\u003eAbdoh\u003c\/span\u003e broke\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eall of the\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003econventions\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eof\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eAmerican\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eth\u003cwbr \/\u003eeater,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003epushing\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eactors and audience\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003es\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003epast\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003etheir limits\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u0026nbsp;to create\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003ehallucinatory\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e, at times nightmarish\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003edreamscapes\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eshot\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u003cwbr \/\u003ethrough with\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u0026nbsp;humor\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003esong,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eand\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003ean unlikely spirituality\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e. His productions addressed the bitter political realities of his time\u0026mdash;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003ethe systemic devaluation of Black life\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003egovernmental indifference to\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003ethe\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eAID\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eS\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u0026nbsp;crisis\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003esexual repression,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003egenocide in Europe and war in the Middle East\u0026mdash;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003ewith\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eharrowing\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eeloquence.\u003cwbr \/\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eJust before his death he\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eordered that his plays should never be performed again\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e.\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eProfusely\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eillustra\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003et\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eed\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e, the catalogue contains new essays\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eon\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003ethe influence and reception of\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u003cspan class=\"il\"\u003eAbdoh\u003c\/span\u003e\u0026rsquo;s\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003ework\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003es\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u0026nbsp;in theater, film, and video,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003epublished and unpublished \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003einterviews with\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003ethe director,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003eand conversations with his friends and colleagues, as well as\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003escripts\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e\u0026nbsp;of his plays and\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003econtemporary reviews\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s4\" style=\"line-height:15.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont15\" style=\"line-height:23.399999618530273px\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-top:0px;margin-bottom:0px;line-height:21.600000381469727px\"\u003e\u003cspan style=\"background-color:rgba(255,255,255,0)\"\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px\"\u003eThe Iranian director REZA \u003cspan class=\"il\"\u003eABDOH\u003c\/span\u003e (1963\u0026ndash;1995) was known for his\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px\"\u003ewildly ambitious,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px\"\u003eexperimental,\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px\"\u003eand often\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px\"\u003econfrontational,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px\"\u003e\u0026nbsp;\u003cwbr \/\u003etheatrical productions. When he died of AIDS at the age of just thirty-two, he was already regarded as\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px\"\u003ea crucial\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px\"\u003efigure\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px\"\u003e\u0026nbsp;on the American avant-garde\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px\"\u003escene.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp style=\"margin-top:0px;margin-bottom:0px;line-height:21.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854s6\" style=\"line-height:9.600000381469727px\"\u003e\u003cspan class=\"m_-2557092256468223854bumpedFont20\" style=\"line-height:19.200000762939453px;background-color:rgba(255,255,255,0)\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755204321544,"sku":"9783775745529","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745529_9e9998df-4c7a-4b3f-876d-05485ee8e82f.jpg?v=1744130366"},{"product_id":"51561-rena-sakellaridou","title":"Rena Sakellaridou","description":"\u003cp\u003eRena Sakellaridou, award-winning architect, presents Agemar, the Athens headquarters of one of the most important maritime groups worldwide, which she designed. Erieta Attali, world-renowned architectural photographer, photographs the building over the course of a year.\u003cbr \/\u003e\nAgemar breaks new ground for the Athenian typology of large-scale buildings. Opened in 2018, it has already come to represent the epitome of maritime architecture. The long horizontal lines of the \u0026ldquo;floating in the sea\u0026rdquo; curved form, in a dialogue with the intense Attic light and the sea horizon, transform the fragmented urban chaos of Athens\u0026rsquo;s cityscape into a strong icon. Curv\u0026shy;ing strips of white marble flow uninterruptedly like waves around the building in graceful motion. The interior is a gripping piece of architecture, an ethereal world shaped by natural light and shadows and the flowing curves of the white marble walls.\u003cbr \/\u003e\nThrough essays, sketches, drawings, commentary, and photography this monograph provides an intimate view of the creation of this unique building. Texts by Rena Sakellaridou, Kaye Geipel, and Erieta Attali.\u003c\/p\u003e\n\n\u003cp\u003eRENA SAKELLARIDOU (* Samos)\u0026nbsp;holds a Diploma form AUTh., a MArch from the University of British Columbia and a Ph.D from the Bartlett School, University College London. She is a professor of architectural design at the Aristotle University of Thessaloniki. Her architectural office RS SPARCH is based in Athens. Her work has drawn international fame; it has been extensively published and exhibited and has been the recipient of many international and national awards and distinctions\u003cbr \/\u003e\n\u003cbr \/\u003e\nERIETA ATTALI (*1966, Tel Aviv)\u0026nbsp;is a New York and Paris based architecture and landscape photographer.\u0026nbsp;She has a Ph.D. from the School of Architecture \u0026amp; Design, RMIT University in Melbourne, Australia.\u003cbr \/\u003e\nHer architectural work expands from Europe to Americas and from Asia to Australia. Attali is the co-author of the \u003cem\u003eGlass Wood | Erieta Attali on Kengo Kuma, \u003c\/em\u003eauthor of the\u003cem\u003e Periphery. An Archeology of Light\u003c\/em\u003e and co-author of \u003cem\u003eMarc Mimram: Structure | Light Landscapes of Gravity Through the Lens of Erieta Attali\u0026nbsp;\u003c\/em\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755205075208,"sku":"9783775746359","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746359_e5fbdba5-ac42-45e2-b965-5e197f6fd97e.jpg?v=1744129240"},{"product_id":"52476-female-photographers-org","title":"Female Photographers Org","description":"\u003cp\u003eA visual dialogue about bodies and how they are perceived in media has been undertaken by the Female Photographers Org collective. As the group\u0026rsquo;s first publication, \u003cem\u003eThe Body Issue\u003c\/em\u003e addresses the depiction of bodies and the perception of them; at the same time, it also launches a series of photo books. Founded in 2018, Female Photographers Org will regularly publish photography books devoted to issues, while also organizing companion exhibitions under its own direction. The goal is to increase the visibility of female photographers, since women are still underrepresented in the art world. Female Photographers Org is aiming to change this situation and calls upon women to reinforce their positions collectively.\u003cem\u003e The Body Issue \u003c\/em\u003ealso invites guest artists to publish their work in the collective\u0026rsquo;s books, so that they can literally experience solidarity among women.\u003c\/p\u003e\n\n\u003cp\u003eFEMALE PHOTOGRAPHERS ORG is a democratically organized collective founded in 2018 by KIRSTEN BECKEN and VERONIKA FAUSTMANN. Since then, more than twenty female photographers have joined its ranks.\u003cem\u003e The Body Issue,\u003c\/em\u003e the first volume in this series, has been funded by a Kickstarter campaign.\u003cbr \/\u003e\n\u0026nbsp;\u003cbr \/\u003e\nTHE PHOTOGRAPHERS\u003cbr \/\u003e\nBex Day, Haley Morris-Cafiero, Katharina Bosse, Maggie Steber, Meklit Fekadu, Jennifer Greenburg, Jocelyn Lee, Lilly Urbat, Kirsten Becken, Claudia Holzinger, Jessica Barthel, Caro Siegl, Oriana Layendecker, Nora Lowinsky, Hanna Mattes, Veronika Faustmann, Katya Abedian, Paula Winkler, Marzena Skubatz, Qiana Mestrich\u003c\/p\u003e\n\n\u003cp\u003eGUEST ARTISTS\u003cbr \/\u003e\nBrandy Eve Allen, Brittney Cathey-Adams, Mary Chen, Tamara Dean, Yushi Li, Dita Pepe, Lotte van Raalte, Laurie Simmons, Chanell Stone\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755205173512,"sku":"9783775746632","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746632_d1552416-9b73-4126-b44a-e03c6b55a785.jpg?v=1744063029"},{"product_id":"50261-rwandan-daughters","title":"Rwandan Daughters","description":"\u003cp\u003eDuring the Rwandan genocide in 1994 up to one million Tutsi were murdered by members of the Hutu tribe. Eighty percent of the women who survived were raped. Today, victims and perpetrators live side by side. Although women have gained social status since then, the rape victims and their children exist on the bottom rungs of the social hierarchy. Many young women, however, have managed to rescue their traumatized mothers and free them from the stigma. Their courage and optimism in a society under authoritarian rule and marred by trauma are unparalleled. \u003cem\u003eRwandan Daughters\u003c\/em\u003e depicts strong women who have overcome traumatic experiences. Olaf Heine (*1968) has captured this turning point and the reconciliation in impressive photographs, portraying mothers and daughters shoulder to shoulder at sites where the crimes occurred. Along with the photos, the volume features brief statements from the women about how they dealt with their experiences.\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eThe photo-book project was produced in collaboration with\u0026nbsp;ora Kinderhilfe, an organization that provides psychological and financial support for the victims in Rwanda. Hatje Cantz will donate a portion of the proceeds from this book\u0026nbsp; for their support.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755205304584,"sku":"9783775745475","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745475_19ab8223-ebe1-435e-9544-b8d0959ab79c.jpg?v=1744132102"},{"product_id":"53896-clemens-ascher","title":"Clemens Ascher","description":"\u003cp\u003eWhat might seem on the surface like pleasing eye candy actually negotiates some of the most relevant and distressing topics of our times. Societal control through generated desires, alienation from nature, and other uncomfortable contemporary truths build the superstructure of Clemens Ascher\u0026rsquo;s surreal photography. While these constructed scenarios are reminiscent of theatrical stages, his characters always stay tangible but with an uncanny touch. He combines various styles and elements from art history and our collective visual memory to form new contemporary statements. Therefor he often utilizes an exaggerated advertising aesthetic that he contrasts with calm and detached minimalism. For more than seven years Ascher has continued to build this body of work\u0026mdash;a world as constructed as the belief systems he satirizes. This book is the first time all his best works are brought together.\u003cbr \/\u003e\n\u003cbr \/\u003e\n​The Austrian photographer CLEMENS ASCHER (*1983) is known for his conceptual staged photography and photorealistic collage works. Besides exhibiting internationally, he also contributes to numerous festivals, publications, and magazines, including Garage, Num\u0026eacute;ro, and The Guardian.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755209892104,"sku":"9783775747745","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747745_c455b122-36b7-409e-8c3b-ffc8e68e71ba.jpg?v=1744051893"},{"product_id":"56935-christo-und-jeanneclaude","title":"Christo und Jeanne-Claude","description":"\u003cp\u003eChristo and Jeanne-Claude: the man with the glasses and the woman with the red hair. Each one was born on the same day in 1935, and this unusual artist couple worked together until Jeanne-Claude\u0026rsquo;s death in 2009, changing the art world in the process. In large-scale actions they enveloped buildings and entire landscapes in various materials, revealing at the same time their essence and beauty. In order to finance these enormous works of art by themselves, Christo and Jeanne-Claude began making editions early on in their career\u0026mdash;prints, collages, and objects. This completely revised, expanded, and updated catalogue of works, \u003cem\u003ePrints and Objects,\u003c\/em\u003e is testimony to the artist\u0026rsquo;s impressive scope and to their courage. Who else would have had the idea of building a 120-meter-tall truncated pyramid out of 410,000 oil barrels in the desert of the United Arab Emirates?\u003c\/p\u003e\n\u003cp\u003eCHRISTO (1935–2020) and JEANNE-CLAUDE (1935–2009) were an artist couple who became known from the 1960s onwards primarily for their jointly realized spectacular wrapping projects, such as the wrapping of the Reichstag building, the Valley Curtains, and most recently Christo alone with the Floating Piers.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755210383624,"sku":"9783775748834","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748834_99b74012-f3dd-402f-8318-3fa00699aec6.jpg?v=1744051575"},{"product_id":"56489-der-blaue-reiter","title":"Gruppendynamik","description":"\u003cp\u003e\u0026ldquo;The whole work, called art, knows no borders and peoples, but humanity.\u0026rdquo; This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac \u003cem\u003eDer Blaue Reiter \u003c\/em\u003e(The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911\u0026ndash;1914) as one of the first transnational artist circles. Their credo also inspires the Lenbachhaus to consider the work of the participating artists\u0026mdash;among them Gabriele M\u0026uuml;nter, Alfred Kubin, Maria Marc and Elisabeth Epstein\u0026mdash;not only aesthetically and historically, but also in its intellectual, socio-economic, and political context, for the Blue Rider circle advocated a global, equal understanding of art, not only in words, but also through images and deeds. Caught up in the time of the colonial world order before World War I, however, even they did not succeed in implementing an emancipatory practice of art beyond national affiliation and traditional hierarchies and genres. For the Lenbachhaus\u0026rsquo; current exhibition catalogue, the idea of equal rights for all cultural production, as pursued in the almanac, is nevertheless fundamental. For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children\u0026#39;s drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety.\u003c\/p\u003e\n\u003cp\u003eThe project is funded by the German Federal Cultural Foundation as part of the Museum Global program. It will be followed in the fall of 2021 by a second exhibition, Group Dynamics— Collectives of Modernity, dedicated to groups of artists working worldwide. This catalogue is also published by Hatje Cantz.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49808345071880,"sku":"9783775748407","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748407_7993b98c-9161-40e4-9f50-eaf5004e7bda.jpg?v=1744054288"},{"product_id":"54376-in-aller-munde","title":"In aller Munde","description":"\u003cp\u003eMouth, lips, tongue, and teeth\u0026mdash;speech, pain, and screech\u0026mdash;eating, swallowing, spouting off, and spitting\u0026mdash;lust and passion: the oral cavity is an extremely stimulating zone of the body, in the truest sense of the word. Science and medicine are not the only fields that have investigated it, though. From antiquity to the present day, art and cultural history have done the same. The Kunstmuseum Wolfsburg has pursued the wide-ranging path of this motif\u0026rsquo;s history in order to present the first comprehensive show about the mouth in the fall of 2020. The companion publication offers thematically dense essays that not only allow the reader to delve into the topic, but also go far beyond the exhibition itself. The mouth, its inventory and abilities, are closely examined through film history, ethnology, literary theory, and architecture.\u003c\/p\u003e\n\u003cp\u003eThe KUNSTMUSEUM WOLFSBURG has been collecting international contemporary art since 1994. With the acquisition of key works of late modernism and important additions from contemporary art, a top-class collection has been built up. Parallel to this, the museum presents an ambitious exhibition program, tracing cultural connections for the public. The exhibition \"On Everyone’s Lips\" is curated by UTA RUHKAMP.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977098096904,"sku":"9783775747998","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747998_b0601b01-d478-4afc-b25f-737f0fc1f703.jpg?v=1744100300"},{"product_id":"58127-manfred-baumann","title":"Manfred Baumann","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-18b39d13-7fff-fa08-9bee-fb895e780046\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eWhen the talk is about photographing celebrities, most inevitably think about the person in front of the camera. Actually, though, the one behind it is of much greater importance. Because it\u0026rsquo;s the photographer who sets the stage, chooses the lighting, and selects the lens. The photographer\u0026rsquo;s work turns the person in the picture into an icon, or the photos into the witnesses of a personality. Today, hardly anyone makes this kind of art as imaginatively as the Leica-wielding photographer Manfred Baumann does. Instead of guiding the stars through the same setting over and over, he goes to them. Long before he presses the shutter release, he develops refined concepts for the pictures that will congenially express the individuality of the other person. Caught on film, the faces also always tell a story. It can be read in the eyes, features, and stances in which readers might be all too happy to lose themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMANFRED BAUMANN (*1968) was born in Vienna, but he is at home with his Leica all around the world. He is not only internationally renowned for his portraits but for his landscape photography as well. Due to his special commitment to animal welfare, he also works as an honorary ambassador for Jane Goodall.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755212939528,"sku":"9783775750851","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750851_6e0ab9f7-da66-4bac-a739-8dd92a5da4e7.jpg?v=1744114175"},{"product_id":"58200-florian-reinhardt","title":"Florian Reinhardt","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-3c320c38-7fff-b86e-ae69-8d74840efd05\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eSnapshots of exit signs: Over a period of nearly ten years, Florian Reinhardt captured a total of 1,024 examples of this genre around the world with his iPhone camera. Intentionally affectless, depersonalized, and repetitive, these photos offer a concentrated view of these ubiquitous and universal signifiers in a world awash with signs. Reinhardt explores the meanings of this signage by giving special attention to industrially produced, practical objects. His photographs function like an inverted telescope, highlighting details and placing them in a personal, narrative context.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFLORIAN REINHARDT (*1978) is a filmmaker, director, and photographer. He works with moving and static images as well as installations. He focuses on details of readymades. He lives in Cologne and works all over the world.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755213955336,"sku":"9783775751049","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751049_709003b6-141f-4983-ad76-cfee276ecb3c.jpg?v=1744063285"},{"product_id":"59212-tom-warren","title":"Tom Warren","description":"\u003cp\u003eThe 1980s in New York were an ambivalent time: on the one hand, the city was marked by high crime and the AIDS crisis; on the other hand, the economy was booming, helping its profiteers to live decadently. Artists and cultural workers were attracted to the city of contrasts. They dealt critically with issues such as politics and gentrification \u0026ndash;\u0026nbsp;but also enjoyed a hedonistic lifestyle. Photographer Tom Warren became one of the most important witnesses of that time. He was a significant part of the New York art scene and gained notoriety for his artistic repurposing of vacant spaces in the East Village. With his portraits of the people and life of New York, he created memories and documents of these times. This monograph showcases his photographs from this period, bringing a bygone decade to life.\u003c\/p\u003e\n\u003cp\u003eTOM WARREN (*1954) is an American photographer. He experienced the 1980s in New York and captured it photographically. At that time he founded several project spaces and exhibited regularly.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755214020872,"sku":"9783775751810","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751810.jpg?v=1744142484"},{"product_id":"42227-nalini-malani","title":"Nalini Malani","description":"\u003cp\u003eA pioneering artist in film, photography, video art and performance, Indian artist Nalini Malani is a transition figure between the modern and contemporary art of her country. Her work, which criticizes the political situation in India, is based not only on an iconography typical of the subcontinent\u0026rsquo;s culture, but also on Western artistic and literary tradition. The Centre Pompidou is staging France\u0026rsquo;s first retrospective of the Indian artist Nalini Malani. In the exhibition as well as the corresponding catalogue, the artist presents works from 1969-2017, covering almost five decades of her oeuvre. On this occasion, she also reactivates a spectacular work from the museum\u0026rsquo;s collections: the \u0026ldquo;video shadow theatre\u0026rdquo; \u003cem\u003eRemembering Mad Meg\u003c\/em\u003e (2007). Through this circuit Nalini Malani evokes the concepts underlying her work: utopias, dystopia, and her vision of India and the position of women throughout the world.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: 18.10.2017-8.1.2018, Centre Pompidou, Paris (Part I); 17.9.2018\u0026ndash;6.1.2019, Castello di Rivoli, Turin (Part II)\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526232203528,"sku":"9783775742900","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742900_701521ef-8202-4eb9-84c4-e1a2fe6fd479.jpg?v=1744120191"},{"product_id":"42230-keith-coventry","title":"Keith Coventry","description":"\u003cp\u003eWith this publication, Keith Coventry (*1958, Burnley, Great Britain) presents an overview of his oeuvre from its beginnings in the early 1990s to the present day, shedding light on his exploration of the legacy of modernism and post-modernism. In his series \u003cem\u003eJunk Paintings\u003c\/em\u003e (2012), for example, a new visual vocabulary containing elements of the famous McDonald\u0026rsquo;s logo shifts into focus, blending with Minimalism and Pop Art. In the white \u003cem\u003ePure Junk Paintings\u003c\/em\u003e (2015\/16) he continues his work with these formal elements, but using new materials: wood, muslin, beeswax, glass, and gesso lend the paintings a sculptural presence. The same is true of the series \u003cem\u003eGolden Arches\u003c\/em\u003e (2016), for which parts of the McDonald\u0026rsquo;s logo were cast in bronze and heavily gold plated, contrasting a cheap, mass produced commodity with materials representing permanence, craft, and value. In Coventry\u0026rsquo;s art the consumer world and mass production encounter an aesthetic characterized by beauty and timelessness.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526234792200,"sku":"9783775742931","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742931_5c4a527d-f2bf-4dc3-ba87-614246619adf.jpg?v=1744106496"},{"product_id":"17790-markus-henttonen","title":"Markus Henttonen","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eIn \u003cI style=\"mso-bidi-font-style: normal\"\u003eTwisted Tales—Road to Hope,\u003c\/I\u003e Markus Henttonen (*1976 in \u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:place w:st=\"on\"\u003e\u003cst1:City w:st=\"on\"\u003eLahti\u003c\/st1:City\u003e, \u003cst1:country-region w:st=\"on\"\u003eFinland\u003c\/st1:country-region\u003e\u003c\/st1:place\u003e) takes us with him on a journey. His impressive road movie leads us through a land that is like life itself: in atmospheric photographs he shows us everyday situations that apparently came about by chance, or very personal experiences, tags of memories from the past, and dream-like sequences. And emotions always filter through—joy, boredom, pain, confusion, perhaps hope?\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eAfter early, more documentary series, Henttonen has discovered his intriguing narrative style in his recent works. Some of the fantastic images in \u003cI style=\"mso-bidi-font-style: normal\"\u003eTwisted Tales\u003c\/I\u003e have a far-reaching, staged character, like film sets; others pose questions, remain mysterious. This becomes particularly evident in his pictures of a sign on the gate of the estate of the famous comedian Bob Hope: “This road does not lead to Bob Hope’s house. ‘Bob is dead.’”\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526235087112,"sku":"9783775740470","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740470_19e84fb2-aee0-4c50-aaba-713c1beed309.jpg?v=1744115331"},{"product_id":"17806-song-dong","title":"Song Dong","description":"\u003cSPAN style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"'\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eSquare meters of empty toothpaste tubes and bottles of cleaning solution, pencils, balls of wool, or shoes—all of it in neat rows: \u003cI style=\"mso-bidi-font-style: normal\"\u003eWaste not,\u003c\/I\u003e the spectacular installation by Song Dong (*1966) comprising more than ten thousand individual items, traveled around the whole world, inspiriting countless exhibition visitors. The artist’s mother fell into poverty during the Cultural Revolution and compulsively collected everyday objects. The installation arranges everything she accumulated, cataloguing and documenting her life.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003eThis is the first volume to provide insight into all of the series of works by the Conceptual artist in which he deals with issues such as consumption, sustainability, memory, or spirituality. Song Dong arranges old doors and windows from demolished buildings to create new living spaces. In \u003cI style=\"mso-bidi-font-style: normal\"\u003eDoing Nothing Garden\u003c\/I\u003e at documenta 12, he transformed a mountain of garbage into an attractive recreation area, or he recreates modern cityscapes out of candy: \u003cI style=\"mso-bidi-font-style: normal\"\u003eEating the City\u003c\/I\u003e —unhealthy, but yummy. Taking a bite is allowed!\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-ansi-language: EN-US'\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; TEXT-AUTOSPACE: ; mso-layout-grid-align: none\"\u003e\u003cSPAN style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"'\u003eExhibitions: Groninger Museum, Netherlands, 13.6. – 1.11.2015 | Kunsthalle Düsseldorf, 5.12.2015 – 6.3.2016\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN style=\"FONT-FAMILY: TheSans\"\u003e\u003co:p\u003e\u003cFONT face=Arial\u003e\u0026nbsp;\u003c\/FONT\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN style=\"FONT-FAMILY: TheSans\"\u003e\u003co:p\u003e\u003cFONT face=Arial\u003e\u0026nbsp;\u003c\/FONT\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874880418056,"sku":"9783775740630","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740630_2a30cb18-253e-4673-8515-03a4ec3549cb.jpg?v=1744136320"},{"product_id":"17831-africa-under-the-prism","title":"Africa Under the Prism","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003eWith a population of nearly seventeen million, Lagos, the former capital of Nigeria, is not only the largest city in Africa but also one of the most densely populated cities in the world. Full of contrasts and contradictions: the enormous increase in population leads to challenges in infrastructure and yet rapid advancements in creative industries. A silent social reawakening is emerging with photography, technology, and new media playing significant roles.\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003eThe first and, to date, only international art festival of photography in Nigeria, LagosPhoto Festival was initiated in 2010 in this richly vibrant center. A platform on which the development of contemporary photography from Africa and a wider community is established and fostered.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003eAs testified to by the images, their African stories are bubbling over with vitality, a zest for life, and the dynamics that deny those proponents of Afropessimism, clearly underscoring a sense for the continent\u0026rsquo;s progress.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;\"\u003eFestival: LagosPhoto Festival, Lagos 17.10.\u0026ndash;21.11.2015\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811866812680,"sku":"9783775740883","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740883_45fa0357-ab6c-4531-9cb5-7b86d4fce3fe.jpg?v=1744038797"},{"product_id":"43654-jan-toeve","title":"Jan Töve","description":"\u003cp\u003eWhat is it like to return to the place of one\u0026rsquo;s childhood? When one returns to the countryside, far away from the hustle and bustle of the city, far from one\u0026rsquo;s own life and creative work? Jan T\u0026ouml;ve\u0026rsquo;s photographs of his home region are lyrical dabs of memory, the wide-eyed absorption of changes, a laconic stocktaking of a present-day somewhere. For a period just short of ten years (2007\u0026ndash;16), the Swedish photographer and publicist returned time after time, at\u003cbr \/\u003e\ndifferent points during the year, portrayed landscape as well as inhabitants, and discovered an individual rhythm. He was interested in how people deal with their surroundings, traditions, and the challenges posed by nature. In this series, T\u0026ouml;ve, who has produced numerous publications with photographs of nature and landscapes, found new\u003cbr \/\u003e\nstructures and forms, for instance a recurring red that runs through the entire book\u0026mdash;perhaps the signal of a defiant situatedness, a want-to-be-and-stay-here.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526235840776,"sku":"9783775743587","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743587_9a3b9460-c82c-4e9f-9f00-537b76ef2e2f.jpg?v=1744102094"},{"product_id":"51862-edward-hopper-az","title":"Edward Hopper","description":"\u003cp\u003eThat incomparable melancholy in Edward Hopper\u0026rsquo;s pictures occasionally leads us to look at the details of his life. Where exactly did this master of loneliness live and work? What were his most important influences while he was working on his great paintings of America? In this wonderful, simply structured, A-to-Z book, Ulf K\u0026uuml;ster pursues these themes, which say a great deal about the painter and his interests, and yet he never loses sight of the artist and the necessary distance to his inimitable pictures.\u003cbr \/\u003e\nThus, K\u0026uuml;ster strolls through the ABCs of Hopper\u0026rsquo;s life and work, from the \u0026ldquo;American landscape,\u0026rdquo; \u0026ldquo;Buick\u0026rdquo; \u0026ldquo;Goethe,\u0026rdquo; and \u0026ldquo;shadow and sunlight\u0026rdquo; to the key word, \u0026ldquo;zero.\u0026rdquo; On the way he opens up many new doors or insights, enriching the views of Hopper\u0026rsquo;s paintings and making it possible to interpret them in new ways. An entertaining and informative book.\u003c\/p\u003e\n\n\u003cp\u003eEDWARD HOPPER (1882\u0026ndash;1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work\u0026nbsp;continues to be influential to this very day.\u003c\/p\u003e\n\n\u003cp\u003eThe art theoretician and curator ULF K\u0026Uuml;STER (*1966, Stuttgart) has worked at the Fondation Beyeler in Riehen since 2004. He produces many internationally respected exhibitions and publications. 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It structures the ground upon which Bick makes his shapes dance. Some lines define boundaries in the painting process, others are painted over, and sometimes the brush completely departs from the drawing\u0026#39;s guidelines and fills the pictorial space with the voluminous quality of its color. This creates a multifaceted interplay between order and freedom, painting and drawing, past and present. The transitions are hardly noticeable, bringing the extremes together and captivating the viewer.\u003c\/p\u003e\n\u003cp\u003eANDREW BICK (*1963, Coleford, Great Britain) studied painting at the Chelsea School of Art. He places his work in the tradition of constructivism. 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But soon it shone through its possibilities for artistic \u003cem\u003emise en sc\u0026egrave;ne.\u003c\/em\u003e Digital photography and its possibilities of manipulation multiply the expressive dimensions of the photographs to infinity. Ian Jeffrey takes us on a journey into the history of photography, where the great masters of this extraordinary medium pay their respects. As with a photograph itself, the most important stages in the development of this extraordinary medium are illuminated in order to finally arrive at a comprehensive picture of an inexhaustible wealth of creativity.\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eIAN JEFFREY (*1942) is a writer and art historian who has intensively studied the history of photography. He was a tutor and professor at Goldsmiths, University of London and is the recipient of the J. Dudley Johnston Award of the Royal Photographic Society, Bath.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49808346185992,"sku":"9783775748612","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748612_f7580686-e848-4a16-9613-c3fadebd6ee6.jpg?v=1744133564"},{"product_id":"58970-dfla","title":"DFLA","description":"\u003cp\u003eThe Irish architecture firm DFLA (Dermot Foley Landscape Architects) is known for pushing the boundaries of landscape architecture. While the studio\u0026rsquo;s previous practice has been characterized by detail-oriented observation and spatial intervention, its latest projects, collected in this publication, are devoted to the question of the influence of time. Engagements with issues such as the circular economy and ecology have recently led DFLA to artistic approaches to environmental science. Created in Ireland and beyond, the works speak to themes of perception, craft, neglect, and imperfection. The book includes both illustrated concepts and realized landscape architecture. It reflects the studio\u0026rsquo;s complex approach and its successes to date.\u003c\/p\u003e\n\u003cp\u003eDERMOT FOLEY is a horticulturist and landscape architect. In 2001, he founded DFLA, with which he won various awards. He is an assistant professor at University College Dublin and guest critic of the practice research program at Virginia Tech. In 2011, he was a founding partner of the EU TURaS project on resilient cities.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755223490824,"sku":"9783775751353","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751353_6e7948be-924f-48d0-829a-4a073295388a.jpg?v=1744052581"},{"product_id":"59218-female-view","title":"Female View","description":"\u003cp\u003eFemale View puts the focus on women fashion photography. Although this medium has been shaped by female photographers for decades, a large number of publications or exhibitions have focused primarily on the male gaze of the female body. Numerous female fashion photographers worked for influential magazines such as Harper\u0026rsquo;s Bazaar or Vogue, thus shaping the style of their time. Using exemplary positions, this book traces the transformation of the photographic image from the 1940s to the present day: from the fashion magazine to the showroom and the coffee table book to videos and digital self-staging in social media today. On display will be works by: Lillian Bassman, Sibylle Bergemann, Louise Dahl-Wolfe, Madame d\u0026rsquo;Ora, GABO, Ingeborg Hoppe, Nadine Ijewere, Liv Liberg, Ute Mahler, Charlotte March, Lee Miller, Sarah Moon, Amber Pinkerton, Elizaveta Porodina, Regina Relang, Bettina Rheims, Charlotte Rohrbach, Alice Springs (June Newton), Deborah Turbeville, Ellen von Unwerth and Yva.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526240100616,"sku":"9783775751841","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751841_155090b9-19e9-41ac-bef2-63fa41935170.jpg?v=1744063049"}],"url":"https:\/\/www.hatjecantz.de\/en\/collections\/sales.oembed?page=2","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}