{"title":"Series","description":"","products":[{"product_id":"15732-beyeler-collection","title":"Beyeler Collection","description":"\u003cSPAN lang=EN-US\u003e\n\u003cP class=MsoBodyText style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003eSince its inauguration in October 1997, the Fondation Beyeler in Riehen, near Basel, has become one of the world’s top destinations for modern art, a result of the combination of a unique collection, fascinating architecture, and a variety of world-class exhibitions. The reputation of Hildy and Ernst Beyeler’s collection, which features milestones of twentieth-century art as well as tribal works from Africa, Alaska, and Oceania, has been steadily growing ever since due to new acquisitions of important works.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans-Plain; mso-bidi-font-size: 10.0pt\"\u003eOn the tenth anniversary of the Fondation Beyeler, this complete, up-to-date catalogue takes stock of the museum’s collection, which today contains more than two hundred paintings and sculptures. In addition to some of Ernst Beyeler’s own comments, this publication offers a thorough overview of twentieth-century art, including a valuable, personal insight into the life and work of a collector, museum founder, and patron, who to this day remains passionately involved in art. (German edition ISBN 978-3-7757-1945-2; French edition ISBN 978-3-7757-1947-6)\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US\u003e\u003cFONT face=TheSans-Plain\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526186819848,"sku":"9783775719469","price":49.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775719469_7199a61e-0448-4ab5-942d-768a6f0b09a5.jpg?v=1744049671"},{"product_id":"17317-rosa-barba","title":"Rosa Barba","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eRosa Barba (*1972 in Agrigent) works with the basic elements of the cinema: celluloid, light, projector, and sound. She dissects the structure of the narrative and plays with the often improbable characters, places, and stories of the medium of film. Her exploration of space, time, and language is crucial to the process. This publication presents her new project, which, like a story or a play in different acts, stretches out across two exhibition chapters: “Chapter 1” was shown in the Kunsthaus Zürich (June 6–\u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"9\" Day=\"9\" Year=\"2012\"\u003eSeptember 9, 2012\u003c\/st1:date\u003e), curated by Mirjam Varadinis. “Chapter 2” presented at the Bergen Kunsthall (February 2–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"3\" Day=\"17\" Year=\"2013\"\u003eMarch 17, 2013\u003c\/st1:date\u003e) is curated by Solveig \u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: Arial; mso-ansi-language: EN-GB\"\u003eØ\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003evsteb\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: Arial; mso-ansi-language: EN-GB\"\u003eø\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003e. The project revolves around a 35mm film, Time as Perspective, which Barba shot during the spring in \u003cst1:State w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eTexas\u003c\/st1:place\u003e\u003c\/st1:State\u003e—fascinated by the desert landscape, which she approaches from an almost archaeological perspective on a quest for inscribed signs and times.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-GB\"\u003eExhibition schedule: \u003cst1:place w:st=\"on\"\u003e\u003cst1:City w:st=\"on\"\u003eBergen\u003c\/st1:City\u003e\u003c\/st1:place\u003e Kunsthall, February 2–\u003cst1:date w:st=\"on\" ls=\"trans\" Month=\"3\" Day=\"17\" Year=\"2013\"\u003eMarch 17, 2013\u003c\/st1:date\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874801905928,"sku":"9783775735605","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775735605_900776f6-1caa-4c40-8a97-c12c16e3f446.jpg?v=1744131857"},{"product_id":"17561-robert-longo","title":"Robert Longo","description":"\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003eSTAND was a site-specific installation, which in 2012 activated the architecture of the Capitain Petzel gallery in Berlin. The building was shrouded with an enormous depiction of the American flag in black and white. Upon entering the gallery, the viewer was confronted with a large charcoal drawing, upon which the exterior of the gallery was based. This was flanked by two drawings: one depicting a claustrophobic mass of Occupy Wall Street protesters; the other, a lone American soldier walking towards an uncertain and ominous future. With the consent of the artist, Robert Longo also updated the style and content of Hans Haackes \u003cI style=\"mso-bidi-font-style: normal\"\u003eOelgemaelde, Hommage à Marcel Broodthaers \u003c\/I\u003e(1982). \u003cSPAN style=\"mso-spacerun: yes\"\u003e\u0026nbsp;\u003c\/SPAN\u003efor the exhibition, replacing Ronald Reagan opposite a large-scale image of a protest over the deployment of American missiles in Bonn, Germany, with President Obama opposite Tea Party protesters. 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He writes this book, \u003cI style=\"mso-bidi-font-style: normal\"\u003eCVJ,\u003c\/I\u003e and gives an account of his life: how he leaves Texas in 1973 to return to his hometown of New York City, hangs out in Max’s Kansas City, meets Sigmar Polke, Blinky Palermo, Ross Bleckner, and numerous other people in the scene, and even travels to Europe to study the Old Masters—experiences and observations that are both poetic and amusing to read. And at the same time it is fascinating to see the oeuvre he had produced up to that point: the \u003cI style=\"mso-bidi-font-style: normal\"\u003ePlate Paintings\u003c\/I\u003e with their splintered surfaces, paintings in oil and wax, on velvet and tarpaulins, with “dirt” and cracks and \u003cI style=\"mso-bidi-font-style: normal\"\u003eobjets trouvés\u003c\/I\u003e that project into space, drawings, and sculptures. What is striking is their influence on younger generations of artists and on the current debate on painting.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874803708168,"sku":"9783775740562","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740562_d69b8ff7-5adb-4766-aa18-b5a66e496b25.jpg?v=1744105025"},{"product_id":"17835-taryn-simon","title":"Taryn Simon","description":"\u003cP class=MsoNormal style=\"BACKGROUND: white; MARGIN: 0cm 0cm 10pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eIn 1936, an American ornithologist named James Bond published the definitive taxonomy\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 12.0pt\"\u003e\u0026nbsp;\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eBirds of the \u003c?xml:namespace prefix = \"st1\" ns = \"urn:schemas-microsoft-com:office:smarttags\" \/\u003e\u003cst1:place w:st=\"on\"\u003eWest Indies\u003c\/st1:place\u003e. Ian Fleming, an active bird-watcher living in \u003cst1:country-region w:st=\"on\"\u003e\u003cst1:place w:st=\"on\"\u003eJamaica\u003c\/st1:place\u003e\u003c\/st1:country-region\u003e, appropriated the name for his novel’s lead character. He found it “flat and colourless,” a fitting choice for a character intended to be “anonymous. . . a blunt instrument in the hands of the government.”\u0026nbsp;\u003cBR\u003eIn\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 12.0pt\"\u003e\u0026nbsp;\u003c\/SPAN\u003e\u003cI style=\"mso-bidi-font-style: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003eField Guide to\u0026nbsp;Birds of the West Indies\u003c\/SPAN\u003e\u003c\/I\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 11pt; FONT-FAMILY: TheSans; COLOR: #222222; mso-bidi-font-size: 13.0pt\"\u003e, Taryn Simon (*1975) casts herself as James Bond (1900–1989) the ornithologist, and identifies, photographs, and classifies all the birds that appear within the twenty-four films of the James Bond franchise. The appearance of many of the birds was unplanned and virtually undetected, operating as background noise for whatever set they happened to fly into. Simon’s ornithological discoveries occupy a liminal space—confined within the fiction of the James Bond universe and yet wholly separate from it. 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Architecture is often represented as a product or disembodied object. This view transforms inhabitants into spectators of an architecture that is dematerialized, delocalized, dehumanized and reduced into an image of itself. The collaboration between Mimram and Attali aims for an all-encompassing approach, placing the architecture within its time-frame and physical environment, rather than presenting mere glossy images of the projects. This triple volume builds a new visual vocabulary through which to interpret the structures. The social functionality of public architecture is addressed, largely absent in architectural photography and the communication of built space until now. The first volume focuses on a two-year photographic documentation of the construction of the Airtime building in Paris. The second volume presents an overview of Mimram\u0026rsquo;s works around the world: bridges, train stations and academic institutions from France to Morocco and China. The third volume focuses on the newly redesigned home to the French Open, Roland-Garros. With texts by Marc Mimram, Erieta Attali, Ariel Genadt, Jean Attali, Paul Chemetov, Zvi Hecker and Sir Peter Cook.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem style=\"font-family: \u0026quot;Open Sans\u0026quot;, Arial, Helvetica, sans-serif; font-size: 12px;\"\u003e\u0026quot;Architecture is an art of transformation, the dialog between the photography and the projects can participate to the understanding of its coherency, its generosity.\u003c\/em\u003e\u003cem\u003e\u0026rdquo; \u003c\/em\u003e\u0026ndash; Marc Mimram\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188068616,"sku":"9783775744034","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744034_13e555ce-5196-4686-8389-9c2f51bb626a.jpg?v=1744114265"},{"product_id":"17975-sean-scully","title":"Sean Scully","description":"\u003cp\u003eThis catalogue, the second volume in a proposed series of five, chronicles Sean Scully\u0026rsquo;s paintings of the 1980s. Beginning with major breakthrough works early in the decade, it profiles the development of Scully\u0026rsquo;s mature style as well as his growing success in America and internationally.\u003c\/p\u003e\n\n\u003cp\u003eScully, a native of Ireland, was educated in England and moved to the United States in 1975. By the early 1980s, he was established in New York and making works that would influence his work years to come. In works both small (\u003cem\u003eSolomon\u003c\/em\u003e) and large (\u003cem\u003eHeart of Darkness\u003c\/em\u003e), Scully developed a powerful style of richly painted stripes and shapes with a masterly control of color and strongly built canvases. In an era of low regard for abstract painting, Scully invigorated and reinvented the form to include rich evocations of places, literature and other art forms, and emotions. 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The book also\u0026nbsp;includes a lengthy, revealing, and in-depth interview with Mark Bradford himself. \u003c\/span\u003eThe publication \u003cspan lang=\"EN-US\" style=\"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'; LINE-HEIGHT: 115%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003emakes a significant and important contribution to our\u0026nbsp;understanding of the work and\u0026nbsp;practice of one of today\u0026rsquo;s\u0026nbsp;most influential\u0026nbsp;contemporary artists and at the same time explores urgent and timely issues that art\u0026nbsp;\u0026mdash; and artists\u0026nbsp;\u0026mdash; can powerfully address.\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192095496,"sku":"9783775742719","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775742719_153c4d29-2dd4-4c03-859b-43ee6316ec9d.jpg?v=1744115229"},{"product_id":"16095-richard-paul-lohse-drucke","title":"Richard Paul Lohse. Prints","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-bidi-font-family: Arial\"\u003eRichard Paul Lohse is one of the founders of systematic-constructive art in the twentieth century. This second volume of the catalogue raisonn\u0026eacute; is devoted to his works on paper: 172 original prints and multiples, created between 1940 and 1987. This book is not only an indespensable standard reference for all scholars, art dealers, and collectors, it also provides detailed accounts of Lohse\u0026rsquo;s collaboration with publishers, printers, and fellow artists. The chapters shed light on personalities, institutions, and events that were to have a lasting impact on the course of artistic culture in\u003c!--?xml:namespace prefix = \"st1\" \/--\u003e\u003cst1:country-region w:st=\"on\"\u003eSwitzerland\u003c\/st1:country-region\u003e and \u003cst1:place w:st=\"on\"\u003eEurope\u003c\/st1:place\u003e. The color illustrations are not confined to the complete prints, but include project-related printed matter, in most cases likewise designed by Lohse. This book also affords new insights into Lohse\u0026rsquo;s work both with and on color and the complex interrelations between prints, paintings, and drawings.\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192161032,"sku":"9783775723091","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775723091_24ccff45-7bf4-4b6d-88fb-8ffa780a2587.jpg?v=1744130444"},{"product_id":"17602-tor-seidel","title":"Tor Seidel","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \"TheSansOsF ExtraLight\"'\u003eDubai was rapidly transformed by the discovery of oil in the nineteen-fifties. Within a brief period the num\u0026shy;ber of inhabitants rose three hundred percent. The construction of the world’s tallest buildings in the desert metropolis was followed by scores of amuse\u0026shy;ment parks, two hundred artificial islands, tourism, and consumption. New Dubai emerged without any historical precedents, a concept of a center, or logical network of streets. Tor Seidel (* 1964) views this frag\u0026shy;mented urban landscape from a distance. Resisting the allure of these outward appearances, he points to the yawning gaps in this façade. In his photographs giant shopping malls are spread out before the mel\u0026shy;ancholy backdrop of mammoth building projects that have been abandoned. The artist does not make clear whether his photographs have been digitally edited or are authentic depictions of reality, and thus \u003cI\u003eThe Dubai \u003c\/I\u003ebecomes an allegory of a dazzling metropolis situated between promise and illusion.\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style='FONT-FAMILY: \"TheSansOsF Plain\",\"sans-serif\"; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US'\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807640328,"sku":"9783775738569","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738569_ec2dd045-7ed2-4553-89f1-016b23795ee8.jpg?v=1744142561"},{"product_id":"17610-beuys-brock-vostell","title":"Beuys Brock Vostell","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;TheSansOsF ExtraLight\u0026quot;\"\u003eFor the first time, the prominent German artists Joseph Beuys (1921\u0026ndash;1986), Bazon Brock (* 1936), and Wolf Vostell (1932\u0026ndash;1998), who collaborated in the sixties, are being presented in a single publication. In addition to parallels in the content of their work, such as their examination of the Holocaust, the three friends shared certain interests in terms of their approach. All three were involved in developing teaching practices as a form of performance art and in shifting communication, discussion, and demonstrations to the heart of their work. The radical emancipation of the individual and social reform were also common goals. Not only groundbreaking for the de\u0026shy;velopment of the expanded concept of art, their practices also made a fundamental contribution to the performative turn and the development of participatory concepts in twentieth century art.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;TheSansOsF ExtraLight\u0026quot;\"\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;\"\u003eExhibition: ZKM | Museum f\u0026uuml;r Neue Kunst, Karlsruhe 24.5.\u0026ndash;9.11.2014, gef\u0026ouml;rdert von der Kunststiftung NRW\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807804168,"sku":"9783775738644","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738644_ae995668-3e1b-497c-a5e4-507531b0f29a.jpg?v=1744049653"},{"product_id":"17619-enzyklopaedie-der-medien-band-4","title":"Enzyklopädie der Medien. Band 4","description":"\u003cp\u003eFrom Greek antiquity to the present, from the book to the gramophone, from Gutenberg to Google, our culture is defined by changes in recording, storage, and transmission media. In a six-volume selection of his writings, Peter Weibel presents an encyclopedia that addresses all areas of the media world. The author has conceived this series as following in the tradition of the Enlightenment and the\u003cem\u003e Encyclop\u0026eacute;die \u003c\/em\u003eby Denis Diderot and Jean Baptiste le Rond d\u0026rsquo;Alembert. The fourth volume devises a history of literature that shows the chain of mental, formal, and mechanical elements in the production and reception of literature.\u003c\/p\u003e\n\n\u003cp\u003ePETER WEIBEL (* 1944, Odessa) is an internationally known media and conceptual artist, curator, and art and media theoretician. Since the 1960s his work has firmly regarded artistic creativity as an open-ended field of activity. He was head of the ZKM, Karlsruhe until 2020. Since 2017 he has been director of the Peter Weibel Research Institute for Digital Culture at the Universit\u0026auml;t f\u0026uuml;r angewandte Kunst in Vienna.\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188232456,"sku":"9783775738736","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775738736_771b2b23-6ad6-4025-b35a-7df0b5a5a165.jpg?v=1744060311"},{"product_id":"17668-cyberarts-2014","title":"CyberArts 2014","description":"\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; BACKGROUND: white; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003eThe book documenting the works that won the \u003c\/FONT\u003e\u003cA href=\"http:\/\/www.aec.at\/\"\u003e\u003cFONT size=2\u003e2014 Prix Ars Electronica \u003c\/FONT\u003e\u003c\/A\u003e\u003cFONT size=2\u003efeatures numerous pictures and texts by the artists and jury members. The DVD contains a selection of prizewinning submissions dealing with current trends. Since its founding in 1987, the Prix Ars Electronica has been an annual barometer of tendencies in digital art and has taken on a pioneering role in discovering artistic innovations. International experts evaluate thousands of submissions to the categories of \"Computer Animation\/Film\/VFX,” “Digital Music \u0026amp; Sound Art,” “Interactive Art,” “Digital Communities,” “[the next idea] voestalpine Art and Technology Grant,” and the special youth competition “u19—CREATE YOUR WORLD.” Furthermore, the book also presents the winning projects of the Prix Ars Electronica Collide@CERN Award, the new artist-in-residence program sponsored by CERN and Ars Electronica, and the newly created Golden Nica for\u0026nbsp; »Visionary Pioneers of Media Art«.\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; BACKGROUND: white; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2 face=TheSans\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; BACKGROUND: white; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003cFONT size=2\u003eFestival Ars Electronica, Linz 4.-8.9.2014\u003cBR\u003e\u003c\/FONT\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874807869704,"sku":"9783775739238","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739238_c689ad6c-a1c2-43fd-81b7-25fdfaa3c61c.jpg?v=1744052416"},{"product_id":"17691-malerei-und-plastik","title":"Malerei und Plastik","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003eThe high-quality paintings and sculptures in the still surprisingly young Hilti Art Foundation are moving into a dignified new domicile in Vaduz, in the immediate vicinity of the Kunstmuseum Liechtenstein. The unobtrusively designed “white cube” by the architectural office Morger Dettli Architekten provides an appropriate setting for the collection’s outstanding exhibits: the illustrious circle of artists represented in the first-class collection range from Georges Seurat and Paul Gauguin to Günther Uecker and Imi Knoebel. Based on choice individual works, the volume graphically demonstrates the groundbreaking currents of twentieth-century art history—from Post-Impressionism and classic modern works to concrete art. The representative publication includes concise texts that expound on the art-historical rank of the individual precious items as well as large-format full-view and detail illustrations.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u0026nbsp;\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874808000776,"sku":"9783775739467","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775739467_5525cfd3-2201-4a69-92a8-a41321d3f1d3.jpg?v=1744114141"},{"product_id":"17234-jorinde-voigt","title":"Jorinde Voigt","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003eThe unique visual language \u003cA href=\"http:\/\/www.jorindevoigt.com\/\"\u003eJorinde Voigt \u003c\/A\u003e(*1977 in Frankfurt am Main) develops in her drawings aims at making the invisible visible. Music, weather, geography, literature, and philosophy are among the subjects that serve as sources of inspiration for Voigt’s lyrical drawings, all of which she renders into a dizzying maelstrom of lines and notations as one thought is linked to the next. In \u003cI\u003ePiece for Words and Views,\u003c\/I\u003e Voigt turns to Roland Barthes’s famous book \u003cI\u003eA Lover’s Discourse: Fragments\u003c\/I\u003e to produce a series of thirty-six drawings, each of which contains elements of collage cut to represent particular words found in the book\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Tahoma\"\u003e—\u003c\/SPAN\u003e\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003ethereby recreating the central tenets of semiotics: signifier and signified. 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Announced annually since 1987, due to its continuity and the large number and high quality of the submissions, it is considered a trend barometer of global media art. With numerous images, texts, and statements by the jury, the book assembles those works that were awarded prizes in 2017 in the categories of Computer Animation \/ Film \/ VFX, Digital Communities, Interactive Art, and u19\u0026mdash;Create Your World. A Golden Nica was also awarded for the fourth time in the category of \u0026ldquo;Visionary Pioneers of Media Art.\u0026rdquo; The volume also contains a \u0026ldquo;best of\u0026rdquo; list of the STARTS Prize awarded on behalf of the European Commission. The highly remunerated competition focuses on innovative projects at the interface between science, technology, and art (= Science,\u0026nbsp;Technology, and\u0026nbsp;the ARTS).\u003c\/p\u003e\n\n\u003cp\u003eFestival dates: Ars Electronica Festival, Linz 7.\u0026ndash;11.9.2017\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526194454792,"sku":"9783775743365","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743365_33e22af8-77d0-4dff-9e35-cfb705a174de.jpg?v=1744052438"},{"product_id":"44951-ola-kolehmainen","title":"Ola Kolehmainen","description":"\u003cp\u003eOla Kolehmainen\u0026rsquo;s (*1964, Helsinki) works are visual journeys to space, time, and light. A graduate of the Helsinki University of Art and Design, and one of the most successful representatives of the first generation of the Helsinki School, Kolehmainen became famous for his method of reducing fa\u0026ccedil;ades to minimalist details. In his new series, the Finnish photographer, who has been based in Berlin since 2005, focuses masterfully on the space and light in the places where faith is practiced in. Inspired by his exploration of Islamic architecture and mosques in Istanbul, he continued portraying synagogues, mosques, churches, and cathedrals throughout Europe. Kolehmainen\u0026rsquo;s work here is more narrative. It draws attention to the commonalities, and shared histories of the religious spaces, underlining the universal nature of culture or religion.\u003c\/p\u003e\n\n\u003cp\u003eThis limited special edition of 99 copies includes an original print each.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: 6.12.2017\u0026ndash;4.3.2018, HAM Helsinki Art Museum\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526196224264,"sku":"9783775744157","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744157_851262b0-e3f4-42a0-9895-d046e5195166.jpg?v=1744122598"},{"product_id":"43592-adrian-ghenie","title":"Adrian Ghenie","description":"\u003cp\u003eEver since his spectacular exhibition at the Romanian Pavilion at the 56th Venice Biennial in 2015 at the latest ,Adrian Ghenie has been known to a broader art audience as one of the most interesting and idiosyncratic painters of his generation. His works\u0026mdash;painted in oil, etched, troweled, or thrown\u0026mdash;have already found their way to the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. On the art market they are close on the heels of auction records. Still, neither Gehnie\u0026rsquo;s subjects nor his technique accommodate general taste: the most important source of his collage-like compositions is the history of the \u0026ldquo;century of humiliation,\u0026rdquo; as Ghenie calls the twentieth century\u0026mdash;its criminals and victims. These are joined by positive heroes such as van Gogh and Darwin, along with self-portraits.\u003c\/p\u003e\n\n\u003cp\u003eADRIAN GHENIE (*1977, Baia Mare, Romania) studied painting at the University of Art and Design in Cluj, Romania. 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Otzko gives one hundred contemporary photographers from her country the space to show their best images, including renowned figures such as Dag Alveng, Jonas Bendiksen, Knut Bry, Morten Krogvold, Annemor Larsen, Crispin Gurholt and Mikkel McAlinden. With several double pages for each photographer, the book is a vivid archive of Norwegian photography, uniting the most diverse genres, from landscapes to portraits, experimental photography to snapshots. It provides an extensive overview of the mysterious country in the north, the land of glaciers and fjords, showing it in brilliant facets\u0026mdash;witty, absurd, poetic, political, special.\u003c\/p\u003e\n\n\u003cp\u003eINA OTZKO (*1972, Alsten Island, Norway) is an artist and independent curator. She holds masters from Goldsmiths, London and Udk, Berlin. Her work is exhibited internationally. 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Marked by the photographers\u0026rsquo; differing visual vocabularies, nationalities, and cultural backgrounds, the picture that emerges is not a single, monolithic vision, but rather a diverse and fragmented portrait. The images have previously been shown in renowned museums such as DOX Centre for Contemporary Art in Prague, the Tel Aviv Museum of Art, and the Brooklyn Museum. Now, the project culminates in this retrospective volume, which contains more than 200 spectacular photographs and views of the exhibition, as well as essays by distinguished curators on the project\u0026rsquo;s history and its meaning for today\u0026rsquo;s political and cultural discourse.\u003c\/p\u003e\n\n\u003cp\u003eFEATURING PHOTOGRAPHS BY\u003cbr \/\u003e\nFr\u0026eacute;d\u0026eacute;ric Brenner, Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Stephen Shore, Rosalind Fox Solomon, Thomas Struth, Jeff Wall, Nick Waplington\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nJewish Museum Berlin\u003cbr \/\u003e\nJune 7, 2019\u0026mdash;January 5, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188625672,"sku":"9783775746168","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746168_cc3396a5-6b3c-43ac-8bc3-cb7e571334f9.jpg?v=1744141183"},{"product_id":"52777-ashley-hans-scheirl","title":"Ashley Hans Scheirl","description":"\u003cp\u003eAshley Hans Scheirl overcomes the limitations of media as easily as she deals with gender and cultural norms. Born Angela Scheirl, the artist achieved international fame in the late 1980s for her experimental films and videos. She is now considered a trailblazer and a cult figure of the international queer and transgender artists scene. Scheirl\u0026rsquo;s work examines questions about her own identity by surmounting predefined genres and classifications. Her three-dimensional installations unite paintings, spatial designs, videos, photographs, drawings, sculptures, and performance props. The artist is interested in questioning the economy and power of social conditions and the libidinal structures active in them.\u003c\/p\u003e\n\n\u003cp\u003eASHLEY HANS SCHEIRL (*1956, Salzburg, lives in Vienna) studied restoration at the Akademie der Bildenden K\u0026uuml;nste (Academy of Fine Arts) in Vienna. She spent 1981\u0026ndash;82 in New York, and then sixteen years in London. In 2003 she finished her post-graduate studies in fine arts at the Central Saint Martin\u0026rsquo;s College of Art \u0026amp; Design in London. Since the fall of 2006 she has been a professor for contextual painting at the Akademie der Bildenden K\u0026uuml;nste, Vienna.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188756744,"sku":"9783775746885","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746885_0204808d-45cc-4bb3-a8b4-83a6fcd20d6b.jpg?v=1744045190"},{"product_id":"52781-donald-graham","title":"Donald Graham","description":"\u003cp\u003eAuthenticity, honesty, and character: Donald Graham\u0026rsquo;s portraits are not simply photographic recordings. Looking at them is like looking at human beings themselves, brought forth by the photographer with his virtuoso technique and sensibilities. These brilliant, strongly contrasting black-and-white photos are evidence of attitude, rather than studied gestures. Eyes and faces are not model-like masks; instead, they express the unique nature of those portrayed. Inevitably, viewers fi nd themselves in a dialogue with the images. You wonder about the stories behind these faces; though unfamiliar, they are nevertheless an emotional experience. This magnifi cent volume of pictures is the fi rst extensive publication of Graham\u0026rsquo;s haunting work. Reproduced in an elaborate triplex process, the printed photographs also possess great brilliance. On paper they seem almost tangible, fully revealing this outstanding oeuvre.\u003cbr \/\u003e\n\u003cbr \/\u003e\nDONALD GRAHAM is an internationally celebrated fashion, portrait, and fi ne art photographer. His work has won many awards and is included in museum collections including New York\u0026rsquo;s Metropolitan Museum of Art and the International Center of Photography. After living in Paris and New York, Graham now lives in Los Angeles.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755188822280,"sku":"9783775746915","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746915_58899931-5c55-4792-8f78-5f9a5d248de1.jpg?v=1744057100"},{"product_id":"52729-thomas-hirschhorn","title":"Thomas Hirschhorn","description":"\u003cp\u003eFor three months Biel, Switzerland, hosted a special kind of sculpture. It was special not simply because it was created\u0026nbsp;by one of Switzerland\u0026rsquo;s most famous contemporary artists\u0026mdash; Thomas Hirschhorn\u0026mdash;and dedicated to one of the most prominent authors in the history of Swiss literature, Robert Walser. Beyond that, this sculpture was a redefinition of sculpture itself, because what takes on a plastic form here is not made of stone, steel, or bronze. It is society itself that helped to develop this work of art. In 2016 Thomas Hirschhorn and the curator Kathleen B\u0026uuml;hler began doing field research in Biel, the city of Robert Walser\u0026rsquo;s birth, connecting with residents, clubs, artists, literati, and experts. This resulted in a multifaceted agenda. Every day the two offered events such as readings, walking tours, lectures, and children\u0026rsquo;s activities. All of this ultimately comprised the Robert Walser-Sculpture. Never before has an entire city been integrated into a temporary work of art in this way.\u003cbr \/\u003e\n\u003cbr \/\u003e\n​THOMAS HIRSCHHORN (*1957, Bern) lives in Paris. His monuments, altars, and kiosks are admired around the world and have been awarded numerous accolades. 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Halmer plays with an internal system of references that suggests a rule-based relationship between canvas painting, object, and spatial sign. In the installation \u003cem\u003eTerritory\u003c\/em\u003e, Dominik Halmer places graphic symbols on the wall that let the individual works play off one another by engaging in a dialogue addressing fundamental ideas about the nature of processes and meaning. The catalogue contains numerous installation views and a conversation with the artist.\u003c\/p\u003e\n\n\u003cp\u003eDOMINIK HALMER (*1978, Munich)\u0026nbsp;studied philosophy and art history at the Humboldt University Berlin, then Fine Arts at the Kunstakademie D\u0026uuml;sseldorf with Albert Oehlen and at the Academy of Fine Arts in Vienna with Heimo Zobernig. Halmer lives and works in Berlin.\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan data-sheets-userformat=\"{\u0026quot;2\u0026quot;:15147,\u0026quot;3\u0026quot;:{\u0026quot;1\u0026quot;:0},\u0026quot;4\u0026quot;:[null,2,16777215],\u0026quot;6\u0026quot;:{\u0026quot;1\u0026quot;:[{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:0,\u0026quot;5\u0026quot;:[null,2,0]},{\u0026quot;1\u0026quot;:0,\u0026quot;2\u0026quot;:0,\u0026quot;3\u0026quot;:3},{\u0026quot;1\u0026quot;:1,\u0026quot;2\u0026quot;:0,\u0026quot;4\u0026quot;:1}]},\u0026quot;8\u0026quot;:{\u0026quot;1\u0026quot;:[{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:0,\u0026quot;5\u0026quot;:[null,2,0]},{\u0026quot;1\u0026quot;:0,\u0026quot;2\u0026quot;:0,\u0026quot;3\u0026quot;:3},{\u0026quot;1\u0026quot;:1,\u0026quot;2\u0026quot;:0,\u0026quot;4\u0026quot;:1}]},\u0026quot;11\u0026quot;:4,\u0026quot;12\u0026quot;:0,\u0026quot;14\u0026quot;:[null,2,0],\u0026quot;15\u0026quot;:\u0026quot;Calibri\u0026quot;,\u0026quot;16\u0026quot;:11}\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Museum Wiesbaden\\n6.9.2018–13.1.2019\u0026quot;}\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 11pt; font-family: Calibri, Arial;\"\u003eEXHIBITION\u003cbr \/\u003e\nMuseum Wiesbaden\u003cbr \/\u003e\nSeptember\u0026nbsp;6,2018\u0026mdash;January\u0026nbsp;13,\u0026nbsp;2019\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189149960,"sku":"9783775746250","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746250_562a0d01-04ea-40d6-b6ac-27e872316200.jpg?v=1744057087"},{"product_id":"50256-hkan-ludwigson","title":"Håkan Ludwigson","description":"\u003cp\u003eThe Texas prison system registers 450 deaths a year. Families make no claim for 100 of them. They have been buried in the Joe Byrd Cemetery near Huntsville since the mid-nineteenth century. Inmates look after the cemetery as well as fabricate the gravestones. An \u0026ldquo;x\u0026rdquo; means that the prisoner was executed. A \u0026ldquo;999\u0026rdquo; indicates that he died while waiting on death row. The Swedish artists Lennart Grebelius and H\u0026aring;kan Ludwigson set up a final monument to these \u0026ldquo;unwanted.\u0026rdquo; Ludwigson photographed the stone crosses in a rigorously aesthetic manner against an identical black background. An accompanying table lists who the deceased were: their name, their age, their profession, their crime, the duration of their imprisonment, and their mode of death. A macabre yet immensely powerful series.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526195306760,"sku":"9783775745468","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745468_d3dcb0bc-75df-4c89-afad-7b4c7cdbdcf1.jpg?v=1744099099"},{"product_id":"51107-edi-rama","title":"Edi Rama","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-da95de80-7fff-7a9e-99b9-fbf33234f94d\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eThe oeuvre of the Albanian artist and prime minister Edi Rama is inseparable from his political career. During telephone conferences and meetings, he does drawings and watercolors on the copies of his schedule, his work notes, on minutes, faxes, and other pieces of correspondence. The art he produces in the environs of national power forms an abstract journal, a vivid recording of political life and the everyday tensions between power and art. \u003c\/span\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eWork\u003c\/span\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003e is the first publication to present the drawings, ceramic sculptures, and tapestry, which was inspired by a similar tapestry in Rama\u0026rsquo;s office in Tirana. Made up of more than seven hundred of Rama\u0026rsquo;s drawings, the tapestry runs throughout the entire book, creating an immanent connection between his works. Besides essays on Rama\u0026rsquo;s work, the book also features a conversation with the artist.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"font-size:12pt;font-family:'Times New Roman';color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;\"\u003eEdi Rama\u0026rsquo;s (*1964, Tirana) work has been shown at the 2017 Venice Biennial and the 1994 S\u0026atilde;o Paulo Biennale, the Haus der Kunst in Munich, the Centre Pompidou, Paris, and other renowned institutions. He began his political career as Albania\u0026rsquo;s cultural minister in 1998 and was elected Albania\u0026rsquo;s prime minister for the second time in 2017.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189379336,"sku":"9783775746014","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746014_03ab9211-5721-4eed-9be8-6f67d0cf0b83.jpg?v=1744058647"},{"product_id":"48984-now-is-the-time","title":"Now Is The Time","description":"\u003cp\u003eTo celebrate its 25th anniversary, the Kunstmuseum Wolfsburg is presenting its extensive collection of contemporary art in what will be the largest survey of it to date. It includes more than 600 installations, groups of works, and large individual works of art in all media, dating back to the crucial year of 1968. The spectrum of the 100 artists ranges from Franz Ackermann, Doug Aitken, and Firelei B\u0026aacute;ez, to Mithu Sen and Sam Taylor-Johnson, all the way to Jeff Wall and Thomas Zipp. This elaborate, lavishly illustrated volume gathers texts written by about 100 international authors\u0026mdash;curators, directors, gallerists, collectors, and architects\u0026mdash;on the artists in the collection. It achieves a multifaceted, overall picture of the Kunstmuseum Wolfsburg\u0026rsquo;s exquisite collection, as well as an impressive panorama of contemporary art from 1968 to the present.\u003c\/p\u003e\n\n\u003cp\u003eExhibition:\u003cbr \/\u003e\n24.3.\u0026ndash;29.9.2019, Kunstmuseum Wolfsburg\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189444872,"sku":"9783775745291","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745291_366f65f7-93b1-492d-bdb6-e13b84a297fc.jpg?v=1744122393"},{"product_id":"48399-guenter-fruhtrunk-werkverzeichnis-der-bilder-catalogue-raisonn-of-the-paintings-19521982","title":"Günter Fruhtrunk Catalogue Raisonné","description":"\u003cp\u003eWith his pictures, G\u0026uuml;nter Fruhtrunk (1923-1982) created an autonomous, uncompromising oeuvre that made him one of the outstanding representatives of German painting in the post-war era. He became famous for his vector-like, diagonal stripes: impressive paintings of parallel, diagonal bundles of stripes in yellow, orange, green, black, and white, whose geometrical, abstract vocabulary of forms he derived from constructivism.\u003c\/p\u003e\n\n\u003cp\u003eThis catalogue raisonn\u0026eacute;\u0026mdash;the result of extensive scientific research over a period of four years\u0026mdash; contains all of the paintings he produced between 1952 and 1982. Along with several essays that explore Fruhtrunk\u0026rsquo;s work and its significance, while also defining its place in art history, the catalogue raisonn\u0026eacute; contains texts by the author never published before and an extensive biography. The work is organized into two volumes according to chronology and visual motif.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nMunich, Galerie Walter Storms\u003cbr \/\u003e\n15.09.2018 - 13.10.2018\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189477640,"sku":"9783775745031","price":248.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775745031_ea93e097-82e4-42eb-ae6a-d3018c148c55.jpg?v=1744094782"},{"product_id":"54107-helmut-federle","title":"Helmut Federle","description":"\u003cp\u003e\u003cstrong\u003e\u003ci style=\"caret-color: rgb(0, 0, 0);\"\u003e\u003cspan lang=\"EN-US\"\u003e\u0026quot;In all the noisy, shallow. and superficial hustle and bustle of the artistic\u0026nbsp;\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\" style=\"caret-color: rgb(0, 0, 0);\"\u003ezeitgeist\u003ci\u003e\u0026nbsp;with its shrill rhetoric of one-upmanship, Helmut Federle\u0026rsquo;s explorations of image composition almost seem like monastic spiritual exercises \u0026ndash;in the best sense of the term. This really has become a grammar of basic pictorial possibilities, one that compels the viewer to look more closely, to scrutinise, and to be rewarded all the more for it.\u0026quot;\u0026nbsp;\u003c\/i\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003ci style=\"caret-color: rgb(0, 0, 0);\"\u003e\u0026ndash;\u0026nbsp;\u003c\/i\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003eStephan Berg (director of the\u003c\/span\u003e\u003cspan style=\"caret-color: rgb(0, 0, 0);\"\u003e\u0026nbsp;Kunstmuseum Bonn)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eH is here, in the truest sense, the alpha and omega. Helmut Federle uses the first letter of his first name as a format-filling, artistic matrix on canvases measuring between forty and fifty centimeters. Since his early days as an artist in the late 1970s, he has created seventy variations of \u003cem\u003eLiegendes H (\u003c\/em\u003eReclining H). The basic form of three lines and two squares enumerates the variations of expressions in painting. Their synopsis plays with figure and ground, forming an inventive collection of painterly techniques and the atmospheres they evoke. At the same time, the subtitles for the individual works seem to hint at the specific horizons of experience in their creation. They lend each work a poetic dimension, as one tries to imagine the artist\u0026rsquo;s world in the planes of color. Thus, each picture represents Helmut and is, in its mysterious originality, a fascinating haiku.\u003c\/p\u003e\n\n\u003cp\u003eNumerous solo exhibitions have been devoted to HELMUT FEDERLE\u0026rsquo;s (*1944, Solothurn) artwork. In 1997 he designed the Swiss Pavilion for the Venice Biennial. From 1999 to 2007 he was a professor at the Kunstakademie D\u0026uuml;sseldorf. 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Removed from their usual surroundings, every detail appears in matchless clarity, allowing for precise study. At the same time, this results in a unique visual aesthetic: the feathers glow brightly, the beating wings take on a majestic quality, and the deep black eyes of the birds seem to gaze hauntingly at the camera. The patience required to produce these pictures has paid off , since it is hard to imagine more beautiful photographs of birds.\u003cbr \/\u003e\n\u003cbr \/\u003e\nSANNA KANNISTO (*1974, H\u0026auml;meenlinna, Finland) studied photography at the Turku School of Art and Communication and the University of Art and Design in Helsinki. Her work is represented in many exhibitions and renowned collections. 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And why is the nickname \u0026ldquo;Venice of the North\u0026rdquo; claimed by several cities, from Amsterdam, Bruges, and Hamburg, to St. Petersburg and Stockholm? And where will you not find a Rome\u0026mdash;whether you\u0026rsquo;re in Constantinople, the so-called new Rome with its seven hills, or in Moscow, which is known as \u0026ldquo;the third Rome\u0026rdquo;? It becomes really interesting when cities that model themselves after cities are themselves elevated to role models, as in the case of Paris. Is the pleasure that cities take in \u0026ldquo;citing\u0026rdquo; or imitating other cities even relevant today? The architectural historian Wolfgang Pehnt takes us along on an examination of all these questions in this informative and enlightening volume. Through his vivid, succinct writing style he explores the origins, legends, and role models of cities, from Athens to Jerusalem. He teaches his readers to read cities like a book.\u003cbr \/\u003e\n\u003cbr \/\u003e\n​WOLFGANG PEHNT (*1931, Kassel), architectural historian and critic, studied German, art history, and philosophy at the universities of Marburg, Munich, and Frankfurt am Main. From 1957 to 1963 he was an editor at the Gerd Hatje publishing company in Stuttgart. From 1963 to 1995 he was an editor and department head for Deutschlandfunk. From 1995 to 2009 he taught architectural history at the Ruhr University, Bochum. 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It requires not only ecological responsibility, but also a culture of remembrance, a responsible approach to colonial history and diasporas, and a new political consciousness. The first Sharjah Architecture Triennial 2019 was dedicated to these topics. Hatje Cantz published an anthology in the year of the event, which compiles the results of the exhibition and its consequences for future architects. The second volume now takes a broader look, with the contribution of important authors and activists, at the challenges that a future worth living in will bring.\u003c\/p\u003e\n\u003cp\u003eThe SHARJAH ARCHITECTURE TRIENNIAL was founded with the aim of providing critical contributions to architectural and urban development. 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With unbelievable meticulousness, he goes to great lengths working out details and staging, until everything looks deceptively real. The resulting photographs are not simply illustrations of true-to-life imitations of reality—on the contrary! In a cryptic and sensitive manner, Kunert breaks with reality altogether. \u003c\/FONT\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US\u003eWe are pleased to be able to offer Kunert’s new humorous, droll, grotesque, thoughtful, and provocative motifs in sets of ten postcards.\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans\"\u003e\u003c?XML:NAMESPACE PREFIX = \"O\" \/\u003e\u003cO:P\u003e\u003c\/O:P\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: 14pt\"\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45643339989256,"sku":"9783775736213","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736213.jpg?v=1726096369"},{"product_id":"57314-thomas-pihl","title":"Thomas Pihl","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-e018675b-7fff-73ca-765f-d4e05dbd6630\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe history of monochrome painting goes back more than a century. Since Kazimir Malevich revolutionized the art world in 1915 with his Black Square\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003e,\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e which was based on a single-color surface, this artistic form of expression has taken many different paths without ever losing its ability to fascinate. The distinctive works of Norwegian painter Thomas Pihl join this tradition, continuing and enlarging upon it. If they tell a story at all, it is about the process of how they were made and the physical and mental spaces they are exposed to. To create his pieces, Pihl applies many layers of paint to the canvas, making it possible to visualize the traces of his work process. The resulting visual world \u0026mdash; which shows us the nature of perception through its play of light and color \u0026mdash; is now summarized for the first time in this comprehensive publication.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTHOMAS PIHL (*1964) divides his time between New York and Bergen. Over the course of his more than thirty years of artistic activity, he has worked with monochrome painting, drawing, and sculpture. Around 2000, he began working particularly on large-format studies of the interplay of natural light and color.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189838088,"sku":"9783775749206","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775749206_82256eff-ebc5-4f26-befd-aebbc6da6d9f.jpg?v=1744141292"},{"product_id":"53511-david-byrd","title":"David Byrd","description":"\u003cp\u003eIt is a poignant look into the psychological depths of the human mind\u0026mdash;its possibilities and fragility. This is the impressive and sensitive legacy of the painter David Byrd. The artist joined the army during World War II and later worked as an orderly in the psychiatric ward of a Veterans hospital in Upstate New York. From 1958 to 1988, Byrd\u0026rsquo;s keen observation of this world, filled with the crowded histories of its troubled patients, was recorded in the artist\u0026rsquo;s sketches. This publication is a replica of the deeply personal, creative, and revelatory journal examining the human experience and its potential for pain and alienation on the fringe. Byrd\u0026rsquo;s work was not publicly exhibited until 2013, only a few months before his death\u0026mdash;an omission that seems absurd in the face of such a powerful output of artwork expressing the artist\u0026rsquo;s perspective as a veteran himself and his empathy toward those living with psychological trauma.\u003c\/p\u003e\n\n\u003cp\u003eDAVID BYRD (1926\u0026ndash;2013) was an American painter. After serving in World War II he studied at the Ozenfant School of Fine Arts. Rarely seen during his lifetime, his art was deeply shaped by his experience as an orderly working in the psychiatric ward at the Veterans Aff airs (VA) Hospital in Montrose, New York.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nAnton Kern Gallery, New York\u003cbr \/\u003e\nApril 2\u0026ndash;May 9, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189870856,"sku":"9783775747264","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747264_90804a01-7e6e-4d50-a37b-345a7a0bb7aa.jpg?v=1744054053"},{"product_id":"54572-romeo-alaeff","title":"Romeo Alaeff","description":"\u003cp\u003e\u0026ldquo;Eight years after moving from New York City to Berlin, a feeling of alienation still haunts me. I wander the streets alone at night, camera in hand, trying to find my place in my latest \u0026#39;home.\u0026rsquo;\u0026rdquo; What does \u0026quot;home\u0026quot; mean when one is a stranger living in another country? Artist Romeo Alaeff explores this question in \u003cem\u003eIn der Fremde: Pictures from Home,\u003c\/em\u003e a haunting, cinematic, and evocative survey of Berlin as seen through the lens of an eternal outsider. Framed by Alaeff\u0026rsquo;s complex familial background, spanning from Yemen to the former USSR, Poland, Israel, and the United States, the photographs are tinged with a deep sense of longing and touch on themes of migration, belonging, and the search for home. Inspiring essays by Yuval Noah Harari, Christian Rattemeyer, Charles Simic, Eva Hoffman, Rory MacLean, Joseph Kertes, and Romeo Alaeff illuminate a wide horizon of perspectives.\u003c\/p\u003e\n\u003cp\u003eROMEO ALAEFF (*1970, Brooklyn) lives in Berlin. Originally studying biomedical engineering, he received a BA in photography from Tulane University and an MFA from the Rhode Island School of Design. His works, which often deal with epistemological, psychological, or sociological issues, are exhibited worldwide.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189969160,"sku":"9783775748209","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748209_ac6401c6-43b7-401d-a273-dde014665175.jpg?v=1744131791"},{"product_id":"53107-lonnie-van-brummelen-and-siebren-de-haan","title":"Lonnie van Brummelen and Siebren de Haan","description":"\u003cp\u003eIn\u0026nbsp;\u003cem\u003eDrifting Studio Practice\u003c\/em\u003e, artists Lonnie van Brummelen and Siebren de Haan discuss their participatory documentaries\u0026nbsp;\u003cem\u003eEpisode of the Sea\u003c\/em\u003e\u0026nbsp;(2014) and\u0026nbsp;\u003cem\u003eStones Have Laws\u003c\/em\u003e\u0026nbsp;(2018), which they made with in collaboration with the Dutch fishing community of Urk and with the Saamaka and Okanisi maroons of Suriname, a former Dutch colony in Amazonia. The artists outline how they experimented with collective script writing and performative storytelling, including both human and other-than-human actors. Starting from their earlier artwork\u0026nbsp;\u003cem\u003eMonument of Sugar\u003c\/em\u003e\u0026nbsp;(2007), the account develops into a practice driven exploration of co-authorship and (non)human rights as strategies to cope with the plantationocene.\u003c\/p\u003e\n\u003cp\u003eVan Brummelen \u0026 De Haan collaborate since 2002, producing film installations, sculptures and collages that explore cultural and geopolitical landscapes such as Europe’s borders, sites of resource production and global trade, and sites of cultural heritage. Their artworks have been shown in international art exhibitions and are in the public collections.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190067464,"sku":"9783775747059","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747059_41e3aed8-3abe-42f4-bc46-0c7f0ddf110f.jpg?v=1744111289"},{"product_id":"56680-brigitte-waldach","title":"Brigitte Waldach","description":"\u003cp\u003eIn picturesque text clouds, spatial drawings, and sound installations, Brigitte Waldach explores surprising connections from our cultural and contemporary history. In her impressive drawings she deals with Germany\u0026rsquo;s past, but also with literature, music, emotion, and violence. She succeeds in creating haunting constellations and illuminating fields of context that challenge our senses and our thinking. In 2020 she was awarded the Marta Prize from the Wemh\u0026ouml;ner Foundation, which, for the first time, is combined with a solo exhibition at the Museum Marta Herford and a catalogue. This catalogue not only brings together the works shown in the exhibition, but also supplements them with other key works. In this way, themes and motifs are contextualized and space is provided for the development of complex trains of thought and reference systems in Brigitte Waldach\u0026rsquo;s \u003cspan\u003e\u0026OElig;uvre\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003eBRIGITTE WALDACH (*1966, Berlin) studied art education, art science, and German language and literature, before completing her studies in fine arts at the Berlin University of the Arts as a graduate student under Georg Baselitz. Her large-format drawings and multimedia installations are in exhibitions and collections around the world.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190296840,"sku":"9783775748520","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748520_d63c6f8d-fed8-437e-8b1f-a9e541675c6d.jpg?v=1744050469"},{"product_id":"53983-peter-weibel","title":"Peter Weibel","description":"\u003cp\u003ePeter Weibel, the long-standing CEO of the ZKM | Zentrum f\u0026uuml;r Kunst und Medien (Center for Art and Media) in Karlsruhe, and the recipient of the Lovis-Corinth-Preis in 2020, has influenced the international scene of media art as an artist as well as a theorist and curator. His artistic oeuvre comprises conceptual art, performance, experimental film, video, and computer art as well as his exploration of music.\u003cbr \/\u003e\nThis publication offers insight into Weibel\u0026rsquo;s diverse work. One main area consists of works in which the artist takes up core questions about Europe.\u0026nbsp; In other works critical of the system, which always question the usual concept of art as well, Weibel addresses migration, expulsion, war, and terrorism as well as economic and ecological catastrophes.\u003c\/p\u003e\n\u003cp\u003eThe LOVIS-CORINTH-PREIS was first awarded by the KünstlerGilde e. V. in the Kunstforum Ostdeutsche Galerie Regensburg in 1974.Under the conditions of the nascent age of media, since the 1960s PETER WEIBEL (*1944, Odessa) has created an oeuvre that dares to conceive artistic creativity as an open field of action. He is head of the ZKM, Karlsruhe until 2023. Since 2017 he has been director of the Peter Weibel Research Institute for Digital Culture at the Universität für angewandte Kunst in Vienna.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755190362376,"sku":"9783775747936","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747936_bebaccd7-203b-4f5d-bd26-e563746d021a.jpg?v=1744126114"},{"product_id":"59229-nicholas-nixon","title":"Nicholas Nixon","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-58307f6f-7fff-2285-642d-0266f2aaf8aa\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eAmerican photographer Nicholas Nixon is known for his large-format black-and-white photographs, in which he creates a special connection with the viewers by sharing intimate moments in life. For his most iconic series, \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe Brown Sisters\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, he followed four sisters over 46 years. His practice, however, encompasses a much broader spectrum, such as the simple life in the southern states of the US or landscape portraits of the rough industrial areas around Detroit. Beginning with the aspect of intimacy, this monograph provides the first overview of Nixon\u0026rsquo;s oeuvre. It is a journey through the artist\u0026rsquo;s life and work \u0026ndash; at once distant and at times intimate and close \u0026ndash; and also features new, previously unpublished photographs.\u0026nbsp;\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNICHOLAS NIXON (*1947) works with portrait and documentary photography. He studied art at the University of Michigan and the University of New Mexico. 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Often perceived as a monotonous stopover for people on their way to a destination, Tewes brings the highway into our conscious perception and shows it as an architectural building form in its own right. This monograph is the result of a six-year project and is published in parallel with the exhibition at the Deutsches Museum in Munich.\u003c\/p\u003e\n\u003cp\u003eMICHAEL TEWES is a photographer and artist. He studied in Dortmund, Potsdam, and Chicago. In addition to artistic projects, he works as a photographer for well-known brands. 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The catalogue accompanying the major exhibition at the V\u0026ouml;lklinger H\u0026uuml;tte World Cultural Heritage Site is devoted to the history and present of music videos. In the numerous text contributions, musical, artistic, and filmic quality are illuminated as well as current topics: AI, climate change, political, psychological, and physical violence, and gender issues of all kinds. The examples span from early forms of short music film to Queen\u0026rsquo;s Bohemian Rhapsody from 1975 to empowerment scenes of the 2020s by Lady Gaga, Beyonc\u0026eacute; or The Carters. The result is a global panorama of the genre and the art form of the music video that has never been realized in this form before.\u0026nbsp;\u003c\/p\u003e\n\n\u003cdiv\u003e\n\u003cp\u003eThe book brings together around 90 music videos from more than 30 countries. Among the musicians, artists, and directors involved are: Jonas \u0026Acirc;kerlund, Laurie Anderson, Roger Ballen, Joseph Beuys, David Bowie, Bj\u0026ouml;rk, Childish Gambino, Chris Cunningham, Daft Punk, Billie Eilish, Romain Gavras, Michel Gondry, Spike Jonze, Leningrad, Little Big, Massive Attack, Nuka, Pussy Riot, Yoko Ono, Rammstein, Stromae, Vaundy, Andy Warhol, Yello, Zoot Woman, and many more.\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977094066440,"sku":"9783775751827","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751827_904d473e-92d1-4fbb-a632-88f0db3fc289.jpg?v=1744141074"},{"product_id":"58457-anna-kazianka-falk-lennart-kremzow","title":"Anna Kazianka, Falk Lennart Kremzow","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-670e0a5f-7fff-9af0-c60b-673cbefa0c39\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThis photo series captures moments of periphery in Croatian Istria with 26 bus stops. Documentary and conceptual, the photographic cartography approaches the different perceptions of the places. Ed Ruscha\u0026rsquo;s methodology, and in particular his photographic series \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eTwentysix Gasoline Stations\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, serve as an inspiration to examine the stops and their identity in the urban fabric. With this photographic concept as well as the texts, the observations are presented analytically and at the same time unfold a greater poetic meaning. How does it feel to live in the environs of urban reality? The book transmits the fascination for simple building methods, locations as well as the aesthetics of decay.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\u0026nbsp;\u003c\/div\u003e\n\u003cp\u003eRotterdam and Vienna-based photographers and urbanists ANNA KAZIANKA (*1994) and FALK LENNART KREMZOW (*1989) explore the intersections between photography, architecture, and applied urbanism. Using conceptual and documentary methodology, the artist duo focuses on mobile society as well as urban and rural spaces with socially critical perspectives.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811846365448,"sku":"9783775751360","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751360_ea61775a-c9ad-458d-9550-13ebea181010.jpg?v=1744042054"},{"product_id":"58069-rene-green","title":"Renée Green","description":"\u003cp\u003eSince the late 1980s, Ren\u0026eacute;e Green\u0026rsquo;s practice has imagined and expanded the ways in which art can give form to underwritten histories, collective memory, and circuits of cultural exchange. Her writing, installations, films, digital media, and sound works continue to trace and interrogate the power of cultural institutions and their relationships with language, knowledge, and constitutions of selfhood, while at the same time indicating other ways of being and becoming.\u003c\/p\u003e\n\n\u003cp\u003eThis artist\u0026rsquo;s catalogue extensively illustrates Green\u0026rsquo;s previously undocumented early work alongside recent installations, personal ephemera and excerpts from fiction selected by the artist. Essays by a new constellation of writers relate Green\u0026rsquo;s work to legacies of migration and displacement, language and access, as well as alternative approaches to reading and being read.\u003c\/p\u003e\n\u003cp\u003eRENÉE GREEN (*1959) is an artist, writer, and filmmaker known for her highly layered and formally complex multimedia installations in which ideas, perception, and experience are examined from myriad perspectives. Green’s exhibitions, videos and films have been seen throughout the world in museums, festivals, and art institutions, highlighting her unique approach to natural sciences, history, and aesthetics. She is a Professor at the Art, Culture, and Technology program at MIT.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191148808,"sku":"9783775750615","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750615_4b9ba22f-603f-4223-a7b5-d1b9b976bf8a.jpg?v=1744129342"},{"product_id":"57625-michael-wesely","title":"Michael Wesely","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-3194066e-7fff-a4a5-b3bf-caa9a3f9b4b6\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThere is more to numbers than sums; they can also conceal histories, too. In this case, world-famous architectural history. For five years the renowned Neue Nationalgalerie (New National Gallery), designed by Ludwig Mies van der Rohe, was closed to the public for renovation. Nevertheless, the photographer Michael Wesely was able to accommodate \u0026ldquo;four guests\u0026rdquo; inside the iconic building: four cameras, each one pointing in a different direction, were installed on the ceiling. Every day they took between 360 and 730 pictures with an exposure time of 90 seconds each. Edited into bewitching montages, this fascinating synopsis allows readers to envision the building\u0026rsquo;s metamorphosis as it was undergoing renovations. The long exposure time is an aesthetic coup, for ephemeral, restless, rapid movements contrast with the still, timeless quality of the architecture, presenting a sophisticated interplay of identity and change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe photographer MICHAEL WESELY (*1963) is a celebrated master of the long exposure. His precise approach to this photographic technique, tailored to each object, brought him world renown. His unique aesthetic can be found in numerous exhibitions and collections around the globe. He lives in Berlin.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191214344,"sku":"9783775750332","price":64.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750332_41650fa0-4dd6-45ec-b4bb-3dc57b61c1b0.jpg?v=1744118415"},{"product_id":"59207-dayanita-singh","title":"Dayanita Singh","description":"\u003cp dir=\"ltr\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003eThe internationally acclaimed artist Dayanita Singh often describes herself as a \u0026ldquo;book artist.\u0026rdquo; Singh was closely involved in the making of this exhibition catalogue, which accompanies the major touring retrospective of Singh\u0026rsquo;s work, curated by Stephanie Rosenthal for the Gropius-Bau. The most comprehensive publication to date about Singh\u0026rsquo;s art, it includes a series of scholarly long-form and short-form essays, full-color reproductions, and installation images. The texts situate Singh\u0026rsquo;s work in relation to topics such as Indian classical music, traditions of the photographic, imaginations of the archive, choreography and economies of reproduction. Presenting every important phase in the artist\u0026rsquo;s oeuvre, it also enters Singh\u0026rsquo;s archive to include never-before-seen early works from the 1980s, a new series of montages and the works \u003cem\u003eLet\u0026rsquo;s see, Museum of Chance, Museum of Shedding, I am as I am, Go Away Closer\u003c\/em\u003e and \u003cem\u003eBox 507\u003c\/em\u003e, among others.\u003c\/p\u003e\n\u003cp\u003eDAYANITA SINGH (*1961) is one of the most important contemporary artists. Solo exhibitions include: MMK, Frankfurt; Hayward Gallery, London; Hamburger Bahnhof, Berlin; and Art Institute of Chicago. In 2013, Singh contributed to the German Pavilion at the 55th Venice Biennale.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191279880,"sku":"9783775751759","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751759_11c7a13f-2d2d-4de8-8990-8addcecc481a.jpg?v=1744054216"},{"product_id":"59248-kinetismus","title":"Kinetismus","description":"\u003cp dir=\"ltr\" style=\"line-height:1.295;margin-top:0pt;margin-bottom:8pt;\"\u003eEver since electricity became ubiquitous artists have been fascinated by the manifold possibilities to create works with it. The catalogue \u003cem\u003eKinetismus: 100 Years of Electricity in Art\u003c\/em\u003e, which accompanies the opening exhibition of Kunsthalle Praha, explores how electricity has transformed artistic practice from 1920 to the present day, including cinematography, sound, kinetic and mechanical sculptures, computer-based art and immersive installations. A historical perspective emphasizes the fact that electricity, with its various usages\u0026mdash;from artificial light to computing\u0026mdash;has become a defining element of our societies.\u003c\/p\u003e\n\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eKinetismus: 100 Years of Electricity in\u003c\/em\u003e Art includes an essay by Peter Weibel, the author of the exhibition concept, four thematic chapters written by the co-curator L\u0026iacute;via Nolasco-R\u0026oacute;zs\u0026aacute;s as well as descriptions and reproductions of key artworks by artists, such as Mary Ellen Bute, William Kentridge, Christina Kubish, Zdeněk Pe\u0026scaron;\u0026aacute;nek, Anna Ridler, Nicolas Sch\u0026ouml;ffer, Jeffrey Shaw, Takis, Steina, and Woody Vasulka.\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191476488,"sku":"9783775751971","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751971_f4c84cf0-1de8-4c1c-9995-56143ddeee51.jpg?v=1744106661"},{"product_id":"17110-zeitgenoessische-skulptur","title":"Zeitgenössische Skulptur","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan style=\"FONT-FAMILY: TheSans\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003eOver the past twenty years, since theory has begun scrutinizing the concept of sculpture itself, the genre has been experiencing a new renaissance as an artistic form of expression. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eThe collection brings together a variety of texts exploring what it means for artists to make and think about sculpture today. Including poetic statements, manifestos, letters, playscripts and a significant number of interviews, it allows artists to describe in their own words the fascinating terrain of contemporary sculpture, in all of its diverse practices and processes, and its multiple materials and meanings\u003cspan style=\"FONT-FAMILY: TheSans\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-bidi-font-size: 11.0pt; mso-ansi-language: EN-US\"\u003e. \u003c\/span\u003e(English\u0026nbsp;edition ISBN 978-3-7757-3347-2)\u003c!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan style=\"FONT-FAMILY: TheSans\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan style=\"FONT-FAMILY: TheSans\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan style=\"FONT-FAMILY: TheSans\"\u003eTHE ARTISTS PRESENTED\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr \/\u003e\nEdward Allington, Francis Al\u0026yuml;s, Phyllida Barlow, John Bock, Tony Cragg, Matthew Crawley, Krysten Cunningham, Jan De Cock, Richard Deacon, Michael Dean, Mark Dion, Elmgreen \u0026amp; Dragset, Chris Evans, Katharina Fritsch, Ryan Gander, Francesco Gennari, Katharina Grosse, Asta Gr\u0026ouml;ting, Ilya Kabakov, Oliver Laric, Mark Leckey, Hew Locke, Sarah Lucas, Paul McCarthy, Paul McDevitt, Bruce McLean, Nathaniel Mellors, Jonathan Monk, Ron Mueck, Juan Mu\u0026ntilde;oz, Mike Nelson, Tatzu Nishi, Patricia Piccinini, Falke Pisano, Bettina Pousttchi, Marc Quinn, Eva Rothschild, Gregor Schneider, Thomas Sch\u0026uuml;tte, Richard Serra, Roman Signer, Lucy Skaer, Florian Slotawa, Bob and Roberta Smith, Kiki Smith, Sarah Sze, Didier Vermeiren, Cathy Wilkes, Keith Wilson, Erwin Wurm\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"FONT-FAMILY: TheSans\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755191738632,"sku":"9783775733465","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775733465_5995dacc-6a3a-4c65-8ead-4564556e8bee.jpg?v=1744150492"},{"product_id":"17366-paul-mccarthy","title":"Paul McCarthy","description":"\u003cSPAN lang=EN-US style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\n\u003cP class=MsoPlainText style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT face=Calibri\u003eThe new artist’s book by Paul McCarthy (* 1945 in Salt Lake City) presents one of the artist's most significant works:\u003cEM\u003e The Box\u003c\/EM\u003e (1999). The work is a displaced sculpture of McCarthy’s entire studio. Inconspicuous from the outside, a fabricated wooden structure like a shipping crate with four holes indicating the windows and doors in McCarthy's actual studio, the inside reveals an overwhelming diversity of objects thereby creating an intimate portrait of the artist’s mindscape. The contents of \u003cEM\u003eThe Box\u003c\/EM\u003e are the actual items from McCarthy's studio in Los Angeles, California, containing approximately three thousand objects, from a steel cabinet to a pencil, drawings and artworks. Only one thing is amiss, the box is tipped ninety degrees on its side, its contents, fixed to their surfaces, appear to defy gravity and taunt the viewer's perception of right-side-up. This radical displacement is repeated in the design of the catalog, thereby creating an object that functions as yet another haptic inversion. The aesthetic of disorientation is reflected in the volume, which was developed in close consultation with the artist.\u003c\/FONT\u003e\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/P\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874816160008,"sku":"9783775736145","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775736145_43fcde8a-4c8a-41ba-b967-99cc47f6d94b.jpg?v=1744124616"},{"product_id":"17763-stefan-hanke","title":"Stefan Hanke","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003eFor Stefan Hanke (*1961 in Regensburg), each new day harbored the danger of being able to meet one less person who had survived one of the greatest disasters in the history of humankind to occur in Europe. For his project, the photographer has been traveling thousands of kilometers in order to meet the last survivors of National Socialist concentration camps. Photographs were created during these intense encounters that relate stories and give us an understanding of history in a highly insightful way. Hanke met with the Polish writer Zofia Posmysz the morning after she received The Order of Merit of the Federal Republic of Germany in a barrack at the former women\u0026rsquo;s concentration camp in Auschwitz-Birkenau. And he took pictures of the Praguer Pavel Str\u0026aacute;nsk\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US; mso-bidi-font-family: 'Times New Roman'\"\u003e\u0026yacute;\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003e in the Nuremberg Palace of Justice, where the leading representatives of the Nazi regime stood trial between 1945 and 1949. Hanke\u0026rsquo;s photographs do not have documentary character but are instead interpretations of these gripping encounters.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; mso-layout-grid-align: none\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: 'TheSansOsF Plain','sans-serif'; mso-ansi-language: EN-US\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; mso-layout-grid-align: none\"\u003eExhibitions: Dokumentationszentrum Reichsparteitagsgel\u0026auml;nde N\u0026uuml;rnberg, July 15\u0026ndash;December 31, 2016 | Gedenkst\u0026auml;tte Theresienstadt, Tschechien, April 5\u0026ndash;July 7, 2016 |\u0026nbsp; Tschechisches Kulturministerium in Prag, January 26\u0026ndash;March 3, 2017 | Kunst-und Gewerbeverein e.V. Regensburg, March 25\u0026ndash;April 30, 2017 | Gedenkst\u0026auml;tte Auschwitz \/ Birkenau, Polen, June 14\u0026ndash;September 12, 2017 | Milit\u0026auml;rhistorisches Museum der Bundeswehr in Dresden, June 17\u0026ndash;October 26, 2021\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874817405192,"sku":"9783775740203","price":39.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775740203_d71de309-7e71-48c3-8a82-5068956fc7d5.jpg?v=1744136576"}],"url":"https:\/\/www.hatjecantz.de\/en\/collections\/reihe.oembed?page=41","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}