{"title":"Modern","description":"","products":[{"product_id":"15732-beyeler-collection","title":"Beyeler Collection","description":"\u003cSPAN lang=EN-US\u003e\n\u003cP class=MsoBodyText style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003eSince its inauguration in October 1997, the Fondation Beyeler in Riehen, near Basel, has become one of the world’s top destinations for modern art, a result of the combination of a unique collection, fascinating architecture, and a variety of world-class exhibitions. The reputation of Hildy and Ernst Beyeler’s collection, which features milestones of twentieth-century art as well as tribal works from Africa, Alaska, and Oceania, has been steadily growing ever since due to new acquisitions of important works.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans-Plain; mso-bidi-font-size: 10.0pt\"\u003eOn the tenth anniversary of the Fondation Beyeler, this complete, up-to-date catalogue takes stock of the museum’s collection, which today contains more than two hundred paintings and sculptures. In addition to some of Ernst Beyeler’s own comments, this publication offers a thorough overview of twentieth-century art, including a valuable, personal insight into the life and work of a collector, museum founder, and patron, who to this day remains passionately involved in art. (German edition ISBN 978-3-7757-1945-2; French edition ISBN 978-3-7757-1947-6)\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US\u003e\u003cFONT face=TheSans-Plain\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526186819848,"sku":"9783775719469","price":49.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775719469_7199a61e-0448-4ab5-942d-768a6f0b09a5.jpg?v=1744049671"},{"product_id":"16095-richard-paul-lohse-drucke","title":"Richard Paul Lohse. Prints","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-bidi-font-family: Arial\"\u003eRichard Paul Lohse is one of the founders of systematic-constructive art in the twentieth century. This second volume of the catalogue raisonn\u0026eacute; is devoted to his works on paper: 172 original prints and multiples, created between 1940 and 1987. This book is not only an indespensable standard reference for all scholars, art dealers, and collectors, it also provides detailed accounts of Lohse\u0026rsquo;s collaboration with publishers, printers, and fellow artists. The chapters shed light on personalities, institutions, and events that were to have a lasting impact on the course of artistic culture in\u003c!--?xml:namespace prefix = \"st1\" \/--\u003e\u003cst1:country-region w:st=\"on\"\u003eSwitzerland\u003c\/st1:country-region\u003e and \u003cst1:place w:st=\"on\"\u003eEurope\u003c\/st1:place\u003e. The color illustrations are not confined to the complete prints, but include project-related printed matter, in most cases likewise designed by Lohse. This book also affords new insights into Lohse\u0026rsquo;s work both with and on color and the complex interrelations between prints, paintings, and drawings.\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192161032,"sku":"9783775723091","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775723091_24ccff45-7bf4-4b6d-88fb-8ffa780a2587.jpg?v=1744130444"},{"product_id":"51745-lol-soldevilla","title":"Loló Soldevilla","description":"\u003cp\u003eDolores Soldevilla Nieto was a passionate Cuban artist whose career blossomed in the 1950s. Following early professional turns, she emerged later in life as a prolific artist and fervent advocate for culture. She became Cuba\u0026rsquo;s cultural attach\u0026eacute; to Europe, embarking on a path that would dramatically alter the course of her life and the discourse surrounding Cuban abstraction at mid-century. Residing in Paris, she studied in the ateliers of prominent European\u0026nbsp;artists, and, after returning to Cuba, she played an active role as a vital link between the European avant-garde and the new voices of abstraction emerging throughout Latin America and Cuba.\u003cem\u003e Lol\u0026oacute; Soldevilla: Constructing Her Universe\u003c\/em\u003e is the first monograph devoted to her remarkable achievements, providing compelling insight into the life and work of this exceptional artist.\u003cbr \/\u003e\n\u003cbr \/\u003e\nLOL\u0026Oacute; SOLDEVILLA (1901\u0026ndash;1971) started her artistic career rather late. First working as a teacher, Soldevilla did not begin studying art until 1949, when she started at the Paris Acad\u0026eacute;mie de la Grande Chaumi\u0026egrave;re with the sculptors Leopold Kretz and Ossip Zadkine, where she also learned about Concrete Art.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755207303432,"sku":"9783775746267","price":54.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746267_46557f70-b998-4b3e-9caa-8ec187984744.jpg?v=1744111275"},{"product_id":"56489-der-blaue-reiter","title":"Gruppendynamik","description":"\u003cp\u003e\u0026ldquo;The whole work, called art, knows no borders and peoples, but humanity.\u0026rdquo; This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac \u003cem\u003eDer Blaue Reiter \u003c\/em\u003e(The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911\u0026ndash;1914) as one of the first transnational artist circles. Their credo also inspires the Lenbachhaus to consider the work of the participating artists\u0026mdash;among them Gabriele M\u0026uuml;nter, Alfred Kubin, Maria Marc and Elisabeth Epstein\u0026mdash;not only aesthetically and historically, but also in its intellectual, socio-economic, and political context, for the Blue Rider circle advocated a global, equal understanding of art, not only in words, but also through images and deeds. Caught up in the time of the colonial world order before World War I, however, even they did not succeed in implementing an emancipatory practice of art beyond national affiliation and traditional hierarchies and genres. For the Lenbachhaus\u0026rsquo; current exhibition catalogue, the idea of equal rights for all cultural production, as pursued in the almanac, is nevertheless fundamental. For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children\u0026#39;s drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety.\u003c\/p\u003e\n\u003cp\u003eThe project is funded by the German Federal Cultural Foundation as part of the Museum Global program. It will be followed in the fall of 2021 by a second exhibition, Group Dynamics— Collectives of Modernity, dedicated to groups of artists working worldwide. This catalogue is also published by Hatje Cantz.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49808345071880,"sku":"9783775748407","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748407_7993b98c-9161-40e4-9f50-eaf5004e7bda.jpg?v=1744054288"},{"product_id":"43155-marlow-moss","title":"Marlow Moss","description":"\u003cp\u003eThe British artist Marlow Moss (1889\u0026ndash;1958) is one of the few early female Constructivists who inspired the great modernist masters. For instance, the so-called double line was one of her most important inventions, which she began employing in her paintings in 1930. It is one of the elements that both Piet Mondrian and Jean Gorin picked up on for their own neo-sculptural compositions. Even though they do not openly refer to her, their works are still closely related to Moss and they share her original, new ideas about art and composition. Unlike her contemporaries, Moss did not limit herself to painting. She applied her linear structures and mathematical principles to reliefs and sculptures as well. These aspects of her work, along with her unusual life, are discussed in detail in this exhibition catalogue.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: The Museum Haus Konstruktiv, Zurich 9.2.\u0026ndash;7.5.2017\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874879467784,"sku":"9783775743006","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743006_55cd1aa9-b912-4eff-bf44-8a177012f162.jpg?v=1744115399"},{"product_id":"51862-edward-hopper-az","title":"Edward Hopper","description":"\u003cp\u003eThat incomparable melancholy in Edward Hopper\u0026rsquo;s pictures occasionally leads us to look at the details of his life. Where exactly did this master of loneliness live and work? What were his most important influences while he was working on his great paintings of America? In this wonderful, simply structured, A-to-Z book, Ulf K\u0026uuml;ster pursues these themes, which say a great deal about the painter and his interests, and yet he never loses sight of the artist and the necessary distance to his inimitable pictures.\u003cbr \/\u003e\nThus, K\u0026uuml;ster strolls through the ABCs of Hopper\u0026rsquo;s life and work, from the \u0026ldquo;American landscape,\u0026rdquo; \u0026ldquo;Buick\u0026rdquo; \u0026ldquo;Goethe,\u0026rdquo; and \u0026ldquo;shadow and sunlight\u0026rdquo; to the key word, \u0026ldquo;zero.\u0026rdquo; On the way he opens up many new doors or insights, enriching the views of Hopper\u0026rsquo;s paintings and making it possible to interpret them in new ways. An entertaining and informative book.\u003c\/p\u003e\n\n\u003cp\u003eEDWARD HOPPER (1882\u0026ndash;1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work\u0026nbsp;continues to be influential to this very day.\u003c\/p\u003e\n\n\u003cp\u003eThe art theoretician and curator ULF K\u0026Uuml;STER (*1966, Stuttgart) has worked at the Fondation Beyeler in Riehen since 2004. He produces many internationally respected exhibitions and publications. Hatje Cantz has published a number of these, including his essay on Louise Bourgeois in the series \u003cem\u003eReading Art.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nFondation Beyeler, Riehen\/Basel\u003cbr \/\u003e\nJanuary 26\u0026ndash;September 20, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977098883336,"sku":"9783775746489","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746489_7fe913a3-20d2-4c2b-ae9f-6c9fb62c233b.jpg?v=1744058905"},{"product_id":"45021-seitenspruenge-impressionismus-ohne-sockel","title":"Seitensprünge – Impressionismus ohne Sockel","description":"\u003cp\u003eWhat is the reason for Impressionist works of art attaining such extraordinary value today? Is it out of pure reverence that any sense of the remarkable triviality of their motifs hardly exists any longer in these times? In the spring of 2018 the Museum Langmatt will present a thematic exhibition featuring outstanding works of Impressionism contrasted with surprising partners. French Impressionists and everyday objects from the museum\u0026rsquo;s cellar form unusual pairs here: Paul C\u0026eacute;zanne\u0026rsquo;s \u003cem\u003eCh\u0026acirc;teau Noir\u003c\/em\u003e meets historical wine racks, \u003cem\u003eThe Boat\u003c\/em\u003e by Pierre-Auguste Renoir is juxtaposed with old, boxed-up chandeliers, Alfred Sisley\u0026rsquo;s \u003cem\u003eThe Church of Moret\u003c\/em\u003e faces an old iron railing. The companion book presents a look at the spatial correspondences between the exponents, and plumbs the depths of the theme with texts by experts from the art world.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: 4.3.\u0026ndash;13.5.2018,\u0026nbsp; Museum Langmatt, Baden\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755232403720,"sku":"9783775744218","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744218_9a6539ef-fcec-4cb9-b894-01b0dab486a5.jpg?v=1744134949"},{"product_id":"51410-august-deusser","title":"August Deusser","description":"\u003cp\u003eThe painter, collector, and arts advocate August Deusser helped to blaze the trail for nascent Modernism in the Rhineland. Becoming known on the French avant-garde art scene early on, he began advocating for the renewal of painting in early twentieth-century Germany, as the founder of secessionist art associations. He and Julius Bretz, Max Clarenbach, Walter Ophey, and Wilhelm Schmurr founded the \u003cem\u003eSonderbund\u003c\/em\u003e (\u0026ldquo;special alliance\u0026rdquo;) in D\u0026uuml;sseldorf, whose exhibitions created a furor. As a painter, he had a fondness for motifs of horses or riders; later, he turned to realistically oriented landscapes and portrait painting. The catalogue shows August Deusser\u0026rsquo;s development as an artist, with a focus on the years 1908 to 1912, which were of particular importance to the painter and arts advocate. Besides essays, the volume also contains reproductions of works by the co-founders of the \u003cem\u003eSonderbund\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eAfter apprenticing as a decorative painter, August Deusser (1870\u0026ndash;1942) studied at the D\u0026uuml;sseldorf Kunstakademie, where he also held a special professorship from 1917\u0026ndash;24. 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With his impressive subjects, independent pictorial vocabulary, and virtuoso play of colors, Hopper continues to influence to this day the image of the United States in the first half of the twentieth century. He began his career as an illustrator and became famous around the globe for his oil paintings. They testify to his great interest in the effects of color and his mastery in depicting light and shadow. The Fondation Beyeler is devoting its large exhibition in the spring of 2020 to Hopper\u0026rsquo;s iconic images of the vast American landscape. The catalogue gathers together all of the paintings, watercolors, and drawings from the 1910s to the 1960s on display in the exhibition, and supplements them with essays focused on the subject of depicting landscape.\u003c\/p\u003e\n\n\u003cp\u003eEDWARD HOPPER (1882\u0026ndash;1967) is the master of American Realism. His paintings captured life during his era. 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The house and garden take visitors back to the turn of the previous century, when Jenny and Sidney W. Brown set up house here. As collectors, the couple was well-informed and well-connected, and they assembled noteworthy, mainly Impressionist works of art, mainly on their trips to Paris. The Browns acquired paintings by Renoir, Monet, Gauguin, C\u0026eacute;zanne, and Degas\u0026mdash;numerous small works that were displayed in the rooms. The Museum Langmatt, which opened in 1990, is founded upon this unique core collection. The Browns\u0026nbsp;living area became an influential exhibition space for contemporary art. This carefully designed, illustrated volume has been compiled to celebrate the museum\u0026rsquo;s thirtieth anniversary. It provides a look at the magical art collection, its special history, and a glimpse behind the scenes, as well. Accompanied by essays by the museum\u0026rsquo;s director, Markus Stegmann, as well as by eye witnesses, experts, and artists, the publication affords an atmospheric view of this unusual institution.\u003c\/p\u003e\n\n\u003cp\u003eThe MUSEUM LANGMATT collection was significantly founded by Sidney and Jenny Brown between 1900 and 1933. The heart of the collection consists of around 50 outstanding French impressionist. 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The museum collection will be supplemented by Impressionist highlights from the Kojiro Matsukata Collection (1865\u0026ndash;1950), which laid the foundation for the National Museum of Western Art in Tokyo. This is the first time this collection will be presented comprehensively outside Japan since the 1950s. The catalogue features a unique compilation of about 120 works and introduces two important collectors. Transnational collection history is combined with modern masterpieces.\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eFeaturing paintings, drawings, and sculptures by Paul C\u0026eacute;zanne, Paul Gauguin, \u0026Eacute;douard Manet, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Auguste Rodin, among others, as well as a new installation by Tabaimo and Chiharu Shiota and a selection of East Asian works from the former holdings of Matsukata and Osthaus. Accompanied by a short story by Japanese bestselling author Sayaka Murata.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45267352060168,"sku":"9783775751278","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751278_c8c5850c-4c8c-412b-8eff-a686b9e5c6e3.jpg?v=1744129316"},{"product_id":"58893-renoir","title":"Renoir","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-993db297-7fff-85d7-e895-a9fdd8e6acb5\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eLike hardly any other artist, Pierre-Auguste Renoir has shaped our understanding of the atmospheric figure paintings of Impressionism. His painting \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eAfter the Luncheon\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, which has been in the St\u0026auml;del Museum in Frankfurt since 1910, is now the starting point for a far-reaching examination of an important source of inspiration that accompanied him throughout his life: the Rococo. Considered frivolous and immoral after the French Revolution, this style of painting experienced a renaissance in the 19th century and was widely celebrated during Renoir\u0026rsquo;s lifetime. Published on the occasion of the St\u0026auml;del Museum\u0026rsquo;s major exhibition, this comprehensive volume explores Renoir\u0026rsquo;s multifaceted connection to tradition through illuminating juxtapositions of his art with 18th-century works and contemporaries. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs a trained porcelain painter, PIERRE-AUGUSTE RENOIR (1841–1919) was well acquainted with the motif world of the 18th century. His depictions of intimate domestic scenes and outdoor social gatherings are reminiscent of the pictorial language of the preceding era, such as Jean-Antoine Watteau’s Fêtes galantes.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977102094600,"sku":"9783775751339","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751339_68c8ee56-dc3b-4aa8-ad70-f1790e6a581d.jpg?v=1744129282"},{"product_id":"52454-edward-hopper-a-to-z","title":"Edward Hopper","description":"\u003cp\u003eThat incomparable melancholy in Edward Hopper\u0026rsquo;s pictures occasionally leads us to look at the details of his life. Where exactly did this master of loneliness live and work? What were his most important influences while he was working on his great paintings of America? In this wonderful, simply structured, A-to-Z book, Ulf K\u0026uuml;ster pursues these themes, which say a great deal about the painter and his interests, and yet he never loses sight of the artist and the necessary distance to his inimitable pictures.\u003cbr \/\u003e\nThus, K\u0026uuml;ster strolls through the ABCs of Hopper\u0026rsquo;s life and work, from the \u0026ldquo;American landscape,\u0026rdquo; \u0026ldquo;Buick\u0026rdquo; \u0026ldquo;Goethe,\u0026rdquo; and \u0026ldquo;shadow and sunlight\u0026rdquo; to the key word, \u0026ldquo;zero.\u0026rdquo; On the way he opens up many new doors or insights, enriching the views of Hopper\u0026rsquo;s paintings and making it possible to interpret them in new ways. An entertaining and informative book.\u003c\/p\u003e\n\n\u003cp\u003eEDWARD HOPPER (1882\u0026ndash;1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work\u0026nbsp;continues to be influential to this very day.\u003c\/p\u003e\n\n\u003cp\u003eThe art theoretician and curator ULF K\u0026Uuml;STER (*1966, Stuttgart) has worked at the Fondation Beyeler in Riehen since 2004. He produces many internationally respected exhibitions and publications. Hatje Cantz has published a number of these, including his essay on Louise Bourgeois in the series \u003cem\u003eReading Art.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nFondation Beyeler, Riehen\/Basel\u003cbr \/\u003e\nJanuary 26\u0026ndash;September 20, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526274670856,"sku":"9783775746564","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746564_6c05ada0-4fc0-44bf-811b-416b73fab467.jpg?v=1744058896"},{"product_id":"54440-the-picasso-connection","title":"The Picasso Connection","description":"\u003cp\u003eWithout a doubt, Picasso is one of the most important and versatile artistic personalities of the twentieth century. But how does a body of work become so successful, and how does it wind up in major collections, museums, and exhibitions? Not infrequently, it is the courage of individuals who recognize genius in the works and advocate for them in the face of conservatism and criticism. In Picasso\u0026rsquo;s case, this role in Germany fell to the Bremen art dealer Michael Hertz. It was his commitment in the post-war period that resulted not only in the museumization of the artist after the Second World War, but that also greatly benefited Kunsthalle Bremen, which has one of the most extensive collections of the artist\u0026rsquo;s prints. This volume brings together the outstanding printworks, including lithographs, linocuts, and book illustrations. Picasso\u0026rsquo;s oeuvre of prints can be regarded as a fascinating collection, in which can be read the triumph of the affordable medium in post-war Germany, as well as the dealer\u0026rsquo;s strong commitment.\u003c\/p\u003e\n\u003cp\u003ePABLO PICASSO (1881–1973) is regarded as the epitome of the twentieth-century artist. In addition to his paintings and sculptures, his graphic works also enjoy special fame.MICHAEL HERTZ (1912–1987) made a name for himself in the post-war period as an art dealer. Through his contacts to the French art scene, he encountered the work of Picasso and became the exclusive representative for his printworks in Germany.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755236860168,"sku":"9783775748056","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748056_020e2d80-0951-40f4-b0ed-2c94ebe66cd4.jpg?v=1744140899"},{"product_id":"59351-frida-kahlo","title":"Frida Kahlo","description":"\u003cp\u003eToday, Frida Kahlo is a global icon of the emancipated woman artist, celebrated for her political and social views, her extravagant personal style, and above all her breathtaking works of art. Her marriage to Diego Rivera in 1929, her exhibitions in Paris, and her friendship with Andr\u0026eacute; Breton \u0026ndash; captured by the most famous photographers of the time \u0026ndash; also made Frida Khalo very famous during her own lifetime. Her art, with its unique and immediately recognizable character, draws on elements of Mexican folk art, pre-Columbian culture and Surrealism.\u003cbr \/\u003e\nWith over 100 works from Frida Kahlo\u0026#39;s groundbreaking oeuvre, this volume is an ideal introduction to the work of this painter. Roxana Vel\u0026aacute;squez, a leading international authority on Kahlo, guides us through the artist\u0026#39;s life and work with a fresh and varied look at Kahlo\u0026rsquo;s captivating but rarely shown paintings as well as the well-known masterpieces.\u003c\/p\u003e\n\u003cp\u003eThe Mexican artist FRIDA KAHLO (1907–1954) holds one of the most important positions in 20th-century art. Her painting combines elements of Surrealism with influences from the popular culture of Latin America, but also allows the “Magic Realism” of Neue Sachlichkeit to shine through.ROXANA VELÁSQUEZ is the director of the San Diego Museum of Art. She enjoys international recognition as an expert on Frida Kahlo and has curated major exhibitions on her work, such as Frida Kahlo 1907–2007 and the National Homage at the Palacio de Bellas Artes, Mexico-City, in 2007.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755237581064,"sku":"9783775752060","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752060_45ab4044-0ace-4911-af57-6ea8a5ceece5.jpg?v=1744066013"},{"product_id":"59768-mondrian-evolution","title":"Mondrian Evolution","description":"\u003cp\u003ePiet Mondrian had a decisive influence on the development of painting from figuration to abstraction. On the occasion of his 150th birthday, \u003cem\u003eMondrian Evolution\u003c\/em\u003e is dedicated to his multifaceted work and artistic development. Initially working in the tradition of late-nineteenth century Dutch landscape painting, Symbolism and Cubism subsequently took on great significance for him. It was not until the early 1920s that the artist focused on a wholly non-representational pictorial vocabulary, concentrated on\u0026nbsp;the rectangular arrangement of black lines with surfaces in white and the primary colors blue, red, and yellow. In separate chapters, this path is traced through motifs such as windmills, dunes, the sea, farms reflected in the water, and plants in various forms of abstraction.\u003c\/p\u003e\n\u003cp\u003ePIET MONDRIAN (1872–1944) was one of the pioneers of abstract art. 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This publication brings Pablo Picasso\u0026#39;s (1881-1973) encounter with the Cretan-born old master Dom\u0026eacute;nikos Theotok\u0026oacute;poulos, better known as El Greco (1541-1614), vividly to life. El Greco\u0026rsquo;s unmistakable painting style won him considerable fame in his day. Soon after his death, however, his work was largely forgotten. It was only around 1900 that an El Greco revival was launched, with Picasso serving on the front lines. His engagement with the Greek-Spanish master not only went far deeper than has previously been assumed but also lasted much longer. From his first encounter with El Greco\u0026#39;s works shortly before 1900 until the end of his life, Picasso not only referenced but engaged in a fascinating artistic dialogue with the old master.\u003c\/p\u003e\n\u003cp\u003eThe KUNSTMUSEUM BASEL houses the oldest public art collection in the world. 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Moving from traditional Dutch landscape painting to a pronounced rhythmic framework focusing on compositional structure rather than naturalistic representation, Mondrian was profoundly impressed by contemporary culture. Thus, he was not only inspired by the pattern of the extensive Dutch canal system, but also by the rhythm of jazz and the foxtrot. Demonstrating the impact of his oeuvre, Yves Saint-Laurent\u0026#39;s famous \u0026quot;Mondrian Dress\u0026quot; even made him a fashion icon posthumously.\u0026nbsp;\u003cbr \/\u003e\nCelebrating the 150th anniversary of his birth, Ulf K\u0026uuml;ster entertainingly leads through well- and lesser-known aspects of Mondrian\u0026#39;s life and work offering inspiring impulses for reflection and further engagement with the fascinating artist.\u003c\/p\u003e\n\u003cp\u003ePIET MONDRIAN’s (1872–1944) early work was influenced by the Dutch landscape painting of the 19th century. However, it was his strictly abstract geometric compositions that gained the artist world fame. He worked in Paris, London and New York, where he was active in the avant-garde circles of his time. The art historian ULF KÜSTER (*1966, Stuttgart) has been working at the Fondation Beyeler in Riehen\/Basel since 2004, where he curates internationally acclaimed exhibitions. He has written numerous publications, among them his text on Louise Bourgeois in the series Art to Read and Edward Hopper A-Z, published by Hatje Cantz.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45056243859720,"sku":"9783775752473","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752473_e349f643-5733-4e4a-a410-09539cf8ea87.jpg?v=1744127441"},{"product_id":"59928-piet-mondrian-a-to-z","title":"Piet Mondrian","description":"\u003cp\u003ePivotal in modern art\u0026rsquo;s move towards abstraction, Piet Mondrian\u0026rsquo;s oeuvre is extraordinarily versatile and complex. Not only did he paint and draw, he also wrote extensively about his thoughts and theories on art and life. 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He has written numerous publications, among them his text on Louise Bourgeois in the series Art to Read and Edward Hopper A-Z, published by Hatje Cantz.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526279225608,"sku":"9783775752480","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752480_e28314fa-c8c5-4726-85f6-d5f45da88804.jpg?v=1744127434"},{"product_id":"58891-edward-hopper","title":"Edward Hopper","description":"\u003cp\u003eEdward Hopper\u0026rsquo;s world-famous paintings articulate an idiosyncratic view of modern life. With his impressive subjects, independent pictorial vocabulary, and virtuoso play of colors, Hopper continues to influence to this day the image of the United States in the first half of the twentieth century. He began his career as an illustrator and became famous around the globe for his oil paintings. They testify to his great interest in the effects of color and his mastery in depicting light and shadow. The Fondation Beyeler is devoting its large exhibition in the spring of 2020 to Hopper\u0026rsquo;s iconic images of the vast American landscape. The catalogue gathers together all of the paintings, watercolors, and drawings from the 1910s to the 1960s on display in the exhibition, and supplements them with essays focused on the subject of depicting landscape. EDWARD HOPPER (1882\u0026ndash;1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work continues to be influential to this very day. 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The Third Reich\u0026rsquo;s Ministry of Propaganda correctly assumed that a portion of such works would find buyers abroad, in this way certain artworks deemed \u0026ldquo;internationally exploitable\u0026rdquo; reached the art market through various channels. In 1939 Georg Schmidt (1896\u0026ndash;1965), the museum\u0026rsquo;s director at the time, managed to acquire the painting \u003cem\u003eFate of the Animals\u003c\/em\u003e by Franz Marc and 20 other avant-garde masterpieces. In this\u0026nbsp;catalogue, renowned experts trace the events based on the seizures from German museums and explain the historical context\u0026mdash;presenting the protagonists from the institutions involved and the art market, as well as revealing how the Nazi regime\u0026#39;s act of cultural violence that resulted in an artificial fragmentation of modernism into art that was \u0026quot;exploitable\u0026quot; on the one hand, and art that has been destroyed or forgotten on the other. The various contributions bring the specifically Swiss aspects of this story into focus, such as on the auction of the Galerie Fischer in Lucerne, on Georg Schmidt\u0026#39;s approach, and on the classification of the acquisitions in the context of Basel\u0026#39;s collection history.\u003c\/p\u003e\n\u003cp\u003eThe KUNSTMUSEUM BASEL houses the oldest public art collection in the world.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755241447688,"sku":"9783775752213","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752213_729a9b97-a33d-412a-9927-4252ace2295b.jpg?v=1744150606"},{"product_id":"59909-max-beckmann","title":"Max Beckmann","description":"\u003cp\u003eTravel is a fundamental experience of human existence. For Max Beckmann it was of existential importance both in a symbolic, but also in a deeply personal sense. In the 1920s, he regularly traveled to the noble health resorts and palace hotels on the Dutch, Italian, and French coasts. His defamation as a \u0026quot;degenerate\u0026quot; artist by the Nazi regime, however, forced him to retreat, first from Frankfurt to Berlin and subsequently into exile in Amsterdam. His emigration to the United States marked the culmination of a life entwined with the longing to travel as well as uprooting, transit, and exile. \u003cem\u003eMax Beckmann. DEPARTURE\u003c\/em\u003e assembles an outstanding selection of artworks and initiates a dialogue with hitherto unseen objects and materials from the Max Beckmann Archive. It shows Beckmann\u0026rsquo;s relationship to film and literature as a producer of images of aspirations and longing resonating with notions of identity and home.\u003c\/p\u003e\n\u003cp\u003eMAX BECKMANN (1884-1950) is one of the most important artists of the 20th century. 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In the 1920s, he regularly traveled to the noble health resorts and palace hotels on the Dutch, Italian, and French coasts. His defamation as a \u0026quot;degenerate\u0026quot; artist by the Nazi regime, however, forced him to retreat, first from Frankfurt to Berlin and subsequently into exile in Amsterdam. His emigration to the United States marked the culmination of a life entwined with the longing to travel as well as uprooting, transit, and exile. \u003cem\u003eMax Beckmann. DEPARTURE \u003c\/em\u003eassembles an outstanding selection of artworks and initiates a dialogue with hitherto unseen objects and materials from the Max Beckmann Archive. It shows Beckmann\u0026rsquo;s relationship to film and literature as a producer of images of aspirations and longing resonating with notions of identity and home.\u003c\/p\u003e\n\u003cp\u003eMAX BECKMANN (1884-1950) is one of the most important artists of the 20th century. 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Teaching in St. Louis and New York, he became the most successful German artist in the United States of his time.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526279422216,"sku":"9783775752459","price":54.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752459_1873cc53-5185-44dd-9c1d-09df40e2c59a.jpg?v=1756312428"},{"product_id":"60329-zusammen-together","title":"Zusammen \/ Together","description":"\u003cp\u003eThe publication \u003cem\u003eZusammen \/ Together\u003c\/em\u003e is a comprehensive recollection of the exhibition highlights of the years 2015 to 2022 at Museum Haus Konstruktiv and brings together what is separated in space and time. A series of insightful conversations with the artists Etel Adnan, Claudia Comte, Elisabeth Goldring-Piene, Brigitte Kowanz, Alicja Kwade, D\u0026oacute;ra Maurer, Amalia Pica, Tom\u0026aacute;s Saraceno, as well as in-depth texts on Imi Knoebel and William Kentridge are accompanied by numerous exhibition views. Many of the conversations and exhibition views have not been published before; some of the texts reprinted here in slightly modified form are taken from books that have long been out of print today and are given their well-deserved new visibility.\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eSABINE SCHASCHL (*1967), director and chief curator of Museum Haus Konstruktiv in Zurich since 2013, is an art historian and curator of numerous exhibitions on contemporary art as well as author and editor of various scholarly publications and catalogues.\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755242168584,"sku":"9783775753364","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753364_3e0587dd-ba7d-4761-9d97-a098d2809827.jpg?v=1744150696"},{"product_id":"60489-die-maler-des-heiligen-herzens-the-painters-of-the-sacred-heart","title":"Die Maler des Heiligen Herzens \/ The Painters of the Sacred Heart","description":"\u003cp\u003ePaintings of a Sensual Immediacy\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eAs artists, they were self-taught and created a cosmos of images that still captivates us today with its sensual immediacy and has made a lasting mark in art history on the work of non-academically trained artists: Henri Rousseau (1844\u0026ndash;1910), Camille Bombois (1883\u0026ndash;1970), Andr\u0026eacute; Bauchant (1873\u0026ndash;1958), Louis Vivin (1861\u0026ndash;1939) and S\u0026eacute;raphine Louis (1864\u0026ndash;1942). They are counted among the so-called circle of the \u0026quot;painters of the sacred heart\u0026quot;; their scenarios, often borrowed from nature, especially flowers and fruits, but also people in parks and landscapes, indicate a closeness to nature, a sensitive approach to the things of the immediate environment, with which they apparently sought to escape the coldness of uprising modernism.\u003c\/p\u003e\n\n\u003cp\u003eThese French pioneers of authentic art were discovered by the German art historian Wilhelm Uhde (1874\u0026ndash;1947), who organized their first joint exhibition in Paris in 1928.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44880565436680,"sku":"9783775753395","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753395_2499c221-c684-4498-8667-0aea3c1c4b53.jpg?v=1744055712"},{"product_id":"60309-pauls-reise-zu-den-fischen","title":"Pauls Reise zu den Fischen","description":"\u003cp\u003eThe adventurer Paul and his brave sister go on a trip with her big ship. On the way you discover a mistaken island, a huge seaside monster, a star ship and sailing cities. They dive into the depths of the ocean and encounter dancing fish, submarine cities and sunken islands. You get to know a golden and lazy fish, the secret of the sea snail king and much more! Boris Friedewald can tell and he has a very good eye - and he has a particularly good eye for Paul Klee's art. In the extensive work of this great artist of the 20th century, Friedewald finds a magically coherent motif world. In this book he gathers works on the subject of sea, fish, underwater world and tells a stirring story along this wonderful art.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eBoris Friedewald (*1969) studied art history, pedagogy and theater studies in Bochum and Berlin. He published numerous publications, with a focus on the topics of Bauhaus and photography. With his book the angels of Paul Klee, he opened a completely new look at the art of the great draftsman and painter.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45595449884936,"sku":"9783775753333","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753333_b45f082e-f75d-4cd8-91f8-dbe8d4c55b22.jpg?v=1744204734"},{"product_id":"60204-hollweg-stiftung-50-jahre-sammeln","title":"Hollweg Stiftung – 50 Jahre sammeln","description":"\u003cp\u003eThe Karin and Uwe Hollweg Foundation collection has been created since the early 1970s. It includes works of the 20th and 21st centuries of artists such as Wols, Mark Tobey, André Thomkins, John Cage and Dieter Roth. With an initial focus in abstract art, the collection later expanded-not least with the acquaintance and friendship with the artists-to other areas such as pop art, Nouveau Réalisme or Fluxus with works by Emmett Williams, Richard Hamilton or Daniel Spoerri. This publication, which appears on the occasion of the 50th anniversary of the collection, looks back on history and serves as an updated scientific existing catalog of all works.\u003c\/p\u003e\u003cp\u003eThe Karin and Uwe Hollweg Foundation was founded in 1996 as a non -profit foundation of civil law. The originally private art collection, which has been incorporated into Karin and Uwe Hollweg Foundation since 2012, is located in the Hollweg Haus in Bremen. After several extensive extensions, the foundation has been showing over 1000 works of the art of the 20th and 21st centuries on four levels since spring 2013.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755244265736,"sku":"9783775753166","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753166_8cb2fed1-b96e-4cb7-9ac8-859067c9811b.jpg?v=1744289000"},{"product_id":"60294-holzschnitt","title":"Holzschnitt","description":"\u003cp style=\"margin-left:18pt;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem style=\"box-sizing: border-box; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eWoodcut\u003c\/em\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cem style=\"box-sizing: border-box; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e1400 until today\u003c\/em\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003e\u003cspan\u003e \u003c\/span\u003eForms the start of an exhibition series by the Berlin copper stitch cabinet, which, in one or two years of consequence, presents artistic printing techniques in all its diversity and for centuries. The woodcut is at the beginning. Using selected works of art on paper from the rich collection of the copper engraving cabinet, the development of the oldest pressure -graphic process is traced from its beginnings to the present. There are materials and special characteristics at the center of the selection, which spans the arc from the early and often only preserved woodcuts of the 15th century in a few copies to large -format contemporary works. Along this chronological axis, the view is aimed at various topics, such as the interplay of material and technology, color and black and white or the use of woodcuts. Technology experienced a first heyday at Albrecht Dürer, Lucas Cranach or Ugo da Carpi in the Renaissance. Around 1900 Expressionists such as Ernst Ludwig Kirchner, Emil Nolde or Karl Schmidt-Rottluff rediscovered the woodcut for themselves and created masterpieces in a reduced, concise formal language. Surprising is the diversity with which artists are devoted to technology until the late 20th and 21st centuries: they are abstract compositions by Helen Frankenthaler, Hans Hartung or Ester Fleckner as well as figurative to photo -realistic works by Anselm Kiefer, Georg Baselitz or To see Franz Gertsch. In this way, the enormous abundance and lasting topicality of this printing technique are shown. 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In this phase, diaries and sketchbooks were created, which are published for the first time in this volume and are of particular value in various ways: based on their, the emergence of a unique artistic position can be followed up and authentic insights into everyday prison life under the swastika. They provide information about the importance of the drawing in the work of Uhlmann, which is often primarily received as a sculptor, and about its inner rearing against the injustice regime.\u003c\/p\u003e\u003cp\u003eHans Uhlmann (1900–1975), who is known for his metal work, is one of the most important German artists of the post -war period. 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In addition, the publication provides an overview of the role of Sonia Delaunay's role for the design of modern living and media rooms for the first time.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526283059464,"sku":"9783775753807","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753807_dedb976d-00e2-4814-a21b-58f38eecf018.jpg?v=1744114051"},{"product_id":"63744-maison-sonia-delaunay","title":"Maison Sonia","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003eThe exhibition\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cem style=\"box-sizing: border-box; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eMaison Sonia. 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Die Ateliers selber sind fast Gesamtkunstwerke und darum faszinieren deren Fotografien wie die der Gäste oder Werke in den Räumen. Mondrians stark profilierte jeweilige Zeitgenossenschaft, sein persönliches »Styling« bilden einen weiteren visuellen Erzählstrang von hoher Eindrücklichkeit. Ausführliche Bildunterschriften sowie umfangreich illustrierte Essays zur Bedeutung der Fotografie im Kontext von Mondrians Wirken machen dieses Buch zu einem einzigartigen Dokument seiner Zeitgeschichte.\u003cbr\u003e\u003cbr\u003ePIET MONDRIAN (1872–1944) war einer der Pioniere der abstrakten Kunst. Weltruhm erlangte der aus einer streng calvinistischen Familie stammende Künstler durch seine Kompositionen aus schwarzen Linien und rechteckigen Feldern in den Grundfarben, sein Frühwerk war aber durch die niederländische Landschaftsmalerei des 19. 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Sie stehen symbolisch für die mit feinsinnigem Gespür zusammengetragene Sammlung der Moderne des Galeristen-Ehepaars Ernst und Hildy Beyeler und für das Museum, das seit seiner Gründung 1997 zu einem    der beliebtesten und erfolgreichsten Europas wurde.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49482590159112,"sku":"9783775753951","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753951_e85a956d-dffb-479b-98f7-7ec11fd891b1.jpg?v=1744064316"},{"product_id":"64348-robert-motherwell","title":"Robert Motherwell","description":"Robert Motherwell: A Painting Retrospective promises careful and thorough reading of the development of the artist and reveals his fundamental desire to present the invisible. 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The personal and artistic development of this pioneer of abstraction is captivated. As the artist worked, lived and loved what she influenced, the readers are clearly told: from the great scientific upheavals to family history to anthroposophy and spiritual sétope. The author from AF Klint's fantastic cosmos of pictures draws on the representation of her unusual spiritual experiences. Julia Voss, who presented the artist's first extensive biography in 2020, was closely integrated into the creation of this graphic novel. This is how biography, art history and contemporary narrative style combine and complement each other in these wonderful visual worlds.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThe rediscovery of Hilma AF Klint (1862–1944) is considered one of the greatest sensations in the art of recent years. Her work was celebrated in international exhibitions, since then she has finally received a due appreciation as a groundbreaking artist and pioneer of abstraction. \u003cbr\u003e\u003cbr\u003ePhilipp Deines (*1980) is a draftsman and artist. He has operated an art offspace, designed posters for technoclub, designs fashion and exhibits his work in the art context. In 2021 he temporarily moved his studio to the Grisebach auction house in Berlin. 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Das Papier bot ihr einen Raum, frei zu experimentieren. Mit den Wiederholungen schuf sie sich ein Repertoire an Motiven und entwickelte ihre Formensprache weiter, Blatt um Blatt die Grenze zwischen Beobachtung und Abstraktion verwischend. \u003cbr\u003eMit einer hervorragenden Werkauswahl aus vier Jahrzehnten bietet dieser Band erstmals einen umfassenden Blick auf O’Keeffes Arbeiten auf Papier – von den organischen Abstraktionen, Aktzeichnungen und Naturzyklen ihrer frühen Schaffensphase bis zu den Blumen, Porträts und Luftansichten der folgenden Jahrzehnte. In ihren Texten zeigen Samantha Friedman und Laura Neufeld, wie die Arbeit auf Papier das OEuvre der großen Künstlerin geprägt hat und erläutern ihre herausragende Stellung innerhalb der amerikanischen Moderne.\u003cbr\u003e\u003cbr\u003eGEORGIA O’KEEFFE (1887–1986) gehört zu den bedeutendsten amerikanischen Künstler*innen des 20. Jahrhunderts. Auf einer Farm in Wisconsin aufgewachsen, fanden ihre Bilder seit den 1920er-Jahren in New York große Aufmerksamkeit. Ab 1929 wurde die karge Landschaft New Mexicos zur Inspirationsquelle ihres Schaffens.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44928249004296,"sku":"9783775754880","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775754880_d89737fe-7124-4326-be7f-392e033ea0af.jpg?v=1744270872"},{"product_id":"64670-anthony-amies","title":"Anthony Amies","description":"Anthony Amies’ Bilder behaupten eine klassische Auffassung von Malerei. Ab Mitte der 1970er-Jahre verfolgte der britische Künstler mit einer stilistisch eigenen Landschaftsmalerei ein radikales Gegenkonzept zur Kunst seiner Zeit. Es sind ruhige und rätselhafte Bilder, die auf jeglichen Skandal verzichten. In der Tradition des britischen Landschaftsmalers Alexander Cozens schuf Amies großflächige Zeichnungen und Ölbilder, die nur scheinbar realistisch sind. Vielmehr abstrahiert er die Landschaft zu einer Idee. Die Reduktion auf Land und See ist ein Nachdenken über England und den Verlust seiner ursprünglichen Landschaften an die Industrialisierung. Im Kontext seiner Zeit besteht in der Behauptung des Genres Landschaftsmalerei und in dessen malerischer Formulierung die Bedeutung dieses englischen Malers.\u003cbr\u003e\u003cbr\u003eANTHONY AMIES (1945, Norwich–2000, London) studierte von 1964–1970 an der Slade School of Fine Art in London Malerei und Grafik. Anfang der 1970er-Jahre hat er seine, sich dem Zeitgeist verweigernde und von einigen als Revivial des Pointillismus kritisierte Bildsprache gefunden, die er bis zu seinem frühen Tod 2000 verfolgte. 1977 wurde er mit dem Arts Council Award ausgezeichnet und lehrte von 1973–1995 am Camden Institut und der Camden School of Art Malerei und Grafik. ","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811895058696,"sku":"9783775754705","price":54.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775754705_4953fcf1-59c3-4923-85ca-55a368ec7772.jpg?v=1745309329"},{"product_id":"65294-philipp-fuerhofer","title":"Philipp Fürhofer","description":"Palmenblätter, Sonnenuntergänge, Wälder – an der Schnittstelle von Installation und Malerei oszillieren Philipp Fürhofers tropische Landschaften in hybriden Leuchtkästen zwischen Licht und Schatten. Fast grafisch tritt das Blattwerk hervor oder verschwinden Details hinter semitransparenten Flächen. Doch die Naturromantik trügt: Unter aufgeplatzten Schichten seiner Malerei offenbart sich die Frage nach der existenziellen, wechselseitigen Beeinflussung von Mensch und Natur, einer kapitalistischen Zivilisation und der stetigen Zerstörung ihres eigenen Lebensraums. Der Katalog erscheint anlässlich einer konzentrierten Einzelausstellung im Frankfurter Städel Museum, in der neueste Werke und eine raumspezifische Arbeit gezeigt werden, die im Dialog mit den architektonischen wie künstlerischen Elementen des Raumes eine mystische Dschungellandschaft entwirft. Ein kuratorischer Essay von Svenja Grosser und ein Gespräch mit der Opernkritikerin Christine Lemke-Matwey kontextualisieren die Arbeiten in Fürhofers Praxis.\u003cbr\u003e\u003cbr\u003eKünstler und Bühnenbildner PHILIPP FÜRHOFER (*1982, Augsburg) ist international bekannt für ein Werk, das mit Acrylglas, Spiegeln und Licht hochästhetische und zugleich hintergründige Effekte erzeugt. Seine Arbeiten sind buchstäblich vielschichtig: sie sind gleichzeitig Bild, Skulptur und Lichtobjekt. Fürhofers Spiel mit der mehrdimensionalen Illusion kommt auch in den Bühnenbildern, die er für die Bayreuther Festspiele oder die Opernhäuser von Amsterdam, London und Kopenhagen entwarf, zum Tragen. Er lebt und arbeitet in Berlin.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44880584114440,"sku":"9783775755245","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/9783775755245_01.jpg?v=1692361075"},{"product_id":"64932-hannah-hoech","title":"Hannah Höch","description":"Hannah Höch ist vor allem als Vertreterin der Dada-Bewegung und mit ihren Fotocollagen seit den 1910er-Jahren bekannt. Dieses Buch zeigt eine andere, privatere Hannah Höch: Landschaften, Aquarelle und Miniaturen, malerisch nacherzählte Erinnerungen, Porträts und Pflanzenstücke, in denen ihre Philosophie von Werden und Vergehen zum Ausdruck kommt. Die Sammlung des Berliner Museums Reinickendorf, zu der auch ihre kunsthandwerklichen Arbeiten und von ihr gesammelte Raritäten gehören, dokumentiert wichtige Bereiche ihres Lebens und gibt Einblicke in ihre persönlichen Beziehungen. In der Zeit des Nationalsozialismus zog sie sich als »Kulturbolschewistin « diffamiert vom Kulturleben zurück. Ein kleines Holzhaus in Heiligensee im Norden Berlins bot ihr und ihrer Kunst in dieser Zeit radikaler Vereinsamung Zuflucht. Hier überlebte sie Krieg, Hunger und Einsamkeit und fand nach 1945 zu einem Neuanfang.\u003cbr\u003e\u003cbr\u003eHANNAH HÖCH (1889, Gotha – 1978, Berlin) gehörte zum Kreis der Berliner Dadaisten um Raoul Hausmann, George Grosz und John Heartfield. Zeitlebens am Experiment interessiert, prägte ein progressives, emanzipatorisches Bewusstsein ihre künstlerische Arbeit.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44940834799880,"sku":"9783775754798","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775754798_3b4446a8-61ca-4091-9bbc-259b69d29caa.jpg?v=1745307726"},{"product_id":"65383-cham-soutine","title":"Chaïm Soutine","description":"Drängend, dringlich, geballt: Chaïm Soutines ausdrucksstarke Gemälde sind Zeugnisse eines zerrissenen Lebensgefühls und einer Existenz am Rand der Gesellschaft. Seine farbintensiven, pastos-fleischigen, mit grobem Pinselstrich auf die Leinwand geworfenen Porträts, seine wankenden Landschaften und die Bilder geschlachteter Tiere zeugen von einem intensiven Lebenshunger und zugleich einer großen Befremdung in einer schwankenden Welt, die keinen Halt gibt. Trotz aller Anerkennung, die sein Werk fand, blieb Soutine zeitlebens ein Außenseiter, dem viele gesellschaftliche Gepflogenheiten Frankreichs fremd blieben. Der Katalog legt den Fokus auf die frühen Meisterwerke und Serien, die zwischen 1919 und 1925 entstanden sind: Mit dem gemeinsamen Thema Emigration und Entwurzelung offenbaren die Textbeiträge die Spuren von Soutines jüdischer Herkunft in seiner Malerei, beleuchten die Bedeutung von Randexistenzen als Bildmotiv sowie die Darstellung von Blut und von geschlachteten Tieren als Metapher. Vor allem aber zeigen sie die zentralen Einflüsse der Kunst Soutines bis in die Gegenwart.\u003cbr\u003e\u003cbr\u003eDieses Buch ist auch auf \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/64995-cham-soutine?_pos=1\u0026amp;_sid=57e621ac8\u0026amp;_ss=r\"\u003eDeutsch\u003c\/a\u003e erhältlich.\u003cbr\u003e\u003cbr\u003eCHAÏM SOUTINE (1893 – 1943) wuchs in einem Schtetl nahe Minsk auf – eine Jugend geprägt von Armut, religiöser Strenge und gesellschaftlicher Ausgrenzung. 1913 kam er nach Paris und bezog ein Atelier im »La Ruche«, dem »Bienenstock«, in dem zahlreiche Künstler arbeiteten, darunter Marc Chagall und Amedeo Modigliani. Auf der Flucht vor den Nationalsozialisten starb er 1943. Die internationale Beachtung, die sein Werk in der Kunstszene seit den 1920er-Jahren gefunden hatte, wirkt bis heute nach: Künstler*innen des Abstrakten Expressionismus und der Neuen Figuration berufen sich auf ihn, ebenso wie die Malerei der Gegenwart.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526289875208,"sku":"9783775755412","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755412_5d5aed76-25a6-4710-b3a8-787052856017.jpg?v=1745308919"},{"product_id":"65345-das-kunstpublikum","title":"Das Kunstpublikum","description":"Neben Produktion und Verbreitung ist die Rezeption das dritte große Forschungsgebiet der Kunstgeschichte. In der Regel erfolgt dabei eine Fokussierung auf die individuelle Rezeption. Das Kunstpublikum. Eine kurze Geschichte untersucht dagegen erstmals die Bedeutung eines notwendigen, aber meist übersehenen Akteurs im Kunstbetrieb. Bildliche und schriftliche Zeugnisse aus allen Zeiten dokumentieren das Verhalten des Publikums und die unterschiedlichen Beurteilungen durch Künstlerinnen und Künstler, Sammlerinnen und Sammler sowie Kritikerinnen und Kritiker.\u003cbr\u003e\u003cbr\u003eBätschmann zeigt auf, dass die Sachverständigen im Kunstsystem stets zwischen zwei Extremen schwanken: Sie stehen dem Publikum entweder skeptisch gegenüber und verachten dessen Geschmack oder sie schmeicheln der Masse und wollen ihren Applaus.\u003cbr\u003e\u003cbr\u003eOSKAR BÄTSCHMANN (*1943) gehört zu den wichtigsten Kunsthistorikern unserer Zeit. Er lehrte in Zürich, Freiburg i.Br., Gießen und Bern und hatte längere Forschungsaufenthalte am Getty Center, Santa Monica, an der Bibliotheca Hertziana, Rom, sowie am Center for Advanced Study in the Visual Arts an der National Gallery of Art, Washington, D.C. Bätschmanns Bücher, darunter Einführung in die kunstgeschichtliche Hermeneutik und Ausstellungskünstler, gelten als Klassiker des Fachs.","brand":"Hatje Cantz Verlag","offers":[{"title":"Buch (978-3-7757-5527-6)","offer_id":44367893070088,"sku":"9783775755276","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5528-3)","offer_id":44573669818632,"sku":"9783775755283","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5529-0)","offer_id":44573669851400,"sku":"9783775755290","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755290_6b4e0ada-8144-45e5-8811-7e6903e6e2b3.jpg?v=1745308913"},{"product_id":"65237-therese-weber","title":"Therese Weber","description":"Die amerikanische Paper Art der frühen 1980er-Jahre gab Therese Weber den Impuls, sich in einem ganz anderen Maßstab auf Papier einzulassen. Als Künstlerin wie als Forscherin widmet sie sich seither diesem Medium und seiner Kulturgeschichte. Bei Papierschöpfungen, über die Erforschung von prähistorischen Felsgravuren zu ortsspezifischen Installationen und performativen Aktionen in Wüsten- und Berggebieten weist Therese Webers künstlerische Praxis eine methodische Vielfalt auf. Richtungs- bestimmung für die Entwicklung ihrer Konzepte sollten schon früh ihre Forschungsreisen und Aufenthalte in Japan, China und Zentralasien werden. Dieses Buch stellt die inhaltlichen Schwerpunkte sowie die Verflechtung der verschiedenen Medien und Themen der Künstlerin vor. Das räumliche Verhältnis von Zentrum und Peripherie, Grenzen und Grenzüberschreitungen sind Kern ihres visuellen Vokabulars und charakterisieren ihre künstlerische Sprache.THERESE WEBER (*1953 Schweiz) ist eine der bedeutendsten Protagonist*innen der Paper Art. Die Schweizer Künstlerin verwebt Fotografie, Zeichnung, Objekt und performative Aktionen zu einer innovativen Bildsprache. Expeditionen in den Fernen Osten und nach Zentral- und Südostasien prägen ihre künstlerischen Forschungsschwerpunkte der letzten dreißig Jahre.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755248361736,"sku":"9783775755184","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755184_863a9420-5d3b-4853-b661-3254284807e5.jpg?v=1744141149"},{"product_id":"65227-niko-pirosmani","title":"Niko Pirosmani","description":"Niko Pirosmani ist Entdeckung und Legende zugleich. Vielen (noch) unbekannt, wird er in seiner Heimat Georgien als Nationalkünstler verehrt. Pirosmanis um 1900 in Tbilissi entstandene Porträts und Tierbilder sind von eigentümlicher Ausdruckskraft und großer Empfindsamkeit. Seine Landschaften und Alltagsszenen greifen Elemente mittelalterlicher Ikonografie auf und zeugen von einer tiefen Verbundenheit zu seinen Landsleuten. Zugleich erkannte die Avantgarde in Pirosmanis Werk eine neue, radikale und unbekannte Form von Malerei. Wie Henri Rousseau oder Marc Chagall gehört der Autodidakt zu den außergewöhnlichen, schwer einzuordnenden Künstler*innen der frühen Moderne. Dieser Katalog zeigt Pirosmanis Können in zahlreichen Abbildungen: Wie er mit präzisem, skizzenhaftem Pinselstrich auf schwarzem Wachstuch die sparsam aufgetragenen Farben wie aus dunkler Tiefe glühen lässt. Pirosmani war ein Meister der Konzentration – und ein Geschichtenerzähler. Wie im Katalog von georgischen Kunsthistoriker*innen kenntnisreich dargelegt, war er ein singulärer Künstler, eine widersprüchliche Figur und ein wichtiger Teil der Kunstszene in Tbilissi, das damals als das »Paris des Ostens« galt.\u003cbr\u003e\u003cbr\u003eDieses Buch ist auch auf \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/65226-niko-pirosmani?_pos=1\u0026amp;_sid=d64d1cfba\u0026amp;_ss=r\"\u003eDeutsch\u003c\/a\u003e erhältlich.\u003cbr\u003e\u003cbr\u003eIn eine Bauernfamilie hineingeboren, kam NIKO PIROSMANI (1862 – 1918) 1870 nach Tbilissi. Gelegenheitsarbeiten und das Malen von Porträts oder Kneipenschildern verhalfen ihm zu einem bescheidenen Einkommen. 1912 erregte er die Aufmerksamkeit georgischer und russischer Avantgardekünstler*innen, die seine Werke ein Jahr später in der Ausstellung Mischén (Zielscheibe) in Moskau gemeinsam mit Natalia Gontscharowa, Michail Larionow, Kasimir Malewitsch und Marc Chagall präsentierten. Eine geplante Ausstellung in Paris wurde durch den Ausbruch des Ersten Weltkrieges verhindert. Pirosmani starb völlig verarmt 1918. Heute gilt er als der berühmteste Künstler Georgiens.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526290465032,"sku":"9783775755146","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755146_4a06288e-74c5-4f9d-8765-2eca6b074edf.jpg?v=1745308895"},{"product_id":"65226-niko-pirosmani","title":"Niko Pirosmani","description":"Niko Pirosmani ist Entdeckung und Legende zugleich. Vielen (noch) unbekannt, wird er in seiner Heimat Georgien als Nationalkünstler verehrt. Pirosmanis um 1900 in Tbilissi entstandene Porträts und Tierbilder sind von eigentümlicher Ausdruckskraft und großer Empfindsamkeit. Seine Landschaften und Alltagsszenen greifen Elemente mittelalterlicher Ikonografie auf und zeugen von einer tiefen Verbundenheit zu seinen Landsleuten. Zugleich erkannte die Avantgarde in Pirosmanis Werk eine neue, radikale und unbekannte Form von Malerei. Wie Henri Rousseau oder Marc Chagall gehört der Autodidakt zu den außergewöhnlichen, schwer einzuordnenden Künstler*innen der frühen Moderne. Dieser Katalog zeigt Pirosmanis Können in zahlreichen Abbildungen: Wie er mit präzisem, skizzenhaftem Pinselstrich auf schwarzem Wachstuch die sparsam aufgetragenen Farben wie aus dunkler Tiefe glühen lässt. Pirosmani war ein Meister der Konzentration – und ein Geschichtenerzähler. Wie im Katalog von georgischen Kunsthistoriker*innen kenntnisreich dargelegt, war er ein singulärer Künstler, eine widersprüchliche Figur und ein wichtiger Teil der Kunstszene in Tbilissi, das damals als das »Paris des Ostens« galt.\u003cbr\u003e\u003cbr\u003eDieses Buch ist auch auf \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/65227-niko-pirosmani?_pos=1\u0026amp;_sid=a1353aa3d\u0026amp;_ss=r\"\u003eEnglisch\u003c\/a\u003e erhältlich.\u003cbr\u003e\u003cbr\u003eIn eine Bauernfamilie hineingeboren, kam NIKO PIROSMANI (1862 – 1918) 1870 nach Tbilissi. Gelegenheitsarbeiten und das Malen von Porträts oder Kneipenschildern verhalfen ihm zu einem bescheidenen Einkommen. 1912 erregte er die Aufmerksamkeit georgischer und russischer Avantgardekünstler*innen, die seine Werke ein Jahr später in der Ausstellung Mischén (Zielscheibe) in Moskau gemeinsam mit Natalia Gontscharowa, Michail Larionow, Kasimir Malewitsch und Marc Chagall präsentierten. Eine geplante Ausstellung in Paris wurde durch den Ausbruch des Ersten Weltkrieges verhindert. Pirosmani starb völlig verarmt 1918. Heute gilt er als der berühmteste Künstler Georgiens.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45094556565768,"sku":"9783775755139","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755139_b3124b5e-f05c-4eec-86c2-6f53b7b8ecaa.jpg?v=1745308888"}],"url":"https:\/\/www.hatjecantz.de\/en\/collections\/moderne.oembed","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}