{"title":"Modern","description":"","products":[{"product_id":"15732-beyeler-collection","title":"Beyeler Collection","description":"\u003cSPAN lang=EN-US\u003e\n\u003cP class=MsoBodyText style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; mso-bidi-font-size: 12.0pt; mso-ansi-language: EN-US\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003eSince its inauguration in October 1997, the Fondation Beyeler in Riehen, near Basel, has become one of the world’s top destinations for modern art, a result of the combination of a unique collection, fascinating architecture, and a variety of world-class exhibitions. The reputation of Hildy and Ernst Beyeler’s collection, which features milestones of twentieth-century art as well as tribal works from Africa, Alaska, and Oceania, has been steadily growing ever since due to new acquisitions of important works.\u003c?xml:namespace prefix = \"o\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cFONT size=2\u003e\u003cFONT face=TheSans\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10.5pt; FONT-FAMILY: TheSans-Plain; mso-bidi-font-size: 10.0pt\"\u003eOn the tenth anniversary of the Fondation Beyeler, this complete, up-to-date catalogue takes stock of the museum’s collection, which today contains more than two hundred paintings and sculptures. In addition to some of Ernst Beyeler’s own comments, this publication offers a thorough overview of twentieth-century art, including a valuable, personal insight into the life and work of a collector, museum founder, and patron, who to this day remains passionately involved in art. (German edition ISBN 978-3-7757-1945-2; French edition ISBN 978-3-7757-1947-6)\u003c\/SPAN\u003e\u003cSPAN lang=EN-GB style=\"mso-ansi-language: EN-GB\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/FONT\u003e\u003c\/FONT\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003c\/SPAN\u003e\u003cSPAN lang=EN-US\u003e\u003cFONT face=TheSans-Plain\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u0026nbsp;\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526186819848,"sku":"9783775719469","price":49.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775719469_7199a61e-0448-4ab5-942d-768a6f0b09a5.jpg?v=1744049671"},{"product_id":"16095-richard-paul-lohse-drucke","title":"Richard Paul Lohse. Prints","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US\"\u003e\u003cspan lang=\"EN-GB\" style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-bidi-font-family: Arial\"\u003eRichard Paul Lohse is one of the founders of systematic-constructive art in the twentieth century. This second volume of the catalogue raisonn\u0026eacute; is devoted to his works on paper: 172 original prints and multiples, created between 1940 and 1987. This book is not only an indespensable standard reference for all scholars, art dealers, and collectors, it also provides detailed accounts of Lohse\u0026rsquo;s collaboration with publishers, printers, and fellow artists. The chapters shed light on personalities, institutions, and events that were to have a lasting impact on the course of artistic culture in\u003c!--?xml:namespace prefix = \"st1\" \/--\u003e\u003cst1:country-region w:st=\"on\"\u003eSwitzerland\u003c\/st1:country-region\u003e and \u003cst1:place w:st=\"on\"\u003eEurope\u003c\/st1:place\u003e. The color illustrations are not confined to the complete prints, but include project-related printed matter, in most cases likewise designed by Lohse. This book also affords new insights into Lohse\u0026rsquo;s work both with and on color and the complex interrelations between prints, paintings, and drawings.\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: TheSans; mso-ansi-language: EN-US; mso-bidi-font-family: Arial\"\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526192161032,"sku":"9783775723091","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775723091_24ccff45-7bf4-4b6d-88fb-8ffa780a2587.jpg?v=1744130444"},{"product_id":"51745-lol-soldevilla","title":"Loló Soldevilla","description":"\u003cp\u003eDolores Soldevilla Nieto was a passionate Cuban artist whose career blossomed in the 1950s. Following early professional turns, she emerged later in life as a prolific artist and fervent advocate for culture. She became Cuba\u0026rsquo;s cultural attach\u0026eacute; to Europe, embarking on a path that would dramatically alter the course of her life and the discourse surrounding Cuban abstraction at mid-century. Residing in Paris, she studied in the ateliers of prominent European\u0026nbsp;artists, and, after returning to Cuba, she played an active role as a vital link between the European avant-garde and the new voices of abstraction emerging throughout Latin America and Cuba.\u003cem\u003e Lol\u0026oacute; Soldevilla: Constructing Her Universe\u003c\/em\u003e is the first monograph devoted to her remarkable achievements, providing compelling insight into the life and work of this exceptional artist.\u003cbr \/\u003e\n\u003cbr \/\u003e\nLOL\u0026Oacute; SOLDEVILLA (1901\u0026ndash;1971) started her artistic career rather late. First working as a teacher, Soldevilla did not begin studying art until 1949, when she started at the Paris Acad\u0026eacute;mie de la Grande Chaumi\u0026egrave;re with the sculptors Leopold Kretz and Ossip Zadkine, where she also learned about Concrete Art.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755207303432,"sku":"9783775746267","price":54.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746267_46557f70-b998-4b3e-9caa-8ec187984744.jpg?v=1744111275"},{"product_id":"43155-marlow-moss","title":"Marlow Moss","description":"\u003cp\u003eThe British artist Marlow Moss (1889\u0026ndash;1958) is one of the few early female Constructivists who inspired the great modernist masters. For instance, the so-called double line was one of her most important inventions, which she began employing in her paintings in 1930. It is one of the elements that both Piet Mondrian and Jean Gorin picked up on for their own neo-sculptural compositions. Even though they do not openly refer to her, their works are still closely related to Moss and they share her original, new ideas about art and composition. Unlike her contemporaries, Moss did not limit herself to painting. She applied her linear structures and mathematical principles to reliefs and sculptures as well. These aspects of her work, along with her unusual life, are discussed in detail in this exhibition catalogue.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: The Museum Haus Konstruktiv, Zurich 9.2.\u0026ndash;7.5.2017\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44874879467784,"sku":"9783775743006","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743006_55cd1aa9-b912-4eff-bf44-8a177012f162.jpg?v=1744115399"},{"product_id":"51862-edward-hopper-az","title":"Edward Hopper","description":"\u003cp\u003eThat incomparable melancholy in Edward Hopper\u0026rsquo;s pictures occasionally leads us to look at the details of his life. Where exactly did this master of loneliness live and work? What were his most important influences while he was working on his great paintings of America? In this wonderful, simply structured, A-to-Z book, Ulf K\u0026uuml;ster pursues these themes, which say a great deal about the painter and his interests, and yet he never loses sight of the artist and the necessary distance to his inimitable pictures.\u003cbr \/\u003e\nThus, K\u0026uuml;ster strolls through the ABCs of Hopper\u0026rsquo;s life and work, from the \u0026ldquo;American landscape,\u0026rdquo; \u0026ldquo;Buick\u0026rdquo; \u0026ldquo;Goethe,\u0026rdquo; and \u0026ldquo;shadow and sunlight\u0026rdquo; to the key word, \u0026ldquo;zero.\u0026rdquo; On the way he opens up many new doors or insights, enriching the views of Hopper\u0026rsquo;s paintings and making it possible to interpret them in new ways. An entertaining and informative book.\u003c\/p\u003e\n\n\u003cp\u003eEDWARD HOPPER (1882\u0026ndash;1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work\u0026nbsp;continues to be influential to this very day.\u003c\/p\u003e\n\n\u003cp\u003eThe art theoretician and curator ULF K\u0026Uuml;STER (*1966, Stuttgart) has worked at the Fondation Beyeler in Riehen since 2004. He produces many internationally respected exhibitions and publications. Hatje Cantz has published a number of these, including his essay on Louise Bourgeois in the series \u003cem\u003eReading Art.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nFondation Beyeler, Riehen\/Basel\u003cbr \/\u003e\nJanuary 26\u0026ndash;September 20, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977098883336,"sku":"9783775746489","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746489_7fe913a3-20d2-4c2b-ae9f-6c9fb62c233b.jpg?v=1744058905"},{"product_id":"45021-seitenspruenge-impressionismus-ohne-sockel","title":"Seitensprünge – Impressionismus ohne Sockel","description":"\u003cp\u003eWhat is the reason for Impressionist works of art attaining such extraordinary value today? Is it out of pure reverence that any sense of the remarkable triviality of their motifs hardly exists any longer in these times? In the spring of 2018 the Museum Langmatt will present a thematic exhibition featuring outstanding works of Impressionism contrasted with surprising partners. French Impressionists and everyday objects from the museum\u0026rsquo;s cellar form unusual pairs here: Paul C\u0026eacute;zanne\u0026rsquo;s \u003cem\u003eCh\u0026acirc;teau Noir\u003c\/em\u003e meets historical wine racks, \u003cem\u003eThe Boat\u003c\/em\u003e by Pierre-Auguste Renoir is juxtaposed with old, boxed-up chandeliers, Alfred Sisley\u0026rsquo;s \u003cem\u003eThe Church of Moret\u003c\/em\u003e faces an old iron railing. The companion book presents a look at the spatial correspondences between the exponents, and plumbs the depths of the theme with texts by experts from the art world.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: 4.3.\u0026ndash;13.5.2018,\u0026nbsp; Museum Langmatt, Baden\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755232403720,"sku":"9783775744218","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744218_9a6539ef-fcec-4cb9-b894-01b0dab486a5.jpg?v=1744134949"},{"product_id":"51410-august-deusser","title":"August Deusser","description":"\u003cp\u003eThe painter, collector, and arts advocate August Deusser helped to blaze the trail for nascent Modernism in the Rhineland. Becoming known on the French avant-garde art scene early on, he began advocating for the renewal of painting in early twentieth-century Germany, as the founder of secessionist art associations. He and Julius Bretz, Max Clarenbach, Walter Ophey, and Wilhelm Schmurr founded the \u003cem\u003eSonderbund\u003c\/em\u003e (\u0026ldquo;special alliance\u0026rdquo;) in D\u0026uuml;sseldorf, whose exhibitions created a furor. As a painter, he had a fondness for motifs of horses or riders; later, he turned to realistically oriented landscapes and portrait painting. The catalogue shows August Deusser\u0026rsquo;s development as an artist, with a focus on the years 1908 to 1912, which were of particular importance to the painter and arts advocate. Besides essays, the volume also contains reproductions of works by the co-founders of the \u003cem\u003eSonderbund\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eAfter apprenticing as a decorative painter, August Deusser (1870\u0026ndash;1942) studied at the D\u0026uuml;sseldorf Kunstakademie, where he also held a special professorship from 1917\u0026ndash;24. His marriage to the painter Elisabeth Eugenie Albert made him financially independent, enabling him to take up arts advocacy.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITIONS\u003c\/p\u003e\n\n\u003cp\u003eSt\u0026auml;dtische Wessenberg-Galerie, Konstanz\u003cbr \/\u003e\n30.11.2019\u0026ndash;19.4.2020\u003c\/p\u003e\n\n\u003cp\u003eMuseum GochMuseum Goch\u003cbr \/\u003e\n\u003cspan style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: sans-serif; font-size: small;\"\u003e28.6.\u003c\/span\u003e\u0026ndash;13.9.2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755232895240,"sku":"9783775746120","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746120_6c93cbf1-ba02-459d-9a7d-9bd2d2a248ef.jpg?v=1744045338"},{"product_id":"52447-edward-hopper","title":"Edward Hopper","description":"\u003cp\u003eEdward Hopper\u0026rsquo;s world-famous paintings articulate an idiosyncratic view of modern life. With his impressive subjects, independent pictorial vocabulary, and virtuoso play of colors, Hopper continues to influence to this day the image of the United States in the first half of the twentieth century. He began his career as an illustrator and became famous around the globe for his oil paintings. They testify to his great interest in the effects of color and his mastery in depicting light and shadow. The Fondation Beyeler is devoting its large exhibition in the spring of 2020 to Hopper\u0026rsquo;s iconic images of the vast American landscape. The catalogue gathers together all of the paintings, watercolors, and drawings from the 1910s to the 1960s on display in the exhibition, and supplements them with essays focused on the subject of depicting landscape.\u003c\/p\u003e\n\n\u003cp\u003eEDWARD HOPPER (1882\u0026ndash;1967) is the master of American Realism. His paintings captured life during his era. 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The house and garden take visitors back to the turn of the previous century, when Jenny and Sidney W. Brown set up house here. As collectors, the couple was well-informed and well-connected, and they assembled noteworthy, mainly Impressionist works of art, mainly on their trips to Paris. The Browns acquired paintings by Renoir, Monet, Gauguin, C\u0026eacute;zanne, and Degas\u0026mdash;numerous small works that were displayed in the rooms. The Museum Langmatt, which opened in 1990, is founded upon this unique core collection. The Browns\u0026nbsp;living area became an influential exhibition space for contemporary art. This carefully designed, illustrated volume has been compiled to celebrate the museum\u0026rsquo;s thirtieth anniversary. It provides a look at the magical art collection, its special history, and a glimpse behind the scenes, as well. Accompanied by essays by the museum\u0026rsquo;s director, Markus Stegmann, as well as by eye witnesses, experts, and artists, the publication affords an atmospheric view of this unusual institution.\u003c\/p\u003e\n\n\u003cp\u003eThe MUSEUM LANGMATT collection was significantly founded by Sidney and Jenny Brown between 1900 and 1933. The heart of the collection consists of around 50 outstanding French impressionist. 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This catalogue raisonn\u0026eacute;, prepared by WIELS and developed in close collaboration with the Marcel Broodthaers Succession, is the first to include all of the Belgian conceptual artist\u0026rsquo;s\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003e industrial poems\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e created between 1968 and 1972. Borrowing from the aesthetics of industrially manufactured plastic signs, Broodthaers\u0026rsquo;s multi-layered, often enigmatic pictorial poems testify to his interest in the entanglements of language, punctuation, and symbols. In blurring the boundaries between word and image, painting and object, new levels of meaning are made visible. The index is supplemented by a collection of Broodthaers\u0026rsquo;s drawings, writings and \u0026ldquo;open letters\u0026rdquo; as well as scholarly contributions that position the poems as a crucial group of works within the artist\u0026rsquo;s oeuvre.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMARCEL BROODTHAERS (1924–1976) developed his poèmes industriels simultaneously to his seminal work, the Musée d'Art Moderne, Département des Aigles. 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The museum collection will be supplemented by Impressionist highlights from the Kojiro Matsukata Collection (1865\u0026ndash;1950), which laid the foundation for the National Museum of Western Art in Tokyo. This is the first time this collection will be presented comprehensively outside Japan since the 1950s. The catalogue features a unique compilation of about 120 works and introduces two important collectors. Transnational collection history is combined with modern masterpieces.\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eFeaturing paintings, drawings, and sculptures by Paul C\u0026eacute;zanne, Paul Gauguin, \u0026Eacute;douard Manet, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Auguste Rodin, among others, as well as a new installation by Tabaimo and Chiharu Shiota and a selection of East Asian works from the former holdings of Matsukata and Osthaus. 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His painting \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eAfter the Luncheon\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e, which has been in the St\u0026auml;del Museum in Frankfurt since 1910, is now the starting point for a far-reaching examination of an important source of inspiration that accompanied him throughout his life: the Rococo. Considered frivolous and immoral after the French Revolution, this style of painting experienced a renaissance in the 19th century and was widely celebrated during Renoir\u0026rsquo;s lifetime. Published on the occasion of the St\u0026auml;del Museum\u0026rsquo;s major exhibition, this comprehensive volume explores Renoir\u0026rsquo;s multifaceted connection to tradition through illuminating juxtapositions of his art with 18th-century works and contemporaries. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs a trained porcelain painter, PIERRE-AUGUSTE RENOIR (1841–1919) was well acquainted with the motif world of the 18th century. 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In this wonderful, simply structured, A-to-Z book, Ulf K\u0026uuml;ster pursues these themes, which say a great deal about the painter and his interests, and yet he never loses sight of the artist and the necessary distance to his inimitable pictures.\u003cbr \/\u003e\nThus, K\u0026uuml;ster strolls through the ABCs of Hopper\u0026rsquo;s life and work, from the \u0026ldquo;American landscape,\u0026rdquo; \u0026ldquo;Buick\u0026rdquo; \u0026ldquo;Goethe,\u0026rdquo; and \u0026ldquo;shadow and sunlight\u0026rdquo; to the key word, \u0026ldquo;zero.\u0026rdquo; On the way he opens up many new doors or insights, enriching the views of Hopper\u0026rsquo;s paintings and making it possible to interpret them in new ways. An entertaining and informative book.\u003c\/p\u003e\n\n\u003cp\u003eEDWARD HOPPER (1882\u0026ndash;1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work\u0026nbsp;continues to be influential to this very day.\u003c\/p\u003e\n\n\u003cp\u003eThe art theoretician and curator ULF K\u0026Uuml;STER (*1966, Stuttgart) has worked at the Fondation Beyeler in Riehen since 2004. He produces many internationally respected exhibitions and publications. 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Not infrequently, it is the courage of individuals who recognize genius in the works and advocate for them in the face of conservatism and criticism. In Picasso\u0026rsquo;s case, this role in Germany fell to the Bremen art dealer Michael Hertz. It was his commitment in the post-war period that resulted not only in the museumization of the artist after the Second World War, but that also greatly benefited Kunsthalle Bremen, which has one of the most extensive collections of the artist\u0026rsquo;s prints. This volume brings together the outstanding printworks, including lithographs, linocuts, and book illustrations. Picasso\u0026rsquo;s oeuvre of prints can be regarded as a fascinating collection, in which can be read the triumph of the affordable medium in post-war Germany, as well as the dealer\u0026rsquo;s strong commitment.\u003c\/p\u003e\n\u003cp\u003ePABLO PICASSO (1881–1973) is regarded as the epitome of the twentieth-century artist. In addition to his paintings and sculptures, his graphic works also enjoy special fame.MICHAEL HERTZ (1912–1987) made a name for himself in the post-war period as an art dealer. Through his contacts to the French art scene, he encountered the work of Picasso and became the exclusive representative for his printworks in Germany.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755236860168,"sku":"9783775748056","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748056_020e2d80-0951-40f4-b0ed-2c94ebe66cd4.jpg?v=1744140899"},{"product_id":"59351-frida-kahlo","title":"Frida Kahlo","description":"\u003cp\u003eToday, Frida Kahlo is a global icon of the emancipated woman artist, celebrated for her political and social views, her extravagant personal style, and above all her breathtaking works of art. Her marriage to Diego Rivera in 1929, her exhibitions in Paris, and her friendship with Andr\u0026eacute; Breton \u0026ndash; captured by the most famous photographers of the time \u0026ndash; also made Frida Khalo very famous during her own lifetime. Her art, with its unique and immediately recognizable character, draws on elements of Mexican folk art, pre-Columbian culture and Surrealism.\u003cbr \/\u003e\nWith over 100 works from Frida Kahlo\u0026#39;s groundbreaking oeuvre, this volume is an ideal introduction to the work of this painter. Roxana Vel\u0026aacute;squez, a leading international authority on Kahlo, guides us through the artist\u0026#39;s life and work with a fresh and varied look at Kahlo\u0026rsquo;s captivating but rarely shown paintings as well as the well-known masterpieces.\u003c\/p\u003e\n\u003cp\u003eThe Mexican artist FRIDA KAHLO (1907–1954) holds one of the most important positions in 20th-century art. 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On the occasion of his 150th birthday, \u003cem\u003eMondrian Evolution\u003c\/em\u003e is dedicated to his multifaceted work and artistic development. Initially working in the tradition of late-nineteenth century Dutch landscape painting, Symbolism and Cubism subsequently took on great significance for him. It was not until the early 1920s that the artist focused on a wholly non-representational pictorial vocabulary, concentrated on\u0026nbsp;the rectangular arrangement of black lines with surfaces in white and the primary colors blue, red, and yellow. In separate chapters, this path is traced through motifs such as windmills, dunes, the sea, farms reflected in the water, and plants in various forms of abstraction.\u003c\/p\u003e\n\u003cp\u003ePIET MONDRIAN (1872–1944) was one of the pioneers of abstract art. 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Hailing from a strict Calvinist family, the artist became famous for his compositions of black lines and rectangular fields in primary colors, but his early work was influenced by 19th century Dutch landscape painting.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977103864072,"sku":"9783775752367","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752367_76ff1566-6463-4cbb-8242-e38c9e046036.jpg?v=1744119759"},{"product_id":"59620-picasso-el-greco","title":"Picasso – El Greco","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003eSome 40 carefully chosen juxtapositions of masterpieces by both artists trace a dialogue that ranks among the most fascinating in art history. This publication brings Pablo Picasso\u0026#39;s (1881-1973) encounter with the Cretan-born old master Dom\u0026eacute;nikos Theotok\u0026oacute;poulos, better known as El Greco (1541-1614), vividly to life. El Greco\u0026rsquo;s unmistakable painting style won him considerable fame in his day. Soon after his death, however, his work was largely forgotten. It was only around 1900 that an El Greco revival was launched, with Picasso serving on the front lines. His engagement with the Greek-Spanish master not only went far deeper than has previously been assumed but also lasted much longer. From his first encounter with El Greco\u0026#39;s works shortly before 1900 until the end of his life, Picasso not only referenced but engaged in a fascinating artistic dialogue with the old master.\u003c\/p\u003e\n\u003cp\u003eThe KUNSTMUSEUM BASEL houses the oldest public art collection in the world. For the exhibition, curators Carmen Gimenez and Josef Helfenstein bring together prestigious loans from around the world with a core group of Picasso's works from their own collection.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526278439176,"sku":"9783775752138","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752138_915aca87-154f-4ef9-9340-d4efb875a1d8.jpg?v=1744127297"},{"product_id":"59927-piet-mondrian-az","title":"Piet Mondrian","description":"\u003cp\u003ePivotal in modern art\u0026rsquo;s move towards abstraction, Piet Mondrian\u0026rsquo;s oeuvre is extraordinarily versatile and complex. Not only did he paint and draw, he also wrote extensively about his thoughts and theories on art and life. Moving from traditional Dutch landscape painting to a pronounced rhythmic framework focusing on compositional structure rather than naturalistic representation, Mondrian was profoundly impressed by contemporary culture. Thus, he was not only inspired by the pattern of the extensive Dutch canal system, but also by the rhythm of jazz and the foxtrot. Demonstrating the impact of his oeuvre, Yves Saint-Laurent\u0026#39;s famous \u0026quot;Mondrian Dress\u0026quot; even made him a fashion icon posthumously.\u0026nbsp;\u003cbr \/\u003e\nCelebrating the 150th anniversary of his birth, Ulf K\u0026uuml;ster entertainingly leads through well- and lesser-known aspects of Mondrian\u0026#39;s life and work offering inspiring impulses for reflection and further engagement with the fascinating artist.\u003c\/p\u003e\n\u003cp\u003ePIET MONDRIAN’s (1872–1944) early work was influenced by the Dutch landscape painting of the 19th century. However, it was his strictly abstract geometric compositions that gained the artist world fame. He worked in Paris, London and New York, where he was active in the avant-garde circles of his time. The art historian ULF KÜSTER (*1966, Stuttgart) has been working at the Fondation Beyeler in Riehen\/Basel since 2004, where he curates internationally acclaimed exhibitions. He has written numerous publications, among them his text on Louise Bourgeois in the series Art to Read and Edward Hopper A-Z, published by Hatje Cantz.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45056243859720,"sku":"9783775752473","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752473_e349f643-5733-4e4a-a410-09539cf8ea87.jpg?v=1744127441"},{"product_id":"59928-piet-mondrian-a-to-z","title":"Piet Mondrian","description":"\u003cp\u003ePivotal in modern art\u0026rsquo;s move towards abstraction, Piet Mondrian\u0026rsquo;s oeuvre is extraordinarily versatile and complex. Not only did he paint and draw, he also wrote extensively about his thoughts and theories on art and life. 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However, it was his strictly abstract geometric compositions that gained the artist world fame. He worked in Paris, London and New York, where he was active in the avant-garde circles of his time. The art historian ULF KÜSTER (*1966, Stuttgart) has been working at the Fondation Beyeler in Riehen | Basel since 2004, where he curates internationally acclaimed exhibitions. He has written numerous publications, among them his text on Louise Bourgeois in the series Art to Read and Edward Hopper A-Z, published by Hatje Cantz.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526279225608,"sku":"9783775752480","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752480_e28314fa-c8c5-4726-85f6-d5f45da88804.jpg?v=1744127434"},{"product_id":"58891-edward-hopper","title":"Edward Hopper","description":"\u003cp\u003eEdward Hopper\u0026rsquo;s world-famous paintings articulate an idiosyncratic view of modern life. With his impressive subjects, independent pictorial vocabulary, and virtuoso play of colors, Hopper continues to influence to this day the image of the United States in the first half of the twentieth century. He began his career as an illustrator and became famous around the globe for his oil paintings. They testify to his great interest in the effects of color and his mastery in depicting light and shadow. The Fondation Beyeler is devoting its large exhibition in the spring of 2020 to Hopper\u0026rsquo;s iconic images of the vast American landscape. The catalogue gathers together all of the paintings, watercolors, and drawings from the 1910s to the 1960s on display in the exhibition, and supplements them with essays focused on the subject of depicting landscape. EDWARD HOPPER (1882\u0026ndash;1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work continues to be influential to this very day. 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The Third Reich\u0026rsquo;s Ministry of Propaganda correctly assumed that a portion of such works would find buyers abroad, in this way certain artworks deemed \u0026ldquo;internationally exploitable\u0026rdquo; reached the art market through various channels. In 1939 Georg Schmidt (1896\u0026ndash;1965), the museum\u0026rsquo;s director at the time, managed to acquire the painting \u003cem\u003eFate of the Animals\u003c\/em\u003e by Franz Marc and 20 other avant-garde masterpieces. In this\u0026nbsp;catalogue, renowned experts trace the events based on the seizures from German museums and explain the historical context\u0026mdash;presenting the protagonists from the institutions involved and the art market, as well as revealing how the Nazi regime\u0026#39;s act of cultural violence that resulted in an artificial fragmentation of modernism into art that was \u0026quot;exploitable\u0026quot; on the one hand, and art that has been destroyed or forgotten on the other. The various contributions bring the specifically Swiss aspects of this story into focus, such as on the auction of the Galerie Fischer in Lucerne, on Georg Schmidt\u0026#39;s approach, and on the classification of the acquisitions in the context of Basel\u0026#39;s collection history.\u003c\/p\u003e\n\u003cp\u003eThe KUNSTMUSEUM BASEL houses the oldest public art collection in the world.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755241447688,"sku":"9783775752213","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752213_729a9b97-a33d-412a-9927-4252ace2295b.jpg?v=1744150606"},{"product_id":"59909-max-beckmann","title":"Max Beckmann","description":"\u003cp\u003eTravel is a fundamental experience of human existence. For Max Beckmann it was of existential importance both in a symbolic, but also in a deeply personal sense. In the 1920s, he regularly traveled to the noble health resorts and palace hotels on the Dutch, Italian, and French coasts. His defamation as a \u0026quot;degenerate\u0026quot; artist by the Nazi regime, however, forced him to retreat, first from Frankfurt to Berlin and subsequently into exile in Amsterdam. His emigration to the United States marked the culmination of a life entwined with the longing to travel as well as uprooting, transit, and exile. \u003cem\u003eMax Beckmann. DEPARTURE\u003c\/em\u003e assembles an outstanding selection of artworks and initiates a dialogue with hitherto unseen objects and materials from the Max Beckmann Archive. It shows Beckmann\u0026rsquo;s relationship to film and literature as a producer of images of aspirations and longing resonating with notions of identity and home.\u003c\/p\u003e\n\u003cp\u003eMAX BECKMANN (1884-1950) is one of the most important artists of the 20th century. 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A series of insightful conversations with the artists Etel Adnan, Claudia Comte, Elisabeth Goldring-Piene, Brigitte Kowanz, Alicja Kwade, D\u0026oacute;ra Maurer, Amalia Pica, Tom\u0026aacute;s Saraceno, as well as in-depth texts on Imi Knoebel and William Kentridge are accompanied by numerous exhibition views. 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They are counted among the so-called circle of the \u0026quot;painters of the sacred heart\u0026quot;; their scenarios, often borrowed from nature, especially flowers and fruits, but also people in parks and landscapes, indicate a closeness to nature, a sensitive approach to the things of the immediate environment, with which they apparently sought to escape the coldness of uprising modernism.\u003c\/p\u003e\n\n\u003cp\u003eThese French pioneers of authentic art were discovered by the German art historian Wilhelm Uhde (1874\u0026ndash;1947), who organized their first joint exhibition in Paris in 1928.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44880565436680,"sku":"9783775753395","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753395_2499c221-c684-4498-8667-0aea3c1c4b53.jpg?v=1744055712"},{"product_id":"60309-pauls-reise-zu-den-fischen","title":"Pauls Reise zu den Fischen","description":"\u003cp\u003eThe adventurer Paul and his brave sister go on a trip with her big ship. 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With an initial focus in abstract art, the collection later expanded-not least with the acquaintance and friendship with the artists-to other areas such as pop art, Nouveau Réalisme or Fluxus with works by Emmett Williams, Richard Hamilton or Daniel Spoerri. This publication, which appears on the occasion of the 50th anniversary of the collection, looks back on history and serves as an updated scientific existing catalog of all works.\u003c\/p\u003e\u003cp\u003eThe Karin and Uwe Hollweg Foundation was founded in 1996 as a non -profit foundation of civil law. The originally private art collection, which has been incorporated into Karin and Uwe Hollweg Foundation since 2012, is located in the Hollweg Haus in Bremen. 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In this phase, diaries and sketchbooks were created, which are published for the first time in this volume and are of particular value in various ways: based on their, the emergence of a unique artistic position can be followed up and authentic insights into everyday prison life under the swastika. They provide information about the importance of the drawing in the work of Uhlmann, which is often primarily received as a sculptor, and about its inner rearing against the injustice regime.\u003c\/p\u003e\u003cp\u003eHans Uhlmann (1900–1975), who is known for his metal work, is one of the most important German artists of the post -war period. 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The studios themselves are almost total works of art, and therefore their photographs, like those of the guests or works in the rooms, are fascinating. Mondrian's highly prominent respective contemporaries and his personal \"styling\" form another visually impressive narrative thread. Detailed captions and extensively illustrated essays on the significance of photography in the context of Mondrian's work make this book a unique document of his contemporary history.\u003cbr\u003e\u003cbr\u003ePIET MONDRIAN (1872–1944) was one of the pioneers of abstract art. 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Paper offered her a space to experiment freely. Through repetitions, she built up a repertoire of motifs and developed her formal language further, blurring the line between observation and abstraction, sheet after sheet. \u003cbr\u003eWith an outstanding selection of works spanning four decades, this volume offers for the first time a comprehensive look at O'Keeffe's works on paper—from the organic abstractions, nude drawings, and nature cycles of her early creative phase to the flowers, portraits, and aerial views of the following decades. In their texts, Samantha Friedman and Laura Neufeld show how working on paper shaped the oeuvre of the great artist and explain her outstanding position within American modernism.\u003cbr\u003e\u003cbr\u003eGEORGIA O'KEEFFE (1887–1986) is one of the most important American artists of the 20th century. Raised on a farm in Wisconsin, her paintings gained great attention in New York from the 1920s onwards. 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The reduction to land and sea is a reflection on England and the loss of its original landscapes to industrialization. In the context of his time, the significance of this English painter lies in his assertion of the landscape painting genre and its pictorial formulation.\u003cbr\u003e\u003cbr\u003eANTHONY AMIES (1945, Norwich–2000, London) studied painting and printmaking at the Slade School of Fine Art in London from 1964–1970. In the early 1970s, he developed a visual language that defied the zeitgeist and was criticized by some as a revival of Pointillism, a style he pursued until his early death in 2000. In 1977, he received the Arts Council Award and taught painting and printmaking at the Camden Institute and the Camden School of Art from 1973–1995.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811895058696,"sku":"9783775754705","price":54.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775754705_4953fcf1-59c3-4923-85ca-55a368ec7772.jpg?v=1745309329"},{"product_id":"65294-philipp-fuerhofer","title":"Philipp Fürhofer","description":"Palm leaves, sunsets, forests – at the intersection of installation and painting, Philipp Fürhofer’s tropical landscapes oscillate between light and shadow in hybrid light boxes. The foliage emerges almost graphically, or details disappear behind semi-transparent surfaces. But the romantic view of nature is deceptive: beneath the cracked layers of his painting, the question of the existential, reciprocal influence of humanity and nature, of a capitalist civilization and the constant destruction of its own habitat, is revealed. The catalogue is published on the occasion of a focused solo exhibition at the Städel Museum in Frankfurt, which presents the latest works and a site-specific piece that creates a mystical jungle landscape in dialogue with the architectural and artistic elements of the space. A curatorial essay by Svenja Grosser and a conversation with opera critic Christine Lemke-Matwey contextualize the works within Fürhofer’s practice.\u003cbr\u003e\u003cbr\u003eArtist and stage designer PHILIPP FÜRHFER (*1982, Augsburg) is internationally renowned for a body of work that uses acrylic glass, mirrors, and light to create highly aesthetic and subtly profound effects. His works are literally multi-layered: they are simultaneously image, sculpture, and light object. Fürhofer’s play with multidimensional illusion is also evident in the stage designs he created for the Bayreuth Festival or the opera houses of Amsterdam, London, and Copenhagen. He lives and works in Berlin.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44880584114440,"sku":"9783775755245","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/9783775755245_01.jpg?v=1692361075"},{"product_id":"64932-hannah-hoech","title":"Hannah Höch","description":"Hannah Höch is primarily known as a representative of the Dada movement and for her photocollages dating back to the 1910s. This book reveals a different, more private Hannah Höch: landscapes, watercolors, and miniatures, artistically reinterpreted memories, portraits, and botanical pieces, in which her philosophy of becoming and passing away is expressed. The collection of the Berlin Museum Reinickendorf, which also includes her handicrafts and curiosities she collected, documents important aspects of her life and provides insights into her personal relationships. During the Nazi era, she withdrew from cultural life, defamed as a \"cultural Bolshevist.\" A small wooden house in Heiligensee in northern Berlin offered her and her art refuge during this time of radical isolation. Here she survived war, hunger, and loneliness and found a new beginning after 1945.\u003cbr\u003e\u003cbr\u003eHANNAH HÖCH (1889, Gotha – 1978, Berlin) was part of the circle of Berlin Dadaists including Raoul Hausmann, George Grosz, and John Heartfield. Always interested in experimentation, a progressive, emancipatory consciousness shaped her artistic work.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44940834799880,"sku":"9783775754798","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775754798_3b4446a8-61ca-4091-9bbc-259b69d29caa.jpg?v=1745307726"},{"product_id":"65383-cham-soutine","title":"Chaïm Soutine","description":"Urgent, pressing, concentrated: Chaïm Soutine's expressive paintings are testimonies to a fractured sense of life and an existence on the fringes of society. His intensely colorful, thickly impastoed, roughly brushed portraits, his swaying landscapes, and his images of slaughtered animals bear witness to an intense hunger for life and, at the same time, a great sense of alienation in a wavering world that offers no stability. Despite all the recognition his work received, Soutine remained an outsider throughout his life, finding many French social customs foreign. The catalog focuses on his early masterpieces and series, created between 1919 and 1925: With the shared theme of emigration and displacement, the essays reveal the traces of Soutine's Jewish heritage in his painting, illuminate the significance of marginal existences as a motif, and the depiction of blood and slaughtered animals as a metaphor. Above all, however, they demonstrate the central influences of Soutine's art right up to the present day.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/64995-cham-soutine?_pos=1\u0026amp;_sid=57e621ac8\u0026amp;_ss=r\"\u003eGerman\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eCHAÏM SOUTINE (1893 – 1943) grew up in a shtetl near Minsk – a youth marked by poverty, religious austerity, and social exclusion. In 1913, he came to Paris and took a studio in \"La Ruche,\" the \"Beehive,\" where numerous artists worked, including Marc Chagall and Amedeo Modigliani. Fleeing the National Socialists, he died in 1943. The international attention his work garnered in the art scene since the 1920s continues to this day: artists of Abstract Expressionism and New Figuration refer to him, as does contemporary painting.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526289875208,"sku":"9783775755412","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755412_5d5aed76-25a6-4710-b3a8-787052856017.jpg?v=1745308919"},{"product_id":"65345-das-kunstpublikum","title":"The art public","description":"In addition to production and dissemination, reception is the third major research area in art history. Typically, the focus is on individual reception. The Art Audience. A Short History, on the other hand, for the first time examines the significance of a necessary but often overlooked actor in the art world. Pictorial and written records from all eras document audience behavior and the varying assessments by artists, collectors, and critics.\u003cbr\u003e\u003cbr\u003eBätschmann demonstrates that experts in the art system constantly oscillate between two extremes: they are either skeptical of the audience and disdain its taste, or they flatter the masses and seek their applause.\u003cbr\u003e\u003cbr\u003eOSKAR BÄTSCHMANN (*1943) is one of the most important art historians of our time. He taught in Zurich, Freiburg i.Br., Giessen, and Bern, and held extended research fellowships at the Getty Center, Santa Monica, the Bibliotheca Hertziana, Rome, and the Center for Advanced Study in the Visual Arts at the National Gallery of Art, Washington, D.C. Bätschmann's books, including Einführung in die kunstgeschichtliche Hermeneutik and Ausstellungskünstler, are considered classics in the field.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5527-6)","offer_id":44367893070088,"sku":"9783775755276","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5528-3)","offer_id":44573669818632,"sku":"9783775755283","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5529-0)","offer_id":44573669851400,"sku":"9783775755290","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755290_6b4e0ada-8144-45e5-8811-7e6903e6e2b3.jpg?v=1745308913"},{"product_id":"65237-therese-weber","title":"Therese Weber","description":"The American paper art of the early 1980s inspired Therese Weber to engage with paper on a completely different scale. As both an artist and a researcher, she has since dedicated herself to this medium and its cultural history. From paper creations and research into prehistoric rock carvings to site-specific installations and performative actions in desert and mountain regions, Therese Weber's artistic practice exhibits a methodical diversity. Her research trips and stays in Japan, China, and Central Asia became guiding principles for the development of her concepts early on. This book presents the main thematic focuses as well as the intertwining of the artist's various media and themes. The spatial relationship between center and periphery, boundaries and boundary crossings are at the core of her visual vocabulary and characterize her artistic language. THERESE WEBER (b. 1953, Switzerland) is one of the most important protagonists of Paper Art. The Swiss artist interweaves photography, drawing, objects, and performative actions into an innovative visual language. Expeditions to the Far East and to Central and Southeast Asia have shaped her artistic research focuses over the last thirty years.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755248361736,"sku":"9783775755184","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755184_863a9420-5d3b-4853-b661-3254284807e5.jpg?v=1744141149"},{"product_id":"65227-niko-pirosmani","title":"Niko Pirosmani","description":"Niko Pirosmani is both a discovery and a legend. Still unknown to many, he is revered as a national artist in his home country of Georgia. Pirosmani's portraits and animal paintings, created around 1900 in Tbilisi, possess a peculiar expressiveness and great sensitivity. His landscapes and everyday scenes draw on elements of medieval iconography and testify to a deep connection with his compatriots. At the same time, the avant-garde recognized in Pirosmani's work a new, radical, and unknown form of painting. Like Henri Rousseau or Marc Chagall, the autodidact is one of the extraordinary, hard-to-classify artists of early modernism. This catalog showcases Pirosmani's skill in numerous illustrations: how he makes the sparingly applied colors glow as if from a dark depth on black oilcloth with precise, sketchy brushstrokes. Pirosmani was a master of concentration – and a storyteller. As expertly explained by Georgian art historians in the catalog, he was a singular artist, a contradictory figure, and an important part of the art scene in Tbilisi, which was then considered the \"Paris of the East.\"\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/65226-niko-pirosmani?_pos=1\u0026amp;_sid=d64d1cfba\u0026amp;_ss=r\"\u003eGerman\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eBorn into a peasant family, NIKO PIROSMANI (1862 – 1918) came to Tbilisi in 1870. Odd jobs and painting portraits or tavern signs provided him with a modest income. In 1912, he attracted the attention of Georgian and Russian avant-garde artists, who exhibited his works a year later in the exhibition Mischén (Target) in Moscow alongside Natalia Goncharova, Mikhail Larionov, Kazimir Malevich, and Marc Chagall. A planned exhibition in Paris was prevented by the outbreak of the First World War. Pirosmani died in extreme poverty in 1918. Today, he is considered Georgia's most famous artist.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526290465032,"sku":"9783775755146","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755146_4a06288e-74c5-4f9d-8765-2eca6b074edf.jpg?v=1745308895"},{"product_id":"65226-niko-pirosmani","title":"Niko Pirosmani","description":"Niko Pirosmani is both a discovery and a legend. Still unknown to many, he is revered as a national artist in his home country of Georgia. Pirosmani's portraits and animal paintings, created around 1900 in Tbilisi, possess a peculiar expressiveness and great sensibility. His landscapes and everyday scenes draw on elements of medieval iconography and bear witness to a deep connection with his compatriots. At the same time, the avant-garde recognized a new, radical, and unknown form of painting in Pirosmani's work. Like Henri Rousseau or Marc Chagall, this autodidact is one of the exceptional, hard-to-categorize artists of early modernism. This catalog showcases Pirosmani's skill in numerous illustrations: how, with precise, sketchy brushstrokes on black oilcloth, he makes sparsely applied colors glow as if from a dark depth. Pirosmani was a master of concentration – and a storyteller. As expertly explained by Georgian art historians in the catalog, he was a singular artist, a contradictory figure, and an important part of the art scene in Tbilisi, which was then considered the \"Paris of the East.\"\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/65227-niko-pirosmani?_pos=1\u0026amp;_sid=a1353aa3d\u0026amp;_ss=r\"\u003eEnglish\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eBorn into a peasant family, NIKO PIROSMANI (1862 – 1918) came to Tbilisi in 1870. Odd jobs and painting portraits or tavern signs helped him earn a modest income. In 1912, he attracted the attention of Georgian and Russian avant-garde artists, who presented his works a year later at the Mischén (Target) exhibition in Moscow alongside Natalia Goncharova, Mikhail Larionov, Kazimir Malevich, and Marc Chagall. A planned exhibition in Paris was prevented by the outbreak of World War I. Pirosmani died in utter poverty in 1918. Today, he is considered Georgia's most famous artist.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45094556565768,"sku":"9783775755139","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755139_b3124b5e-f05c-4eec-86c2-6f53b7b8ecaa.jpg?v=1745308888"},{"product_id":"65361-charles-stankievech","title":"Charles Stankievech","description":"The Desert Turned to Glass is a place where the cosmic and the chthonic collide. To mark the centenary of the planetarium as an architectural typology, this book gathers a new body of work by Canadian artist Charles Stankievech. Thematically, the project explores alternative theories on the origin of life, consciousness, and art, bridging the cosmological visions of cave art with the modern technology of the planetarium. In this richly illustrated volume, images of Stankievech's installations and cinematic works are combined with writings specifically commissioned for these projects from experts in geology, exobiology (the study of extraterrestrial life), philosophy, and archaeology. From outer space to the depths of the Earth: The Desert Turned to Glass is an epic meditation on origins, end scenarios, and infinity.\u003cbr\u003e\u003cbr\u003eCHARLES STANKIEVECH (*1978, Canada) is an artist who redefines \"field research\" at the intersection of geopolitics, deep ecology, and sonic resonance. From the northernmost settlement in the Arctic to the depths of the Pacific, Stankievech uncovers the paradoxes of our existence on the planet by engaging with the imperceptible. He teaches at the University of Toronto.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755248460040,"sku":"9783775755313","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755313_8977fa73-72da-4cc4-8ea7-798c3e53764e.jpg?v=1745308879"}],"url":"https:\/\/www.hatjecantz.de\/en\/collections\/modern-art.oembed?page=5","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}