{"title":"Cultural history","description":"\u003cp style=\"text-align: left;\"\u003eHigh-quality volumes on cultural history, books from the fields of poetry, language, music, fashion, industry and much more.\u003c\/p\u003e","products":[{"product_id":"53490-wolfgang-pehnt-staedtebau-des-erinnerns","title":"Wolfgang Pehnt. Städtebau des Erinnerns","description":"\u003cp\u003eWhy is it that people refer to Dresden as \u0026ldquo;Florence on the Elbe\u0026rdquo;? And why is the nickname \u0026ldquo;Venice of the North\u0026rdquo; claimed by several cities, from Amsterdam, Bruges, and Hamburg, to St. Petersburg and Stockholm? And where will you not find a Rome\u0026mdash;whether you\u0026rsquo;re in Constantinople, the so-called new Rome with its seven hills, or in Moscow, which is known as \u0026ldquo;the third Rome\u0026rdquo;? It becomes really interesting when cities that model themselves after cities are themselves elevated to role models, as in the case of Paris. Is the pleasure that cities take in \u0026ldquo;citing\u0026rdquo; or imitating other cities even relevant today? The architectural historian Wolfgang Pehnt takes us along on an examination of all these questions in this informative and enlightening volume. Through his vivid, succinct writing style he explores the origins, legends, and role models of cities, from Athens to Jerusalem. He teaches his readers to read cities like a book.\u003cbr \/\u003e\n\u003cbr \/\u003e\n​WOLFGANG PEHNT (*1931, Kassel), architectural historian and critic, studied German, art history, and philosophy at the universities of Marburg, Munich, and Frankfurt am Main. From 1957 to 1963 he was an editor at the Gerd Hatje publishing company in Stuttgart. From 1963 to 1995 he was an editor and department head for Deutschlandfunk. From 1995 to 2009 he taught architectural history at the Ruhr University, Bochum. He is the recipient of honors in the fields of criticism and theory from a variety of groups, such as the Verband Deutscher Architekten- und Ingenieurverein, Bund Deutscher Architekten, and the Erich Schelling Foundation.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755189707016,"sku":"9783775747202","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747202_499c00fe-532c-4d41-b07d-4429c792b62e.jpg?v=1744148454"},{"product_id":"45296-das-geheimnis","title":"Das Geheimnis","description":"\u003cp\u003eSecrecy is alluring! Already early anthropologists showed great interest in secret knowledge and secret societies, and, in the age of Wikileaks and the ongoing Internet privacy debate, the issue is still high on the list. The companion volume to the exhibition of the same title at the Museum der Kulturen Basel (13 April 2018 to 21 April 2019) looks at secrecy from the perspective of social order. Secrecy creates boundaries between insiders and outsiders, between the informed and the uninformed. Access to secret knowledge means power, revealing it spells danger.\u003c\/p\u003e\n\n\u003cp\u003eContributions from current research in diverse fields uncover how secrecy comes into effect in different cultural settings, while in-depth portraits of arcane objects from the collections of the Museum der Kulturen Basel reveal that secrets not only have a hidden but very often also a visible, public dimension.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526205923592,"sku":"9783775744362","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744362_45e88acc-ebd0-4835-8db3-f7d837cc5337.jpg?v=1744052953"},{"product_id":"53502-koerper-blicke-macht-body-gaze-power","title":"Body. Gaze. Power. \/ Körper. Blicke. Macht.","description":"\u003cp\u003eAt the center of the project Body. Gaze. Power. A Cultural History of the Bath is a global social practice that is as old as humankind itself. Even though it has always been associated with cleansing rituals, what is revealed here are centuries of bathing references that go far beyond such topics as hygiene, health, and wellness. In fact, as the site where the act of bathing occurs, the bathroom has always been ideologically, religiously, socially, and culturally charged, and it remains so to this day. The catalogue features objects and works of art from various epochs, lands, and cultures, from seventeenth-century barber\u0026rsquo;s bowls, heaters, or nineteenth-century hammam sandals, to works by artists ranging from Albrecht D\u0026uuml;rer to David Hockney, Thomas Demand to Zoe Leonard. Besides the many illustrations, informative texts help readers to immerse themselves in the pleasures of various bathing cultures.\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eSELECTED FEATURED ARTISTS:\u003cbr \/\u003e\nPatrick Angus, Joseph Beuys, Giuseppe Cesari, Atelier de Jacques-Louis David, Maurice Denis, Thomas Demand, Albrecht D\u0026uuml;rer, Martin Engelbrecht, Rainer Fetting, Friedrich Wilhelm Gmelin, Nan Goldin, David Hockney, Nicolas Ren\u0026eacute; Jollain, Ute Klophaus, Leonard Koren, Katarzyna Kozyra, Lee Miller, Pablo Picasso, Chiharu Shiota, Gaston de la Touche, Ben Vautier, Eug\u0026egrave;ne Viollet-le-Duc, Friedrich Weinbrenner\u003cbr \/\u003e\n\u0026nbsp;\u003cbr \/\u003e\nEXHIBITION\u003cbr \/\u003e\nStaatliche Kunsthalle Baden-Baden\u003cbr \/\u003e\nMarch 7\u0026ndash;June 21, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197374728,"sku":"9783775747257","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747257_d17339d7-1048-4f54-b8ea-b49c31f18b4c.jpg?v=1744109537"},{"product_id":"53721-steirischer-herbst-19","title":"steirischer herbst ’19","description":"\u003cp\u003eA grand hotel on the edge of the abyss? The phrase that provided the title and the agenda for steirischer herbst \u0026rsquo;19\u0026mdash;\u003cem\u003eGrand Hotel Abyss \u003c\/em\u003ecame from the pen of the philosopher Georg Luk\u0026aacute;cs. In the early 1930s he used this striking metaphor to describe the attitude of the European intellectual and cultural scene who continued to party in an uninhibited, hedonistic manner, despite the looming rise of fascism. Doomsday scenarios viewed from a snug sofa, along with the culinary and cultural comfort zones known as \u0026ldquo;Genusshauptst\u0026auml;dte\u0026rdquo; (pleasure capitals), demonstrate that the apocalypse can be shaped in a thoroughly pleasant and exciting manner today. This reader, accompanying the 52nd edition of the steirischer herbst, tracks these observations and explores the actual relevance of this historical context, as well as the significance of critical artistic attitudes, in essays, artists\u0026rsquo; texts, and numerous illustrations.\u003cbr \/\u003e\n\u003cbr \/\u003e\nEvery year for a month,\u003cem\u003e steirischer herbst,\u003c\/em\u003e the oldest interdisciplinary festival of contemporary art in Europe, turns the city of Graz and the province of Styria in Austria into a parcours of installative and performative works. Since 1968, the festival has offered a platform for public debates, critical positions, and dialogues between the arts.\u003cbr \/\u003e\n\u003cbr \/\u003e\nTHE ARTISTS\u003cbr \/\u003e\nAriel Efraim Ashbel and friends; Cibelle Cavalli Bastos; Alexander Brener and Barbara Schurz; Keti Chukhrov \/ Guram Matskhonashvili; Jasmina Cibic; Counterpositions (Eduard Freudmann, Thomas Geiger, and Elizabeth Ward); Das Planetenparty Prinzip; Jeremy Deller; Bojan Djordjev \/ Goran Ferčec; Elmgreen \u0026amp; Dragset; Ian Hamilton Finlay; Jule Flierl; Giorgi Gago Gagoshidze; Riccardo Giacconi; Grupa Ee; Jakob Lena Knebl and Markus Pires Mata; The Life and Adventures of GL; Daniel Mann and Eitan Efrat; Oscar Murillo; Erna \u0026Oacute;marsd\u0026oacute;ttir \u0026amp; Valdimar J\u0026oacute;hannsson; Boris Ondreička; Manuel Pelmuș; Michael Portnoy; Blanka R\u0026aacute;d\u0026oacute;czy \/ Vladimir Sorokin; Hanna Rohn; Andreas Siekmann; Nedko Solakov; Andrei Stadnikov with Vanya Bowden, Shifra Kazhdan, and Dmitry Vlasik; Theater im Bahnhof; Michiel Vandevelde; Gernot Wieland; Jaśmina W\u0026oacute;jcik; Zorka Wollny; Artur Żmijewski\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755197669640,"sku":"9783775747462","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747462_c789821e-6e14-422a-ae4a-3c55021ac122.jpg?v=1744151171"},{"product_id":"59288-blitzsymbol-und-schlangentanz","title":"Blitzsymbol und Schlangentanz","description":"\u003cp\u003eThe legacy of the art and cultural scientist Aby Warburg offers many subjects for reassessment. Almost unknown until now are the artifacts he collected on a journey through the southwest of the US in 1895\/96 and donated to the Museum f\u0026uuml;r V\u0026ouml;lkerkunde in Hamburg (today Museum am Rothenbaum). The results first unfolded in Warburg\u0026#39;s famous lecture on the \u0026ldquo;snake ritual\u0026rdquo; of the Hopi (1923). Following Warburg\u0026rsquo;s transdisciplinary approach, this publication examines his guiding principles in assembling his collection as well as his reading of Pueblo art and culture. It pays tribute to the works and their artistic significance and sheds light on the circumstances of\u0026nbsp;acquisition in the sociopolitical environment of the Pueblo communities of the time. The contemporary fascination with the snake ritual is also a topic. Set against this are the previously neglected perspectives and strategies of Pueblo leaders to regain interpretive sovereignty over culturally sensitive content and imagery.\u003c\/p\u003e\n\u003cp\u003eABY WARBURG (1866–1929) is considered as the founder of a modern art history oriented towards cultural studies. His research was mainly concerned with the investigation of the afterlife of antiquity in the Renaissance, which he recorded in his iconic Bilderatlas Mnemosyne.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977095475464,"sku":"9783775752015","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752015_4b0a499b-e099-433b-8371-06174caf93ee.jpg?v=1744049916"},{"product_id":"59289-lightning-symbol-and-snake-dance","title":"Lightning Symbol and Snake Dance","description":"\u003cp\u003eThe legacy of the art and cultural scientist Aby Warburg offers many subjects for reassessment. Almost unknown until now are the artifacts he collected on a journey through the southwest of the US in 1895\/96 and donated to the Museum f\u0026uuml;r V\u0026ouml;lkerkunde in Hamburg (today Museum am Rothenbaum). The results first unfolded in Warburg\u0026#39;s famous lecture on the \u0026ldquo;snake ritual\u0026rdquo; of the Hopi (1923). Following Warburg\u0026rsquo;s transdisciplinary approach, this publication examines his guiding principles in assembling his collection as well as his reading of Pueblo art and culture. It pays tribute to the works and their artistic significance and sheds light on the circumstances of acquisition in the sociopolitical environment of the Pueblo communities of the time. The contemporary fascination with the snake ritual is also a topic. Set against this are the previously neglected perspectives and strategies of Pueblo leaders to regain interpretive sovereignty over culturally sensitive content and imagery.\u003c\/p\u003e\n\u003cp\u003eABY WARBURG (1866–1929) is considered as the founder of a modern art history oriented towards cultural studies. His research was mainly concerned with the investigation of the afterlife of antiquity in the Renaissance, which he recorded in his iconic Bilderatlas Mnemosyne.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526209528072,"sku":"9783775752022","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752022_084b4234-95f6-46cc-bb1c-a0066e7dc6d2.jpg?v=1744111083"},{"product_id":"53694-house-of-europe","title":"House of Europe","description":"\u003cp\u003eTo celebrate Germany\u0026rsquo;s turn in the presidency of the EU Council, the German National Library is publishing this wonderful series of pictures, representing a visual \u0026ldquo;catch\u0026rdquo; culled from the more than thirty-four million media sources maintained in their storehouses in Leipzig and Frankfurt am Main. Through the theme \u0026ldquo;Europe in Germany,\u0026rdquo; this volume pursues the many marks that Europe has left on the national cultural memory. Here, Europe is regarded not just as a geographic space or an economic policy group, but above all, as an idea and a vision of a society that holds common values. Now, more than ever, Europe can be seen in the context of today\u0026rsquo;s social discourse as a cultural, political mission entirely in keeping with the etymological roots of the word \u0026ldquo;Europe\u0026rdquo; in the phrase \u0026ldquo;far-sighted.\u0026rdquo; Starting with the geographical center of Europe, this illustrated volume invites readers to take a journey through brief essays that bring surprising opinions on Europe to the fore.\u003c\/p\u003e\n\n\u003cp\u003eSTEPHANIE JACOBS (*1963), who has a PhD in art history, has been head of the Deutsche Buch- und Schriftenmuseum der Deutschen Nationalbibliothek (The German National Library\u0026rsquo;s museum of books and other writings) in Leipzig since 2007. She is the editor of the publication In the Center of Europe.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755200585992,"sku":"9783775747455","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747455_de678807-bf50-4bea-af43-e98a2f68bdae.jpg?v=1744099002"},{"product_id":"17872-wolfsburg-unlimited","title":"Wolfsburg Unlimited","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003eWhat is a city? Or even better: what can a city be? The new director of the Kunstmuseum Wolfsburg, Ralf Beil, not only asked himself this question but also presented it to a circle of selected artists for the purpose of exploring the potential dissolution of Wolfsburg\u0026rsquo;s boundaries, its metamorphosis, and its reinterpretation. The catalogue assembles the results of this creative experiment, which is not only confined to museum space but uses the entire city as a source of inspiration for interventions. Major artists\u0026rsquo; projects are being developed specifically for the exhibition, such as a total installation by Julian Rosefeldt, performances by John Bock, or photographs by Eva Leitolf and Peter Bialobrzeski. The expansive and multiform works reflect not only the history and the present but also the future of a city between industrialization, mobilization, and digitalization, between mass and individual, local and global action.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003e\u003c!--?xml:namespace prefix = \"o\" \/--\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US\"\u003eThe participating artists: \u003c\/span\u003eFranz Ackermann, \u003c\/span\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eNevin Aladag\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e, C\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003ehristian Andersson, \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eRuedi Baur \/ Vera Baur, \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003ePeter Bialobrzeski, \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eJohn Bock\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e, J\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eanet Cardiff \/ George Bures Miller, \u003c\/span\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eDon Eddy, \u003c\/span\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eDouglas Gordon, \u003c\/span\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eHeinrich Heidersberger, \u003c\/span\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003ePeter Keetman, \u003c\/span\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eAnselm Kiefer, \u003c\/span\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eEva Leitolf\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eR\u0026eacute;my Markowitsch, \u003c\/span\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eArnold Odermatt, \u003c\/span\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003ePeter Roehr, \u003c\/span\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eDidier Rittener, \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eJulian Rosefeldt, \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eLuc Tuymans, \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eJames Welling\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-ansi-language: EN-US; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003e\u003cspan style=\"FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; COLOR: black; mso-bidi-font-family: \u0026quot;HelveticaNeueLT Std\u0026quot;\"\u003eExhibition: \u003cspan style=\"mso-bidi-font-weight: bold\"\u003eKunstmuseum Wolfsburg , 24.4.\u0026ndash;11.9.2016\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755202355464,"sku":"9783775741293","price":39.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741293_c00d7305-789c-4906-919c-62c159e2cbaf.jpg?v=1744148548"},{"product_id":"45183-auf-dem-weg-in-die-zukunft-en-route-vers-lavenir","title":"Auf dem Weg in die Zukunft \/ En route vers l\u0026#x27;avenir","description":"\u003cp align=\"left\"\u003eThe hundred-year commemoration of the end of World War\u0026nbsp;I, which can also be called a German-French war, currently demands that German-French relations be subjected to scrutiny once again. A century after the \u003cem\u003eGrande Guerre,\u003c\/em\u003e what is the state of the oft-invoked \u0026ldquo;friendship\u0026rdquo; between the two countries? With this question as a point of departure, the anthology takes inventory and, thanks to the essays by renowned scientists and scholars, provides an updated overview of various themes involving German-French relations (politics, history, culture, literature, youth, \u0026hellip;) for young adults, students, and other interested parties. The Kunststiftung NRW was fortunate enough to persuade prestigious authors to contribute to the Reims project, including Alfred Grosser, H\u0026eacute;l\u0026egrave;ne Miard-Delacroix, Claire Demesmay, Hans Stark, Gilbert Casasus, Corine Defrance, and Ulrich Pfeil.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44425537683720,"sku":"9783775744294","price":19.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744294_d5ce666f-48b5-4d63-b0b8-8df327e7ef24.jpg?v=1744045309"},{"product_id":"54376-in-aller-munde","title":"In aller Munde","description":"\u003cp\u003eMouth, lips, tongue, and teeth\u0026mdash;speech, pain, and screech\u0026mdash;eating, swallowing, spouting off, and spitting\u0026mdash;lust and passion: the oral cavity is an extremely stimulating zone of the body, in the truest sense of the word. Science and medicine are not the only fields that have investigated it, though. From antiquity to the present day, art and cultural history have done the same. The Kunstmuseum Wolfsburg has pursued the wide-ranging path of this motif\u0026rsquo;s history in order to present the first comprehensive show about the mouth in the fall of 2020. The companion publication offers thematically dense essays that not only allow the reader to delve into the topic, but also go far beyond the exhibition itself. The mouth, its inventory and abilities, are closely examined through film history, ethnology, literary theory, and architecture.\u003c\/p\u003e\n\u003cp\u003eThe KUNSTMUSEUM WOLFSBURG has been collecting international contemporary art since 1994. With the acquisition of key works of late modernism and important additions from contemporary art, a top-class collection has been built up. Parallel to this, the museum presents an ambitious exhibition program, tracing cultural connections for the public. The exhibition \"On Everyone’s Lips\" is curated by UTA RUHKAMP.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977098096904,"sku":"9783775747998","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747998_b0601b01-d478-4afc-b25f-737f0fc1f703.jpg?v=1744100300"},{"product_id":"58116-katharina-gruzei","title":"Katharina Gruzei","description":"\u003cp\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe Moscow Metro is a unique place. With a network of 400 kilometers of lines, exceptionally deep tunnels and stations, and nearly nine million passengers a day, it is one of the most heavily frequented underground subway systems in the world. Katharina Gruzei explored it over several years and now presents an aesthetically fascinating and socioculturally remarkable photographic survey. Ideologically charged and symbolic of Russia\u0026#39;s eventful history, the Metro was started as a prestige project and simultaneously conceived to also be used as a bunker. It was always intended as a place for people to congregate and is still today a living space where social, political and societal tendencies are made legible. With her photo series, the artist enables an extraordinary journey through time and space in the underground of Moscow, a metropolis of millions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKATHARINA GRUZEI (*1983) studied fine arts at the University of Art in Linz and the University of the Arts Berlin. She lives and works in Linz and Vienna as a freelance artist specializing in the media of photography, video, film, sound, and installation.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755214053640,"sku":"9783775750837","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750837_3d84503e-8b8c-4aff-b94f-959bf2af3573.jpg?v=1744285851"},{"product_id":"58623-animalistic","title":"animalistic!","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-023c852b-7fff-defa-7a63-b851021111e6\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eFour cultural history museums in Basel joined forces for this ambitious project on the relationship between humans and animals. In the summer of 2021, they realized four individual exhibitions, each with a different focus. Shows at Antikenmuseum Basel and Sammlung Ludwig, the Historisches Museum Basel, the Museum der Kulturen Basel, and the Pharmacy Museum of the University of Basel address the topic from different angles against the backdrop of their respective research focus. The results of the individual projects become visible in this joint publication. It reveals ambivalences, dependencies, and serious historical shifts within the human-animal relationship over the centuries \u0026ndash; from the harnessing of animals to their exaltation as deities.\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811865043208,"sku":"9783775751230","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751230_f74e0d95-0217-4388-9c42-3f69050385fb.jpg?v=1744150755"},{"product_id":"52805-hundertwasser","title":"Hundertwasser","description":"\u003cp\u003eThe paintings and architecture by the artist Friedensreich Hundertwasser are nothing less than revolutionary with respect to nature and individual creativity. His work is not about silent conformity, but about life itself: each individual, in society and in the environment. With their strong, colorful formal vocabulary, Hundertwasser\u0026rsquo;s works allow nature its space. Even beyond his artwork, though, the Austrian environmentalist fought for new ideas and ideals. In many conversations, lectures, letters, and manifestos, he formulated his notions\u0026mdash;from recycling, the greening of roofs and fa\u0026ccedil;ades, and the democratization of living space\u0026mdash;in order to lend them weight. What seemed like a utopia to his contemporaries is now urgently virulent and surprisingly current. Commemorating the twentieth anniversary of Hundertwasser\u0026rsquo;s death, this attractive book compiles his statements, excerpts from his manifestos, his paintings, examples of his utopian architecture, and his ideas for the future.\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eFRIEDENSREICH HUNDERTWASSER (1928\u0026ndash;2000) is known around the world for his visionary paintings and architecture. His works and essays make up a lively body of contemporary criticism, promoting clear-sighted concepts for changing social and economic circumstances.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526239019272,"sku":"9783775746984","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746984_5c24b849-e20a-46df-91fe-c6ff281cdc46.jpg?v=1757599961"},{"product_id":"59226-monobloc","title":"Monobloc","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-ccb00c66-7fff-da3b-0ead-8f0ce38ae71c\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe Monobloc is the best-selling piece of furniture of all time. It is estimated that there are one billion copies of this cheap, often white plastic chair \u0026ndash; all over the world, in every country and every corner. How did it get this far? Grimme Prize winner Hauke Wendler spent eight years working on a documentary that gets to the bottom of this question. This photobook, which brings together film sequences as well as archival footage from Monobloc enthusiasts around the world, tells the story of how this unremarkable chair, despised by many, conquered the world. How it destroyed livelihoods and brought wealth. How it threatens our environment and good taste. But also how the Monobloc is indispensable to millions of people for whom a chair is a chair and nothing more. \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eMONOBLOC\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e is a globalization-critical story between functionality and beauty, capitalism and participation, consumption and recycling.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHAUKE WENDLER (*1967) is a film director, writer, and producer. After studying political science and history, he began working as a freelance journalist and reporter for various television stations before focusing on his work as a filmmaker.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45599473762568,"sku":"9783775751872","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751872_084db9a8-6741-481d-84c6-fcbc3ed80b34.jpg?v=1744119870"},{"product_id":"52800-hundertwasser","title":"Hundertwasser","description":"\u003cp\u003eThe paintings and architecture by the artist Friedensreich Hundertwasser are nothing less than revolutionary with respect to nature and individual creativity. His work is not about silent conformity, but about life itself: each individual, in society and in the environment. With their strong, colorful formal vocabulary, Hundertwasser\u0026rsquo;s works allow nature its space. Even beyond his artwork, though, the Austrian environmentalist fought for new ideas and ideals. In many conversations, lectures, letters, and manifestos, he formulated his notions\u0026mdash;from recycling, the greening of roofs and fa\u0026ccedil;ades, and the democratization of living space\u0026mdash;in order to lend them weight. What seemed like a utopia to his contemporaries is now urgently virulent and surprisingly current. Commemorating the twentieth anniversary of Hundertwasser\u0026rsquo;s death, this attractive book compiles his statements, excerpts from his manifestos, his paintings, examples of his utopian architecture, and his ideas for the future.\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eFRIEDENSREICH HUNDERTWASSER (1928\u0026ndash;2000) is known around the world for his visionary paintings and architecture. His works and essays make up a lively body of contemporary criticism, promoting clear-sighted concepts for changing social and economic circumstances.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977100620040,"sku":"9783775746977","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746977_ad9808a5-f80a-4f8b-bc9f-62d472a1fcfa.jpg?v=1744099084"},{"product_id":"52472-sehnsucht-natur","title":"Sehnsucht Natur","description":"\u003cp\u003eArt allows us fascinating insights into foreign cultures and ideas. This is particularly true of Chinese landscape painting. With its tradition of more than 1,000 years, it reflects all of China\u0026rsquo;s cultural and intellectual history. Its view of nature follows its own rules. What at first glance seems to be idyllic ink wash pictures are actually far more than romantic images of landscapes. Through subtle allusions and references the painters were able to convey a whole range of messages, from social positions to political opposition, all the way to philosophical observations and very personal feelings. This splendid illustrated volume unlocks these codes and juxtaposes important historical works with landscape paintings by internationally renowned modern and contemporary artists. The dialogue between past and present reveals surprising links, but also ruptures and conflicts.\u003c\/p\u003e\n\n\u003cp\u003eThe MUSEUM RIETBERG in Zurich is one of Europe\u0026rsquo;s leading museums for World Art and well known for its splendid collection of Asian art. In large temporary exhibitions it presents historical and contemporary masterpieces in the light of new perspectives.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u003cbr \/\u003e\nMuseum Rietberg, Zurich\u003cbr \/\u003e\nSeptember\u0026nbsp;11, 2020\u0026ndash;January\u0026nbsp;17, 2021\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755226767624,"sku":"9783775746694","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746694_2ff881e0-5d18-4f12-bdac-2ad5404c0050.jpg?v=1744134941"},{"product_id":"53644-im-namen-des-bildes","title":"Im Namen des Bildes","description":"\u003cp\u003e\u003cem\u003eIn the Name of the Image\u003c\/em\u003e primarily attempts to direct attention to the history of both Islamic and Christian cultures, tracing and analyzing their ways of dealing with images. Even though both Christianity and Islam are familiar with religious bans on images, pictures, portraits, and other works of pictorial art can still be found in both cultural areas. Still, the prohibition of images is mainly associated with Islam, while the question of why, for example, statues of Mary are worshipped in (Catholic) churches, is rarely posed. What was the function of the image and what sort of meaning did it have? Whom did the image address, and what message did it send? What role did theology play in this, and what role was assigned to secular ruling powers? It turns out that there are not only diff erences between the two cultures, but unexpected similarities as well. Ultimately, this is a story that fl uctuates between iconophilism and iconophobia, between faith in images and criticism of them.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u0026nbsp;\u003cbr \/\u003e\nMuseum Rietberg, Zurich\u003cbr \/\u003e\nFebruary 3\u0026ndash;May 22, 2022\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977100947720,"sku":"9783775747325","price":34.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747325_c717a028-9c45-4249-9d30-b3ce7d394cee.jpg?v=1744099365"},{"product_id":"59227-monobloc","title":"Monobloc","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-76546434-7fff-5fca-084c-05283b5c9b27\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe Monobloc is the best-selling piece of furniture of all time. It is estimated that there are one billion copies of this cheap, often white plastic chair all over the world, in every country and every corner. How did it get this far? Grimme Prize winner Hauke Wendler spent eight years working on a documentary that gets to the bottom of this question. This photobook, which brings together film sequences as well as archival footage from Monobloc enthusiasts around the world, tells the story of how this unremarkable chair, despised by many, conquered the world. How it destroyed livelihoods and brought wealth. How it threatens our environment and good taste. But also how the Monobloc is indispensable to millions of people for whom a chair is a chair and nothing more. \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-style: italic; vertical-align: baseline; white-space: pre-wrap;\"\u003eMONOBLOC\u003c\/span\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e is a globalization-critical story between functionality and beauty, capitalism and participation, consumption and recycling.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\u0026nbsp;\u003c\/div\u003e\n\u003cp\u003eHAUKE WENDLER (*1967) is a film director, writer, and producer. After studying political science and history, he began working as a freelance journalist and reporter for various television stations before focusing on his work as a filmmaker.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526249636104,"sku":"9783775751919","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751919_fc065f00-945e-4f91-8d5a-afff3d278706.jpg?v=1744119877"},{"product_id":"52107-amusebouche","title":"Amuse-bouche","description":"\u003cp\u003eOne literally can\u0026rsquo;t argue about taste, but there is certainly a lot to say about it. How is it articulated within the spectrum of our senses? And how are perceptions of taste created in the first place? Can taste be manipulated? How can taste be verbalized? What role does the experience of taste play in social interaction and as artistic material?\u003cbr \/\u003e\nAfter the Museum Tinguely addressed visitors\u0026rsquo; senses with \u003cem\u003eBelle Haleine: The Scent of Art\u003c\/em\u003e and \u003cem\u003ePlease Touch: Art\u0026rsquo;s Sense of Touch,\u003c\/em\u003e an interdisciplinary symposium on taste and food culture followed in early 2019, which put the many fields of human activity affected by taste to the test. This book contains the resulting essays written from the points of view of art and cultural history, as well as psychology, linguistics, and biochemistry.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u0026nbsp;\u003cbr \/\u003e\nMuseum Tinguely, Basel\u003cbr \/\u003e\nFebruary\u0026nbsp;19\u0026mdash;July\u0026nbsp;26, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811876708616,"sku":"9783775746397","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746397_86df20af-a525-493e-a049-ab67f653fd0a.jpg?v=1744040444"},{"product_id":"56984-stories-of-traumatic-pasts","title":"Stories of Traumatic Pasts","description":"\u003cp\u003eBelgian colonialism in the Congo. Anti-Semitism in Austria. Turbo-nationalism in former Yugoslavia. Over the last two centuries, these three historic lines of violence and annihilation (re)enforced a process of oblivion that to this day prevents a processing of the genocides they caused. Today, involuntary or performed amnesia again threatens to destroy what has already come to a point of possible coexistence. This exhibition catalogue goes back to these traumatic events in history and the recent past, which had such a violent impact on communities and people, states and territories, and confront them with a system of interventions. The scars that remain after atrocities, although hidden and obliterated, are recovered through artistic, scientific, and political reflections.\u003c\/p\u003e\n\u003cp\u003eParticipating artists Valerie Wolf Gang Nicolas Pommier Joëlle Sambi Nzeba Adela Jušić Lana Čmajčanin Bojan Djordjev Sinisa Ilic Dani Gal Monique Mbeka Phoba Anja Salomonowitz Martin Krenn Arye Wachsmuth Elisabeth Bakambamba Tambwe\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755233517832,"sku":"9783775748841","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748841_2ef2ace3-ec75-47c0-94c1-d9a1423ff91a.jpg?v=1744137987"},{"product_id":"45297-secrecy","title":"Secrecy","description":"\u003cp\u003eSecrecy is alluring! Already early anthropologists showed great interest in secret knowledge and secret societies, and, in the age of Wikileaks and the ongoing Internet privacy debate, the issue is still high on the list. The companion volume to the exhibition of the same title at the Museum der Kulturen Basel looks at secrecy from the perspective of social order. Secrecy creates boundaries between insiders and outsiders, between the informed and the uninformed. Access to secret knowledge means power, revealing it spells danger.\u003c\/p\u003e\n\n\u003cp\u003eContributions from current research in diverse fields uncover how secrecy comes into effect in different cultural settings, while in-depth portraits of arcane objects from the collections of the Museum der Kulturen Basel reveal that secrets not only have a hidden but very often also a visible, public dimension.\u003c\/p\u003e\n\n\u003cp\u003eExhibition: Museum der Kulturen Basel, 13. April 2018 - 21. April 2019\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526272508168,"sku":"9783775744379","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744379.jpg?v=1744134893"},{"product_id":"51377-amusebouche","title":"Amuse-bouche","description":"\u003cp\u003eOne literally can\u0026rsquo;t argue about taste, but there is certainly a lot to say about it. How is it articulated within the spectrum of our senses? And how are perceptions of taste created in the first place? Can taste be manipulated? How can taste be verbalized? What role does the experience of taste play in social interaction and as artistic material?\u003cbr \/\u003e\nAfter the Museum Tinguely addressed visitors\u0026rsquo; senses with\u003cem\u003e Belle Haleine: The Scent of Art\u003c\/em\u003e and\u003cem\u003e Please Touch: Art\u0026rsquo;s Sense of Touch,\u003c\/em\u003e an interdisciplinary symposium on taste and food culture followed in early 2019, which put the many fields of human activity affected by taste to the test. This book contains the resulting essays written from the points of view of art and cultural history, as well as psychology, linguistics, and biochemistry.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u0026nbsp;\u003cbr \/\u003e\nMuseum Tinguely, Basel\u003cbr \/\u003e\nFebruary\u0026nbsp;19\u0026mdash;July\u0026nbsp;26, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811891847432,"sku":"9783775746380","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775746380_30849987-f8fd-41ca-853a-2cf4cb8433cd.jpg?v=1744040452"},{"product_id":"53643-in-the-name-of-the-image","title":"In the Name of the Image","description":"\u003cp\u003e\u003cem\u003eIn the Name of the Image\u003c\/em\u003e primarily attempts to direct attention to the history of both Islamic and Christian cultures, tracing and analyzing their ways of dealing with images. Even though both Christianity and Islam are familiar with religious bans on images, pictures, portraits, and other works of pictorial art can still be found in both cultural areas. Still, the prohibition of images is mainly associated with Islam, while the question of why, for example, statues of Mary are worshipped in (Catholic) churches, is rarely posed. What was the function of the image and what sort of meaning did it have? Whom did the image address, and what message did it send? What role did theology play in this, and what role was assigned to secular ruling powers? It turns out that there are not only diff erences between the two cultures, but unexpected similarities as well. Ultimately, this is a story that fl uctuates between iconophilism and iconophobia, between faith in images and criticism of them.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITION\u0026nbsp;\u003cbr \/\u003e\nMuseum Rietberg, Zurich\u003cbr \/\u003e\nFebruary 3\u0026ndash;May 22, 2022\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526275588360,"sku":"9783775747332","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747332_a347a024-12fc-4a99-a101-2439c990a9da.jpg?v=1744100320"},{"product_id":"58622-tierisch","title":"tierisch!","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-cfae9e7f-7fff-e0bb-6d6f-e1041f2a0caf\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eFour cultural history museums in Basel joined forces for this ambitious project on the relationship between humans and animals. In the summer of 2021, they realized four individual exhibitions, each with a different focus. Shows at Antikenmuseum Basel and Sammlung Ludwig, the Historisches Museum Basel, the Museum der Kulturen Basel, and the Pharmacy Museum of the University of Basel address the topic from different angles against the backdrop of their respective research focus. The results of the individual projects become visible in this joint publication. It reveals ambivalences, dependencies, and serious historical shifts within the human-animal relationship over the centuries \u0026ndash; from the harnessing of animals to their exaltation as deities.\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44880557080840,"sku":"9783775751223","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751223_59698c97-0850-4f8e-aeb3-37a463e2bc18.jpg?v=1744151186"},{"product_id":"59651-pacific-century-e-hoomau-no-moananuikea","title":"Pacific Century","description":"\u003cp\u003ePublished on the occasion of the Hawai\u0026lsquo;i Triennial 2022 (HT22), \u003cem\u003ePacific Century\u003c\/em\u003e\u0026mdash;\u003cem\u003eEHoʻomau no Moananuiākea\u003c\/em\u003e examines key art historical backgrounds and contemporary discussions on art, expanding the frame of reference for the Asia-Pacific region. Essays by the co-curators lay out the critical approaches that shaped the framework of the Triennial around the fluid concept of a \u003cem\u003ePacific Century\u003c\/em\u003e. A selection of texts by artists and scholars reflects upon the field of art history in the region. Also included is a newly commissioned conversation with Homi K. Bhabha, illuminating his theoretical criticism that continues to carve out a new discursive space where the marginalized can find agency. Participating HT22 artists\u0026mdash;from Hawai\u0026lsquo;i, Asia-Pacific, and beyond\u0026mdash;are highlighted in a dedicated section with an original introductory text and images.\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526277751048,"sku":"9783775752145","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752145_11fc08fe-698c-4cd7-8bc4-450748e2b235.jpg?v=1744123617"},{"product_id":"59658-boris-lurie-and-und-wolf-vostell","title":"Boris Lurie and \/ und Wolf Vostell","description":"\u003cp\u003eThe art of Boris Lurie (*1924, Leningrad) and Wolf Vostell (*1932, Leverkusen) is determined by the breach of civilization in Germany in 1933, which made the German genocide of German and European Jews possible. Both artists make the Shoah the subject of their work in a radical way. Initially working\u0026mdash;independently of one another\u0026mdash;with the means of painting, they turned during the 1950s to exploring the stylistic devices of the first avant-garde, including techniques of collage and montage. Vostell later develops the subject further in his happenings and video art while Lurie takes up writing. In 1964 the artists met in New York and began a lifelong friendship\u0026mdash;this is the first exhibition to present their works together.\u003c\/p\u003e\n\u003cp\u003eAfter surviving several labor and concentration camps, the Jewish artist BORIS LURIE (1924-2008) emigrated to New York in 1946, where he established the NO!art movement in 1959. Often through direct references to the Shoah, Lurie commented on the society and consumer culture of his time.The German artist WOLF VOSTELL (1932–1998) was a protagonist of the Fluxus movement and a pioneer of happening- and video art. 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Warburg\u0026rsquo;s American journey lasted only months, and his stay in the Pueblo communities only a few weeks, but in 1923 he presented his findings in the groundbreaking lecture on the \u0026lsquo;\u0026quot;Snake Ritual\u0026quot;. Using selected photographs, ethnologic drawings, and numerous documents, this story and picture book details a journey of discovery. It traverses a vast continent of research, showing Warburg\u0026rsquo;s diverse interlocutors\u0026mdash;from chiefs to missionaries\u0026mdash;and especially his records of dances, ritual objects, and artworks full of symbolic representations. The documents are evidence of the emerging shift in Warburg\u0026rsquo;s scholarly thinking, which would eventually lead to the cross-border cultural comparative methodology for which he is now held in worldwide esteem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eABY WARBURG (1866–1929) founded modern pictorial science with his work. His main theme was the study of the afterlife of antiquity in the Renaissance, which he recorded in his iconic pictorial atlas Mnemosyne. His American voyage is evidence of how early Warburg already directed his gaze beyond the Western cultural context to explore the interplay of myths, images, and rites.UWE FLECKNER (*1961) is one of the acknowledged international experts on Warburg. Since 2004 he has been professor of art history at the University of Hamburg and a member of the board of directors of the Warburg House there. As co-editor of the collected works of Carl Einstein and Aby Warburg, he has produced numerous publications on the subject.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526196453640,"sku":"9783775751605","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751605_c90f4779-7ae7-4938-8ad7-43ce1759dcd2.jpg?v=1744140988"},{"product_id":"59052-der-blitz-und-die-schlange","title":"Der Blitz und die Schlange","description":"\u003cp dir=\"ltr\" style=\"line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;\"\u003eWhen Aby Warburg left for the United States in September 1895, it was not foreseeable that his search for the symbolic foundations of art would become one of the most fascinating events in the history of his field. Warburg\u0026rsquo;s American journey lasted only months, and his stay in the Pueblo communities only a few weeks, but in 1923 he presented his findings in the groundbreaking lecture on the \u0026lsquo;\u0026quot;Snake Ritual\u0026quot;. Using selected photographs, ethnologic drawings, and numerous documents, this story and picture book details a journey of discovery. It traverses a vast continent of research, showing Warburg\u0026rsquo;s diverse interlocutors\u0026mdash;from chiefs to missionaries\u0026mdash;and especially his records of dances, ritual objects, and artworks full of symbolic representations. The documents are evidence of the emerging shift in Warburg\u0026rsquo;s scholarly thinking, which would eventually lead to the cross-border cultural comparative methodology for which he is now held in worldwide esteem.\u003c\/p\u003e\n\u003cp\u003eABY WARBURG (1866–1929) founded modern pictorial science with his work. His main theme was the study of the afterlife of antiquity in the Renaissance, which he recorded in his iconic pictorial atlas Mnemosyne. His American voyage is evidence of how early Warburg already directed his gaze beyond the Western cultural context to explore the interplay of myths, images, and rites. UWE FLECKNER (*1961) is one of the acknowledged international experts on Warburg. Since 2004 he has been professor of art history at the University of Hamburg and a member of the board of directors of the Warburg House there. As co-editor of the collected works of Carl Einstein and Aby Warburg, he has produced numerous publications on the subject.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45217466548488,"sku":"9783775751599","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751599_ba48db3b-afdd-481b-b7c6-17359c9fce27.jpg?v=1744054302"},{"product_id":"59563-amiti-et-crativits-collectives","title":"Amitié et créativités collectives","description":"\u003cp\u003eA characteristic of 20th- and 21st-century artistic production is that casual acquaintances and close intimates, friends, lovers, or sometimes even rivals come together to work collaboratively on the realization of a single work of art. \u003cem\u003eAmiti\u0026eacute; et cr\u0026eacute;ativit\u0026eacute;s collectives\u003c\/em\u003e is focused on the genesis of these works and explores the conditions that contributed to the concentration and liberation of these creative energies. Beginning with the groundbreaking socio-cultural upheaval of the 19th century, the publication examines for the first time a variety of works of diverse genres and techniques from different time periods. Featuring works by Salvador Dal\u0026iacute; and Luis Bu\u0026ntilde;uel, Francis Picabia and Ren\u0026eacute; Clair, Jean Tinguely and Yves Klein, William Burroughs and Brion Gysin, Jenny Holzer and Lady Pink; and many more, this publication. brings together more than one hundred works.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811892404488,"sku":"9783775752091","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752091_bf161b83-005e-477d-bc61-3e1f5b14ea79.jpg?v=1745312651"},{"product_id":"59564-freundschaften","title":"Freundschaften","description":"\u003cp\u003eA characteristic of 20th- and 21st-century artistic production is that casual acquaintances and close intimates, friends, lovers, or sometimes even rivals come together to work collaboratively on the realization of a single work of art. \u003cem\u003eFreundschaften. Gemeinschaftsarbeiten von Salvador Dal\u0026iacute; bis Jenny Holzer\u003c\/em\u003e\u0026nbsp;is focused on the genesis of these works and explores the conditions that contributed to the concentration and liberation of these creative energies. Beginning with the groundbreaking socio-cultural upheaval of the 19th century, the publication examines for the first time a variety of works of diverse genres and techniques from different time periods. Featuring works by Salvador Dal\u0026iacute; and Luis Bu\u0026ntilde;uel, Francis Picabia and Ren\u0026eacute; Clair, Jean Tinguely and Yves Klein, William Burroughs and Brion Gysin, Jenny Holzer and Lady Pink; and many more, this publication. brings together more than one hundred works.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977103929608,"sku":"9783775752084","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752084_8765e190-c4bb-4da9-8e15-89f5fb9b167a.jpg?v=1745312646"},{"product_id":"59689-zerrissene-moderne","title":"Zerrissene Moderne","description":"\u003cp\u003e\u003cem\u003eTorn Modernism\u003c\/em\u003e illuminates an important moment in the history of the Kunstmuseum Basel\u0026#39;s collection.\u0026nbsp;In 1937 the Nazi cultural policy denounced thousands of works as \u0026ldquo;degenerate\u0026rdquo; and forcibly removed them from German museums. The Third Reich\u0026rsquo;s Ministry of Propaganda correctly assumed that a portion of such works would find buyers abroad, in this way certain artworks deemed \u0026ldquo;internationally exploitable\u0026rdquo; reached the art market through various channels. In 1939 Georg Schmidt (1896\u0026ndash;1965), the museum\u0026rsquo;s director at the time, managed to acquire the painting \u003cem\u003eFate of the Animals\u003c\/em\u003e by Franz Marc and 20 other avant-garde masterpieces. In this\u0026nbsp;catalogue, renowned experts trace the events based on the seizures from German museums and explain the historical context\u0026mdash;presenting the protagonists from the institutions involved and the art market, as well as revealing how the Nazi regime\u0026#39;s act of cultural violence that resulted in an artificial fragmentation of modernism into art that was \u0026quot;exploitable\u0026quot; on the one hand, and art that has been destroyed or forgotten on the other. The various contributions bring the specifically Swiss aspects of this story into focus, such as on the auction of the Galerie Fischer in Lucerne, on Georg Schmidt\u0026#39;s approach, and on the classification of the acquisitions in the context of Basel\u0026#39;s collection history.\u003c\/p\u003e\n\u003cp\u003eThe KUNSTMUSEUM BASEL houses the oldest public art collection in the world.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755241447688,"sku":"9783775752213","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752213_729a9b97-a33d-412a-9927-4252ace2295b.jpg?v=1744150606"},{"product_id":"59934-tiefenbohrung","title":"Tiefenbohrung","description":"\u003cp\u003eWhen we visit museums, we rarely become aware of when, why, and by whom the collections found their way into the museum\u0026#39;s holdings, or what previous histories the objects bring with them. These are highly topical questions in view of the intense debate on restitution. This publication tells the history of the museum from the perspective of the origins of its holdings - uncovering layers of origin with their coincidences, surprises, and concepts in an exemplary manner and assembling them not only into a new kind of museum history, but also into a history of the reception of cultural heritage. At the same time, this new perspective represents a break with conventional institutional historiography, as it undermines traditional narratives of a conceptually consistent and purposeful inventory construction. 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They include fragments from history, remnants of destruction, and once powerful objects made up of single parts. This publication shows how these things were handled in the past, and still are today. It sheds light on what it means to divide, repair, reassemble, even to let something fall apart. In each instance, it is always a matter of (re)storing or creating a new order. Instead of seeing fragments exclusively as signs of loss or as witnesses to the inexorable passage of time, the authors focus on the power of connecting, the art of separating, and the force of destruction in the pieces presented.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe MUSEUM DER KULTUREN BASEL (MKB) is the largest anthropological museum in Switzerland and one of the most eminent of its kind in Europe. 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In each instance, it is always a matter of (re)storing or creating a new order. Instead of seeing fragments exclusively as signs of loss or as witnesses to the inexorable passage of time, the authors focus on the power of connecting, the art of separating, and the force of destruction in the pieces presented.\u003c\/p\u003e\n\u003cp\u003eThe MUSEUM DER KULTUREN BASEL (MKB) is the largest anthropological museum in Switzerland and one of the most eminent of its kind in Europe. The MKB collections are renowned throughout the world and include over 340,000 objects, around 50,000 historical photographs, and roughly 200,000 documentary images.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755241906440,"sku":"9783775753074","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753074_24a0ea0d-6337-482a-a2bb-0e8585eedef1.jpg?v=1744064411"},{"product_id":"60245-brutta-copia","title":"Andreas Kreul","description":"\u003cp\u003e\u003cem\u003eBrutta Copia\u003c\/em\u003e Gathered and unpublished essays by Andreas Kreul in recent years. The topics of the articles of the Collection of the Collection of the Karin and Uwe Hollweg Foundation and Professor of Art History in Bremen Reich by Franz Wulfhagen's monumental painting of a dwarf whale in the Bremen town hall, the relationship between architecture and film, the representation of whales in general in films and the visual arts, About the early algorithmic film of the 1960s to reflections over the night. The band appears as part of the research project initiated together with Gundula Rakowitz \u003cem\u003eLa Macchina Nel Giardino di Poseidone\u003c\/em\u003e At the Dipartimento di Culture del Progetto of the Università iuav di Venezia.\u003c\/p\u003e\u003cp\u003eAndreas Kreul (*1961, Bottrop) studied art history, general and comparative literary studies and German studies at the Ruhr University Bochum. He is the director of the Karin and Uwe Hollweg Foundation Collection in Bremen and Honorary Professor of Art History at the University of Bremen.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755243806984,"sku":"9783775753210","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753210_d41e6634-e59e-4355-99b6-e371ce8d09e8.jpg?v=1744150865"},{"product_id":"60294-holzschnitt","title":"Holzschnitt","description":"\u003cp style=\"margin-left:18pt;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem style=\"box-sizing: border-box; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eWoodcut\u003c\/em\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cem style=\"box-sizing: border-box; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e1400 until today\u003c\/em\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003e\u003cspan\u003e \u003c\/span\u003eForms the start of an exhibition series by the Berlin copper stitch cabinet, which, in one or two years of consequence, presents artistic printing techniques in all its diversity and for centuries. The woodcut is at the beginning. Using selected works of art on paper from the rich collection of the copper engraving cabinet, the development of the oldest pressure -graphic process is traced from its beginnings to the present. There are materials and special characteristics at the center of the selection, which spans the arc from the early and often only preserved woodcuts of the 15th century in a few copies to large -format contemporary works. Along this chronological axis, the view is aimed at various topics, such as the interplay of material and technology, color and black and white or the use of woodcuts. Technology experienced a first heyday at Albrecht Dürer, Lucas Cranach or Ugo da Carpi in the Renaissance. Around 1900 Expressionists such as Ernst Ludwig Kirchner, Emil Nolde or Karl Schmidt-Rottluff rediscovered the woodcut for themselves and created masterpieces in a reduced, concise formal language. Surprising is the diversity with which artists are devoted to technology until the late 20th and 21st centuries: they are abstract compositions by Helen Frankenthaler, Hans Hartung or Ester Fleckner as well as figurative to photo -realistic works by Anselm Kiefer, Georg Baselitz or To see Franz Gertsch. In this way, the enormous abundance and lasting topicality of this printing technique are shown. A special highlight is pressure sticks from different eras from the existing copper engraving cabinet.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44928240779528,"sku":"9783775753296","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753296_4bbb8220-ea47-401b-b125-0c32ef38bd4e.jpg?v=1744098956"},{"product_id":"63609-yasser-alwan","title":"Yasser Alwan","description":"In his photographs, Yasser Alwan captured encounters with people in Cairo – on the streets, at the racetrack, in cafés, and at their workplaces: in tanneries, quarries, bookstores, and potteries. His portraits depict life in unimaginable economic poverty and political dispossession – and are precisely remarkable for refusing the clichés of social documentation and photojournalism. Between anger, pride, and resilience, a feeling of trusting connection is conveyed between the photographer and the subjects. At the same time, Alwan shows friends and family in the casualness of everyday life of Cairo's urban middle class. The memorable photographs in this volume come together to form a unique image of Egyptian society – they represent a work that belongs to the outstanding contemporary photography from the Arab world.\u003cbr\u003e\u003cbr\u003eYASSER ALWAN (1964, Lagos–2022, Cairo) was born in Nigeria to Iraqi parents. He worked in Lebanon, Iraq, Sudan, the USA, and Jordan before moving to Egypt in 1993. Among other things, he taught photography at the German University in Cairo. 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Along not only architecturally famous houses in Milan, Vienna, and New York, but also diverse paintings and costumes, posters and stage design models, caricatures and program booklets, a nuanced picture emerges of this constantly reinventing institution. 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Visitors are encouraged to engage with new ideas, reflections, and discussions about what good, healthy, and sustainable living can look like.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45526282928392,"sku":"9783775753500","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/9783775753500.IN01.jpg?v=1692621664"},{"product_id":"63551-jain-sein","title":"Jain sein","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\" style=\"margin-top: 0pt; margin-bottom: 8pt;\"\u003e\u003cstrong\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eHardly any religion formulates ethical values ​​more radical than jainism. Absolute non -violence, the waiver of property and universal tolerance are still the guiding principle of the religion, which comes from India and widely unknown in Europe. Rich illustrated essays, interviews with Jains from Europe, America and India as well as selected works of art from the collection of the Rietberg Museum Rain, with the great challenges of modern and excessive consumption, personal greed and ruthless consumption of nature on a completely new and unimagined To deal with wisely. 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