{"title":"Highlights Art Basel 2025","description":"","products":[{"product_id":"17561-robert-longo","title":"Robert Longo","description":"\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-GB style=\"FONT-SIZE: 10pt; FONT-FAMILY: TheSans; mso-ansi-language: EN-GB; mso-bidi-font-family: SuperGroteskB-RgLF\"\u003eSTAND was a site-specific installation, which in 2012 activated the architecture of the Capitain Petzel gallery in Berlin. The building was shrouded with an enormous depiction of the American flag in black and white. Upon entering the gallery, the viewer was confronted with a large charcoal drawing, upon which the exterior of the gallery was based. This was flanked by two drawings: one depicting a claustrophobic mass of Occupy Wall Street protesters; the other, a lone American soldier walking towards an uncertain and ominous future. With the consent of the artist, Robert Longo also updated the style and content of Hans Haackes \u003cI style=\"mso-bidi-font-style: normal\"\u003eOelgemaelde, Hommage à Marcel Broodthaers \u003c\/I\u003e(1982). \u003cSPAN style=\"mso-spacerun: yes\"\u003e\u0026nbsp;\u003c\/SPAN\u003efor the exhibition, replacing Ronald Reagan opposite a large-scale image of a protest over the deployment of American missiles in Bonn, Germany, with President Obama opposite Tea Party protesters. 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His works\u0026mdash;painted in oil, etched, troweled, or thrown\u0026mdash;have already found their way to the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. On the art market they are close on the heels of auction records. Still, neither Gehnie\u0026rsquo;s subjects nor his technique accommodate general taste: the most important source of his collage-like compositions is the history of the \u0026ldquo;century of humiliation,\u0026rdquo; as Ghenie calls the twentieth century\u0026mdash;its criminals and victims. These are joined by positive heroes such as van Gogh and Darwin, along with self-portraits.\u003c\/p\u003e\n\n\u003cp\u003eADRIAN GHENIE (*1977, Baia Mare, Romania) studied painting at the University of Art and Design in Cluj, Romania. He has had large solo shows at such institutions as the Museum of Contemporary Art in Denver, the S.M.A.K. in Ghent, the Palazzo Cini in Venice, and the National Museum of Contemporary Art in Bucharest. Ghenie lives in Berlin\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811845939464,"sku":"9783775743525","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775743525_92b0df16-f3b2-40cd-b7d7-56da49698406.jpg?v=1744037870"},{"product_id":"60174-suki-seokyeong-kang","title":"Suki Seokyeong Kang","description":"\u003cp\u003eSuki Seokyeong Kang\u0026rsquo;s practice traverses painting, sculpture, installation, as well as video and performance to explore the interplay between the individual and the collective. By developing an artistic vocabulary that draws from the rich heritage of Korean painting, poetry and dance, Kang\u0026rsquo;s oeuvre examines the durability of traditions and expands their significance to contemporary art. The catalog, accompanying her solo exhibition \u003cem\u003eWillow Drum Oriole\u003c\/em\u003e at Leeum Museum of Art, proposes to read Kang\u0026rsquo;s practice through a range of varying discourses, such as the status of traditional Korean painting in contemporary art, feminism, and the narratives of the Western avant-garde. Taking the artist\u0026rsquo;s foundational painting practice as a point of departure, the catalog features a new body of work and charts the development of Kang\u0026rsquo;s artistic language.\u003c\/p\u003e\n\u003cp\u003eBased in Seoul, SUKI SEOKYEONG KANG (*1977) studied Painting at Ewha Womans University in Seoul and at London’s Royal College of Art. In 2018, Kang won the Baloise Art Prize at Art Basel. 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To date, less focus has been placed on her studio-based paintings. This publication provides for the first in-depth exploration of that part of the artist\u0026rsquo;s practice, from her earliest paintings in the late 1980s to her most recent. It examines the powerful physical presence of these canvases and the central role they have played in Grosse\u0026rsquo;s experiments with color and paint\u0026mdash;their physical and optical properties, aesthetic potentials, qualities of independence, and ability to create motion. The lead essay by curator Sabine Eckmann, \u0026ldquo;Returns, Revisions, Inventions,\u0026rdquo; sets the stage for investigations into Grosse\u0026rsquo;s creative, intuitive, and reiterative process and its expansion of painting into the realm of the everyday.\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eFeaturing more than 170 reproductions, five scholarly essays, and an interview with the artist, this publication is both a record of the exhibition it accompanies and the first reference book covering the entire span of her studio practice.\u003c\/p\u003e\n\u003cp\u003eBorn in Freiburg im Breisgau in 1961, Katharina Grosse lives and works in Berlin and New Zealand. 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In collaboration with Berlin-based screen printer Björn Wiede, he developed his own working method: three individual images are created in three steps – a positive, a negative, and a \"ghost image,\" the ghost. Initially, he was fascinated by the thick application of paint and the intensity of the pigments in this new approach. The image surface itself is not touched during paint application – the imagery emerges through the manipulation of the printing screen. A large part of these monotypes are text-based images, but there are also figurative motifs, including animal drawings and other signs from Stefan Marx's repertoire of motifs.\u003cbr\u003e\u003cbr\u003eThis book follows on from the volume Schriftbilder (Text Images): Stefan Marx also developed Monotypien (Monotypes) as an artist's book, working with a fascinating intertwining of reproductions of the works and design sketches from his notebooks.\u003cbr\u003e\u003cbr\u003eSTEFAN MARX (born 1979 in Schwalmstadt, Hesse) is a draughtsman, skateboarder, and cultural philosopher. His unmistakable style can be found on paper, canvas, porcelain, and textiles. He designs for various labels, publishes zines independently, and exhibits his work at numerous international exhibitions, art book fairs, and galleries. Marx lives and works in Berlin.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755248394504,"sku":"9783775755689","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755689.jpg?v=1744271448"},{"product_id":"66324-gabriele-rothemann","title":"Gabriele Rothemann","description":"Gabriele Rothemann’s photographs do not simply depict something; they create something: a relationship to a long-past reality, a connection to unfamiliar times and spaces. Each image reverberates with the echo of other images, condensing a wealth of possibilities for how the world can be perceived and represented within the picture. Since 1984, she has used the medium of photography in a way that does not allow the subject in her images to become rigid, but rather imbues it with imaginary life. Her work revolves around existential questions – especially the fundamental question of all life: its finitude. Often abstracted yet simultaneously precise and richly detailed, her motifs, from Dead Animals to Miniatures to The Disappearance, acquire a haunting presence. In this way, the artist appeals to the empathy of her viewers and moves them not least with the sensual quality of her images, their clear visual language, and expressive beauty.\u003cbr\u003e\u003cbr\u003eGABRIELE ROTHEMANN (*1960, Offenbach am Main) studied at the Kunstakademie Düsseldorf with Fritz Schwegler and at the California Institute of the Arts, Los Angeles. She lives and works in Vienna. Since 2001, she has been a professor and head of the Photography class at the University of Applied Arts Vienna. She has participated in numerous exhibitions at home and abroad. 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Together, they form a comprehensive compendium of the series, which is central to the oeuvre of the legendary New York artist. \u003cbr\u003eEssays by Tim Griffin and Haley Mellin explain the context of the existential questions of our time, which are at the heart of Longo's new, large-format, hyperrealistic drawings. With light and shadow, he masterfully creates impressive depth and unexpected dimensions in his artistic engagement with war, violence, the climate crisis, the effects of capitalism and consumer culture, the increasing polarization of American society, forms of political protest, and the possibilities of individual freedom.\u003cbr\u003e\u003cbr\u003eROBERT LONGO (b. 1953, Brooklyn) is one of the most influential artists of American postmodernism. In the 1980s, he became one of the central protagonists of the so-called Pictures Generation, one of the most influential American art movements to date. 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Created in close collaboration with Ono's studio, this volume documents \u003cstrong\u003eseven decades\u003c\/strong\u003e of an exceptionally multifaceted artistic practice that redefined concepts such as participation, language, and peace.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eFrom early instructions to performances, films, and legendary musical works: This book is a key to the world of a woman who broke cultural conventions and opened new spaces of thought.\u003cbr\u003e\u003cbr\u003e   \u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/1097872418?h=110a8ac0a3\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eYOKO ONO (*1933, Tokyo) lives and works in New York. 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The volume, originally conceived by Germano Celant, includes an essay by Antonella Soldaini, a historical-critical timeline edited by Eva Fabbris, a selection of statements by the artist, and a wealth of illustrations and documents that trace Garutti's creative development since the early 1970s. The innovative value of Garutti's practice is based on several key concepts, such as respect for the location where the work stands, a focus on the surrounding social realities, and a deep understanding of the context. These methodological strategies, first applied by Garutti in the early 1990s, have profoundly changed the vocabulary of public and site-specific art. \u003cbr\u003e\u003cbr\u003eALBERTO GARUTTI (1948–2023) was a key figure in the Italian and European contemporary art scene for the last forty years. Since the early 1990s, Garutti developed his practice as a kind of radical manifesto for public art. 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Dirk Boll, a renowned art market expert with 25 years of experience, presents profound insights into the mechanisms of the international art trade in this comprehensive six-volume standard work. This updated edition illuminates the workings of auctions, galleries, and art fairs. It offers well-founded information on pricing, collecting trends, and the legal frameworks of the art trade, and is indispensable reading for collectors, dealers, and art enthusiasts.\u003cbr\u003e\u003cbr\u003eDIRK BOLL (*1970, Kassel) studied law in Göttingen and Freiburg i.Br. After postgraduate studies in cultural management, he earned his doctorate on the structures and legal frameworks of art markets. In 1998, he began his career at Christie's in London. After positions in Germany and Switzerland, he held various management functions in London from 2011 and has been Head of 20th and 21st Century Art for EMEA (Europe \u0026amp; UK, Middle East \u0026amp; Africa) since 2022. 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All that is certain is that she was born on August 19, 1883, in Saumur (France). In 1910, she opened a hat studio in Paris, which was soon followed by other boutiques in Deauville, Biarritz, Monte Carlo, and Cannes. There she developed a completely new fashion style: simple, sporty, elegant – and above all liberating for the female body. Her designs made from jersey fabric revolutionized 20th-century women's fashion and made Chanel one of the most important fashion icons of her time.\u003cbr\u003e\u003cbr\u003eCÉLIA BERNASCONI is Chief Curator at the Nouveau Musée National de Monaco. She focuses in particular on the connection between art, design, and fashion history. In her exhibitions and publications, she explores cultural networks and artistic movements of the 20th century with an interdisciplinary approach. 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With over 100 illustrations, the book offers \u003cstrong\u003ea fascinating insight into the phase in which the young designer developed her distinctive style\u003c\/strong\u003e – characterized by clear lines, sporty elegance, and cultural exchange with the avant-garde of the 1920s.\u003cbr\u003e\u003cbr\u003e In Deauville, Biarritz, Monte-Carlo, and Cannes, Chanel created a new fashion for the modern woman – comfortable, stylish, and self-confident. \u003cstrong\u003eThe catalog documents not only her first boutiques and iconic jersey collections, but also the artistic influences from her surroundings\u003c\/strong\u003e, including Jean Cocteau, Pablo Picasso, and Serge Diaghilev's Ballets Russes. Also in focus: Chanel's Villa La Pausa, her elegant retreat near Monaco and creative center.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHighlights at a glance:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e - Official exhibition catalog on Coco Chanel's Riviera years in the 1920s\u003cbr\u003e - Featuring historical fashion photographs, original sketches, and rare archival materials\u003cbr\u003e - Portrayals of her collaborations with artists such as Cocteau, Picasso, and the Ballets Russes\u003cbr\u003e - Insights into Villa La Pausa – Chanel's architectural and social refuge\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eAn indispensable book for fashion enthusiasts, art lovers, and anyone interested in the cultural dynamism of the Roaring Twenties – and in the story of a woman who changed the world of fashion forever.\u003cbr\u003e\u003cbr\u003eGABRIELLE CHANEL, better known as Coco Chanel, deliberately erased all traces of her origins. It is only certain that she was born on August 19, 1883, in Saumur (France). In 1910, she opened a hat studio in Paris, which was soon followed by other boutiques in Deauville, Biarritz, Monte Carlo, and Cannes. There, she developed a completely new fashion style: simple, sporty, elegant – and above all, liberating for the female body. Her jersey designs revolutionized 20th-century women's fashion and made Chanel one of the most important fashion icons of her time.\u003cbr\u003e\u003cbr\u003eCÉLIA BERNASCONI is Chief Curator at the Nouveau Musée National de Monaco. She specializes in the connection between art, design, and fashion history. In her exhibitions and publications, she highlights cultural networks and artistic movements of the 20th century with an interdisciplinary approach. As editor of Coco Chanel: Roaring Twenties, she offers a new perspective on Gabrielle Chanel's early years and her entanglement with the art and culture scene of the French Riviera.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":50034492047624,"sku":"9783775759069","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775759069.jpg?v=1744269967"},{"product_id":"81076-yoshitomo-nara","title":"Yoshitomo Nara","description":"The Japanese artist Yoshitomo Nara (b. 1959) is one of the most renowned artists of his generation. He achieved international fame with his \"Angry Girls\": his highly stylized depictions of girls, often appearing menacing, defiant, and angry, or melancholic and insecure, with large heads and captivating eyes, have become his trademark – and are now considered icons of contemporary painting. The catalog \"Yoshitomo Nara\" showcases his works from four decades.\u003cbr\u003e\u003cbr\u003eEven though Nara's characters evoke the aesthetics of manga, his figures, animals, and mythical creatures are primarily a reflection of himself, through which he expresses his feelings and thoughts. His deeply rooted memories of his childhood, marked by loneliness due to his working parents, his love for music and literature, his knowledge of Japanese and European art history, as well as his encounters with people and other cultures, serve as sources of inspiration for him.\u003cbr\u003e\u003cbr\u003eYoshitomo Nara was born in 1959 in a suburb of Hirosaki in northern Japan. After studying painting at Aichi University of the Arts, he moved to the renowned Art Academy in Düsseldorf during the late 1980s. He stayed in Germany for twelve years, where he further developed his unique visual language. 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Adrian Ghenie, one of the most important contemporary artists, transforms these lost images into vibrant, color-intensive artworks. His masterful ability to blur the lines between reality and abstraction creates an impressive homage to Schiele's legacy. This artistic exploration illuminates an intergenerational dialogue between two painters who focus on the profound human psyche. \u003cbr\u003e\u003cbr\u003e\"Once you leave behind the traditional constraints of anatomy, the way you deform the human form can become a portrait of character or the inner psyche,\" – Adrian Ghenie.\u003cbr\u003e\u003cbr\u003eAdrian Ghenie (b. 1977 in Baia Mare, Romania) is one of the most renowned painters of his generation. His work is considered \"reborn\" in the Nietzschean sense, by connecting past influences with contemporary themes. Ghenie is known for merging personal, political, and art historical themes by combining abstract and figurative elements and exploring the possibilities of his medium. He draws on personal memories, art historical references, film stills, and internet images. \u003cbr\u003e\u003cbr\u003eEgon Schiele (1890–1918) showed extraordinary artistic talent early on. He entered the Vienna Academy in 1906 but soon left due to conflicts and founded the Neukunstgruppe. 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In addition to works by renowned painters such as Edvard Munch, Akseli Gallen-Kallela, and Hilma af Klint, it also presents paintings by artists who are highly respected in their home countries but, unjustly, have remained practically unknown in Central Europe. Finally, the Nordic visual worlds of Harald Sohlberg, Gustaf Fjæstad, Emily Carr, Tom Thomson, and Prince Eugen of Sweden will be introduced to a broad audience. Other artists featured in the exhibition and catalog include Ivan Shishkin, Anna Boberg, Helmi Biese, Lawren S. Harris, and J. E. H. 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The exhibition and this catalog impressively demonstrate how closely intertwined dreams and history, poetry and politics, past and future are.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e  \u003cbr\u003e\u003cbr\u003e•Over 300 illustrations on 344 pages – high-quality design and comprehensive documentation \u003cbr\u003e•Featuring works by Salvador Dalí, René Magritte, Max Ernst, Meret Oppenheim, Toyen, Paul Klee, and many others. \u003cbr\u003e•Confrontation with German Romanticism – including Caspar David Friedrich and Philipp Otto Runge \u003cbr\u003e•Well-founded essays by renowned authors on the artistic elective affinity between Romanticism and Surrealism \u003cbr\u003e•Cooperation with the Centre Pompidou, Paris – a European exhibition project for the centenary celebration of Surrealism\u003cbr\u003e\u003cbr\u003e \u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/1103373571?h=fef78c71c4\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eThe exhibition is a cooperation with the Centre Pompidou, Paris. 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The words and images draw us into the artist's \"micro-speculations\" while simultaneously broadening our view of a \"macro-reflection\" of the global and communal nature of artistic practice. Ali's multigraphy thus enables a textual experience where each page is folded into itself, leaving us amazed at what remains invisible in the obvious.\u003cbr\u003e\u003cbr\u003eThis extraordinary book also captivates with its special form of Japanese binding.\u003cbr\u003e\u003cbr\u003eThe Yemeni-Bosnian artist Alia Ali lives and works between New Orleans, Paris, Marrakech, and Jaipur.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":50340425072904,"sku":"9783775759458","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775759458.jpg?v=1744269480"},{"product_id":"81328-sheila-hicks-a-little-bit-of-a-lot-of-things","title":"Sheila Hicks. a little bit of a lot of things","description":"Sheila Hicks has made wool, linen, and silk her central media, pushing the boundaries of traditional textile art far beyond their conventional limits. Her works uniquely combine color, form, and material, exploring architectural dimensions. As a pioneer of textile conceptual art, Hicks has developed a distinctive visual language over six decades – from finely woven miniatures to monumental installations that open up new perspectives on the possibilities of art. This book features views of Sheila Hicks' exhibition \"a little bit of a lot of things\" at the Kunstmuseum St. Gallen, as well as a conversation with curator Rob Storr and an essay by Gianni Jetzer. It also documents a masterclass held by the artist in St. Gallen and includes previously unpublished visual material.\u003cbr\u003e\u003cbr\u003eSheila Hicks (born 1934 in Hastings, Nebraska) studied art at Yale University under Josef Albers. While traveling through South America, she discovered her passion for textiles. In the 1960s, she established herself in Paris and created large-scale installations that combine color, form, and material. 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After 1945, drawing in space, as iron sculpture, in kinetic and concrete art, significantly shaped contemporary outdoor spaces, followed by minimalist spatial installations. Recent examples make the publication both a historical and current panorama.\u003cbr\u003e\u003cbr\u003eMICHAEL GLASMEIER (*1951) is an art historian, essayist, publicist, exhibition organizer, and writer, and taught as a professor at art academies in Weimar, Braunschweig, and most recently Bremen from 1992 to 2016. He lives in Berlin.\u003cbr\u003e\u003cbr\u003eANNELIE LÜTGENS (*1956) is an art historian, curator, and publicist. She worked at the Hamburger Kunsthalle, the Kunstmuseum Wolfsburg, and from 2011 to 2022 headed the Graphic Collection of the Berlinische Galerie. Here, she curated the Jeanne Mammen retrospective in 2017, among other exhibitions.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5940-3)","offer_id":50381595214088,"sku":"9783775759403","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5985-4)","offer_id":50381595246856,"sku":"9783775759854","price":24.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-6053-9)","offer_id":51031303651592,"sku":"9783775760539","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775759403.jpg?v=1766150179"},{"product_id":"81297-katharina-grosse-im-gespraech-mit-klaus-dermutz","title":"Katharina Grosse. In Conversation with Klaus Dermutz","description":"Over a period of two years, Katharina Grosse and Klaus Dermutz met for a series of very focused, long conversations. The volume brings together ten extensive interviews that delve into central themes of Grosse's work like no previous publication – such as the haptic image, the boundary, reversal, repetition without origin, interruption, the visible and the invisible, and time. The conversations also discuss the diversifying methods and materials over the past 40 years and explore how these determine Grosse's insights into the possible forms of the painted image. Supplemented by a rich trove of partly unpublished visual material, the volume opens up a multifaceted panorama of the artist's radical way of thinking and working.\u003cbr\u003e\u003cbr\u003eKATHARINA GROSSE (b. 1961 in Freiburg im Breisgau) held professorships at Weißensee Academy of Art Berlin (2000–2009) and at the Kunstakademie Düsseldorf (2010–2018). Her works are represented in numerous international collections. Most recently, the Albertina in Vienna dedicated a solo exhibition to her (Why Three Tones Don’t Make a Triangle, 2023\/24), and currently, the Centre Pompidou – Metz is showing three expansive in-situ works (Déplacer les étoiles, until February 2025). Grosse lives and works in Berlin and New Zealand.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eKLAUS DERMUTZ (b. 1960 in Judenburg, Austria) is an author and publicist in the fields of fine arts and theater. Since 1990, he has published in Die Zeit, Süddeutsche Zeitung, Theater heute, among others, and from 2001–2009, he was co-editor of Edition Burgtheater. He has written numerous books on theater work, including those on Andrea Breth, Otto Sander, Klaus Michael Grüber, Christoph Marthaler, and Peter Zadek, as well as publishing a volume of conversations with Anselm Kiefer.\u003cbr\u003e\u003cbr\u003e ","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5947-2)","offer_id":50415192932616,"sku":"9783775759472","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-6012-6)","offer_id":50415192965384,"sku":"9783775760126","price":24.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-6013-3)","offer_id":50415192998152,"sku":"9783775760133","price":24.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775759472.jpg?v=1749626432"},{"product_id":"82023-paramoderne","title":"Paramodern","description":"Around 1900, many young people dreamed of liberation from bourgeois constraints, of the end of capitalism and industrial society – and they made plans to drop out. 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In addition to developments in Germany and Europe, connections to the American counterculture and the Flower Power movement are shown.\u003cbr\u003e\u003cbr\u003eAn impressive book that also delights with its extraordinary design, featuring embossing and a colored edge with hologram foil.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":50546003280136,"sku":"9783775760195","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775760195.jpg?v=1744123691"},{"product_id":"67270-matisse","title":"Matisse","description":"Henri Matisse is one of the most famous artists of Modernism. His groundbreaking work significantly shaped his era and many subsequent generations of artists right up to the present day. The retrospective at the Fondation Beyeler spans all phases of the artist’s oeuvre. It begins with the paintings created around 1900, leads through the revolutionary Fauvist paintings and the experimental works of the 1910s to the sensual paintings of the Nice period and the 1930s, culminating in the legendary paper cut-outs of his late work. Following Charles Baudelaire’s 1857 poem *Invitation to the Voyage*, the exhibition and catalogue are conceived as a journey through Matisse’s life and work.\u003cbr\u003e\u003cbr\u003eHENRI MATISSE (1869–1954) began painting at the age of 21. As a leading exponent of Fauvism, he achieved renown early in his career. Throughout his life, he experimented in various media. 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In 26 short chapters, from A for Anxiety to G for Ghosts, R for Revolver, and all the way to Z for Zoo, well-known but also surprising aspects of his art and life are presented in an entertaining way.\u003cbr\u003e\u003cbr\u003eEdvard Munch (1863-1944), as a painter and printmaker, made feelings and states of mind the subject of his work. In intense colors and a form somewhere between abstraction and figuration, he created a highly individual artistic language that makes his work as enigmatic as it is appealing to this day. Born in Norway, his travels took him to Paris and Berlin, where he cultivated contacts with important writers, artists, and intellectuals of the time. He spent the end of his life in seclusion in Oslo, where he died in 1944. \u003cbr\u003e\u003cbr\u003eThe art historian Ulf Küster (*1966, Stuttgart) has been working at the Fondation Beyeler in Riehen\/Basel since 2004. He curates internationally acclaimed exhibitions and authors numerous publications. 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Whether she depicts history, the bodies of others, or herself, her work is always distinguished by its transcendence of conventional notions of beauty and ugliness.\u003cbr\u003e\u003cbr\u003eAs a member of the Young British Artists (YBAs), Jenny Saville (b. 1970, Cambridge) revitalized contemporary figurative painting: oscillating between figuration and abstraction, she addresses the representation and perception of the body.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":50721954660616,"sku":"9783775760171","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775760171.png?v=1763542765"},{"product_id":"83102-hilma-af-klint-flora","title":"Hilma af Klint. Flora","description":"Hilma af Klint is considered one of the great pioneers of abstraction, only properly recognized in recent years. Less known are her artistic beginnings, which were dedicated to an intensive study of nature. In the spring and summer months of 1919 and 1920, when she was already creating her now celebrated abstract paintings, she drew flowers almost every day: \"I will try to capture the flowers of the earth,\" she noted. The recently discovered portfolio of 46 large-format watercolors, presented here as a facsimile edition, shows the uniquely individual approach of the exceptional Swedish artist: the pulsating power of nature stands alongside precisely drawn diagrams. Realism and fiction, close-up and vision converge. In the interplay of organic forms and abstract structures, the portfolio thus points to the overarching spiritual, cosmological dimension of Hilma af Klint's work.\u003cbr\u003e\u003cbr\u003eHilma af Klint (1862, Solna–1944, Danderyd) studied painting at the Royal Academy of Fine Arts in Stockholm. Her turn to abstraction followed her profound engagement with spirituality and theosophy. She is considered a pioneer of painterly abstraction","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":51245248315656,"sku":"9783775760997","price":398.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/978-3-7757-6099-7.png?v=1764870592"},{"product_id":"83263-edvard-munch-der-schrei","title":"Edvard Munch: The Scream","description":"This high-quality illustrated book comprehensively illuminates the famous motif: from its creation by Edvard Munch to art historical classifications, to its widespread dissemination in pop culture, advertising, and digital media. The book shows how *The Scream* has shaped not only modern art but also comics, emojis, and merchandise—thus becoming a globally understood symbol for emotion, fear, and the zeitgeist.\u003cbr\u003e\u003cbr\u003eThe richly illustrated publication offers a thorough analysis of Munch's own artistic variations as well as reactions from renowned artists such as Andy Warhol, Francis Bacon, and Louise Bourgeois. Furthermore, it traces the motif's triumphal march into everyday culture—from posters to T-shirts to the digital world. A special design emphasis lies on the paper change between the three content chapters, which makes the transitions between art, appropriation, and mass impact visually and haptically experienceable.\u003cbr\u003e\u003cbr\u003eAn indispensable book for art lovers, design enthusiasts, and anyone interested in the cultural impact of iconic images—and for all who want to understand Edvard Munch's *The Scream* in its full historical depth and pop-cultural breadth.\u003cbr\u003e\u003cbr\u003eEDVARD MUNCH (1863–1944) was one of the most important artists of modernism and continues to shape the international art world to this day. Famous for his iconic painting \"The Scream,\" his work extended far beyond painting: Munch worked intensively with graphics, drawing, sculpture, photography, and film. His works are expressions of existential themes such as anxiety, love, death, and identity—and have earned him a unique position in Norwegian and international art history. \u003cbr\u003e\u003cbr\u003eAs a pioneer of Expressionism, Edvard Munch influenced generations of artists worldwide. His powerful visual language, emotional depth, and stylistic versatility make him a key figure in modern art. Whether on canvas, paper, or celluloid—Munch's work is an impressive testament to artistic boundary-crossing and emotional radicalism.","brand":"MUNCH forlag","offers":[{"title":"Default Title","offer_id":51320233459976,"sku":"9788284620145","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9788284620145.jpg?v=1746082027"},{"product_id":"82119-vija-celmins","title":"Vija Celmins","description":"The artist Vija Celmins is a master of subtle visual power. She is best known for her captivating paintings and drawings depicting galaxies, lunar surfaces, desert floors and oceans, or delicate spiderwebs. Her works are not monumental; they are painted with a restrained palette and resist quick viewing. Yet, once one engages with them, the gaze becomes ensnared, and they unfold their fascination and great beauty. This book presents all approximately 90 works from the exhibition at the Fondation Beyeler. Opulent image sequences are accompanied by the artist's comments on her works, most of which are published for the first time. Contributions from renowned authors and artists such as Julian Bell, Teju Cole, Rachel Cusk, Marlene Dumas, and Glenn Ligon open up new perspectives on the artist's impressive oeuvre.\u003cbr\u003e\u003cbr\u003eVija Celmins (*1938, Riga) immigrated with her family to the United States in the late 1940s. She studied fine art at the John Herron School of Art in Indiana and attended a summer course at Yale University in 1961 before earning a master's degree at UCLA. She has had solo exhibitions at numerous museums, including the Centre Pompidou in Paris, the Menil Collection in Houston, and the Metropolitan Museum of Art in New York. In 1996, she was inducted into the American Academy of Arts and Letters, in 1997 she received the prestigious MacArthur Fellowship, and in 2023 the Praemium Imperiale.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":51323754938632,"sku":"9783775760317","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775760317.jpg?v=1745735381"},{"product_id":"82129-vija-celmins","title":"Vija Celmins","description":"\u003cp\u003eThe artist Vija Celmins is a master of subtle visual power. She is best known for her captivating paintings and drawings depicting galaxies, lunar surfaces, desert floors, and oceans, or delicate spiderwebs. Her works are not monumental; they are painted with a restrained palette and resist quick viewing. Yet, once you engage with them, your gaze becomes ensnared, and they unfold their fascination and great beauty. This book presents all of the approximately 90 works from the exhibition at the Fondation Beyeler. Opulent image spreads are accompanied by the artist's commentaries on her works, most of which are published for the first time. Contributions from renowned authors and artists such as Julian Bell, Teju Cole, Rachel Cusk, Marlene Dumas, and Glenn Ligon open up new perspectives on the artist's impressive oeuvre.\u003c\/p\u003e\u003cp\u003eVija Celmins (b. 1938, Riga) immigrated with her family to the United States in the late 1940s. She studied fine art at the John Herron School of Art in Indiana and attended a summer course at Yale University in 1961 before earning a master's degree from UCLA. She has had solo exhibitions at numerous museums, including the Centre Pompidou in Paris, the Menil Collection in Houston, and the Metropolitan Museum of Art in New York. In 1996, she was inducted into the American Academy of Arts and Letters, in 1997 she received the prestigious MacArthur Fellowship, and in 2023, the Praemium Imperiale.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":51324112273672,"sku":"9783775760300","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775760300.jpg?v=1745741428"}],"url":"https:\/\/www.hatjecantz.de\/en\/collections\/highlights-art-basel-2025.oembed","provider":"Hatje Cantz Verlag","version":"1.0","type":"link"}