{"title":"Gift Ideas for Art Aficionados","description":"\u003cp\u003eGive the gift of a beautifully designed catalog that showcases the artists' works and enriches them with diverse background knowledge. The perfect complement to a shared exhibition visit during the holidays.\u003c\/p\u003e","products":[{"product_id":"59767-mondrian-evolution","title":"Mondrian Evolution","description":"\u003cp\u003ePiet Mondrian had a decisive influence on the development of painting from figuration to abstraction. On the occasion of his 150th birthday, \u003cem\u003eMondrian Evolution\u003c\/em\u003e is dedicated to his multifaceted work and artistic development. Initially working in the tradition of late-nineteenth century Dutch landscape painting, Symbolism and Cubism subsequently took on great significance for him. It was not until the early 1920s that the artist focused on a wholly non-representational pictorial vocabulary, concentrated on the rectangular arrangement of black lines with surfaces in white and the primary colors blue, red, and yellow. In separate chapters, this path is traced through motifs such as windmills, dunes, the sea, farms reflected in the water, and plants in various forms of abstraction.\u003c\/p\u003e\n\u003cp\u003ePIET MONDRIAN (1872–1944) was one of the pioneers of abstract art. Hailing from a strict Calvinist family, the artist became famous for his compositions of black lines and rectangular fields in primary colors, but his early work was influenced by 19th century Dutch landscape painting.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977103864072,"sku":"9783775752367","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752367_76ff1566-6463-4cbb-8242-e38c9e046036.jpg?v=1744119759"},{"product_id":"58891-edward-hopper","title":"Edward Hopper","description":"\u003cp\u003eEdward Hopper\u0026rsquo;s world-famous paintings articulate an idiosyncratic view of modern life. With his impressive subjects, independent pictorial vocabulary, and virtuoso play of colors, Hopper continues to influence to this day the image of the United States in the first half of the twentieth century. He began his career as an illustrator and became famous around the globe for his oil paintings. They testify to his great interest in the effects of color and his mastery in depicting light and shadow. The Fondation Beyeler is devoting its large exhibition in the spring of 2020 to Hopper\u0026rsquo;s iconic images of the vast American landscape. The catalogue gathers together all of the paintings, watercolors, and drawings from the 1910s to the 1960s on display in the exhibition, and supplements them with essays focused on the subject of depicting landscape. EDWARD HOPPER (1882\u0026ndash;1967) is the master of American Realism. His paintings captured life during his era. His method of painting rapidly became the stylistic foundation of a type of American modernism. A source of inspiration for countless painters, photographers, and filmmakers, his body of work continues to be influential to this very day. EXHIBITION Fondation Beyeler, Riehen\/Basel January 26\u0026ndash;July 26, 2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755198521608,"sku":"9783775751315","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751315_0f69dfff-ad77-4123-b801-e76198b51c7e.jpg?v=1744058880"},{"product_id":"60489-die-maler-des-heiligen-herzens-the-painters-of-the-sacred-heart","title":"Die Maler des Heiligen Herzens \/ The Painters of the Sacred Heart","description":"\u003cp\u003ePaintings of a Sensual Immediacy\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp\u003eAs artists, they were self-taught and created a cosmos of images that still captivates us today with its sensual immediacy and has made a lasting mark in art history on the work of non-academically trained artists: Henri Rousseau (1844\u0026ndash;1910), Camille Bombois (1883\u0026ndash;1970), Andr\u0026eacute; Bauchant (1873\u0026ndash;1958), Louis Vivin (1861\u0026ndash;1939) and S\u0026eacute;raphine Louis (1864\u0026ndash;1942). They are counted among the so-called circle of the \u0026quot;painters of the sacred heart\u0026quot;; their scenarios, often borrowed from nature, especially flowers and fruits, but also people in parks and landscapes, indicate a closeness to nature, a sensitive approach to the things of the immediate environment, with which they apparently sought to escape the coldness of uprising modernism.\u003c\/p\u003e\n\n\u003cp\u003eThese French pioneers of authentic art were discovered by the German art historian Wilhelm Uhde (1874\u0026ndash;1947), who organized their first joint exhibition in Paris in 1928.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44880565436680,"sku":"9783775753395","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775753395_2499c221-c684-4498-8667-0aea3c1c4b53.jpg?v=1744055712"},{"product_id":"64966-georgia-okeeffe","title":"Georgia O\u0026#x27;Keeffe","description":"\"I have made this drawing several times—without remembering that I had done it before—and without ever knowing where the idea came from.\" The way Georgia O'Keeffe describes her working method on paper in 1916 is how a multitude of her works in charcoal, watercolor, pastel, or pencil were created: in series. Paper offered her a space to experiment freely. Through repetitions, she built up a repertoire of motifs and developed her formal language further, blurring the line between observation and abstraction, sheet after sheet. \u003cbr\u003eWith an outstanding selection of works spanning four decades, this volume offers for the first time a comprehensive look at O'Keeffe's works on paper—from the organic abstractions, nude drawings, and nature cycles of her early creative phase to the flowers, portraits, and aerial views of the following decades. In their texts, Samantha Friedman and Laura Neufeld show how working on paper shaped the oeuvre of the great artist and explain her outstanding position within American modernism.\u003cbr\u003e\u003cbr\u003eGEORGIA O'KEEFFE (1887–1986) is one of the most important American artists of the 20th century. Raised on a farm in Wisconsin, her paintings gained great attention in New York from the 1920s onwards. From 1929, the stark landscape of New Mexico became a source of inspiration for her work.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44928249004296,"sku":"9783775754880","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775754880_d89737fe-7124-4326-be7f-392e033ea0af.jpg?v=1744270872"},{"product_id":"64670-anthony-amies","title":"Anthony Amies","description":"Anthony Amies’ paintings assert a classical understanding of painting. From the mid-1970s onwards, the British artist pursued a radical counter-concept to the art of his time with his stylistically unique landscape painting. His calm and enigmatic paintings eschew any sensation. In the tradition of the British landscape painter Alexander Cozens, Amies created large-scale drawings and oil paintings that are only seemingly realistic. Rather, he abstracts the landscape into an idea. The reduction to land and sea is a reflection on England and the loss of its original landscapes to industrialization. In the context of his time, the significance of this English painter lies in his assertion of the landscape painting genre and its pictorial formulation.\u003cbr\u003e\u003cbr\u003eANTHONY AMIES (1945, Norwich–2000, London) studied painting and printmaking at the Slade School of Fine Art in London from 1964–1970. In the early 1970s, he developed a visual language that defied the zeitgeist and was criticized by some as a revival of Pointillism, a style he pursued until his early death in 2000. In 1977, he received the Arts Council Award and taught painting and printmaking at the Camden Institute and the Camden School of Art from 1973–1995.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811895058696,"sku":"9783775754705","price":54.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775754705_4953fcf1-59c3-4923-85ca-55a368ec7772.jpg?v=1745309329"},{"product_id":"65187-basquiat","title":"Basquiat","description":"Countless publications and exhibitions address Jean-Michel Basquiat’s life and work, yet one episode has remained largely unexamined: In the summer of 1982, the New York artist traveled to Modena, Italy, at the invitation of gallerist Emilio Mazzoli, for one of his early solo exhibitions in Europe. Within a few days, he painted a group of large-format paintings there that not only surpassed his previous work in terms of scale. Each at least two by four meters in size, they mark the transition from graffiti spraying on the streets of Manhattan to painting on canvas. At the same time, they express the discovery of an identity as an artist. The paintings—including masterpieces that are now considered the most outstanding of his oeuvre—were never shown together. This catalog illuminates Basquiat’s stay in Italy as a decisive moment in his career and brings the eight paintings together again for the first time.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/65188-basquiat?_pos=1\u0026amp;_sid=3bb574e1c\u0026amp;_ss=r\"\u003eEnglish\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eJEAN-MICHEL BASQUIAT (1960–1988, New York) is one of the most important artists of the 20th century. Coming from the post-punk underground scene in Lower Manhattan, he attracted the attention of the art world in 1981 at the legendary group exhibition New York\/New Wave. In nine extremely productive years, he created a body of work that formulates a new visual language of gestural-expressive painting and dense script imagery, and repeatedly reflects on the oppression, marginalization, and exploitation of African Americans.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44977109205256,"sku":"9783775755085","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755085_e06229bc-b378-42e4-8b60-19846463205a.jpg?v=1744287492"},{"product_id":"65307-sasha-waltz-guests","title":"Sasha Waltz \u0026 Guests","description":"For 30 years, the dance company Sasha Waltz \u0026 Guests has achieved international success with its contemporary choreographies, social sculptures, Dialogue projects, operas, and films. To mark this anniversary, Sasha Waltz, together with the people who have accompanied her journey, looks back to the future. As the choreographer herself aptly describes it, \"an ensemble is a living archive.\" But how does an ensemble remember? Beyond the mere chronology of events, the book highlights an aspect of memory that guarantees the repeatability of dance: notation. Sasha Waltz's \"scores\" consist of fascinating terms, each denoting individual choreographic figures. The book takes 50 of these codes in the form of an encyclopedic cabinet of curiosities and extracts them from their original context. Through connections to art history and commentary by guest contributors, a creative reordering of Sasha Waltz's oeuvre emerges, making the choreographic figures dance anew. Since 1993, choreographer Sasha Waltz and cultural entrepreneur Jochen Sandig have been realizing their shared dream of a dance company as a constantly evolving artistic community in Berlin and beyond, with many allies. The complete works of SASHA WALTZ \u0026 GUESTS to date comprise over 80 productions, in which more than 300 artistic and scientific \"guests\" from architecture, visual arts, choreography, design, film, literature, fashion, music, opera, philosophy, sociology, dance, and theater from over 30 countries have participated.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":44928251298056,"sku":"9783775755269","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755269_0fdfcc65-223d-4153-ab91-2c19a94b7891.jpg?v=1744133497"},{"product_id":"65226-niko-pirosmani","title":"Niko Pirosmani","description":"Niko Pirosmani is both a discovery and a legend. Still unknown to many, he is revered as a national artist in his home country of Georgia. Pirosmani's portraits and animal paintings, created around 1900 in Tbilisi, possess a peculiar expressiveness and great sensibility. His landscapes and everyday scenes draw on elements of medieval iconography and bear witness to a deep connection with his compatriots. At the same time, the avant-garde recognized a new, radical, and unknown form of painting in Pirosmani's work. Like Henri Rousseau or Marc Chagall, this autodidact is one of the exceptional, hard-to-categorize artists of early modernism. This catalog showcases Pirosmani's skill in numerous illustrations: how, with precise, sketchy brushstrokes on black oilcloth, he makes sparsely applied colors glow as if from a dark depth. Pirosmani was a master of concentration – and a storyteller. As expertly explained by Georgian art historians in the catalog, he was a singular artist, a contradictory figure, and an important part of the art scene in Tbilisi, which was then considered the \"Paris of the East.\"\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/65227-niko-pirosmani?_pos=1\u0026amp;_sid=a1353aa3d\u0026amp;_ss=r\"\u003eEnglish\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eBorn into a peasant family, NIKO PIROSMANI (1862 – 1918) came to Tbilisi in 1870. Odd jobs and painting portraits or tavern signs helped him earn a modest income. In 1912, he attracted the attention of Georgian and Russian avant-garde artists, who presented his works a year later at the Mischén (Target) exhibition in Moscow alongside Natalia Goncharova, Mikhail Larionov, Kazimir Malevich, and Marc Chagall. A planned exhibition in Paris was prevented by the outbreak of World War I. Pirosmani died in utter poverty in 1918. Today, he is considered Georgia's most famous artist.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":45094556565768,"sku":"9783775755139","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755139_b3124b5e-f05c-4eec-86c2-6f53b7b8ecaa.jpg?v=1745308888"},{"product_id":"65493-stefan-marx","title":"Stefan Marx","description":"2019, Stefan Marx began his series of monotypes. In collaboration with Berlin-based screen printer Björn Wiede, he developed his own working method: three individual images are created in three steps – a positive, a negative, and a \"ghost image,\" the ghost. Initially, he was fascinated by the thick application of paint and the intensity of the pigments in this new approach. The image surface itself is not touched during paint application – the imagery emerges through the manipulation of the printing screen. A large part of these monotypes are text-based images, but there are also figurative motifs, including animal drawings and other signs from Stefan Marx's repertoire of motifs.\u003cbr\u003e\u003cbr\u003eThis book follows on from the volume Schriftbilder (Text Images): Stefan Marx also developed Monotypien (Monotypes) as an artist's book, working with a fascinating intertwining of reproductions of the works and design sketches from his notebooks.\u003cbr\u003e\u003cbr\u003eSTEFAN MARX (born 1979 in Schwalmstadt, Hesse) is a draughtsman, skateboarder, and cultural philosopher. His unmistakable style can be found on paper, canvas, porcelain, and textiles. He designs for various labels, publishes zines independently, and exhibits his work at numerous international exhibitions, art book fairs, and galleries. Marx lives and works in Berlin.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755248394504,"sku":"9783775755689","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775755689.jpg?v=1744271448"},{"product_id":"66127-denk-nicht-sondern-schau-dont-think-but-look","title":"\"Don't think, but look!\"","description":"\u003cp\u003eArt history, when it comes to painting, essentially focuses on the core themes of technique, art eras, and genres, and can delve into the smallest details. \"Don't think, but look!\" pursues the opposite objective. Here, the absence of explanatory texts is a deliberate choice. It's about the conscious act of seeing: contemplating artworks without distraction, to recognize the essence – the \"inexplicable\" – within the artwork. This publication does not aim to be a comprehensive art history. Rather, the decidedly subjective selection of 338 paintings spanning seven centuries seeks to offer an unclouded view of the chronological development of Western painting. The key image is depicted on the cover: The Large Bathers by Paul Cézanne. Here, the landscape is freely invented, and the depiction tells no story: the path to the abstract art of our time is open.\u003c\/p\u003e\n\n\u003cp\u003eWALTER FEILCHENFELDT JR. (b. 1939, Amsterdam) is a Swiss art dealer, collector, and art researcher. After studying economics at the University of Zurich, he initially went to London to Sotheby's as an art expert in Impressionism and Modern Art, before joining the Walter Feilchenfeldt art dealership in 1966, which his father had founded as the successor firm to the Paul Cassirer art salon in Zurich. In addition to his work as an art dealer, he made a name for himself as an expert on Paul Cézanne and Vincent van Gogh and was co-editor of numerous publications.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49755249279240,"sku":"9783775756396","price":54.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775756396_edc3df0d-1957-41cd-90b0-7517aa9e949b.jpg?v=1744151232"},{"product_id":"65829-opening-the-archive-the-abcs-of-zero","title":"Opening the Archive: The ABCs of ZERO","description":"For the ZERO avant-garde, the \u003cstrong\u003eA\u003c\/strong\u003etelier was the exhibition space, \u003cstrong\u003eb\u003c\/strong\u003eooks spread the art, and the avant-gardists were friends with representatives of \u003cstrong\u003eC\u003c\/strong\u003eoncrete Poetry. The \u003cstrong\u003eD\u003c\/strong\u003eiagram clearly shows who belonged to it: all those who were open to \u003cstrong\u003ee\u003c\/strong\u003experimentation and worked with \u003cstrong\u003ef\u003c\/strong\u003eire, including in the \u003cstrong\u003eg\u003c\/strong\u003ealleries, of which only a few were willing to pay \u003cstrong\u003eh\u003c\/strong\u003eomage to the avant-garde.\u003cbr\u003eThe \u003cstrong\u003ei\u003c\/strong\u003enternational element connected the young artists of the 1950s and 60s, whose network extended from Düsseldorf to Milan, Brussels, Paris, and Zagreb. \u003cstrong\u003eK\u003c\/strong\u003einetics and \u003cstrong\u003el\u003c\/strong\u003eight replaced brush and canvas, and new \u003cstrong\u003em\u003c\/strong\u003eusic played in the background. They wanted to get closer to \u003cstrong\u003en\u003c\/strong\u003eature through the \u003cstrong\u003eo\u003c\/strong\u003epen artwork.\u003cbr\u003eIn the ZERO-ABC, writers, scholars, and authors from art, music, sociology, and theater tell the story of this art movement from A like Atelier to Z like ZERO. Equipped with numerous photos and documents from an era that arose from the ruins yet approached the future positively and optimistically, the ZERO-ABC commemorates a moment of peaceful utopia in Europe.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49856301531400,"sku":"9783775756105","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775756105_afefc43d-92d4-4cac-affc-9a1ac11ea721.jpg?v=1744123316"},{"product_id":"66285-robert-longo-charcoal-volume-2","title":"Robert Longo: Charcoal Volume 2","description":"Charcoal Volume 2 presents the impressive charcoal drawings of American artist Robert Longo. The large-format, elaborately designed catalog picks up where the first volume left off and brings together works from 2012 to the present day. Together, they form a comprehensive compendium of the series, which is central to the oeuvre of the legendary New York artist. \u003cbr\u003eEssays by Tim Griffin and Haley Mellin explain the context of the existential questions of our time, which are at the heart of Longo's new, large-format, hyperrealistic drawings. With light and shadow, he masterfully creates impressive depth and unexpected dimensions in his artistic engagement with war, violence, the climate crisis, the effects of capitalism and consumer culture, the increasing polarization of American society, forms of political protest, and the possibilities of individual freedom.\u003cbr\u003e\u003cbr\u003eROBERT LONGO (b. 1953, Brooklyn) is one of the most influential artists of American postmodernism. In the 1980s, he became one of the central protagonists of the so-called Pictures Generation, one of the most influential American art movements to date. What characterized this loose grouping of artists including Cindy Sherman, Barbara Kruger, Louise Lawler, David Salle, Richard Prince, Jack Goldstein, and Sherrie Levine, despite the diversity of their individual positions, was their appropriation, restaging, and recontextualization of existing images. Longo lives and works in New York.","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":49811902726408,"sku":"9783775756617","price":98.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775756617_e72f45d4-aa50-40c4-9a1e-cfb6396fb1fa.jpg?v=1744289538"},{"product_id":"64251-daniel-richter","title":"Daniel Richter","description":"While German post-war painting was largely occupied with coming to terms with the past, presenting this in heroic to ironic gestures, Daniel Richter is concerned with positioning himself in the present. Again and again, he develops new ways to be “modern” in a medium that has long been labeled as old-fashioned. His paintings constantly challenge viewers with their painterly and thematic demands, yet without ever becoming didactic. In more than 200 examples of his work, Eva Meyer-Hermann for the first time traces the chronological development of Richter’s oeuvre. The shifts from abstract to figurative and back again, previously described as abrupt, prove to be a logical consequence and acts of conscious artistic endeavor.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/58163-daniel-richter?_pos=1\u0026amp;_sid=226725e0a\u0026amp;_ss=r\"\u003eEnglish\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eBOOK LAUNCH\u003cbr\u003e\u003ca href=\"https:\/\/www.hatjecantz.de\/blogs\/events\/booklaunch-daniel-richter\"\u003eVilla Grisebach, Berlin\u003c\/a\u003e\u003cbr\u003e13.09.2023\u003cbr\u003e\u003cbr\u003eDANIEL RICHTER (*1962, Eutin) has been one of the most important and internationally renowned painters of his generation for more than twenty years. His beginnings in the left-wing autonomous underground and a late start to his studies with Werner Büttner at the Academy of Fine Arts in Hamburg have contributed to his reputation, as has his eloquent public presence.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5425-5)","offer_id":45002900373768,"sku":"9783775754255","price":74.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/e5edf372b7f8b7d07baa639758191411_cae13ad4-968f-4695-a4ab-4409b561d618.png?v=1724940180"},{"product_id":"53489-paul-klee","title":"Paul Klee","description":"Paul Klee (1879–1940) is one of the most important representatives of modern art. He created a body of work that was as universal as it was individual, existing between all the currents and 'isms' of his time. His vast painterly, graphic, and sculptural oeuvre, his letters and diary entries, and not least his pedagogical notes form the background for this concise presentation of the life and work of the meditative artist and visual thinker. This richly illustrated volume traces Klee's eventful biography, spanning from Klee's artistic beginnings with caricatural drawings and nudes, through his encounter with the avant-garde and the famous watercolors from his trip to Tunisia or the abstract color compositions of the Bauhaus period, to the mysterious pictorial inventions of his last years in Bern.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/16777-paul-klee?_pos=1\u0026amp;_sid=1fdb2fb34\u0026amp;_ss=r\"\u003eEnglish\u003c\/a\u003e.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4718-9)","offer_id":45171482427656,"sku":"9783775747189","price":34.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775747189_ecbde05c-e970-4cb2-9ebb-838e96944dbf.jpg?v=1744124505"},{"product_id":"67279-alberto-garutti","title":"Alberto Garutti","description":"The publication offers a comprehensive overview of Alberto Garutti's work, presenting his creations primarily in the fields of sculpture, installation, and public art. The volume, originally conceived by Germano Celant, includes an essay by Antonella Soldaini, a historical-critical timeline edited by Eva Fabbris, a selection of statements by the artist, and a wealth of illustrations and documents that trace Garutti's creative development since the early 1970s. The innovative value of Garutti's practice is based on several key concepts, such as respect for the location where the work stands, a focus on the surrounding social realities, and a deep understanding of the context. These methodological strategies, first applied by Garutti in the early 1990s, have profoundly changed the vocabulary of public and site-specific art. \u003cbr\u003e\u003cbr\u003eALBERTO GARUTTI (1948–2023) was a key figure in the Italian and European contemporary art scene for the last forty years. Since the early 1990s, Garutti developed his practice as a kind of radical manifesto for public art. 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In this magnificent large-format volume, approximately 130 works from fifty private collections offer insight into all of the artist's series: from the early paintings based on photographic templates to the later abstract pictures, with which Gerhard Richter completed his painted oeuvre in 2017.\u003cbr\u003e\u003cbr\u003eGERHARD RICHTER (*1932) grew up in Dresden and attended the art academy there. After fleeing the GDR, he went to the Kunstakademie Düsseldorf, where he held a professorship for painting from 1971 to 1993. 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Rooted in Minimalism and Conceptual art, Schütte’s works engage with themes of history, art history, diverse readings, and how art can function in the world. The eponymous monograph offers a comprehensive overview of Thomas Schütte’s work from 1975 to the present, featuring more than 100 sculptures, as well as drawings, prints, and architectural experiments, alongside previously unpublished archival material. Essays by Paulina Pobocha, Jennifer Allen, and André Rottmann provide historical and theoretical insights into the complexity of Schütte’s oeuvre; contributions by Marlene Dumas and Charles Ray reflect on Schütte’s significance through close readings of his work.\u003cbr\u003e\u003cbr\u003eThomas Schütte (b. 1954) has been one of Germany’s most renowned artists since the 1980s. After studying at the Kunstakademie Düsseldorf with Gerhard Richter and Fritz Schwegler, he participated repeatedly in both documenta and the SkulpturProjekte in Münster since 1987. 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