{"title":"E-Books: Art Books in Digital Format","description":"\u003cp\u003eFlexible and available anywhere: Discover our selection of e-books at Hatje Cantz. Whether art theory, photography, or architecture – enjoy our high-quality publications on your e-reader, tablet, or smartphone. Build your digital library and read the most important contemporary titles whenever and wherever you like.\u003c\/p\u003e\n\u003cp\u003eOur digital offering includes top titles from our entire publishing program and also features \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.hatjecantz.de\/collections\/open-access\" title=\"Hatje Cantz \/ Open Access\"\u003eOpen Access publications with a free download option.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"59095-techno-globalization-pandemic","title":"Techno Worlds","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-4df3dbc8-7fff-7406-bedc-062bb64fe284\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eAs a worldwide phenomenon, techno has not only influenced music history, but also contemporary culture. Its impulses into art, philosophy, pop culture, media consumption and technologies are omnipresent. Based on text and image contributions, the book opens a portal into the usually guarded world of techno. It traces the cultural-historical dimension and the artistic exploration of electronic sound experiences. The catalogue, published on the occasion of a worldwide exhibition tour by the Goethe-Institut, reflects on the history of techno and club culture as well as the diverse practices of clubbing. Experiences of space, sign systems, and the club as a place where questions of identity and gender are renegotiated reveal the enormous breadth of the topic. A recommendation not only for friends of electronic dance music.\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-4df3dbc8-7fff-7406-bedc-062bb64fe284\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-4df3dbc8-7fff-7406-bedc-062bb64fe284\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eWith contributions by artists such as Tony Cokes, Zuzanna Czebatul, Aleksandra Domanović, Abdul Qadim Haqq, Ryōji Ikeda, Maryam Jafri, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"white-space: pre-wrap;\"\u003eM+M, \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eHenrike Naumann \u0026amp; Bastian Hagedorn, Carsten Nicolai, The Otolith Group, Vinca Petersen, Daniel Pflumm, Sarah Sch\u0026ouml;nfeld, Jeremy Shaw, Dominique White, Tobias Zielony as well as the film directors Jacqueline Caux, Romuald Karmakar and the musicians DeForrest Brown, Jr., Chicks on Speed, Rangoato Hlasane, Robert Lippok and Mamba Negra.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003eThe book is published as part of the eponymous Goethe-Institut\u0026#39;s touring exhibition, curated by Mathilde Weh, Justin Hoffmann, and Creamcake.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5166-7)","offer_id":49878741319944,"sku":"9783775751667","price":22.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-5430-9)","offer_id":49878741352712,"sku":"9783775754309","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5431-6)","offer_id":49878741385480,"sku":"9783775754316","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775751667_8aa7636c-33fd-428d-990f-1addf0a280a1.jpg?v=1744139639"},{"product_id":"45911-miriam-cahn","title":"Miriam Cahn","description":"\u003cp\u003eThe Swiss artist Miriam Cahn (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn\u0026rsquo;s career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWRITING IN RAGE \u003c\/em\u003eis the first compilation of her writing by itself, and includes essays, journal entries, and correspondence with friends, foes, family members, and gallerists. The book provides very personal insights into Cahn\u0026rsquo;s life, her family, and the art market, introducing the reader to a disputatious, independent spirit.\u003c\/p\u003e\n\n\u003cp\u003eEXHIBITIONS:\u003c\/p\u003e\n\n\u003cp\u003eKunstmuseum Bern\u003cbr \/\u003e\n22.2.\u0026ndash; 6.6.2019\u003c\/p\u003e\n\n\u003cp\u003eKunsthaus Bregenz\u003cbr \/\u003e\n13.4.\u0026ndash;30.6.2019\u003c\/p\u003e\n\n\u003cp\u003eReina Sofia Madrid\u003cbr \/\u003e\n4.6.\u0026ndash;14.10.2019\u003c\/p\u003e\n\n\u003cp\u003eHaus der Kunst M\u0026uuml;nchen\u003cbr \/\u003e\n4.7.\u0026ndash;4.10.2019\u003c\/p\u003e\n\n\u003cp\u003eMuseum of Modern Art in Warsaw\u003cbr \/\u003e\n29.11.2019\u0026ndash;23.2.2020\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4491-1)","offer_id":41645941817521,"sku":"9783775744911","price":25.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-4578-9)","offer_id":44573662380296,"sku":"9783775745789","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4836-0)","offer_id":44573662413064,"sku":"9783775748360","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744911_fe112c40-0d0e-47bf-931b-b944316859a6.jpg?v=1744118743"},{"product_id":"45694-the-fifth-bmw-art-guide-by-independent-collectors","title":"The fifth BMW Art Guide by Independent Collectors","description":"\u003cp\u003eThe revised and extended \u003cem\u003eBMW Art Guide by Independent Collectors\u003c\/em\u003e presents \u0026nbsp;nearly 300 private collections of contemporary art accessible to the public \u0026mdash; featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with countless color illustrations take the reader to more than forty countries, often to regions or urban districts that are off the beaten path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online platform for collectors of contemporary art. To date, neither the Internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4474-4)","offer_id":41645942767793,"sku":"9783775744744","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-4833-9)","offer_id":44573662445832,"sku":"9783775748339","price":11.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-4499-7)","offer_id":44573662478600,"sku":"9783775744997","price":11.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744744_19bd65cc-ebde-4540-a498-af2771f2f281.jpg?v=1744141103"},{"product_id":"57506-stefan-roemer","title":"Stefan Römer","description":"DeConceptualize is based on the hypothesis that Minimalism and Conceptualism in artistic writing have laid highly relevant foundations for Artistic Research. Writing here serves as self-exploration, self-defense and self-empowerment, as well as notation, material or image.\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5023-3)","offer_id":41645948928177,"sku":"9783775750233","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5024-0)","offer_id":44573662839048,"sku":"9783775750240","price":23.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5025-7)","offer_id":44577201455368,"sku":"9783775750257","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750233_ff2fe07f-e427-4837-b006-21a75eabe87f.jpg?v=1766150115"},{"product_id":"17875-der-kuenstlernachlass","title":"The Artist\u0026#x27;s Estate","description":"\u003cp class=\"MsoNormal\" style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; TEXT-AUTOSPACE: ; mso-layout-grid-align: none\"\u003e\u003cspan lang=\"EN-US\" style=\"FONT-FAMILY: \u0026quot;TheSansOsF-ExtraLight\u0026quot;,\u0026quot;sans-serif\u0026quot;; mso-ansi-language: EN-US; mso-bidi-font-family: TheSansOsF-ExtraLight\"\u003eAndy Warhol bequeathed us the words \u0026ldquo;Death can really make you look like a star.\u0026rdquo; But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta W\u0026uuml;rtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists\u0026rsquo; estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist\u0026rsquo;s estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist.\u0026nbsp; (German edition \u003cspan style=\"FONT-SIZE: 11pt; FONT-FAMILY: \u0026quot;TheSansOsF Plain\u0026quot;,\u0026quot;sans-serif\u0026quot;; LINE-HEIGHT: 115%; mso-ansi-language: DE; mso-fareast-font-family: Calibri; mso-bidi-font-family: TheSansOsF-Bold; mso-fareast-language: EN-US; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold; mso-fareast-theme-font: minor-latin\"\u003eISBN 978-3-7757-4132-3)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4132-3)","offer_id":44562022990088,"sku":"9783775741323","price":34.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5172-8)","offer_id":44573669884168,"sku":"9783775751728","price":29.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5203-9)","offer_id":44573669916936,"sku":"9783775752039","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775741323_105d6de9-06dd-4e67-b7ce-b8ebf9211c3e.jpg?v=1744054353"},{"product_id":"57741-es-gibt-im-moment-keine-besseren-kuenstler-als-uns-in-deutschland","title":"HP Zimmer","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-ae0dbdb8-7fff-0cdc-28cf-58175c979efc\" style=\"line-height:1.2;margin-top:0pt;margin-bottom:8pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u0026quot;I have kept a diary since my school days,\u0026quot; HP Zimmer remarked in 1984. This is also true of the time of the artists\u0026#39; group SPUR he co-founded in 1957. He wrote to \u0026quot;seek my own point of view in the midst of often turbulent events and sometimes controversial debates.\u0026quot; This book presents representative excerpts from the manuscript, which was reviewed by the artist in the early 1990s. Stylistically aware and (self-) critical, Zimmer comments on the cultural and social climate of postwar Germany. He provides insights into the contemporary German art scene and its European network with close ties to the Situationist International. The debates\u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e \u003c\/span\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003erecorded by Zimmer in his diaries \u0026ndash; about painting and artistic freedom as well as revolution, boxing matches, crime series, and the threat of nuclear war \u0026ndash; are still strangely relevant to us today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHP ZIMMER (1936-1992) studied at the Hamburg Kunsthochschule and the Munich Kunstakademie in the late 1950s. SPUR, which he co-founded, was one of the first post-war avant-gardes groups in the Federal Republic. In 1982, HP Zimmer became a professor of painting at the Hochschule für Bildende Künste in Braunschweig.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5075-2)","offer_id":41645949354161,"sku":"9783775750752","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5076-9)","offer_id":44573662871816,"sku":"9783775750769","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5077-6)","offer_id":44573662904584,"sku":"9783775750776","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750752_62311d76-c84b-4b03-9e3b-034702a3d760.jpg?v=1744287439"},{"product_id":"45693-der-fuenfte-bmw-art-guide-by-independent-collectors","title":"Der fünfte BMW Art Guide by Independent Collectors","description":"\u003cp\u003eThe revised and extended\u003cem\u003e BMW Art Guide by Independent Collectors presents\u003c\/em\u003e nearly 300 private collections of contemporary art accessible to the public\u0026mdash;featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with countless color illustrations take the reader to more than 40 countries, often to regions or urban districts that are off the beaten path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online platform for collectors of contemporary art. To date, neither the Internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time.\u003c\/p\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4473-7)","offer_id":41645951254705,"sku":"9783775744737","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-4834-6)","offer_id":44573664870664,"sku":"9783775748346","price":11.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-4497-3)","offer_id":44573664903432,"sku":"9783775744973","price":11.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775744737_c630b689-c281-4425-adae-aaca07c3116d.jpg?v=1744055343"},{"product_id":"58109-why-art-criticism-a-reader","title":"Why Art Criticism? A Reader","description":"\u003cp\u003eHow is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate S\u0026ouml;ntgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings today, and why is it important in its contemporary context?\u003c\/p\u003e\n\u003cp\u003eBEATE SÖNTGEN (*1963) is professor of art history at Leuphana University Lüneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group “Cultures of Critique: Forms, Media, Effects” and co-director of the program “PriMus - Doctoral Studies in Museums.”JULIA VOSS (*1974) is an honorary professor at Leuphana University Lüneburg. She studied art history, modern German literature, and philosophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5074-5)","offer_id":41645952696497,"sku":"9783775750745","price":16.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5092-9)","offer_id":44573665558792,"sku":"9783775750929","price":15.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5093-6)","offer_id":44573665591560,"sku":"9783775750936","price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750745_38029e6f-cdb5-45fc-a0a6-a62f1839e5ba.jpg?v=1744147010"},{"product_id":"58088-max-porter","title":"Max Porter","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-df891824-7fff-a497-9d7d-ae41281a549f\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-54c4f5b7-7fff-497f-5817-a75a932ab48e\" style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eMax Porter\u0026#39;s book is a fragmentary, poetic reinterpretation of Francis Bacon\u0026#39;s last days in Madrid. In seven chapters, \u0026quot;Untitled,\u0026quot; he invites the reader to experience the painter\u0026#39;s examination of his extraordinary life and work. (Employing a lyrical and haunting language, Max Porter draws near to the artist.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMAX PORTER (*1981) studied art history and worked as a freelance bookseller and editor. His internationally acclaimed debut novel, Grief is the Thing with Feathers, was the winner of several awards.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5064-6)","offer_id":41645959053489,"sku":"9783775750646","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5082-0)","offer_id":44573668049160,"sku":"9783775750820","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5081-3)","offer_id":44573668081928,"sku":"9783775750813","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750646_0dc990c8-4d67-474d-87cb-a88624eb464d.jpg?v=1744116925"},{"product_id":"58089-servermanifest","title":"Servermanifest","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-6d161960-7fff-8d9a-d43a-9af14a7fb241\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eIf data is the greatest collective treasure of a digital society, basic material for business and politics: Why are the places where it is stored still so invisible? \u003c\/span\u003eNiklas Maak, architectural critic and Professor for Architecture at St\u0026auml;delschule Frankfurt, explores this question in his new publication and envisions radical solutions for the future.\u003c\/p\u003e\n\u003cp\u003eNIKLAS MAAK (*1972) studied art history, philosophy and architecture in Hamburg and Paris. His 1998 doctoral thesis was devoted to the design theory of Le Corbusier and Paul Valéry. He has been editor for art and architecture in the feature section of the Frankfurter Allgemeine Zeitung since 2001.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5069-1)","offer_id":41645959184561,"sku":"9783775750691","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5071-4)","offer_id":44573668344072,"sku":"9783775750714","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5079-0)","offer_id":44577201553672,"sku":"9783775750790","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750691_34eb8428-b5ed-47ed-9ca5-f26889450bb7.jpg?v=1744287949"},{"product_id":"45887-miriam-cahn","title":"Miriam Cahn","description":"\u003cp\u003eThe Swiss artist Miriam Cahn (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn\u0026rsquo;s career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWRITING IN RAGE \u003c\/em\u003eis the first compilation of her writing by itself, and includes essays, journal entries, and correspondence with friends, foes, family members, and gallerists. 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She is the recipient of numerous awards, including the renowned Calder Prize. Her work has been exhibited at the Museo Nacional Centro de Arte Reina Sofía, Madrid, the Schirn Kunsthalle, Frankfurt, and the MIT List Visual Arts Center, Cambridge, MA, among others.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5027-1)","offer_id":41645960396977,"sku":"9783775750271","price":22.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-5028-8)","offer_id":44573668638984,"sku":"9783775750288","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5029-5)","offer_id":44577201586440,"sku":"9783775750295","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750271_8a0ab8a3-63a9-4450-acba-276b742143b4.jpg?v=1744131864"},{"product_id":"58102-server-manifesto","title":"Server Manifesto","description":"\u003cp dir=\"ltr\" id=\"docs-internal-guid-3dcaf208-7fff-f124-e5cc-ab4b2e19b318\" style=\"line-height:1.7999999999999998;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan style=\"background-color: transparent; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eIf data is the greatest collective treasure of a digital society, basic material for business and politics: Why are the places where it is stored still so invisible? \u003c\/span\u003eNiklas Maak, architectural critic and Professor for Architecture at St\u0026auml;delschule Frankfurt, explores this question in his new publication and envisions radical solutions for the future.\u003c\/p\u003e\n\u003cp\u003eNIKLAS MAAK (*1972) studied art history, philosophy and architecture in Hamburg and Paris. His 1998 doctoral thesis was devoted to the design theory of Le Corbusier and Paul Valéry. He has been editor for art and architecture in the feature section of the Frankfurter Allgemeine Zeitung since 2001.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5070-7)","offer_id":41645962166449,"sku":"9783775750707","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5072-1)","offer_id":44573669064968,"sku":"9783775750721","price":17.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5080-6)","offer_id":44577201619208,"sku":"9783775750806","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775750707_fcee29e3-d54e-46a7-be1f-6006ccb441f4.jpg?v=1744287447"},{"product_id":"59016-schoen-hier-architektur-auf-dem-land","title":"Schön hier. Architektur auf dem Land","description":"\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003eRural regions and their local architecture receive far too little attention. This book aims to change that. The variety of realized projects shows the hidden potential of these areas and how architecture can contribute to a good life in the countryside. This is illustrated by residential houses, agricultural buildings, village shops, workshops, office buildings, wineries, hotels, museums, chapels, sports facilities, and public buildings. The geographical focus is on Germany, Austria, and Switzerland with the addition of exemplary projects from other European countries. Also, regions and places are shown that have accompanied their overall development in a special way\u0026mdash;from shrinkage to growth. This attractive volume is enhanced by essays on the realization process of projects, on important building types, on infrastructure, and on what can be learned from building in the countryside.\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\n\u003cp dir=\"ltr\" style=\"line-height:1.38;margin-top:0pt;margin-bottom:0pt;\"\u003e\u003cspan id=\"docs-internal-guid-67dd3a73-7fff-ea34-55e2-0effae7d9916\"\u003e\u003cspan style=\"background-color: transparent; vertical-align: baseline; white-space: pre-wrap;\"\u003eThe catalogue portrays 65 projects by numerous renowned architecture offices, including Bernardo Bader Architekten, Gion A. 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This book recounts the event through the eyes of its \u0026ldquo;Ambassador\u0026rdquo;, art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this \u0026ldquo;precarious\u0026rdquo; work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian\u0026rsquo;s presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls \u0026ldquo;precarious art history\u0026rdquo;. Accompanying the readers through her experience of the physical existence of \u003cem\u003eThe Bijlmer Spinoza-Festival\u003c\/em\u003e, Martini\u0026rsquo;s commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind\u0026mdash; elsewhere, at some other time\u0026mdash;because in the meantime it has become universal.\u003c\/p\u003e\n\u003cp\u003eParis-based artist THOMAS HIRSCHHORN (*1957, Bern) is best known for his sculptures in public space (more than seventy to the present day) - monuments, kiosks, altars such as his Bataille Monument which was set up in a residential area in Kassel during documenta 11. Questioning the autonomy, the authorship and resistance of a work of art, he asserts the power of art to touch and transform the other. The Bijlmer Spinoza-Festival (2009) is one of such projects, the Gramsci Monument in The Bronx, New York (2013), and more recently in 2019 the Robert Walser-Sculpture in Biel-Bienne, Switzerland. He represented Switzerland at the 54th Venice Biennale in 2011, and received the Prix Marcel Duchamp, the Joseph Beuys Stiftung Prize, and the Meret Oppenheim Prize, among others.VITTORIA MARTINI is an independent art historian with a focus on the history of exhibitions and the economics of contemporary art. 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According to Viveiros de Castro, the key to deconstructing this—for him, wrongly discredited—scheme lies in the axis of a community: “\u003cSPAN style=\"mso-bidi-font-weight: bold\"\u003eOur problem is to determine conceptually the nature of the internal meridian line that separates the two moieties.” This notebook relocates the meridian line again and again, arguing that for \u003c\/SPAN\u003eLévi-Strauss, the binary system was anything but a simplifying “modus operandi.” Lévi-Strauss had already expounded the problem of dualism during his lifetime and had used dual structures to think about notions of incommensurability, chromaticism, and dynamics.\u003c?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" \/\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/FONT\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-US\"\u003e\u003co:p\u003e\u003cFONT face=TheSans\u003e\u0026nbsp;\u003c\/FONT\u003e\u003c\/o:p\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt; LINE-HEIGHT: normal; mso-layout-grid-align: none\"\u003e\u003cSPAN lang=EN-US style=\"FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-ansi-language: EN-US; mso-bidi-font-weight: bold\"\u003e\u003cFONT face=TheSans\u003eEduardo Viveiros de Castro (*1951) is a Brazilian anthropologist and Professor at the National Museum of the Federal University of Rio de Janeiro.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/FONT\u003e\u003c\/SPAN\u003e\u003c\/P\u003e\n\u003cP\u003e\u0026nbsp;\u003c\/P\u003e\n","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2905-5)","offer_id":41693628563633,"sku":"9783775729055","price":4.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-4926-8)","offer_id":44573662642440,"sku":"9783775749268","price":1.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-3085-3)","offer_id":44573662675208,"sku":"9783775730853","price":1.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775729055_7ad079cb-12b1-4ca7-a583-c04c44acdec7.jpg?v=1744058721"},{"product_id":"60038-bettina-lockemann","title":"Bettina Lockemann","description":"\u003cp\u003e\u003cspan\u003eThe photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. The\u0026nbsp;artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion\u0026nbsp;complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates\u0026nbsp;precise terms for analyzing this\u0026nbsp;medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBETTINA LOCKEMANN (*1971) is an artist and scholar specialized in artistic documentary photography. 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The \"software\" of the art museums has developed: museums \"work to design the institutions of open, inclusive, experience -oriented, culturally more voice, technologically more experienced, in close connection to the neighborhood and audience and committed in the decisive topics of our time\". But the \"hardware\" of the art museum must also change. 20 architectural firms illustrate new approaches - not only by architect that has built some of the most famous institutions in the world, but also by the up -and -coming, globally networked generation, which will shape the museum of the future.\u003c\/p\u003e\u003cp\u003eAndrás Szántó (*1964, Budapest) advises museums, cultural institutions and leading brands on cultural strategic questions. His writings appeared as the author and editor in the New York Times, in the Art Forum, in the art newspaper and many other publications. He headed the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, which lives in Brooklyn, has been talking to leading representatives of the art world since the early 1990s, among other things as a frequent moderator of the Talk series Art Basel Conversations.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Buch (978-3-7757-5276-3)","offer_id":41761661190321,"sku":"9783775752763","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-5277-0)","offer_id":44573669622024,"sku":"9783775752770","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5278-7)","offer_id":44573669654792,"sku":"9783775752787","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752763_617c7de4-d71a-4a60-987a-43c144ea8c0e.jpg?v=1744040819"},{"product_id":"60110-walking-finding-sharing","title":"Walking, Finding, Sharing","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003eInspired by tours in travel guides or mediation offers in public museums\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cem style=\"box-sizing: border-box; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eGo, find, share\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003eChildren and families, but also comic fans and experienced exhibition visitors, alternative perspectives on the documenta fifthe. Eight international illustrators and author have reinvented Ruangrupas Universum for the Documenta Fifteen and stimulate the imagination of readers and visitors with their visual worlds. Five tours invite you to experience the \u003c\/span\u003e\u003cspan style=\"font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003e\u003cem\u003elumbar\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003e-Values\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eHumor, local anchoring, independence, generosity\u003c\/span\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003etransparency\u003c\/span\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003e\u003cspan\u003e \u003c\/span\u003eone and offer additional ideas and aspects for the exhibition. Stimulates with entertaining stories\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cem style=\"box-sizing: border-box; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eGo, find, share\u003c\/em\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003e\u003cspan\u003e \u003c\/span\u003eTo find your own access to these values, so every way is to be understood as a suggestion and can be explored spontaneously, completely or even in parts. 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That\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cem style=\"box-sizing: border-box; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eManual\u003c\/em\u003e\u003cspan style=\"font-style: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;\"\u003e\u003cspan\u003e \u003c\/span\u003eoffers as a reference work, companion and innovative art guide orientation for these comprehensive processes; It is also aimed at visitors to the exhibition in Kassel as well as people who are interested in collective practice. All actors of the Documenta Fifteen are presented with their work by international authors who are familiar with the respective artistic practice and the cultural context. Under the title \"Lumbung\", the book introduces the thinking and the cultural background of the Documenta Fifteen and illustrates the artistic work processes with numerous drawings. A chapter about Kassel shows and explains all locations of the show, including the artists and collectives represented here.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Buch (978-3-7757-5282-4)","offer_id":43541643395336,"sku":"9783775752824","price":9.99,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-5354-8)","offer_id":44709712920840,"sku":"9783775753548","price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB fixed-layout (978-3-7757-5353-1)","offer_id":49905467719944,"sku":"9783775753531","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775752824_88e41f68-fd65-400e-a355-55e132da6f7f.jpg?v=1744150949"},{"product_id":"60111-gehen-finden-teilen","title":"Gehen, Finden, Teilen","description":"Inspired by the tours featured in travel guides or educational offerings at public museums, Walking, Finding, Sharing offers children and families, but also comic fans and experienced exhibition visitors, alternative perspectives on documenta fifteen. 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In personal and culturally profound interviews, they discuss their visions, challenges, and the responsibility of making art accessible to an ever-wider audience. Whether it's the Louvre, the Metropolitan Museum of Art, or the Guggenheim: The personalities behind these institutions share their passion for art, cultural policy issues, and the balancing act between art temple and public magnet. The interviews paint a vivid picture of how museums have become central venues of cultural life – and what it means to lead them. With interviews with: Michel Laclotte (Louvre), Sir Alan Bowness (Tate), Sir Timothy Clifford (National Galleries of Scotland), Philippe de Montebello (Met), Irina Antonova (Pushkin Museum), Peter-Klaus Schuster (Staatliche Museen zu Berlin), Sir Mark Jones (V\u0026amp;A), Tom Krens (Guggenheim), Wilfried Seipel (KHM), Henri Loyrette (Musée d’Orsay, Louvre)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDonatien Grau\u003c\/strong\u003e (b. 1987) is a French art critic, curator, and scholar. He writes for leading international publications and works at the intersection of museums, academia, and the public. 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Because whether it's the stock market or the museum floor, both share a closely interwoven history. Experienced art dealer and intermediary Dirk Boll tells this story based on a fascinating constant: every 10 years, the art and economic markets experience a profound upheaval or transformation. Whether it's the economic crises of 1990 or 2010, the bursting of the first internet bubble in 2000, or the Corona crisis – each decade brings its own entirely unique valuation of art. This is especially true in the context of digital development, from virtual viewing rooms to new distribution channels, through which the art world is currently undergoing its most lasting changes. It is therefore high time to take stock and see art with new eyes.\u003cbr\u003e\u003cbr\u003eDIRK BOLL (*1970, Kassel) studied law and cultural management in Freiburg and Ludwigsburg and earned his doctorate on the organizational forms of the art market. He has been working for the auction house Christie's since 1998. 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The Future of the Museum","description":"When museums worldwide had to close in 2020 due to the novel coronavirus, New York-based cultural strategist András Szántó conducted interviews with a number of internationally active museum directors. At a time when economic, political, and cultural changes signal the beginning of a new era, the museum leaders spoke openly about the historical limitations and untapped potential of their institutions. The 28 dialogues in this book each address a specific theme relevant to art institutions today and tomorrow. What emerged from this series of conversations is a composite portrait of a generation of museum directors working to make institutions more open, democratic, inclusive, experimental and experience-oriented, technologically savvy, and culturally polyphonic, aligned with the needs of their visitors and communities, and engaging with the important questions of the societies around them.\u003cbr\u003e\u003cbr\u003eINTERLOCUTORS: Marion Ackermann (Staatliche Kunstsammlungen Dresden), Cecilia Alemani (The High Line, New York), Anton Belov (Garage Museum of Contemporary Art, Moscow), Meriem Berrada (MACAAL, Marrakesh), Daniel Birnbaum (Acute Art, London), Thomas P. Campbell (Fine Arts Museums of San Francisco), Tania Coen-Uzzielli (Tel Aviv Museum of Art), Rhana Devenport (Art Gallery of South Australia, Adelaide), María Mercedes González (Museo de Arte Moderno de Medellín), Max Hollein (The Metropolitan Museum of Art, New York), Sandra Jackson-Dumont (Lucas Museum of Narrative Art, Los Angeles), Mami Kataoka (Mori Art Museum, Tokyo), Brian Kennedy (Peabody Essex Museum, Salem), Koyo Kouoh (Zeitz Museum of Contemporary Art Africa, Cape Town), Sonia Lawson (Palais de Lomé), Adam Levine (Toledo Museum of Art), Victoria Noorthoorn (Museo de Arte Moderno de Buenos Aires), Hans Ulrich Obrist (Serpentine Galleries, London), Anne Pasternak (Brooklyn Museum), Adriano Pedrosa (MASP, São Paulo), Suhanya Raffel (M+ Museum, Hong Kong), Axel Rüger (Royal Academy of Arts, London), Katrina Sedgwick (Australian Centre for the Moving Image, Melbourne), Franklin Sirmans (Pérez Art Museum Miami), Eugene Tan (National Gallery Singapore \u0026amp; Singapore Art Museum), Philip Tinari (UCCA Center for Contemporary Art, Beijing), Marc-Olivier Wahler (Musée d’Art et d’Histoire, Geneva), and Marie-Cécile Zinsou (Musée de la Fondation Zinsou, Ouidah)\u003cbr\u003e\u003cbr\u003ePODCAST RECOMMENDATION\u003cbr\u003e\u003cbr\u003e\u0026lt;iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/6WVTLuPqCcKWNv8fds6LYe?utm_source=generator\" width=\"100%\" height=\"232\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u003cbr\u003e\u003cbr\u003eANDRÁS SZÁNTÓ (*1964, Budapest), PhD, advises museums, cultural institutions, and leading brands on cultural strategy. As an author and editor, his writings have appeared in the New York Times, Artforum, Kunstzeitung, and many other publications. He directed the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, who lives in Brooklyn, has been conducting conversations with leading figures in the art world since the early 1990s, including as a frequent moderator of the Art Basel Conversations series.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4827-8)","offer_id":44244603339016,"sku":"9783775748278","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-4828-5)","offer_id":44573670277384,"sku":"9783775748285","price":21.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4829-2)","offer_id":44577201881352,"sku":"9783775748292","price":21.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748278_9cc9207c-5f74-48a8-88a1-dee2bf4fa67f.jpg?v=1744040845"},{"product_id":"56771-philipp-zitzlsperger","title":"Philipp Zitzlsperger","description":"The design dilemma is based on the history of the separation of design and art since the late Middle Ages. It describes the transformation of design from an art to a problem-solving discipline. This great divergence is accompanied, on the one hand, by myths that construct contrasts between free art and unfree design, between aura and loss of aura, or between distance and contact. On the other hand, the avant-gardes have often invoked the unity of art and design, which museums and marketing are also taking up again today. To better understand design's flickering between art and non-art, its 600-year history of ideas in the fields of art and industrial history, as well as the philosophy of pragmatism since about 1900, is now traced for the first time. Special attention is paid to the original ideas and their reshaping by technicism, capitalism, functionalism, and Darwinism. These lead to the design dilemma that shapes the \"attitude\" of its actors.\u003cbr\u003e\u003cbr\u003ePHILIPP ZITZLSPERGER (b. 1965) is a professor of art and design history and pro-dean for research at the Department of Design at Hochschule Fresenius (University of Applied Sciences) as well as a private lecturer at the Institute for Art and Visual History at Humboldt-Universität zu Berlin.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-4863-6)","offer_id":44244603371784,"sku":"9783775748636","price":14.0,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-4886-5)","offer_id":44573670375688,"sku":"9783775748865","price":27.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4887-2)","offer_id":44577201914120,"sku":"9783775748872","price":27.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775748636_453f49be-96cf-4aa8-bdca-ec550b9be1a5.jpg?v=1744126263"},{"product_id":"53856-tal-sterngast-zwoelf-bilder","title":"Tal Sterngast. 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And why is it unimportant to know whether Jan Vermeer used an optical device when painting or not? \"Twelve Paintings\" is an ode to the topicality of the Old Masters.\u003cbr\u003e\u003cbr\u003eThis book is also available in \u003ca href=\"https:\/\/www.hatjecantz.de\/products\/53857-tal-sterngast-twelve-paintings?_pos=1\u0026amp;_sid=eaec051c8\u0026amp;_ss=r\"\u003eEnglish\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eTAL STERNGAST (*1972, Israel) studied photography and film in Jerusalem, London, and Berlin. She has published numerous essays and articles on contemporary art and films in international newspapers and magazines and has curated exhibitions. 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Each chapter opens up a cosmos of references to literature, cartoons, art history, and psychoanalysis – from Greek mythology to Marcel Proust and Hélène Cixous. Alongside reproductions of Henrot's paintings, drawings, and sculptures, her texts oscillate freely between the personal and the social, the obvious and the complex, the unconsciously instinctive and the utterly mundane.\u003cbr\u003e\u003cbr\u003eMilkyways was originally conceived at the invitation of Antje Stahl for the magazine Republik and written in collaboration with Jacob Bromberg, Antje Stahl, and Léa Trudel.\u003cbr\u003e\u003cbr\u003eCAMILLE HENROT (b. 1978, Paris) is considered one of the most influential voices in contemporary art. Her practice spans drawing, painting, sculpture, installation, and film. 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To explain his absence, Jules Pelta Feldman looks back at the New York art scene of the 1970s and observes that Simonds embodies much of what was ignored in the discourses of the time.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-5460-6)","offer_id":44468955447560,"sku":"9783775754606","price":28.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-5558-0)","offer_id":44573670506760,"sku":"9783775755580","price":27.99,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-5559-7)","offer_id":44573670473992,"sku":"9783775755597","price":27.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775754606_2803c8d3-0920-4647-8a00-60c48f98455f.jpg?v=1744051250"},{"product_id":"16649-paul-ryan","title":"Paul Ryan","description":"In a conversation with Ayreen Anastas and Rene Gabri, agents of dOCUMENTA (13), New York-based video artist Paul Ryan discusses the theoretical and biographical background of his work, his formative work for Marshall McLuhan, and his role within the video group Raindance and its magazine Radical Software. These various influences awakened in him the desire to combine his artistic practice with a revolutionary social practice, in which the concept of \"Threeing\" plays a central role. \"Threeing\" is a \"voluntary relational practice or exercise in which three people alternately assume three different roles,\" based on the phenomenological categories of Firstness, Secondness, and Thirdness introduced by Charles Sanders Peirce. The conversation is supplemented by a comprehensive appendix with illustrated texts on \"Threeing\" as well as the relational circuit also developed by Ryan.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2864-5)","offer_id":44503949902088,"sku":"9783775728645","price":6.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-3044-0)","offer_id":44573660446984,"sku":"9783775730440","price":3.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4989-3)","offer_id":44573660479752,"sku":"9783775749893","price":3.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775728645_7ea94e2a-5ad4-470e-bb18-3f9bf383c127.jpg?v=1744124661"},{"product_id":"16651-kenneth-goldsmith","title":"Kenneth Goldsmith","description":"In a letter to Bettina Funcke, head of publications at dOCUMENTA (13), New York-based poet Kenneth Goldsmith (b. 1961) weaves together various threads of his artistic practice to form a comprehensive picture of his work. 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His descriptions of his work at UbuWeb, as an author (who retypes existing texts), as a host of a weekly radio show (who reads out music lists from other DJs and texts from bloggers), and as a professor of English literature (who teaches uncreative writing) combine with theoretical and poetic interjections to form a complex reflection on poetry under the influence of appropriation.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2866-9)","offer_id":44503949934856,"sku":"9783775728669","price":4.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-4991-6)","offer_id":44573660512520,"sku":"9783775749916","price":1.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-3046-4)","offer_id":44573660545288,"sku":"9783775730464","price":1.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775728669_4fa0f825-6356-4910-9e73-cc1a0768947c.jpg?v=1744106586"},{"product_id":"16655-cornelius-castoriadis","title":"Cornelius Castoriadis","description":"At the heart of the thought of political philosopher, economist, social critic, and psychoanalyst Cornelius Castoriadis (1922–1997) are three important, closely intertwined concepts: the imaginary, creation, and autonomy. They refer to the broad spectrum of meanings through which a society develops symbolic forms and institutional structures to express its identity. The radical left-wing group Socialisme ou Barbarie, founded by Castoriadis and Claude Lefort in 1948, influenced numerous workers' movements across Europe. For his notes on topics from philosophy, economics, politics, mathematics, and psychoanalysis, a selection of which, made by cultural theorist Nikos Papastergiadis, is printed here, he never used a notebook but rather whatever was at hand, be it the backs of ration cards or the blank lines of a conference program. \u003cbr\u003eWith an introduction by Nikos Papastergiadis (b. 1962), Professor of Cultural Studies and Media \u0026amp; Communication at the University of Melbourne.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2870-6)","offer_id":44503949967624,"sku":"9783775728706","price":8.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-4977-0)","offer_id":44573660578056,"sku":"9783775749770","price":4.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-3050-1)","offer_id":44573660610824,"sku":"9783775730501","price":4.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775728706_09feff60-d6f3-4fe8-bcde-397fe1654cca.jpg?v=1744052135"},{"product_id":"16675-avery-f-gordon","title":"Avery F. Gordon","description":"In this notebook, Gordon focuses on Breitenau, a 12th-century Benedictine monastery located 20 kilometers south of Kassel, which was used for various purposes and has served as a place of imprisonment and \"re-education\" since the 19th century. In 1874, it became a workhouse, during National Socialism a concentration camp, up until the 1970s it was a reformatory for girls, and today it is an open psychiatric residential and therapy facility as well as a memorial, museum, and research center. During a joint visit with the artist, Gordon, with the help of Gunnar Richter, co-founder and director of the memorial, delves into the history of Breitenau, recalls its function as a place of detention for \"disobedient social subjects\" and their ideas, and develops \"a kind of encyclopedia of the prisoner.\" \u003cbr\u003eAvery F. Gordon is Professor of Sociology at the University of California, Santa Barbara, and Visiting Faculty at the Centre for Research Architecture, Goldsmiths College, University of London.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2890-4)","offer_id":44503950000392,"sku":"9783775728904","price":6.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - PDF (978-3-7757-4947-3)","offer_id":44573660643592,"sku":"9783775749473","price":3.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - EPUB (978-3-7757-3070-9)","offer_id":44573660676360,"sku":"9783775730709","price":3.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775728904_f0846cea-3ae1-42d4-a9ec-1c2f141ad60e.jpg?v=1744046433"},{"product_id":"16685-george-chan","title":"George Chan","description":"Throughout his life, George Chan, the father of \"integrated farming\", worked with farmers from all over the world, seeking a formula to turn \"waste into wealth\". He combined their ancient knowledge with new techniques and developed a theory based on a circular system and sustainable recycling, in which agriculture can exist without energy input and without waste output – the Integrated Farming and Waste Management System. For these so-called dream farms, a sustainable cycle was developed in which materials and energy pass through various stages, for example, by using chicken droppings as fertilizer for fodder plants, which leads to an increase in harvest and yield. Chan is a pioneer in the fight for environmental friendliness and organic farming, but since his revolutionary method is derived from site-specific research and limited exchange, it has unfortunately remained relatively unknown to this day. This notebook collects the main ideas of this dedicated thinker in the form of drawings, diagrams, notes, and photographs, introduced by Fernando García-Dory, who compiled these documents in close consultation with Chan. \u003cbr\u003eGeorge Chan (*1923) is an environmental engineer.\u003cbr\u003eFernando García-Dory (*1978) is an artist and agroecologist who lives between Madrid, Berlin, and the mountains of northern Spain.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2900-0)","offer_id":44503950033160,"sku":"9783775729000","price":6.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-3080-8)","offer_id":44573660709128,"sku":"9783775730808","price":3.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4957-2)","offer_id":44573660741896,"sku":"9783775749572","price":3.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775729000_e1d4b963-ccb7-415f-9564-66c74526ecc6.jpg?v=1744067444"},{"product_id":"16697-critical-art-ensemble","title":"Critical Art Ensemble","description":"\"My illness is my strength.\" This notebook is written from the perspective of a two-hundred-year-old individual who experienced their youth in the mid-19th century and at that time was taken in by contemporary thinkers such as Francis Galton (1822–1911), a cousin of Darwin, and Herbert Spencer (1820–1903). Now, in the 21st century, he corrects his past errors and describes how his thinking is now based \"more on skepticism than on certainties.\" Through this experienced medium, the Critical Art Ensemble issues a serious warning: Rhetoric is currently circulating that exhibits similarly problematic argumentative patterns as the evolutionary theories of that time. The current fundamental problem has two levels: Firstly, the reasons for an \"illness\" are always shifted onto the subject or a \"vulnerable\" population group, and secondly, this slanderous policy of symptom control obscures the view of the actual causes.\u003cbr\u003eThe Critical Art Ensemble (CAE) was founded in 1987 by five media practitioners.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2912-3)","offer_id":44503950065928,"sku":"9783775729123","price":6.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-3092-1)","offer_id":44573660774664,"sku":"9783775730921","price":3.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4933-6)","offer_id":44573660807432,"sku":"9783775749336","price":3.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775729123_9dc35cbc-3b9c-42e2-8c6b-fc3c53dd3eb9.jpg?v=1744052228"},{"product_id":"16699-durs-gruenbein","title":"Durs Grünbein","description":"\"Poetry puts language into a dream state, in which it meditatively assures itself of intrusive reality.\" With this sentence, so central to Durs Grünbein's poetic project and his entire aesthetic, literary critic Michael Eskin begins his introduction to Grünbein's dream work. Based on a meticulously kept and annotated dream file, Grünbein recalls a multitude of his dreams – of his daughters swimming out of the apartment like mermaids, of a picnic with his parents near a bloodbath in Cameroon, of a seductive beauty on an airplane and a toad with palatine eyes. \"What gives existence poetic density is the dream. It arms us with the impenetrability of moments,\" Grünbein notes. Gestures are the most unfathomable aspect of dreams, for a wave or a wink can give the inner drama a new turn. The notebook \"Aus der Traum (Kartei)\" (Out of the Dream (File)) draws from lived experience and brings poetry back into everyday life. \u003cbr\u003eDurs Grünbein (born 1962) lives as a poet, translator, and essayist in Berlin.\u003cbr\u003eThe author Michael Eskin is co-founder and vice president of Upper Westside Philosophers Inc., New York.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2914-7)","offer_id":44503950098696,"sku":"9783775729147","price":8.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-3094-5)","offer_id":44573660840200,"sku":"9783775730945","price":4.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4924-4)","offer_id":44573660872968,"sku":"9783775749244","price":4.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775729147_483f61f1-bb64-43ee-9118-f685507c6f6f.jpg?v=1744058402"},{"product_id":"16710-anton-zeilinger","title":"Anton Zeilinger","description":"In his notebook, quantum physicist Anton Zeilinger offers insights into an existential phase of his scientific work. On display are excerpts from his notebook from March to early June 1993, a period when he conducted the first experiments on multiphoton states and entangled photons. The keywords for this then newly emerging quantum information technology are quantum computer, quantum communication, quantum cryptography, quantum cloning, and quantum teleportation. Zeilinger reveals what is probably the first sketch of the teleportation scheme, as well as notes on multiports and entanglement in higher-dimensional Hilbert spaces. For laypeople in this field, Zeilinger's solid introduction, his drawings, abbreviations, and calculations open the door to a new world.\u003cbr\u003eAnton Zeilinger (*1945) is a professor of physics at the University of Vienna and director of the Institute for Quantum Optics and Quantum Information of the Austrian Academy of Sciences; he is a member of the Honorary Advisory Committee of dOCUMENTA (13).","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2925-3)","offer_id":44503950164232,"sku":"9783775729253","price":6.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-3105-8)","offer_id":44573660971272,"sku":"9783775731058","price":3.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-4997-8)","offer_id":44573661004040,"sku":"9783775749978","price":3.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775729253_f932d430-9682-4a97-bbe4-c2367072ec31.jpg?v=1744042263"},{"product_id":"16720-sarah-rifky","title":"Sarah Rifky","description":"How does one behave amidst an uprising? With the core question “What should I do?” the author opens a chain of thoughts, in which she questions her role as an observer\/participant of the Arab Spring and the recent events in Egypt, and takes the reader on a very personal inner journey. The decision to write, to document, to tell stories is followed by doubts, self-doubt, and existential questions, because “the uprising does not need writing.” Documentary fragments intersperse conceptual treatises and dreamlike sequences in an ongoing process of self-reflection. \u003cbr\u003eSarah Rifky, agent of dOCUMENTA (13), is a writer and curator; she lives in Cairo.","brand":"Hatje Cantz Verlag","offers":[{"title":"Book (978-3-7757-2935-2)","offer_id":44503950197000,"sku":"9783775729352","price":4.0,"currency_code":"EUR","in_stock":false},{"title":"Ebook - EPUB (978-3-7757-3115-7)","offer_id":44573661036808,"sku":"9783775731157","price":3.99,"currency_code":"EUR","in_stock":true},{"title":"Ebook - PDF (978-3-7757-5021-9)","offer_id":44573661069576,"sku":"9783775750219","price":3.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0582\/8948\/8049\/files\/odoo_9783775729352_e30c6543-623e-4c5b-9bd0-241569cac322.jpg?v=1744133459"},{"product_id":"16722-dorothea-von-hantelmann","title":"Dorothea von Hantelmann","description":"How can it be that the artistic director of dOCUMENTA (13), of all people, speaks of the \"obsolescence of the exhibition\"? Dorothea von Hantelmann explores this question, referring to a conversation with Carolyn Christov-Bakargiev and providing insight into her book project, which is nearing completion. While more museums are being built, more biennials are being realized, and more visitors are being counted than ever before, criticism of current exhibition formats is growing. The historical development of museology shows that the venues for art presentation are increasingly moving away from their task of \"object display,\" as defined in modern bourgeois society, and seeking out the experiential and experimental content of things. However, classic works of art condense time into the object and depend on a prolonged reception, which is rarely achieved today. The White Cube has already successfully shifted the focus \"from the produced object to the consuming subject\" and indeed renders exhibitions in the sense of object displays obsolete. 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