Callum Innes

From Memory

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Callum Innes
From Memory

Ed. Fiona Bradley, text(s) by Michael Auping, Fiona Bradley, Eric de Chassey, Richard Cork, contributions by Paul Bonaventura, graphic design by Herman Lelie, Stefania Bonelli


2006. 256 pp., 122 ills.


25.60 x 30.30 cm

ISBN 978-3-7757-1850-9

Innes’s paintings are rhythmically meditative, the result of a process that involves the repeated removal as well as application of paint. Calm and authoritative, they nevertheless bear the traces of the controlled chaos of their production, of the creative and destructive interaction of paint and turpentine. With authoritative texts and extensive illustrations, this publication brings together the major themes and preoccupations of Innes’s practice over the last fifteen years. Paintings from his earliest Cento series Quotations, Agitated Verticals, Isolated Forms, Repetitions, Formed Paintings, Identified Forms, Monologues, Resonances and Shellac Paintings join a substantial body of Exposed Paintings, from the earliest to the most recent, and explore the development of the artist’s visual language.

Exhibition schedule: The Fruitmarket Gallery, Edinburgh September 30–November 19, 2006· Modern Art Oxford, February 13–April 15, 2007· Museum of Contemporary Art, Sydney, November 27, 2007–February 17, 2008

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