Édouard Glissant & Hans Ulrich Obrist (dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 038)
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Édouard Glissant & Hans Ulrich Obrist
This notebook is a homage of the curator Hans Ulrich Obrist to the French author, poet, and philosopher Édouard Glissant (1928–2011), who passed away this year. Glissant, one of the most influential figures of the French-speaking Caribbean and a pioneer of postcolonial thinking, called “attention to means of global exchange which do not homogenize culture but produce a difference from which new things can emerge”. Obrist encountered Glissant at the beginning of his curatorial path, following a recommendation by Alighiero Boetti, then through his books, and later in person. In the introduction, Obrist creates a multilayered portrait of the intellectual, laying out some of his key concepts: the creolization of the world, “archipelic thought,” and the museum as archipelago, as well as utopia. These ideas are expressed in a personal tone by Glissant in a selection of title pages of his books with drawings, notations and poetic dedications that are reproduced here in facsimile.Édouard Glissant (1928–2011) was a French writer, poet, and philosopher.Curator and critic Hans Ulrich Obrist (*1968) is Co-Director, Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London.
This notebook is a homage of the curator Hans Ulrich Obrist to the French author, poet, and philosopher Édouard Glissant (1928–2011), who passed away this year. Glissant, one of the most influential figures of the French-speaking Caribbean and a pioneer of postcolonial thinking, called “attention to means of global exchange which do not homogenize culture but produce a difference from which new things can emerge”. Obrist encountered Glissant at the beginning of his curatorial path, following a recommendation by Alighiero Boetti, then through his books, and later in person. In the introduction, Obrist creates a multilayered portrait of the intellectual, laying out some of his key concepts: the creolization of the world, “archipelic thought,” and the museum as archipelago, as well as utopia. These ideas are expressed in a personal tone by Glissant in a selection of title pages of his books with drawings, notations and poetic dedications that are reproduced here in facsimile.Édouard Glissant (1928–2011) was a French writer, poet, and philosopher.Curator and critic Hans Ulrich Obrist (*1968) is Co-Director, Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London.
This notebook is a homage of the curator Hans Ulrich Obrist to the French author, poet, and philosopher Édouard Glissant (1928–2011), who passed away this year. Glissant, one of the most influential figures of the French-speaking Caribbean and a pioneer of postcolonial thinking, called “attention to means of global exchange which do not homogenize culture but produce a difference from which new things can emerge”. Obrist encountered Glissant at the beginning of his curatorial path, following a recommendation by Alighiero Boetti, then through his books, and later in person. In the introduction, Obrist creates a multilayered portrait of the intellectual, laying out some of his key concepts: the creolization of the world, “archipelic thought,” and the museum as archipelago, as well as utopia. These ideas are expressed in a personal tone by Glissant in a selection of title pages of his books with drawings, notations and poetic dedications that are reproduced here in facsimile.Édouard Glissant (1928–2011) was a French writer, poet, and philosopher.Curator and critic Hans Ulrich Obrist (*1968) is Co-Director, Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London.
