Composite Landscapes

Photomontage and Landscape Architecture

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Composite Landscapes
Photomontage and Landscape Architecture

Edited by Charles Waldheim, Andrea Hansen, Texts by James S. Ackerman, James Corner, Stephen Daniels, Anette Freytag, Andrea Hansen, Karen M'Closkey, Charles Waldheim

English

2014. 216 pp., 138 ills.

25.10 x 31.00 cm
hardcover

ISBN 978-3-7757-3819-4

The montage: an art form and means of representation in landscape architecture

National ASLA Award

Composite Landscapes examines one of landscape architecture’s most recognizable representational forms, the montage view. The volume gathers work from a select group of influential contemporary artists and a dozen of the world’s leading landscape architects. These composite views reveal practices of photomontage depicting the conceptual, experiential, and temporal dimensions of landscape. Composite Landscapes illustrates the analog origins of a method now rendered ubiquitous through digital means. In revisiting the composite landscape view as a cultural form, Composite Landscapes illuminates the contemporary status of the photographically constructed image for the design disciplines, and beyond.

Landscape architects and artists presented:

Yves Brunier, Claude Cormier, James Corner, Jan Dibbets, Charles Eliot, Teresa Galí-Izard, Isabella Stewart Gardner, Adriaan Geuze, Booth Grey, Christopher Grubbs/Hargreaves Associates, Gary Hilderbrand, David Hockney, Kenneth Josephson, Kienast Vogt Partners, Anuradha Mathur/Dilip Da Cunha, Valerio Morabito, Eadweard Muybridge, Humphry Repton, Arthur Shurcliff, Ken Smith/Alice Adams, John Stezaker, Stöckli, Kienast & Koeppel, Superstudio, Michael Van Valkenburgh, Richard Weller, Byron Wolfe

Ausstellung/Exhibition: Isabella Stewart Gardner Museum, Boston, Massachusetts, 27.6.–2.9.2013

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