Bruno Bosteels

Einige hoch spekulative Anmerkungen über Kunst und Ideologie(dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 082)

Bruno Bosteels
Einige hoch spekulative Anmerkungen über Kunst und Ideologie(dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 082)

Text(s) by Bruno Bosteels

Series: dOCUMENTA (13): 100 Notizen - 100 Gedanken

German, English

2012. 36 pp., 2 ills.

e-book

ISBN 978-3-7757-3111-9

In his notebook, Bruno Bosteels questions the relationship between art and ideology. He suggests an analogy between dream work and art, as the first draws attention to the “reflexive gestures” of and assumptions about art. Against the conception that art per se is equal to deliverance, trespassing, and resistance, Bosteels draws a theoretical outline of the ideology of art and asks whether, instead of its overestimated political subversion, “artistic freedom” could serve as a model for the ideological inscription of the individual into existing structures of society. With the help of Louis Althusser, Jacques Rancière, and Jean-François Lyotard, he analyzes how art is bound up with the ruling order and a temporary hallucinatory satisfaction.

Bruno Bosteels (*1967) is Professor of Romance Studies and Comparative Literature at Cornell University, Ithaca, New York.

Language: German/English

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Art Dictionary

Documenta

The documenta (Kassel, Germany) is regarded as the world´s most important exhibition of contemporary art today. Ever since the first show in 1955, the documenta has made considerable contributions to the history of art.

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